Some Fucking Resources For All Ur Writing Fuckin Needs

girls need a step by step guide for how not to feel like everything they’re doing is a performance

masterpost for writers creating their own worlds, or even just characters

names that have specific meanings

meanings of any names

popular baby names

upper class names

common last names

fancy last names

aristocratic/royal names

random name generator

random place name generator

list of latin words

english to latin translator

english to greek translat

or

greek mythology database

the culture of ancient rome

list of legendary creatures

fantasy name generator

feel free to add in any links!

Love as Acceptance

Caitlyn Siehl // Leonard Cohen, "Anthem" // Rumi, "Bitterweet" // trans. Anne Carson, "Euripides" // Sade Andria Zabala, "Coffee and Cigarettes" // tumblr acct @/gayassnatural // Anne Carson, "H of H Playbook" // William Shakespeare, "Sonnet 116" // Clementine von Radics, "Mouthful of Forevers" // Toni Morrison, "Jazz"

Frank Bidart

the cruel choice between pdf (free) vs physical copy (annotatable)

Conveying Worldbuilding Without Exposition!

(As requested by both an anon and @my-words-are-light​)

One of the hardest parts of writing speculative fiction is presenting readers with a world that’s interesting and different from our own in a way that’s both immersive and understandable at the same time. 

Thankfully, there are a few techniques that can help you present worldbuilding information to your readers in a natural way, as well as many tricks to tweaking the presentation until it’s just right.

Four basic techniques:

1. The ignorant character. 

By introducing a character who doesn’t know about the aspects of the world building you’re trying to convey, you can let the ignorant character voice the questions the reader naturally wants to ask. Traditionally, this is seen when the protagonist or (another character) is brought into a new world, society, organization. In cases where that’s the natural outcome of the plot, and the character has a purpose in the story outside of simply asking questions, it can be pulled off just fine. But there’s another aspect to this which writers don’t often consider: 

Every character is your ignorant character. 

In a realistic world, no person knows everything. Someone will be behind on the news. Someone won’t know all the facts. Many, many someones won’t have studied a common part of their society simply because they aren’t large part of that fraction or don’t have the time for it.

Instead of inserting an ignorant character and creating a stiff and annoying piece of expository dialogue, find the character already existing in the story who doesn’t know about the thing being learned.

2. Conflicting opinions.

A fantastic way to convey detailed world building concepts is to have characters with conflicting viewpoints discuss or argue about them. Unless you’re working with a brainwashed society, every character should hold their own set of religious, political, and social beliefs. 

Examples of this kind of dialogue:

Seguir leyendo

when anne carson said “what are we made of but hunger and rage?” and when anne carson said “i do not want to be a person. i want to be unbearable.” and when anne carson said “i am talking about evil. it blooms. it eats. it grins.” and when anne carson said “revenge is a form of desire.” and when anne carson said “to feel anything deranges you.” and when anne carson said “why does tragedy exist? because you are full of rage. why are you full of rage? because you are full of grief.” and when anne carson said 

subwayhands + reading

i hope shein gets shut down i hope ai projects get shut down i hope billionaires go bankrupt i hope public transportation expands fast i am so tired of the world’s bs

Stained glass