Fetti's human rights get tested.
Its really funny how many times you see Blaze high up/willing to go up somewhere high when Sonic is involved lol
And then the latest issue she's just: no, screw this. I'm taking a car, thank you.
Sonic really is her exception huh lmao
He makes her feel safer
I think a lot of what pro-AI people are really wanting is stuff that already exists but they don't know it's out there like
can't format a work email? templates
don't know how to write a resume? templates
writing a thank you card or a condolences card or a wedding invitation? templates templates templates
not sure how to format your citations in MLA or whatever format? citationmachine.net
summary of something you're reading for school/work? cliffnotes.com
recipe based on ingredients in your fridge? whatsintherefrigerator.com
there's a million more like, guys, we don't need AI, we never needed generative AI
oh gosh sorry my hand is slipped
Video essay by Jellybox about what's good and bad about indie animation!
Wanted to share this in case it's helpful to anyone wanting to pursue making animation independently. It's also for fans of indie animation who may want some insight into how an indie studio works, why indie cartoons are always selling merch, why release schedules are often erratic, etc.
I also wanted to clarify the video's context, because it seems to have been somewhat misconstrued in some circles. Not long ago, WGA and SAG strikes, followed by TAG negotiations were very much in the news, shining light on the struggles the artists, writers, and actors in the Hollywood studio system are facing. In response, the words 'just go indie' have been tossed around quite a bit lately.
Gene and Sean at Jellybox approached us a few months back explaining that they were planning to make a video about the realities of running an indie studio/producing indie animation, largely in response to that 'just go indie' attitude. They were curious if we'd be willing to share our experience, including information about actual costs and the various difficulties and complications we've encountered. We said yes! We'd like for people to know what it's like. As much as it might look appealing next to the currently very broken studio system, indie has its own set of problems, and we think it's a good idea to be transparent about that because talking about problems is how you begin to address them.
Of course, while you get creative freedom and you have no shareholders to appease with indie production, the primary struggle you're always going to face is funding…and funding avenues are limited. Banks aren't eager to hand out business loans to freelance artists making cartoons, for instance. Social media algorithms reward frequent updates you can't swing with hand-drawn animated content, so you can't rely much on things like AdSense. You can't really insert sponsored ads into your animated videos without being too obtrusive. You can take on client work, but that interferes with your ability to focus on own animated project. Crowdfunds can be great for seed money, but they're also a ton of work to fulfill, and fulfillment itself will tend to eat up a considerable amount of the funds you've raised. Once your animation is produced, there is no well established way to sell the animated episode itself like there is for, say indie games sold on Steam. So, while we consider ways to try to make the terrain a bit more hospitable to indie creations, if nothing else, let this explain why productions rely a lot on merch drops!
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And hey, if you're an animation fan, consider supporting the independent productions you enjoy, whether you're tossing a few dollars their way, buying their merch, or just mentioning them to friends:
The Far-Fetched team is launching a crowdfund very soon to help them complete their pilot!
The Monkey Wrench team is killing it lately, and they deserve so much more fanfare than they've gotten!
And of course, thank you to the excellent folks at Jellybox for starting an important conversation!
2024 September 14th
Do you ever wish you could beat into a character's head that they're loved? Because I sure wanted to beat Siffrin during my first playthrough of In Stars and Time. Then I thought about that figure of speech too literally, laughed at my own joke, and now here's me using Odile as a proxy to do just that. :)
I absolutely adore Odile's "you will be safe and happy and that is a threat" approach to emotional support. Her and Siffrin's dynamic in general is just chef's kiss.
Sorry about your hat, Siffrin, but it was destroying my panel composition when I tried to put it on your head.
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For being rusty with art I'm really happy with this! That last panel in particular was very new territory for me but I think it came out good! I'm happy with the movement between panels in general. And look at me! Drawing backgrounds!! Wahoo!!
I drew these panels incredibly out of order, so you can see my art style and amount of effort fade in and out as you read, lmao. I tried to stay authentic to the game's style, but sort of gave up and let my style bleed through on the action-y panels. It just felt right. Gives it emphasis. :P
I'm new to writing screen reader image alt text, so feedback is welcomed. Sorry again to Siffrin because I forced myself to he/him them only to avoid confusion, but it felt bad! My fellow they/he, I have wronged you.
Time spent working on this comic was...... 33 hours and 18 minutes. I blame the rust, learning how to draw these characters on the fly, and figuring out the perspective on those bricks, oh my god.
Have some close-ups of my fave panels as thanks for clicking the read-more, mwa
Jessica Rabbit
Art by Stephanie Pepper
Twitter | Inprnt
Have you ever been to earth?
On earth, we use the word “burrito” to describe a tortilla filled with things you eat. Pretty simple stuff, and I’m surprised you at least got that part right. My burrito was, in fact, filled with food. In this, you and I agree and are friends. But this is also where my lifelong hatred begins for you and anyone else whose brain has been repeatedly scrubbed with the same mixture of bleach and Pop Rocks as yours has. Because that should have killed you, but left you around long enough to do what you did to me today. Let me explain:
You’re an idiot.
Let me further explain:
Burritos are eaten from one end to the other. So that means when you assemble a burrito with motherfucking ZONES of ingredients going that direction, you create a disgusting experience for the burrito’s end user. When you make a burrito, you should put the ingredients in layerslengthwise. That way, every bite has AT LEAST A FUCKING CHANCE of getting at least two types of ingredients, and there is little chance of becoming almost hopelessly trapped in a goddamned cilantro cavern.
Have you ever eaten one of the things you make all fucking day? You should try one. They are pretty good WHEN YOU ARE NOT WILLING YOURSELF THROUGH THE FUCKING EMPIRE OF SOUR CREAM ONLY TO END UP IN LETTUCE COUNTRY.
When you eat a burrito, you don’t stand it up and bite down on it lengthwise like a fucking Rancor. Humans can’t usually dislocate their jaws, and I’m not a fucking pelican. But you must think that’s how it’s done, since that would be THE ONLY FUCKING WAY to take a bite of your crapstrosity and have it taste like a burrito.
And guess what else, player? You probably can’t guess anything, because I’m pretty sure you’re just a mop with a hat on it that fell over and spilled some shit into a tortilla, but just in case, here’s what:
Humans also don’t eat burritos like fucking corn on the cob. Like a fucking typewriter from one end to the other a little at a time and then DING next line. But today I wish I had tried that. Because at least THEN I would be able to eat some rice, then beans, then be all like HEY BEANS I’LL BE RIGHT BACK JUST GOING OVER HERE TO THE GUACAMOLE FOR A SECOND.
Nope.
My experience was more like HEY BEANS IT’S JUST GOING TO BE YOU AND I FOR A MINUTE UNTIL I CAN FUCKING EXCAVATE THE RICE FROM BENEATH YOU BUT BY THEN YOU WILL BE A FADING MEMORY OH HEY I WAS WRONG I’M IN THE FUCKING CHEESEOSPHERE NOW RICE MUST BE NEXT I HOPE IT’S NOT ANOTHER FUCKING SALSA POCKET.
You built this thing like a fucking pack of LifeSavers.
And don’t even fucking think I’m about to open this shit up and re-engineer your nonsense 90 degrees. I ALREADY PUT A HOLE IN IT WITH MY FUCKING MOUTH. YEAH. THAT’S HOW I DISCOVERED YOU FUCKING SUCK AT LOOKING AT THINGS. I AM NOT GOING TO DO FUCKING TORTILLA ORIGAMI TO GET THIS SHIT BACK TOGETHER, ONLY TO END UP WITH A BURRITO THAT’S BEEN SHOT IN THE GUT AND IS BLEEDING YOUR INEPTITUDE.
What’s that? I should ask you to mix it up first next time? IS THIS JAMBA JUICE? I DON’T WANT TO DRINK MY FUCKING BURRITO THROUGH A BENDY STRAW, AND I DON’T WANT A PILE OF BURRITO SOUP IN A FLOUR CAN.
I just want a burrito.
In conclusion:
You’re the worst thing that has ever happened to the universe, you owe everyone everywhere an apology for this burritobomination, and I hope your babies look like monkeys.
UPDATE FOR EVERYONE WHO SAID “JUST EAT IT WITH A FORK”:
A fucking fork?
I DIDN’T ORDER THE FUCKING COBBURRITO SALAD.
If anyone ever handed me a burrito with a fork, THEY WOULD BE WEARING A BRAND NEW BURRITO HAT FROM MY FALL COLLECTION TEN SECONDS LATER.
That’s like buying a car and having them hand you a fucking wrench with the keys. Like YEAH WE KNOW THIS MOTHERFUCKER’S GOING TO EXPLODE AND BE SPREAD ACROSS EIGHT LANES AS SOON AS YOU HIT THE GAS, BUT SHIT, WE GAVE YOU A WRENCH, SO BE COOL.
Jesus already gave me two burrito forks. One at the end of each arm. They’re called fucking HANDS.
A fork. My god. I haven’t cried since I was six, but I’m fucking sobbing now.
People eat burritos with forks?
God is sorry he made us.
(Source)
really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
Alt version with her black hair!
Tessa James Elliot ref. sheet! (For my AU) This is her formal/gala outfit btw! I'll be working on her gothic outfit soon :D (she'll have a different hairstyle for the gothic outfit which will be somewhat similar to the canon hairstyle)