Attelage Mécanique 

Discreet yet baroque: I love the mixed mood of this capture by @studio.sheridansart showcasing wearable art by Pioro Blue… . . . #beautifulbizarremagazine #fineartphotography #photography #wearableart #headdress #laurasheridan #pioroblue

so how bout that interview huh

Need to make

8-foot giant squid pillow.

You’ll need:

2 yards of felt

1 yard of patterned fabric (I suggest a polka dot-type pattern so it looks like suction cups)

1 medium piece of black felt, 1 medium piece of white felt (for the eyes)

white thread, black thread and thread of the same color as the felt you’re using

pins

about 5 lbs. of stuffing

a couple big sheets of paper to draw your pattern

First, you need to draw out your patterns. Here’s a basic template to get you started, although most of the measurements are reasonably fudgeable. If in the likely event you don’t have any four-foot-long pieces of paper lying around, just tape a few pieces together.

Once you’ve drawn out your eight patterns, it’s time to cut the fabric. Pin the pattern to the fabric, laid flat, and cut out the following, leaving a half an inch or so of extra fabric around the edge of the pattern:

FOR THE ARMS: 8 felt and 8 fabric cutouts of piece 1

FOR THE, UH, LONGER ARMS: 2 felt and 2 fabric cutouts of piece 2

FOR THE BODY: 2 felt cutouts of piece 3

FOR THE FIN: 4 felt cutouts of piece 4

FOR THE HEAD: 1 felt cutouts of piece 6

FOR THE EYES: 2 white felt cutouts of piece 7 and 2 black felt cutouts of piece 8

So now you’ve got all your pieces ready, it’s time to start sewing them together. I did mine by hand because my sewing machine is busted and I get a kind of Zen buzz from sewing by hand, but if you have a non-busted one I recommend that you use it as it will be MUCH EASIER. You’re going to be sewing everything with the nice side of the fabric facing in, then turning it inside out to stuff it.

THE ARMS: (To make a quilted pattern that looks like suckers, see this other post). Pin together one patterned fabric piece 1 and one felt piece 1 (with the nice sides facing the inside). Sew down around the U-shape and back up, leaving the top open. Then turn the arm inside out, stuff it (it’s easiest to do both of these things if you sort of scrunch it up like you’re trying to put on a pair of tights, excuse the non-dude-friendly reference) and sew the top closed. Do the same for the other seven arms and rejoice in the fact that this is the most tedious part. Same deal with the two long arms, they’re just harder to stuff.

THE FINS: Pin together two of your piece 4s and sew together the curvy outer edge. Turn the piece inside out, so the seam you just sewed is on the inside, and start sewing up the other side, stuffing gradually as you go along. You should end up with a triangle-ish puffy thing. Repeat for the other two piece 4s.

THE BODY: Put down one piece 3, then place the two fins you have down with the point up and the curvy side pointing in, then make a sandwich by putting the other piece 3 down on top. Pin it all together and sew around the edges with the two fins still inside, as shown. Turn it inside out and move on to…

THE HEAD: So take piece 6 and the ten arms you’ve already done. Lay the arms, fabric side facing you, out with the arms’ top seams in a line half an inch from the top of piece 6. The order should be arm arm arm arm BIG ARM arm arm arm arm BIG ARM. The legs should be almost entirely covering piece 6. Pin them in place and sew a straight line through the individual legs seams to attach the legs to piece 6.

When you pick up the other side of piece 6, you now have something resembling a really weird untied hula skirt. Sew together the two 9-inch ends of piece 6 with the fabric side of the arms on the outside, and keep it inside out for the moment.

PUTTING IT ALL TOGETHER: Fit the open end of the body through the arms (still fabric side facing out) and pull the edge all the way through the felt cylinder so it’s even with the edge that DOESN’T have arms attached to it. Sew around the diameters of the head cylinder and the body cylinder to attach them, then pull the legs down over the head and you’re almost done!

Stuff the body, then seal it off by sewing piece 5 over the open end (even if you do have a functional sewing machine, you’ll probably have to do this part by hand).

THE EYES: Sew the black circles on the white circles and whipstitch the eyes onto the head. You do this last because you can’t tell where they’re going to end up on the end product if you put them on before stuffing the body.

A Beginner’s Guide for Feminist Fantasy

First off, we have Gail Carson Levine. She writes children lit, her most famous is Ella Enchanted aka the best retelling of Cinderella ever. This is an objective fact, not an opinion*. Her books are witty and her main characters don’t fall into the trope of “strong female character” and are all unique. They have relationships with other women. The romances are well developed, but still allow room for character development, setting, and plot. 

Tamora Pierce has created two different worlds: Circle of Magic and Tortall, both incredibly flushed out worlds and have multiple series set in both. She has mainly female protagonists, some are WOC and others are queer, and they all have amazing story arcs. In the Tortall series, each woman gets her own series and develops so much. 

Malinda Lo writes high fantasy books (and some scifi) and it’s very gay. They are very clear cut stories, with beautiful writing and plays on well known tropes in the fantasy genre. Her books feature WOC as well and she is still writing new books, although some of her newer ones are sci fi and realistic fiction. 

Robin McKinley writes beautifully written books, almost all with female leads. They center around female relationships and most are retellings of fairy tales. Most are high fantasy, but a few are urban fantasy. They are pretty open ended, and finish with a lot of unanswered questions, which I find refreshing. 

Kirsten Cashore only has three books out, but they are perfect for entering into the fantasy world. Her series can all be read as standalones, but best read in order of publication. Her books feature WOC and queer women, with healthy romantic relationships and politics and friendships. 

*jk, you can have your own personal fave

Keep reading

@nyane

strawberry hill house in london, england

Just completed and submitted the final version of my Extended Essay !!! °˖✧◝(⁰▿⁰)◜✧˖° 

So I compiled lists of words that I found super super useful in making it easier for me to finish any essay !! Here is a masterpost of some sort with transition words + key vocabs grouped together for easy access as well as an IB IOC ‘cheat sheet’ I used for my english LAL orals last year (though most commentaries follow a similar structure so its generalisable) ~

Good luck with your essays !!!

… oops just realised I forgot to bullet point one of the lists 

La Beyoncé.

i liked beyoncé’s lemonade video a totally normal amount, and this was an excellent use of my time. 🍋🐝

have you ever watched your peers win the scholarships you've also applied to (and get rejected in) and feel just... really worthless? especially if you put in a lot of effort. Sometimes it's discouraging to think there's always someone out there that's much smarter than you. You don't have to reply, I just felt like venting haha.

Good evening, anonymous! Thanks for the ask!

I’ve been in similar situations many times, and it’s Not A Great Feeling.  Although you asked about scholarship applications, I hope you don’t mind if I talk about application rejections more generally.

First off, some of my more recent rejection experiences include…

During my first wave of graduate school applications, I was rejected unanimously. It was extremely discouraging. (Contrast this with my second wave of graduate school applications a year later, wherein I was unanimously accepted and received several amazing financial offers.)

Because my subfield is financially-limited, there’s a lot of people applying for a very finite pool of money. Of course, my research group needs funding if it’s going to keep doing science, meaning rejection is an expected part of the process.

I’ve been rejected many times over by certain research-relevant summer schools that my colleagues have attended.

And so, with these experiences in mind, I’d like to provide some…

~Advice For When Your Application Gets Rejected~

Rejection in general can be extremely painful, disappointing, and discouraging. Then add the pressure of that rejection impacting your future? Cue heartbreak.

Here are several facts that help me maintain my spirits through repeated rejections. For instance, when it comes to the persons who evaluate applications, I keep in mind that…

They survey a TON of people. As a result, they end up with a larger number of qualified applicants than they have available spots. Being rejected doesn’t mean you weren’t qualified. I know plenty of hyper-qualified individuals who get rejected simply because of the luck of the draw.

They observe only a FRACTION of you. Applications are necessarily finite, so reviewers don’t get to evaluate the whole of you. Rejection of your application is not a rejection of you. You are so so SO much more than an application.

Furthermore,

An application rejected by certain reviewers might be accepted by others, and vice-versa. Consequently, if you get a rejection and someone else gets an acceptance that does NOT mean they’re better than you. An application can’t enable judgments of that complexity.

You are growing and changing every day: the pieces of you that go into an application can be improved upon or reworked for future applications. Rejection can inform you what areas you might try to focus on in the future. 

Finally, my most IMPORTANT piece of advice is to keep in mind that…

~even the strongest applicant will receive rejections~

There’s an element of luck whenever you apply for anything. That’s the nature of these systems and it’s not your fault.

Remember:

Success isn’t a matter of always succeeding, but persevering until you do.

Best wishes, my anonymous friend.