Since I just rewatched 4x14 "Sex and Violence" let me revisit a few things. I really really like this ep, it's darkly psychological and it's a great ep on Sam and Dean's relationship, as well as having bi Dean subtext.
The first victim murders his wife
The second victim murders his mother
The third victim, Dean, the siren tries to goad into killing his brother
So the siren manipulates some people into harming a romantic partner, or manipulates them into harming a family member, a platonic bond. The siren gets off on the violence, the power, of driving someone to that extreme.
Sam and Dean are on different paths this season. Dean misses his brother and he's lonely. They're drifting apart, mistrust is growing between the brothers. The siren takes a male form, FBI agent Nick, to entice Dean. To give him someone who is like-a-brother. But Nick isn't like Sam. Nick is a lot like Dean. He's excited about the Impala, he's knowledgeable on classic rock, he laughs at Dean's jokes. Nick is the siren purposefully honing in on the loneliness in Dean, but in so doing, creates someone who is sort of like a brother but isn't Dean's brother. They aren't brothers. What the siren is playing upon is Dean's wish for a companion who understands him, who he can connect with, and it doesn't have to be his brother.
"I gave him what he wanted and it wasn't some b*tch in a g-string, it was you" is the text. Textually, Nick is using Dean's loneliness due to his slowly growing estrangement from Sam, and giving him a substitute for that.
Nick, along with being a companion, is a potential romantic and sexual partner, which a brother wouldn't be. Those scenes with Nick and Dean in the car...for one thing the siren innately operates in a seductive way and that actor really seems to be leaning into that, and Dean is...Deaning the way he sometimes does with men he's not related to. The way they're looking at each other in the car scene. This is the subtext.
And it's so weird to me that people get attacked or mocked or have had hate threads made about them on twitter dot com just for analyzing all this (I've been trolled for it, other bi Dean fans could probably tell similar horror stories). Even recently, I know it's still been going on -- a few weeks back, some bitter Sam stan tried to claim that if you let in the subtext on bi Dean, that must mean that you are validating w*ncest and that's just not how this works.
In fact it can be both about the platonic sibling bond, and bi Dean subtext (with Dean/Nick as the unspoken potential). The episode is mainly, and most overtly, about the brothers and their strained bond and how the siren preys on that. And I have a lot of feelings about Sam and Dean in this episode. It hurts. It's poignant. That is a platonic bond on the series and one that I really love. At the same time, the bi Dean subtext, the dynamic he has with Nick, the actual seduction siren Nick is playing on Dean, can co-exist with the brothers and their sibling bond troubles. Sam is not a potential romantic or sexual partner for Dean. Nick is. And yes that can be a layer, it's called subtext, while it is ostensibly about Nick filling that loneliness in Dean because Sam and Dean are drifting apart.
We also need to put this in context of the season. This ep isn't about Dean and Cas, but it is in S4 and falls at a time when Dean is drawn to a male companion--an angel, who is not related to him. Who gets him in ways nobody else Dean knows does. An unexpected kindred spirit where Dean never expected to find that. Cas isn't like Nick, Cas is weird, and he doesn't know pop culture and he doesn't know music and he doesn't care about classic cars like Nick does. Nick is an illusion, a seduction, the siren creates The Perfect Person for Dean to get close to. Cas, otoh, is the real deal. He's authentic. The connection between them isn't a seduction, it's Cas being Cas, Dean being Dean, and Cas goes against his orders from Heaven due to his growing attachment to Dean. Cas is making Dean feel a whole lot less lonely in S4 where Dean and Sam are drifting apart and Sam is wading into dangerous waters and isn't listening to Dean. So Sex and Violence isn't about Destiel, but Sex and Violence, Dean and Nick, exist not only in the context of Sam and Dean's relationship, but what's forming between Dean and Cas as well (even if Sam and Dean are obviously most directly relevant as the context).
Scrubbing all that out, and trolling and mocking anyone for unpacking it and making their case for the bi Dean subtext is really weird and it's anti-art and it's anti-interpretation. There's nothing wrong with saying "huh, that's an interesting take, hadn't thought of that. Not sure I see it, but carry on *shrug*" and move on.
Instead, for years, there are stans who attacked subtext and attack analysis of subtext, who laugh at it and call people insane, and are still doing it recently.
This analysis of Sex and Violence is old news, but I hope my revisiting maybe adds something to the discussion of this ep. bi Dean discussion is still going on to this day about it and so is the trolling, and I refuse to be silenced on perfectly reasonable subtextual analysis because some people feel a need to throw immature tantrums. It's utterly unhinged, in a bad way, that some people have been so aggressive about actively trying to silence discussion of bi Dean in Sex and Violence.
scar lored then i got possessed
It makes me happy when they listen
great story
c c caan you draw ted, , , pleas,e , ogugh ,, ,
even hatchetfield's resident asshole can find it in his heart to be kind sometimes
Pats all of them 🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰
Oms Allennnn🤭
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It’s a little bit crazy that it’s specifically because of Mark that The Edge of Sleep was such a hard sell (per his comment here).
Apparently no one wanted to touch it, because of Mark. Because of the stereotype that Youtubers and internet creators labor under. The only reason we have it now is that it got self-published via Prime. There was no marketing for so long because no one owns it. No one was willing to take it on.
And it’s extra crazy that Mark is taking full responsibility for this and trying to overturn that exact stereotype. Not just for the many folks involved with The Edge of Sleep, not just to see Iron Lung finally get pushed through to us, but for every Youtuber, every online creator, and everyone who comes after.
Revolutions don’t happen in a day, or even in a month. But Mark asked us for one small, important goal — to start a wildfire for just thirty days.
Can you imagine how much work that Mark has been doing behind the scenes, for years? For TEOS, for Iron Lung, and before that, for In Space with Markiplier, for projects we may not even be aware of? To legitimize his own incredible work? Being constantly brushed off because he started from the bottom and built his talent with his own two hands?
Imagine how many more creators are waiting in the wings with the most incredible things, constantly told no because they’re not considered a “real” artist.
The Edge of Sleep matters so much, to so many people. It’s not the end, either. It’s the beginning of a very long uphill journey. It’s not going to be easy. It’s going to take a very long time and a lot of perseverance to see anything come out of this.
But for right now? It’s just thirty days.
Don’t lose sight of why it matters.
Where:
Here on Tumblr!!
What:
Buy crabs!
Why:
As we now know, Tumblr is $30 million dollars in debt. Oops. Tumblr has announced some major (and unpopular) changes to the site in their attempt to get back above water. The alternative is that Tumblr ceases to exist. But maybe we can change that...
How:
There are 327 million unique tumblr visits per month, and almost 500 million active accounts. If 10 million unique users (or less, if we bought more than one) bought or gifted Crabs from the Tumblr store, we could knock out Tumblr's debt easily. Buy crabs!
When:
July 29, 2023 is Crab Day, running through August 5 (for anyone who can't log on that day) as Crab Week!
Who:
Everyone!! If you truly can't afford to participate with a $3 crab, (or other item from the shop) post crab memes!
Time for Tumblr users to rise again and surprise everyone...
If you guys liked the whole "Stephs flannel matches Peter's suspenders and bow tie" thing then this costuming detail is in tgwdlm gonna fuck you up.
When we get our first scene with Paul and Emma, the two are dressed in their respective main outfits. These are the ones people tend to associate with them.
But throughout the show, as they get closer and bond, their outfits become more and more similar. Pretty soon Emma's lost the apron
Then at the professor's house, Paul loses the jacket
and by the time McNamara is infected, Paul has his sleeves rolled up and Emma's bow tie has come undone.
At this point, the two are at their most aesthetically similar, and also they closest they've been the entire show. This is moments before the helicopter crash and their failed kiss. They remain this way for a good chunk of time...until Paul comes back
It's like some fast-paced foreshadowing. Emma remains in her changed state, the same as her character, but Paul is back to square one. He's wearing the same outfit he was when they met, and they no longer align. She doesn't know who he is anymore.
I don't think this was intentional (and if it was, no one explained it to Jon) but it plays out so damn well.
yall better be just as outraged about this as you were about notre dame
Halloo, I don’t really go on here that much! 💫 They/He👾🦠♠️🚦
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