Scott Pilgrim is, I think, the best example I can think of for establishing a setting's Nonsense Limit. The setting's Nonsense Limit isn't quite "How high-fantasy is this". It's mostly a question of presentation, to what degree does the audience feel that they know the rules the world operates by, such that they are primed to accept a random new element being introduced. A setting with a Nonsense Limit of 0 is, like, an everyday story. Something larger than life, but theoretically taking place in our world, like your standard spy thriller action movie has a limit of 1. Some sort of hidden world urban fantasy with wizards and stuff operating in secret has a nonsense limit around 3 or 4. A Superhero setting, presenting an alternate version of our world, is a 5 or 6. High fantasy comes in around a 7 or so, "Oh yeah, Wizards exist and they can do crazy stuff" is pretty commonly accepted. Scott Pilgrim comes in at a 10. If you read the Scott Pilgrim book, it starts off looking like a purely mundane slice of life. The first hint at the fantastical is Ramona appearing repeatedly in Scott's Dreams, and then later showing up in real life. When we finally get an explanation, it's this:
Apparently Subspace Highways are a thing? And they go through people's heads? And Ramona treats this like it's obscure, but not secret knowledge. Ramona doesn't think she's doing anything weird here. At this point, it's not clear if Scott is accepting Ramona's explanation or not, things kind of move on as mundane as ever until their Date, when Ramona takes Scott through subspace, and he doesn't act like his world was just blown open or anything, although I guess that could have been a metaphor. there's a couple other moments, but everything with Ramona could be a metaphor, or Scott not recognizing what's going on. Maybe Ramona is uniquely fantastical in this otherwise normal world. And then, this happens
Suddenly, a fantastical element (A shitty local indie band finishing their set with a song that knocks out most of the audience) is introduced unrelated to Ramona, and undeniably literal. We see the crowd knocked out by Crash and The Boys. but the story doesn't linger on the implications of that, the whole point of that sequence is to raise the Nonsense Level, such that you accept it when This happens
Matthew Patel comes flying down onto the stage, Scott, who until this point is presented as a terrible person and a loser, but otherwise is extremely ordinary, proceeds to flawlessly block and counter him before doing a 64-hit air juggle combo. Scott's friends treat this like Scott is showing off a mildly interesting party trick, like being really good at darts. The establish that Scott is the "Best Fighter in the Province", not only are street-fighter battles a thing, Scott is Very Good at it, but they're so unimportant that being the best fighter in the province doesn't make Scott NOT a loser. So when Matthew Patel shows off his magic powers and then explodes into a pile of coins, we've established "Oh, this is how silly the setting gets". It's not about establishing the RULES of the setting so much as it is about establishing a lack of rules. Scott's skill at street-fighter battles doesn't translate to any sort of social prestige. Ramona can access Subspace Highways and she uses it to do a basic delivery job. It doesn't make sense and it's clear that it's not supposed to. So later on, when Todd Ingram starts throwing around telekinesis, and the explanation we're given is "He's a Vegan" , you're already so primed by the mixture of weirdness and mundanity that rather than trying to incorporate this new knowledge into any sort of coherent setting ruleset, you just go "Ah, yeah, Vegans".
Og:
⚠️ IMPORTANT⚠️
Since Cinderellas Castle has hit $500,000+ which is double their goal, I would like to draw attention to Operation Olive Branch
We have so many Starkids and we have the ability to support those in need. Please consider donating to these gofundmes and help Palestinian families escape genocide. If you are unable to donate, please reblog and share the google spreadsheet.
All eyes on Rafah. Free Palestine.
https://docs.google.com/spreadsheets/d/1vtMLLOzuc6GpkFySyVtKQOY2j-Vvg0UsChMCFst_WLA/htmlview
If you, for some reason, still have a subscription to the Atlantic, cancel it
Since not every can/can afford to/wants to buy the Digital Ticket for Nerdy Prudes Must Die (and the bonus material that comes with the purchase), for your inclusion purposes, here's a list of fun background details, funny moments and comments made in the track commentary, for you to use however you like!
Ruth doesn't actually need to wear her headgear anymore, but she wears it anyway because it makes her feel safe.
Jeff pitched a Nightmare Time episode about the problematic puppy from Steph's verse of High School Is Killing Me, meaning there is a story there.
In the line, "I learned that at the anti bullying assembly last month, fucknugget!" there's a long pause before "Fucknugget!" which really makes it sound like Max forgot to insult Richie and just threw the word out.
All of the little noises Ruth makes, she makes because she has more she wants to say, but she can't say them (presumably due to anxiety).
In the proshot, you can't see fully how low Richie goes while he and Ruth sneak up on Peter, but Jon is fully crouched down. He then uses Pete's pockets and elbows to climb up like he's climbing a mountain (he mimes using a pick or axe to get good hold).
While Steph is talking, Ruth and Richie try their best to hear through the phone by getting as close as they can to it.
The reason Max and Jason were in the Pasqualli's parking lot is that they were practicing their skateboarding. They do that at Pasqualli's instead of at school/at a skatepark because they don't want the smoke club and skater kids to make them look like noobs. (This was a cut bit from the Pasqualli's scene).
The line, "Some big... dumb... sexy... football star" is expanded. In the Digital Ticket, Grace says, "Some big... dumb... sexy... sweaty... hot... well-spoken... beautifully tall football star."
When they're in the boys bathroom, Steph jumps to see over the stalls.
Richie Naruto runs when they're going to Waylon Hall. Pete slaps his hands down, but after they pause to look at the house, Richie looks over his shoulders at Pete a couple of times before darting away from him, once again Naruto running.
Richie stops in the door at the Waylon Place, so Pete pushes him inside.
Ruth and Richie speak at the same time when they say, "I'm allergic to deodorant" and "I have overactive sweat glands."
Ruth goes straight to Richie to complain after the "pus in my pits" exchange with Steph.
When Steph suggests saying there's a party at the Waylon Place, Pete, Ruth and Richie all react negatively (mostly nervously groaning).
While Grace sings the "He's just a nerd in disguise!" line, Richie can be seen practicing the first move of the Bully the Bully dance.
After Ruth says, "We're gonna cut off his nips!" you can see Steph look confused and ask, "What?"
While Pete and Richie talk in the Waylon Place ("Am I reading as ghost or Lin Manuel Miranda" & "She came all the way out here just for you."), Ruth and Steph discuss and practice Ruth's skeleton moves.
Richie gets stuck in the dangling parts of Pete's costume when he says, "You could just hit it and quit it, bro!" He then aggressively detangles himself.
The line "He's just really fucking brave!" comes from Richie being jealous that he's not that brave.
Richie hypes Ruth up a bit after Max says her skeleton bit was really special.
Grace hides behind Ruth while Max is dying.
Richie rolls his eyes when Grace says "It was an act of god!" (Similarly, Shapiro sighs and looks away in disbelief when Grace later says "It was god's plan!")
Pete gags when Grace says "Hack all his limbs off." Richie can also be seen gagging and holding his stomach several times.
Ruth hands Max's nipples over to Grace after cutting them off.
Jeff Blim is the principal of Hatchetfield High. Not a character of Jeff's, just Jeff himself.
Brenda still seems quite judgmental after the two weeks have passed. She makes a lot of not-quite-friendly faces when the football team's talking about Richie smelling bad.
When Richie struggles to remove the Zeke the Fightin' Nighthawk costume, he accidentally removes his jacket as well, leading to Jon having to put it back on (which he also struggles with) (and which creates a funny situation, since Richie was supposed to go shower).
Richie seems to have hurt his leg by the second fall in Nerdy Prudes Must Die (the song).
After Steph tells Grace to "Leave Ruth alone!" in the principal's office, Ruth tries to grab Steph's hand.
The wig Joey wears when he plays Dan Reynolds isn't Dan's real hair. Dan Reynolds wears a toupée.
Trevor and Angela's drama student encourage each other after they finish rehearsing.
Additional line when Grace is lying to Shapiro: "Suddenly, I remembered a crucial detail that made everything make sense. A picture came flashing into my mind, like I was Enola Holmes!"
"My dad sells women shoe! Shoes!"
Angela misses the chair at Beanie's and falls on her ass, leading to her, Joey and Mariah (mostly Mariah) breaking character.
During The Summoning, Tinky focuses ONLY on Pete. The entire time, he looks like he's restricting himself from lunging out and attacking him. At one point, he points at the Bastard's Box while staring at Pete.
90% of the time during The Summoning, Pokey's staring at his own mask.
Steph facepalms after Max says "That's nasty! ... I like it!"
I love how basically each and every ride the cyclone production ships Jane with another character. Sometimes it’ll be SpaceDolls (Like McC*rter theatre) and other times it’s SugarDolls (Like Opera Wyoming). I just find it funny how almost each and every one of them just throws Jane into a “relationship” (most only hint at it or are platonic but still😤)
Tell me I’m wrong. I dare you.
"Gaza now has the largest population of child amputees in the world." [@/abrahammatar on X. June 5th, 2024.]
The lovers... the dreamers... and me 🌈