Okay But In S3 Of Good Omens Can We Get A Reverse Wall Slam.

denial going strong

Source: This

Even Neil ships David and Michael!

To me crowley is not arrogant at all. He loves what he helped create. He loves humanity. He admires humanity for our qualities but mostly for our flaws. He is the one that wanted to save the world.

Yes he doesn't seem to "care" about Azi's presence but if you put yourself in his shoes at the moment where he created everything, I think you can understand. When I am absorbed in something I created and I am proud of, nothing else matters and I am excited to talk about it to every person I can find to talk about it. Doesn't matter who they are.

And that's what's beautiful about art. If everyone admires your art, that's cool. But if you are proud of yourself for creating something, and people like it, that's better.

I don't know if it makes sense, sorry for my bad english, that's not my first language.

Maybe you could watch the show again? Not only does Crowley ignore Aziraphale because he is too busy to admire his stars to even look at him, but he is also arrogant towards humanity and the Earth. Maybe it was precisely this arrogance that caused his Fall, what do you think?

Pt III good omens but i STILL SOMEHOW haven't watched it (and i'm increasingly passive aggressive)

i'm now basically held hostage adopted as mascot by this fandom. it's fine i'm fine *SIGNALS FOR HELP DESPERATELY*

Alright fuckers I swear this time I'm going to get some shit right. Without further ado, here's my third attempt at a good omens summary:

Everything everywhere is queer all at once

Angel Aziraphale and demon Crowley on earth likey each other

The car is a bentley and it is BLACK not silver and everyone is very upset about this. my bad yall it was reflecting light therefore i guessed more silver than black but I'm not Anish Kapoor take your black.

Then it is yellow, and aziraphale likes it. crowley preferred the black because he's a flamboyant emo.

God is a deadbeat absentee parent and you are all children of divorce.

There's a naked archangel and they cause problems for the husbands somehow. By being naked? By being an archangel? By being at their doorstep? Who knows not me

They were actually married for 6000 years, they just are the last to know about it.

Crowley is on fire. Like, he's slaying for sure, but also he is literally on fire, like Aziraphale's bookstore.

The actors like I said before are Michael Sheen and David Tennant but this is the place where I finally admit that I don't actually know who is whom. I'm going to assume Michael is Aziraphale because Michael sounds angel-y and David is Crowley because uh Michaelangelo made David and was gay for him.

Terry Pratchett is not fictional.

He co-wrote the book with @neil-gaiman, who IS fictional, because he does not have social media. Several of you have assured me that he is in fact a fandom inside joke. I like to think he would be proud of me.

They adopt a preteen and Crowley gives him bad advice.

At some point a baby was delivered to someone and was exchanged for the son of Satan. Idk if the baby is the preteen, or the son of satan is the preteen, or neither. This could be a fanfic, I have no way of differentiating the fanfic from canon on tumblr, except that the canon is weirder.

Crowley does not go down a chute. He goes down a telephone cord after making himself microscopic to pole dance on a pin with shroom-induced backgrounds.

During this his stage name is Disco Tony. Get it king go slay you're making better life choices than I am tbh.

Aziraphale is a biblically accurate angel, and you have all gone to extensive lengths to prove this to me. I understood nothing, but there you go.

It's all very queer, just like the fandom.

Crowley is a retired demon but he still sins by breaking the speed limit.

They eat at fancy restaurants and bicker but like in a sexual undercurrent way.

Crowley gives Aziraphale a private dance that is not a lap dance, it is an apology dance, but not in a kinky way, until it is.

Their haircuts keep changing and range from 'this is acceptable and gay' to 'i let a drunk chimpanzee take gardening shears and a blowtorch to my hair'

It's all ineffably queer my good fellows

Everyone keeps trying to convince me Neil Gaiman is the villain yeah no guys I know it's really you. Y'all be like 'SEASON TWO BROKE ME' and then you're making headcanons to make it sadder yeah I see you mmhm.

There is a final fifteen. It is sad. What is it? No one told me.

The demon turns goats into crows and the angel turns them back and then children are turned into newts (does the angel turn them back? who cares not yall) and the demon was the snake in the Eden garden and everyone's furry game seems to be on point.

There are a rather lot of children. I have not seen them. But I am assured they are there. They are, guys. I assume they were turned into the alcohol Aziraphale and Crowley drink or something.

There was an apocalypse plotline. It was averted. It is not important. You don't talk about plotlines in this fandom, no sir.

Crowley doesn't want to go to heaven. Aziraphale is sad.

The kiss is not nice, just like this fandom. It is queer, just like this fandom. It is sad and desperate and masochistic, just like this fandom.

Aziraphale doesn't want to stay back with Crowley. Crowley is sad.

Season 2 ends. Fandom is sad.

Everyone's sanity is hinging on the promise of a happy ending in season 3. Good luck guys.

Y'all better appreciate this. I can't even boast to my mother about this legacy of mine, hey mum your son has been held hostage kidnapped inducted into a cult adopted by a fandom he's not part of look he's winning at life.

Crowley didn’t spend the whole season trying to keep Aziraphale and himself safe, trying to get through to him, confessing, saying what he thinks, going against a legion of demons, sorting out everything after the fight was over, protecting and protecting more, being a badass, and walking out on Aziraphale out of respect for himself and his beliefs, for you to treat him like Aziraphale’s pathetic dependant dog with zero respect for himself.

Aziraphale didn’t spend the whole season living his fantasy, daydreaming about Crowley, creating a perfect ball for them to dance together, staring at him with full adoration and love and devotion, crying and shaking after the confession, pressing that shaking hand to his lips, basically treating Crowley like his husband already (he likes him as his James Bond goddamnit!), for you to treat him like he’s a heartless badass who would treat Crowley like he’s nothing.

Watch the show!

I've seen people remark on how awkward the 1967 scene is and that is so frustrating because, for me, it is one of the most emotionally resonant flashbacks in the entire series. It is so multifaceted and ripe with implication and that assertion is baffling. As though just because this conversation appears to be hard for them, it must mean that there has to be some sense of weirdness or awkwardness between them?

This scene feeds heavily into my theory that 1941 ended in some sort of aborted romantic moment between the two, most likely initiated by Crowley. Aziraphale can barely stand to look at Crowley because the very first moment he looks him in the face, he can't stop himself from giving him this hooded eyes, barely contained look of longing.

The next thing we see is Aziraphale immediately launching into a statement about his fear for Crowley's existence that is as brutally sincere as it is heartrending. His eyes are wide, his voice is heavy with emotion, and it's clear that he is terrified beyond belief to lose Crowley. Even as he acquiesces and gives him the holy water, you can see that he wants to take it back and deny him it all over again.

Then, of course, Crowley asks if he can give him a lift, which is definitely something that they both know is a totally different question than what lies on the surface, given that they're mere feet from the bookshop and at first Crowley frowns so deeply that it's almost cartoonish but a moment after Aziraphale turns him down you get this glimpse of very real sadness:

Aziraphale sees it for what it is and in an attempt to comfort him, without being able to do what currently seems impossible to him, shares a fanciful but resigned fantasy about spending time together unbothered and unrestrained, all to the tune of these tight little, loving smiles:

When he asks again, you can just see Crowley's desperation for Aziraphale not to go. It's hard to say how long they'd been apart, but it's safe to say that for them, that previous interaction likely is very fresh in their minds.

Aziraphale has always been more fearful than Crowley when it comes to their feeling for each other. You could even potentially look at the holy water as a metaphor for their relationship. In his expressions of concern about The Arrangement, Aziraphale has always been remarking on how Crowley could be destroyed, similarly to his words here. So when he's telling him, "You go too fast for me, Crowley," what he's really saying is, "I'm terribly afraid and I'm not ready to take that step if it means that I could lose you." And it's plain to see by the wistful look on his face that it pains him greatly to say it:

The scene so quickly cuts to Crowley looking intensely at the holy water after Aziraphale has left the car (as if trying to convince you that that was the real point of the scene) that it's easy to miss this devastated expression on Crowley's face:

There's no look of perceived rejection on his face. Just a somber look of resignation. There are so many barriers in front of them, and I think that Crowley was willing to risk it but understood that Aziraphale wasn't ready to.

This is the most honest and laid bare we ever see these two be when it comes to their emotions. There's so much being said without being said and even their actual words (i.e. Crowley remembering exactly the amount of time when the 'fraternizing' conversation happened) are so full of emotion that it might even be a bit hard for some people to watch.

It's not awkward. It's just that the scene is just so incredibly earnest and heavy with coded language that it's easy to be swept up by the fact that the two aren't engaged in their typical banter and bickering. What we truly have here is an incredibly difficult and loving conversation between two people who are stuck in a seemingly impossible situation.

So I can't stop doodling duck omens now so I ended up doodling some innefable ducks

There may be no nightingales but we do indeed have ducks

Got so many request for a wedding artwork on instagram 🫶🫶🫶 hope you like it ☺️

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