squeezing my pussy and concentrating all the microplastics in my body to print a perfect tiny figurine of a fruit bat
One worldbuilding thing that's always fun to do is take something you've encountered in the real world, and apply something similar with the same logic into your own. Like those sayings that have two halves, but people usually only know the first half and misunderstand the saying - like "birds of a feather flock together (until the cat comes)" or "great minds think alike (but fools rarely differ)." So I came up with a few for The Book I'm Not Writing:
Hungry dogs are loyal dogs (until someone else feeds them) - neglecting and mistreating your underlings may work as a short-term tactic for making them obey, but it's also a guarantees that they'll betray you at first chance.
The mouth of an idiot is as loose as the strings of their purse (so be there when gold may drop out) - just because nine out of ten things that someone says are completely useless doesn't mean you should dismiss them altogether. They might still know useful things, even if they can't tell it's useful.
Blood makes a foul dye (it stains, but it won't last) - here "foul" is often interpreted as "brutal" or "gruesome", when it's meant as "of low quality". Using violence as your way to establish dominance and maintain authority because it's easier than building networks of mutual trust and respect is as stupid and short-sighted as using blood to dye clothes because it's cheaper than proper pigment.
A fool will starve to death while waiting for grain to grow (but it is also a fool who'll slaughter an ewe an hour before it lambs) - Immediate problems require immediate solutions, but you'd better make sure that your drastic emergency solution is the right one.
A blind horse will go as you guide where a half-blind one dare not (both through the darkness and down a cliff) - an agent who doesn't know the purpose of their task will obey blindly, where one that knows some part of it might disobey out of distrust, but neither is as reliable as one that does see the big picture, can draw their own conclusions from the information they gather, and adjust their plans accordingly.
there is something so crazy and powerful about having art of your oc that was made by anyone other than yourself. like oh my god you actually exist outside of my own brain that's WILD
I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)
Main cast are Goncharov himself, his wife Katya (née Michailov), and Andrey
One side character is named Mario Ambrosini. He is described as a “sad boi” and is involved in gambling.
Set in Naples and involving a drug ring/mafia. The plot seems to involve Russian organized crime attempting to get a foothold in Italy.
There is a Boat Scene. Katya survives via resourcefulness.
Andrey and Goncharov have a substantial amount of homoeroticism. Andrey also has an internet in Katya. This forms a true love triangle.
At some point, Katya threatens to shoot Goncharov. This is framed as a Girlboss Moment.
There is also a Beer Bottle Scene.
Katya fakes her death.
new one
i drew this last year right after reading time war. my rendition of red. i feel like you guys could appreciate it. iirc originally my initial design was much more bird-like and uncanny but i settled on something way more human
I too want to give Maomao a kiss on the cheek
EDIT: I made a follow up comic
21 ⁺˳✧༚ Queer ⁺˳✧༚ Any pronouns, go wild I post. Very occasionally
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