Me After Pokemon Didn't Announce Gen 1 Or 2 For Gameboy Online Or Legends Of Arceus 2.

Do you like Submas? Do you like polls? Do you wish there was more polls to vote for train boys on?

Then boy do I have the tournament for you!

Introducing the

ULTIMATE SUBMAS TOURNAMENT

Where all the Ingos compete to find the best Ingo, and all the Emmets compete to find the best Emmet- and then they duke it out!!!!!

Come explore this melting pot of different AU creations from across the website- including your own!

That’s right! You too can compete in this for fun event! Get yourself out there!

Here’s the rules and how to sign up:

1) No bl///shipping AUs or bl///shipping blogs may enter. This is a platonic only submas tourney.

2) No NSFW 18+ AUs or NSFW 18+ blogs may enter. I want this to be welcoming to younger folks to so I’m gonna have to draw a line here.

3) You can only enter your own AU. You can share this post with other submas creators, but you can only personally enter AUs that you have made content for.

4) You can only enter AUs that have content made for it. It doesn’t matter if that content is a fic, a few drawings, or a series of interconnected tumblr asks- as long as there is content you can link me to, it qualifies. 

5) You may enter up to two AUs (one for each brother). This may be lowered to one AU per user if the demand gets too high.

6) While non inc/st ships are not outright banned, AUs must be more than “canon compliant warden Ingo but he’s dating Melli”. Give us something fun to work with.

7) AUs can, and are encouraged to crossover with other content. Cretur AUs are also allowed because turning blorbos into cretur is fun.

8) Only Ingos and Emmets may be entered. We all love Elesa but this ain’t her tourney. (Fusions can be entered, but they will be placed in a fusion only bracket that will not affect the main tourney)

9) Lower your expectations. This is for fun, there is no prize, and statistically you will not win. Please do not whine and complain when you are inevitably knocked out.

10) BE NICE TO THE CONESTENTS. Holy heck don’t make me catch y'all harassing other people for ANY REASON. I will block you. Don’t make me do it.

How to enter:

Reblog this post with 

1) The name of your AU 

2) A link to your fic /tumblr tag /masterpost 

3) An image that you want to represent your AU. (If you have no image, one of my associates or I will draw a simple one- but it won’t be very good and you shouldn’t expect much)

4) The name of the preferred brother you wish to enter (preferred brother may be overruled if the brackets get too uneven)

(If you plan on entering a second AU, you must do these steps again with a second reblog. The first AU you enter will be considered the priority if we get too many entries.)

(Entries may be denied for things like: side bl///shipping accounts, pedo//ilia, harassment or other things in that same vein. They may also be denied for more benign things like, “hey I love you lots but this is just canon Ingo”)

Entries must be submitted by the first of June!! Thank you for participating and ALL ABOARD!

wow, slam dunk for Legends. Thanks for voting!

I've had Legends for a month without touching it, but all my data for Sword got deleted and I have to start over.

This is surprising, I actually thought beach wedding would win. 😂 Thanks for the input! Garden wedding it is!

swish swish, here's the fish

[id: a light  purple userbox with a pastel purple  border and  pastel purple  text that reads “this user loves and adores tulip.” on the left is an image of tulip from pokemon. /end id]

if you’ve ever used r/fakedisordercringe, you owe every single disabled person £100 right now. this also goes for all the system cringe/“faker” subs as well.

Some critical rules for writing coherent genre fiction, courtesy of my writing teacher, who is very wise. I don't pretend to have mastered all of these, but their application can do wonders for a story, their lack can cripple it:

Employ the causal chain - every action must be connected to what comes before and after. Each action and beat needs to have impact. They don't all need to be shown but the author needs to know what they are. It is impossible to build suspense without this principle. Things can't happen "just because" or there's no reason for the audience to become engaged with your sequence of events or do things like make predictions. All subsequent rules follow from this principle.

When showing a new type of fictional magic or science, you must show it work before you can show it break. For example, if a character has the ability to summon objects into their hand, we need to see them do so successfully and see how it works, before we see it break at a critical moment during the climax. Otherwise, the audience can't be expected to follow why this situation is unusual because they don't know how it works during normal circumstances.

When claiming a character is good at something, you must show them succeeding at it before you show them failing at it during a moment of pressure. Otherwise, we don't believe you when you establish your character's competence or badassery. For example, when saying your character is an excellent military commander, we need to see them win a fight using those skills and tactics. We can't open with a fight they lose, or else the character and author lose credibility. By all means, show the experienced hero/military leader/ruler/assassin/mage etc break down during a moment of intense pressure, fall down sobbing in terror at a truly insurmountable foe, or otherwise fail to meet the moment, but don't do this before we've seen them succeed at least once, or the moment loses impact.

During the build-up of tension, coincidences should hurt the hero and help the antagonist. This plays into the causal chain rule. Coincidences that help the hero feel cheap. Coincidences that help the villain raise the tension.

Every beat, whenever possible, should be connected to conscious action by central characters (hero, love interest, or villain). The more events are connected to purposeful action by key characters, the more satisfying the causal chain for the reader.

Avoid things that happen "just because" whenever possible. You can have one or two, sure, but the more often things happen "just because" the less interesting the story is, especially if those "just because" moments are core to the story. Fiction is not real life. Audiences are drawn to stories where purposeful actions dictate the success or failure of the characters.

*gives Emmet a sword*

🗡!!!

Accidently read "autumn" as "autism", so all of fall now belongs to the autistic witches.