“Everything Was Screaming: The Sea, The Wind, My Heart.”

New Editing Features in Writing Analytics

A few days ago, I posted a preview of a feature I was working on. I’m happy to announce that highlights are now live and ready to use 🎉.

Just choose which words or phrases you’d like to be highlighted, and Writing Analytics will do that as you type. This has a number of use cases, particularly when you’re editing something and want to target specific issues in your draft. 

Stuff like weeding out adverbs, cleaning out unnecessary words, passive voice etc. You can also use these to highlight the names of your characters and their pronouns to visualise better how much space they’re getting in the narrative. 

You can do anything you want — that’s the best part!

How it Works

1. Click on Highlights in the main menu.

2. Add some highlights. You can also click on them to choose a different colour.

That’s it. You can close the widget and go back to writing.

One cool thing is that star works as a wildcard. It will match any word or part of word. So if you want to highlight problematic adverbs use *ly like so:

Colour-coding and visualising what you’re looking for in the text makes revisions so much easier —instead of having to read the whole thing over and over again, you can focus on specific areas and issues.

The highlights show up as you type so you can also use this to break down bad writing habits. Just set up highlights for words or phrases that you’d like to stop using, and you’ll be alerted when it happens.

It took me a while to build this, and I’m very excited to finally see it in the wild — one of my favourite features for sure.

Wanna give it a go? Sign up for a free, no-commitment 14-day trial.

Character development doesn't refer to character improvement in a moral or ethical respect. It refers to broadening the audience's understanding of that character, giving the character a deeper background, clearer motivations, a unique voice.

Developing a character is about making them seem more like a real person, and real people are flawed. Real people make mistakes. They repeat mistakes. They do things other people don't agree with. Real people are more than just 'good' or 'bad' and character development is about showing all of those other aspects of them.

Their interests and hobbies. The song that gets stuck in their head. The fact that their vacuum broke 3 months ago and they haven't gotten it fixed yet. All of those details help build out the character and develop them more.

And yes, characters change as stories progress but that doesn't mean they get 'better' in a strict moral sense. It means that their experiences change the way they interact in the world you've written for them. Just like real people do.

“Have you ever just looked at someone while they’re doing something small like driving or laughing and just smile bc u like them so much.”

— Unknown 

“It’s amazing how much distance one truth can create between two people.”

— Colleen Hoover (via quotemadness)

Writing Theory: Controlling the Pace

Pacing is basically the speed of which the action in your story unfolds. Pacing keeps the reader hooked, helps to regulate the flow of the story and sets the tone of the entire book. So how can we write it?

Genre & Tone

Really in any novel the reader has an expectation that the book will be fast paced or slow. Readers will go into an action novel, expecting it to be fast paced. Readers will pick up a romance novel and expect it to follow a steadying climb of pace as the story goes on.

Pace is a good indicator of how the story is going to feel. If you want your readers to feel as if they are in a calm environment, you don't place the events immediately one after the other. If you want your readers to feel some adrenaline, you keep the curveball coming.

How to utilise Pacing successfully

1. Give your readers time to recover

When readers are reading a fast-paced novel, they need a breather and so do you and your characters. By peppering in a few moments between peaks of fast pace, you are allowing your readers to swallow down what they've just read and allows you to explore it further. Consider this like the bottle of water after a run. You need it or you'll collapse.

2. Track Events Carefully

When planning your book's outline or at least having a vague idea of it, you have a fair idea when things are going to happen. Usually books have an arc where pace gets faster and faster until you get to the climax where it generally slows down. If you're writing a larger book, you have to space out your pacing properly or else your reader will fall into a valley of boredom or find the book a bumpy ride. The climax should have the fastest pace - even if you start off at a high pace. Your story always should peak at the climax.

3. Localising Pace

If you want to put your reader into a certain state of mind throughout a chapter or even a paragraph, pay close attention to your sentence bulk. Long flowy sentences but the reader at ease, slowing the pace for them. Short, jabby sentences speed things up. An argument or a scene with action should be quick. A stroll through a meadow on a lazy summer's noon should be slow.

4. Information is Key

When writing pace in your overall novel, the reader should be given more information as you go through the story. You begin any story estentially with the who, what, where of everything. But peppering in all the whys, you broaden the story and keep the reader feeling more able to keep up with everything. For example, in any murder mystery your reader is given the body. As the story goes on, your reader should be given more and more information such as the weapon, the where until you get to the climax.

5. Off/On Stage

All events of the story do not need to be shown on stage. When you want to slow things down, allow things to happen away from the readers view. If you show event after event at your readers, everything is at a faster pace.

Writing Tip #218

Tightening your sentences and getting rid of unnecessary adverbs and adjectives does not mean writing short sentences. You can have a long sentence without any adverbs or adjectives and you can have a short sentence with too many. Tightening your sentences just means that every word has to matter.