Losing It At “Carmilla Would Wake Up Late, Would Never Eat But Would Take A Cup Of Chocolate.”

Just once, I'd love for someone from Hardison's past to show up and attempt to throw a wrench in things

Thinking about Sophie’s dramatic death in the “San Lorenzo Job” today and how many Leverage altered things will be written in history books people will have no explanation for.

started watching white collar because the venn diagram of the white collar and leverage fandoms appears to be a circle and you know what. yeah. i get it now.

Random linguistic worldbuilding: A language with six sets of pronouns, which are set by one's current state of existence. There's a separate pronoun for people who are alive, people who are dead, and potential future people who are yet to be born, and the ambiguous ones of "may or may not be alive or aleady dead", "may or may not have even been born yet", and the ultimate general/ambiguous all-covering one that covers all ambiguous states.

The culture has a specific defined term for that tragic span of time when a widow keeps accidentally referring to their spouse with living pronouns. New parents-to-be dropping the happy surprise news of a pregnancy by referring to their future child with the "is yet to be born" pronoun instead of a more ambiguous one and waiting for the "wait what did you just say?" reactions.

Someone jokingly referring to themselves with the dead person pronouns just to highlight how horrible their current hangover is. A notorious aspiring ladies' man who keeps trying to pursue women in their 20s despite of approaching middle age fails to notice the insult when someone asks him when he's planning to get married, and uses the pronoun that implies that his ideal future bride may not even be born yet.

A mother whose young adult child just moved away from home for the first time, who continues to dramatically refer to their child with "may or may not be already dead" until the aforementioned child replies to her on facebook like "ma stop telling people I'm dead" and having her respond with "well how could I possibly know that when you don't even write to us? >:,C"

"Neal plays the tycoon to lure in his victims, and then cons them out of thousands of dollars."

Leverage Redemption S03E06 The Swipe Right Job.

i got to the morning after job on my leverage rewatch and watching eliot as they get closer and closer to moreau is so good.

eliot says he's watched tapes of vector fighting because "you never know if you're gonna have to fight a guy on ice." ...liar.

so. yes. to be fair it is in character for him to spend his free time watching fight videos just to be prepared. there's something there about the "very distinctive" catchphrase and how much research he must have to do to know all that. however.

in this particular case i think there's something else going on. he knows how vector fights because that was relevant back when he needed to know everyone he might be working with, or he knows how vector fights because he makes a point of knowing moreau's guys now so he knows what he'd be getting into, or both. he's deflecting.

(in my personal opinion there are a number of moments where eliot says mildly odd things that we take at face value when he could fully be lying. he sleeps for 90 minutes a night? uh huh. sure. or he's just bullshitting the team for fun.)

of course there's also "this guy definitely works for moreau. that's how he does things." i've seen this talked about before and,,, yeah. this is 100% intentional foreshadowing. it's so good. why does no one else question how exactly eliot knows this?? are they all too busy with everything else going on to pay attention? do they assume this is just common knowledge among hitters? does eliot not think before he says it? is he hoping they'll notice?

to be fair, iirc I also didn't notice this the first time I was watching so it's maybe a lot to expect of them. but if you watch sophie at the end of the episode she looks like she's Thinking Thoughts, so i wouldn't be surprised if she had a hunch and just kept it to herself.

and finally when eliot is dragging vector away and he whispers in his ear "moreau would like to speak with you." !!! god. you know he must have said that line Before. he knows how to say it convincingly because he was that guy. now he essentially has to be that guy again for a second to deliver the line right. what's going on in his head?? what's it like to deal with those memories and emotional baggage on top of everything else going on right now?? there's so much there.

i just. i love season three and i love the moreau arc and i love the foreshadowing.

I've probably watched too much Leverage, because a man in campus cop uniform came in to ask questions about our box office safe today and my boss let him in and gave him all the info he wanted, no questions asked, and all I could think is that we are horrifically easy to con

In The Toy Job, at the very end, Sophie suggests they give each other trust for Christmas.

We hear Nate's story, the one about the trumpet, but then the episode ends and we never hear anyone else's story.

Are there any fics or even ideas or prompts about what the rest of their stories were?

Tips for writing those gala scenes, from someone who goes to them occasionally:

Generally you unbutton and re-button a suit coat when you sit down and stand up.

You’re supposed to hold wine or champagne glasses by the stem to avoid warming up the liquid inside. A character out of their depth might hold the glass around the sides instead.

When rich/important people forget your name and they’re drunk, they usually just tell you that they don’t remember or completely skip over any opportunity to use your name so they don’t look silly.

A good way to indicate you don’t want to shake someone’s hand at an event is to hold a drink in your right hand (and if you’re a woman, a purse in the other so you definitely can’t shift the glass to another hand and then shake)

Americans who still kiss cheeks as a welcome generally don’t press lips to cheeks, it’s more of a touch of cheek to cheek or even a hover (these days, mostly to avoid smudging a woman’s makeup)

The distinctions between dress codes (black tie, cocktail, etc) are very intricate but obvious to those who know how to look. If you wear a short skirt to a black tie event for example, people would clock that instantly even if the dress itself was very formal. Same thing goes for certain articles of men’s clothing.

Open bars / cash bars at events usually carry limited options. They’re meant to serve lots of people very quickly, so nobody is getting a cosmo or a Manhattan etc.

Members of the press generally aren’t allowed to freely circulate at nicer galas/events without a very good reason. When they do, they need to identify themselves before talking with someone.

this post was made unrebloggable, so im stealing it