Kangaroomaze - I Exist To Look At Stuff!

Oh! I got a good one here! If I may add;

Caine: Ok, so you're driving on the track, when suddenly, Gangle and Jax walk onto the road! Quick! What do you hit?

Zooble: Oh, definitely Jax. I could never hit Gangle.

Caine: ... The breaks... You hit the breaks.

RACEWAY AU INCORRECT QUOTES

~~~

Kinger: "Do you think God stays in heaven because he too fears what he has created?"

Abel: "What the [%$!#] are you on?"

~

Gangle: "This is so sad...Bubble, play Despacito."

~

Caine: "I don't know if I give the air of knowing things, but I really don't."

Seth: "Your secret is safe with my indifference.

~

Loo: "Why are you smiling?"

Gummigoo: "Can't I just be happy?"

Pomni: "Jax crashed on the final lap."

~

Pomni: "Caine and I don’t use pet names."

Ragatha: "I see. Hey, what do bees make?"

Pomni: "Honey?"

Caine: "Yes, dear?"

Pomni: *sweats*

Ragatha: "Don't ever lie to my face again."

~

Pomni: "MY LIFE IS IN THE HANDS OF AN IDIOT!!"

Caine: *gesturing to himself and Seth* "No, no, TWO idiots."

~

Gangle: "I actually have a black belt."

Ragatha: "In karate?"

Gangle: "No, from Gucci."

~

Jax: "Look. I may not be a saint, but it's not like I’ve killed anybody. I’m not an arsonist (mostly). I’ve never found a wallet outside of an IHOP and thought about returning it but saw the owner lived out of state so just took the cash and dropped the wallet back on the ground."

Zooble: "Okay, that's really specific, and that makes me think that you definitely did do that."

~

Kinger: "A theif."

Zooble: "Thief?"

Kinger: "Theif."

Zooble: "I before E, except after C."

Kinger: "...Thceif."

Zooble: "No."

~

Caine: "Bad things keep happening to me, like I have bad luck or something."

Seth: "You don't have bad luck. The reason bad things happen to you is because you're a dumbass."

~

Ragatha: "If you had to choose between Jax and all the money I have in my wallet, which would you choose?"

Gummigoo: "That depends, how much money are we taking about?"

Jax: "Hey!"

Ragatha: "63 cents."

Gummigoo: "I'll take the money."

Jax: "HEY!!"

~

Loo: "WHY. why did you give Gangle a KNIFE?!"

Ragatha: "She said she felt unsafe."

Loo: "Now I feel unsafe!"

Ragatha: "I’m sorry... would you like a knife?"

~

Caine: "How's the most beautiful person here~?"

Pomni: "I don't know, how are they~?"

Caine: *flustered* "I-"

Seth: *from across the room* "I'm doing great, thanks!"

~

Jax: "We need to get through this locked door. Kinger, give me your credit card."

Kinger: Here.

Jax: "Thanks." *Pockets the card* "Zooble, kick down the door."

~

Pomni: "Seth, can I talk to you for a second?"

Seth: "Yeah, what’s up? Lemme guess. You and Caine are having problems and you want me to teach you how to kiss?"

Pomni: *blushing furiously* "What? No, stop that. I know how to kiss. I’ve read books."

Seth: *snorts*

~

Gangle: "Come on, I wasn’t that drunk last night."

Ragatha: "You were flirting with Zooble."

Gangle: "So what? They're my partner."

Ragatha: "You asked them if they were single."

Gangle:

Ragatha: "And then you cried when they said they weren't."

~

Caine: "Pomni, what do IDK, LY, and TTYL mean?"

Pomni: "I don’t know, love you, talk to you later."

Caine: "Ok, I love you too, I’ll just ask Kinger."

Pomni: *realizing* "WAIT-"

~

Pomni: "You have to apologize to Caine."

Seth: "Fine....Unfuck you or whatever."

~

Jax: "Sometimes I drink milk straight out of the container."

Kinger: "The cow???"

Jax: "What?"

Ragatha: "Kinger, W H Y?"

~

Pomni: "Do you have any skeletons in your closet?"

Abel: "You mean literally or figuratively?"

Pomni: "Honestly, the fact that I have to specify..."

~~~

A/N: Heh, these where fun. I might need to do more

A bit random but I made this 3D still life in blender over these past few days!! it's broken me out of artblock n i wanna do more work in this style 😎

it’s just one of those croissant days

Digital art is often hard when starting out, and it seems like a lot of tutorials skip things, (or I'm not paying attention, both are very plausible) so, I decided to study an artists work; In this case, it was @sm-baby, (a user of several platforms, including Tumblr).

What I concluded is that the utilization of pressure, colored lineart in particular areas (such as when two of the same color that are in contact), and (although more so in uncolored sketches) the presence of lightly colored lines on sections of the character to show detail without making it overly prominent are factors that go into digital art that is pleasurable to look at.

So, with what I learned, the image above is a sketch that utilizes those aspects that were deemed "good", from her creations.

And hey, since you're here, go check out @sm-baby's blog. Her art is good, and there was a whole anon-deeznuts situation that went down the other day, which was very entertaining.

AND HEY- To the fellow Artists that are newer to digital artwork, or don't know where to start, or [add text here], studying the techniques of others is a good way to learn, within reason of course. So, like, don't steal or anything, thats too far.

Rumour has it, although the King of Ithaca had returned to his shores, his throne remained empty for the better part of a year.

The Blank Room

I went to watch Epic Mickey 2 and this popped up! And I love it! Those two silly brothers!

Miyazaki’s visual storytelling thrives on a sense of flatness that doesn’t diminish but rather enriches his worlds. By compressing the layers of his compositions—merging the foreground’s details, middle ground’s action, and background’s context—he crafts images that feel like living illustrations. Take the Warawara swarming with dishes in "The Boy and the Heron" or the jubilant feast scene in "Spirited Away" : both are packed with vibrant details, yet the visual plane feels collapsed, like a tableau unfolding all at once. This "flatness" isn't a flaw but a deliberate technique, pulling us into the frame as if we’re unrolling a scroll of visual wonder. It’s not depth that Miyazaki aims for—it’s a sheer density of storytelling in every frame, a reminder that 2D animation’s strength lies in its ability to immerse without imitating.