[This Idea Has Been Rattling In My Brain And I Had to Share It.]

some very rough story planning comics I made a while ago

Hey how's the ovulation going

im a danger to myself and others

@soldierofidiots You’re actually not a real person, just very convincing three raccoons in a trench coat

Reblog this post to ask mutuals to tell you their weirdest theory about u

Okay I just wrapped up the annual Over the Garden Wall rewatch and it’s late and I don’t know how well I’ll be able to articulate these thoughts but:

The Beast knows it’s in a story

The Beast knows it’s in a story, and it knows how people react to stories, and that’s horrifying in a series based out of folklore and fairy tales and storytelling tradition. The Beast preys on people by knowing how they’ll react to stories. The Beast acts frustrated that Greg used a honey comb for a “golden comb” and a spiderweb on a stick for a “spool of golden thread,” but it’s baiting a trap - by exploiting that same fairytale logic, Greg is going to die of exposure in the cold while he waits for the sun to “set” in a cup

Because of course Greg will wait to see the sun set into the cup. Of course the Woodsman will keep the lantern lit. That’s how the story should go. The Beast is a parasite sucking blood out of a perfectly arranged Grimm fairy tale about the martyrdom of parenthood.

The only way to properly defeat it is to actively defy the story being set out ahead of you. Over the Garden Wall says, over and over again, that Wirt will sacrifice his life for Greg. “You are responsible for you and your brother’s actions,” the show says. The original pitch bible for the series said that Wirt would sacrifice himself for Greg, that he’d die to take responsibility for Greg-

And then Wirt stops and says “Wait. That’s dumb” and immediately shatters the story that’s been set up for him, and that’s how he defeats the Beast.

Saw a man in a balaclava today and found him attractive. Needless to say I‘ve realised it’s not a mask kink, I just only like men when I see basically nothing of them

Show, don’t tell

"Show, don’t tell" means letting readers experience a story through actions, senses, and dialogue instead of outright explaining things. Here are some practical tips to achieve that:

1. Use Sensory Details

Tell: "The room was cold."

Show: "Her breath puffed in faint clouds, and she shivered as frost clung to the edges of the window."

Tell: "He was scared."

Show: "His hands trembled, and his heart thudded so loudly he was sure they could hear it too."

2. Focus on Actions

Tell: "She was angry."

Show: "She slammed the mug onto the counter, coffee sloshing over the rim as her jaw clenched."

Tell: "He was exhausted."

Show: "He stumbled through the door, collapsing onto the couch without even bothering to remove his shoes."

3. Use Dialogue

What characters say and how they say it can reveal their emotions, intentions, or traits.

Tell: "She was worried about the storm."

Show: "Do you think it'll reach us?" she asked, her voice tight, her fingers twisting the hem of her shirt.

4. Show Internal Conflict Through Thoughts or Reactions

Tell: "He was jealous of his friend."

Show: "As his friend held up the trophy, he forced a smile, swallowing the bitter lump rising in his throat."

5. Describe the Environment to Reflect Mood

Use the setting to mirror or hint at emotions or themes.

Tell: "The town was eerie."

Show: "Empty streets stretched into the mist, and the only sound was the faint creak of a weathered sign swinging in the wind."

6. Let Readers Infer Through Context

Give enough clues for the reader to piece things together without spelling it out.

Tell: "The man was a thief."

Show: "He moved through the crowd, fingers brushing pockets, his hand darting away with a glint of gold."

7. Use Subtext in Interactions

What’s left unsaid can reveal as much as what’s spoken.

Tell: "They were uncomfortable around each other."

Show: "He avoided her eyes, pretending to study the painting on the wall. She smoothed her dress for the third time, her fingers fumbling with the hem."

8. Compare to Relatable Experiences

Use metaphors, similes, or comparisons to make an emotion or situation vivid.

Tell: "The mountain was huge."

Show: "The mountain loomed above them, its peak disappearing into the clouds, as if it pierced the heavens."

Practice Example:

Tell: "The village had been destroyed by the fire."

Show: "Charred beams jutted from the rubble like broken ribs, the acrid smell of ash lingering in the air. A child's shoe lay half-buried in the soot, its leather curled from the heat."

Goncharov Lore Thus Far, based on the top tumblr post results

Main cast are Goncharov himself, his wife Katya (née Michailov), and Andrey 

One side character is named Mario Ambrosini. He is described as a “sad boi” and is involved in gambling. 

Set in Naples and involving a drug ring/mafia. The plot seems to involve Russian organized crime attempting to get a foothold in Italy. 

There is a Boat Scene. Katya survives via resourcefulness. 

Andrey and Goncharov have a substantial amount of homoeroticism. Andrey also has an internet in Katya. This forms a true love triangle. 

At some point, Katya threatens to shoot Goncharov. This is framed as a Girlboss Moment. 

There is also a Beer Bottle Scene. 

Katya fakes her death. 

Girl stop reblogging so much I wanna look at your embarrassing older posts and it takes longer and longer to scroll there each time

i made a meme :3