Reblog So Prev Can Get A Kiss From Their F/o !!

New Sherlock Holmes adaptation idea: Watsondoes a voiceover narration of the story and it frequently contradicts what’s happening onscreen. Sometimes it’s literally just blatant lies. Watson also frequently looks into the camera like he’s on the office. It’s set in the original Victorian era so this should not be possible. He’s the only character who does this.

put your bra back on boy we have a murder to solve

Petitions - UK Government and Parliament

Petition: Do not stop transgender people from receiving care in mainstream hospital wards

The previous government proposed changes to the NHS constitution which would mean transgender hospital patients in England may not be treate

Well fucks? Get to it!

Look, we joke a lot, but really, "you were born evil, wretched, worse than the scum of the earth, and it took killing a god to make you salvageable, so now you'd better be grateful to that god and thank him 10,000 times a day for it and fill your thoughts with him 24/7 and abide by the letter of his every word, lest you suffer unimaginable torture for all of eternity" is a truly horrendous thing to believe about yourself and other people

Preach! Screw beauty standards and ageism! Embrace all stages of life!

Nothing drives this society more crazy than a woman who doesn't hate herself

I like to imagine that little Mel loved the song "On Melancholy Hill" so much (she’d throw hours-long tantrums just to make Ken sing it or play it for her) that Ken eventually thought, "Melancholy Hill" would be the perfect name for her.

*“Oh, Ashley” from the Hunicast intensifies.*

I’ve been listening to this song Rebecca said she listened to while drawing Spinel (홍단아 - 탓탓탓 Feat. 스윙스) and im just obsessed so i made this. No idea if I’ll develop this into anything futher

DOWN WITH GENERATIVE AI!

ur future nurse is using chapgpt to glide thru school u better take care of urself

I think I may never be sad ever again. There is a statue entitled "Farewell to Orpheus" on my college campus. It's been there since 1968, created by a Prof. Frederic Littman that use to work at the university. It sits in the middle of a fountain, and the fountain is often full of litter. I have taken it upon myself to clean the litter out when I see it (the skimmers only come by once a week at max). But because of my style of dress, this means that bystanders see a twenty-something on their hands and knees at the edge of the fountain, sleeves rolled up, trying not to splash dirty water on their slacks while their briefcase and suit coat sit nearby. This is fine, usually. But today was Saturday Market, which means the twenty or so people in the area suddenly became hundreds. So, obviously, somebody stopped to ask what I was doing. "This," I gestured at the statue, "is Eurydice. She was the wife of Orpheus, the greatest storyteller in Greece. And this litter is disrespectful." Then, on a whim, I squinted up at them. "Do you know the story of Orpheus and Eurydice?" "No," they replied, shifting slightly to sit.

"Would you like to?"

"Sure!"

So I told them. I told them the story as I know it- and I've had a bit of practice. Orpheus, child of a wishing star, favorite of the messenger god, who had a hard-working, wonderful wife, Eurydice; his harp that could lull beasts to passivity, coax song from nymphs, and move mountains before him; and the men who, while he dreamed and composed, came to steal Eurydice away. I told of how she ran, and the water splashed up on my clothes. But I didn't care. I told of how the adder in the field bit her heel, and she died. I told of the Underworld- how Orpheus charmed the riverman, pacified Cerberus with a lullaby, and melted the hearts of the wise judges. I laughed as I remarked how lucky he was that it was winter- for Persephone was moved by his song where Hades was not. She convinced Hades to let Orpheus prove he was worthy of taking Eurydice. I tugged my coat back on, and said how Orpheus had to play and sing all the way out of the Underworld, without ever looking back to see if his beloved wife followed. And I told how, when he stopped for breath, he thought he heard her stumble and fall, and turned to help her up- but it was too late. I told the story four times after that, to four different groups, each larger than the last. And I must have cast a glance at the statue, something that said "I'm sorry, I miss you--" because when I finished my second to last retelling, a young boy piped up, perhaps seven or eight, and asked me a question that has made my day, and potentially my life: "Are you Orpheus?" I told the tale of the grieving bard so well, so convincingly, that in the eyes of a child I was telling not a story, but a memory. And while I laughed in the moment, with everyone else, I wept with gratitude and joy when I came home. This is more than I deserve, and I think I may never be sad again.

Here is the aforementioned statue, by the way.