“Lady who has a Bible Verse for every situation.”
there is an absolutely fantastic podcast that a good friend of mine was recommending for me to listen to for months and I finally did and just. damn. it’s only eight episodes long; I meant to listen to one episode and I accidentally binge-listened to the entire thing in an evening. highly enjoyable, 10/10 recommend. seriously if you have ever trusted my judgement put aside a long car ride or an afternoon of chores or even just an afternoon of nothing and make your life that much of a cooler place for having listened
The Strange Case of Starship Iris is a really badass sci-fi thriller told like an epistolary novel except I guess that makes it an epistolary podcast, which is to say, every piece that you listen to is an in-universe transmission that is being played. The characters are fantastic. (and incredibly diverse, and it casually touches on diversity issues and classism issues and all that jazz in really solid ways) The worldbuilding is fantastic. The plot is fantastic and honestly each episode gets more exciting than the next and just I could scream about the voice acting and the use of medium and the writing is so good and seriously this is probably the best podcast I have ever listened to, just from the clever useage of the medium alone, epistolary podcasts are my new favorite thing.
The official description is
In 2189, Earth narrowly won a war against extraterrestrials, but at a tremendous price. Two years later, in a distant patch of space, a mysterious explosion kills nearly the entire crew of the science vessel Starship Iris. The only survivor is Violet Liu, an intrepid, sarcastic, terrified biologist. But as Violet struggles to readjust to life after the Iris, questions abound. Was that explosion really an accident? If not, just what is going on? And why does every answer seem to get more bizarre and more dangerous? If Violet and her newfound allies want to untangle the truth, they’ll need courage, brilliance, and luck - and honestly, a couple of drinks.
it’s on iTunes and google play and http://procyonpodcasts.com/starship-iris/ and there are transcripts for all the episodes too and there is absolutely no reason why you shouldn’t listen it is SO GOOD do yourself a favor then come scream to me about it
First off, we have Gail Carson Levine. She writes children lit, her most famous is Ella Enchanted aka the best retelling of Cinderella ever. This is an objective fact, not an opinion*. Her books are witty and her main characters don’t fall into the trope of “strong female character” and are all unique. They have relationships with other women. The romances are well developed, but still allow room for character development, setting, and plot.
Tamora Pierce has created two different worlds: Circle of Magic and Tortall, both incredibly flushed out worlds and have multiple series set in both. She has mainly female protagonists, some are WOC and others are queer, and they all have amazing story arcs. In the Tortall series, each woman gets her own series and develops so much.
Malinda Lo writes high fantasy books (and some scifi) and it’s very gay. They are very clear cut stories, with beautiful writing and plays on well known tropes in the fantasy genre. Her books feature WOC as well and she is still writing new books, although some of her newer ones are sci fi and realistic fiction.
Robin McKinley writes beautifully written books, almost all with female leads. They center around female relationships and most are retellings of fairy tales. Most are high fantasy, but a few are urban fantasy. They are pretty open ended, and finish with a lot of unanswered questions, which I find refreshing.
Kirsten Cashore only has three books out, but they are perfect for entering into the fantasy world. Her series can all be read as standalones, but best read in order of publication. Her books feature WOC and queer women, with healthy romantic relationships and politics and friendships.
*jk, you can have your own personal fave
Keep reading
why is this so goddamn funny
Raven Queen
adenoidal (adj): if someone’s voice is adenoidal, some of the sound seems to come through their nose
appealing (adj): an appealing look/voice shows that you want help, approval, or agreement
breathy (adj): with loud breathing noises
brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry
croaky (adj): if someone’s voice sounds croaky, they speak in a low, rough voice that sounds as if they have a sore throat
dead (adj): if someone’s eyes or voice are dead, they feel or show no emotion
disembodied (adj): a disembodied voice comes from someone who you cannot see
flat (adj): spoken in a voice that does not go up and down; this word is often used for describing the speech of people from a particular region
fruity (adj): a fruity voice or laugh is deep and strong in a pleasant way
grating (adj): a grating voice, laugh, or sound is unpleasant and annoying
gravelly (adj): a gravelly voice sounds low and rough
gruff (adj): this voice has a rough, low sound
guttural (adj): a guttural sound is deep and made at the back of your throat
high-pitched (adj): true to its name, a high-pitched voice or sound is very high
hoarse (adj): someone who is hoarse, or has a hoarse voice, speaks in a low, rough voice, usually because their throat is sore
honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking
husky (adj): a husky voice is deep and sounds hoarse (as if you have a sore throat), often in an attractive way
low (adj): a low voice is quiet and difficult to hear; also used for describing a deep voice that has a long wavelength
matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about)
modulated (adj): a modulated voice is controlled and pleasant to listen to
monotonous (adj): this kind of voice is boring and unpleasant due to the fact that it does not change in loudness or become higher/lower
nasal (adj): someone with a nasal voice sounds as if they are speaking through their nose
orotund (adj): an orotund voice is loud and clear
penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable
plummy (adj): a plummy voice or way of speaking is considered to be typical of an English person of a high social class; this word shows that you dislike people who speak like this
quietly (adj): in a soft, quiet voice
raucous (adj): a raucous voice or noise is loud and sounds rough
ringing (adj): a ringing voice is very loud and clear
rough (adj): a rough voice is not soft and is unpleasant to listen to
shrill (adj): a shrill voice is very loud, high, and unpleasant
silvery (adj): this voice is clear, light, and pleasant
singsong (adj): if you speak in a singsong voice, your voice rises and falls in a musical way
small (adj): a small voice is quiet
smoky (adj): a smoky voice is sexually attractive in a slightly mysterious way
softly spoken (adj): someone who is softly spoken has a quiet, gentle voice
soft-spoken (adj): speaking or said in a quiet, gentle voice
sotto voce (adj, adv): in a very quiet voice
stentorian (adj): a stentorian voice sounds very loud and severe
strangled (adj): a strangled sound is one that someone stops before they finish making it
strident (adj): this voice is loud and unpleasant
taut (adj): used about something such as a voice that shows someone is nervous or angry
thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion
thickly (adv): with a low voice that comes mostly from your throat
thin (adj): a thin voice or sound is high and unpleasant to listen to
throaty (adj): a throaty sound is low and seems to come from deep in your throat
tight (adj): shows that you are nervous or annoyed
toneless (adj): does not express any emotion
tremulous (adj): if your voice is tremulous, it is not steady; for example, because you are afraid or excited
wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing
wobbly (adj): if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry
booming (adj): very loud and attention-getting
quavering (adv): if your voice quavers, it is not steady because you are feeling nervous or afraid
a voice like a foghorn: very loud voice
in an undertone: using a quiet voice so that someone cannot hear you
someone’s dulcet tones: the sound of someone’s voice as they speak
I was scrolling through the notes after I posted something similar, and absolutely agree! Additionally whatever point is attempted to be made, if you overstate an issue you end up undercutting the actual problems at hand, as instead ppl want to focus on "larger problems" (whether these bigger problems are actually reflective of reality, it grabs attention more easily as it alarms the reader).
That’s 8% of transgender Americans. An additional 43% of transgender Americans are seriously considering moving due to laws criminalizing our existence and healthcare.
“So many people are completely helpless to get out, even with all the bumps and roadblocks, the fact is I'm still one of the lucky ones.” Said Sheena, a trans woman who fled from from Florida.
“it's evident that the United States is in the throes of a swelling crisis of internally displaced political refugees. Over a million people, themselves contemplating relocation in the coming months, remain in a state of apprehensive vigilance, awaiting the potential signal that they too must bid farewell to their homes.”
Via Erin Reed, a professional policy tracker of transgender legislation. June 13, 2023.