“Just think that this race of Black men, today our slave and the object of our scorn, is the very race to which we owe our arts, sciences, and even the use of speech! Just imagine, finally, that it is in the midst of people who call themselves the greatest friends of liberty and humanity that one has approved the most barbarous slavery and questioned whether Black men have the same kind of intelligence as whites!”
— Count Constantine F. C. DeVolney
Seis Manos (2019)
nice moves/cool woman
some self-defense moves you should know~
Follow back, if you like it~
“Given the odds, we weren’t supposed to stop being slaves. Given the opposition, we weren’t supposed to have an education. Given the history, we weren’t supposed to have families. Given the blues, we weren’t supposed to have spirit. Given the power of the enemy, we weren’t supposed to fight back. Not only have we achieved victories, we have–despite the powers against us–become our own victories”
— Dr. Camille Cosby
Love Gabe’s style. He’s dropping Gems.
Afrikan warriors and scholars.
Pam Grier’s frequent stunt double Peaches Jones worked as a stuntwoman in several well-known Black films of the 1970s including Halls of Anger (1970), Shaft (1971), Melinda (1972), Buck and the Preacher (1972), Coffy (1973), Foxy Brown (1974), Black Samson (1974), and The Human Tornado (1976). She also did stuntwork in The Mod Squad, The Strawberry Statement (1970), Earthquake (1974) and was even a stunt driver in Freebie and The Bean (1974). She retired shortly after working with Rudy Ray Moore.