Dune (1984) 🎥 David Lynch

Returning to my Dune fanart posting >:)c

Sister portraits of Feyd-Rautha with my two different designs for him. The longer haired one being Feyd as he is in the beginning of the book, gloomy and completely oppressed by the Baron. The shorter haired one being Feyd as he is by the end of the book, older and cockier but far less free from the Baron’s influence than he seems to think he is.

Process pics under the cut

Marie Fenring and Alia Atreides ( au where marie never died and they stayed as friends :// )

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since y’all liked the other drawing i made of alia and marie, decided to make another one :’)

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follow on insta; serenlas

“You were never my friend.”

Alia Atreides and Marie Fenring ( paul of dune )

DUNE (2021) DIR. DENIS VILLENEUVE

“They said you were dead,” Gurney repeated.

“And it seemed the best protection to let them think so,” Paul said.

Gurney realized that was all the apology he’d ever get for having been abandoned to his own resources, left to believe his young Duke … his friend, was dead. He wondered then if there were anything left here of the boy he had known and trained in the Ways of fighting men.

Paul took a step closer to Gurney, found that he had tears in his eyes. “Gurney ….”

It seemed to happen of itself, and they were embracing, pounding each other on the back, feeling the reassurance of solid flesh.

“You young pup! You young pup!” Gurney kept saying.

And Paul: “Gurney, man! Gurney, man!”

LJN’s toy line, made to accompany the 1984 movie, Dune. At the time, every movie was a potential merchandise hit after Star Wars.

Concept sketches by Mentor Huebner for David Lynch’s DUNE (1984).

Dune (1984)

DUNE (2021) dir. Denis Villeneuve

Something I find interesting when viewing the two recent Dune movies as a whole is that initially, Paul is more than willing to use the prophecy and his visions for his own gain to convince Liet to help them, while Jessica whispers "careful!" at his side, and she later recommends they leave the planet entirely. But Paul decides they'll stay with the Fremen. Even at the beginning of Part 2, Paul is like "fuck yeah let's wage war on the Harkonnen" and Jessica is again counseling caution: "your father didn't believe in revenge." She goes through the Water of Life ceremony not because she wants to help Paul fulfill the prophecy but because she's forced to: do this or die. And even then, the old Reverend Mother had to use the Voice on her to get Jessica to drink.

That all changes when Jessica nearly dies during the ceremony. After that, Paul becomes more wary of embracing the prophecy, and she just throws herself into it. Paul nearly loses his mother (and his unborn sister) to a painful, agonizing poison - mere hours/days after losing his father and all their friends/allies to the Harkonnen slaughter - and decides it's not worth it. Meanwhile, Jessica gets a direct download of memories of millennia of oppression and goes "yeah let's burn everything to the ground."

It's an interesting, quick reversal at the beginning of the second movie, and it's great.

Ooh thank you for this great ask. I can always count on you for smart and thoughtful Jessica takes!

You make a really good observation about their reversal of positions--I had been struggling to figure out how Paul's line about "I must sway the non-believers" fit into his overall arc, but you are absolutely right that this feels like a continuation of how he talks to Liet. We're seeing the first stirrings of that little "maybe I am special" thought that later takes center stage.

For most of Part Two, Paul has several reliable counterweights pulling against that streak of arrogance and high-handedness that he's had from the beginning. Jessica almost dies drinking the Water of Life, which, like you point out, has got to make him think twice about encouraging people to believe in the prophecy. Then, he spends most of the movie surrounded by Chani and her friends and comrades, who seem the most skeptical of the prophecy and also aren't going to give his ego the time of day. And at the same time, he has an opportunity to pour his desire for revenge into collective political action that seems to be making a difference.

It's only when those countervailing forces start collapsing (the people who had started out as his equals are now becoming his followers; the Harkonnens attack Sietch Tabr and other civilian population centers, proving they are far from militarily defeated; Gurney shows up and immediately offers what seems like an easy solution to their problems that only Paul can access) that the little maybe I am special voice starts winning again.

As for Jessica, her journey doesn't get as much focus in the movie but it's also fascinating. She's a great character because she is so fucking smart at navigating power structures from what seems like an unenviable position. Did she have any choice about being sent to Caladan to become Leto's concubine? I am guessing she did not. But she sure figured out how to work that situation to her advantage. It happened that along the way she and Leto came to genuinely love and respect each other. But I'm sure she would still have figured out an angle even if that had not been the case.

In Part Two she starts out in a frankly quite terrifying position: she can undergo this unknown, dangerous ritual or die, and also possibly put Paul's safety at risk by raising doubt about whether he is the Lisan al-Gaib. But after she survives the Water of Life, she is launched into a powerful position in Fremen society and pretty quickly realizes she can use that to both protect Paul and get her revenge on the people who tried to kill her whole family. And unlike Paul, she is much more cognizant of the intergalactic power structures at work and aware that the Harkonnens themselves were a pawn in all this, so her target is the Bene Gesserit and the emperor.

I would have loved more time to explore Jessica's relationship to Fremen society and her POV in general. Because in some ways she becomes as Fremen as it's possible for her to be--she has access to thousands of years of memories of Fremen history and culture and politics; she becomes instantly fluent in the language and she is immersed in Fremen daily life in the sietch. (If there's one single thing I wanted more of, it was daily life in the sietch.) But she's still the same person she was, so she hasn't lost that ability to be ruthless and calculating and see people as forces to be manipulated. In Part One, her love for Paul and Leto provided an interesting counterweight to this that allowed us to see some moments of vulnerability from her (ie. she knows Paul has to undergo the Gom Jabbar test but she's terrified for him while it's happening). In Part Two she is so isolated for most of the movie (away from Paul; surrounded by followers who were never friends; I think we can all agree that talking to your unborn fetus doesn't really count) that we don't get a lot of these more unguarded moments from her. (I would have loved some Jessica/Stilgar action and it seems like the potential was very much set up for that, but I understand why they didn't have time.)

But in general I thought they did a great job of setting up this contradictory tension between Jessica and Paul, where they both want so desperately to protect each other and they both want revenge, but the way they each go about it ends up putting them in direct conflict with each other.