Itsmymochichim - Untitled

Remember, time does not actually exist, so

"I will have a burger." and "I already have a burger." are the same.

Why is time not real? In what sense is it not real? And why does that make a difference in our affirmation?

Here's why:

Time, as we understand it, is only a perception. It's a framework that enables us to place events in a way that makes sense in this existence, but it's not an absolute, universal force.

1. Time is Relative

Science already tells us that time isn't absolute. It distorts with gravity, speed, and perspective (think time dilation in relativity). If time can stretch and condense, then it's not an objective reality—it's something that changes depending on where and how you are.

2. Time is a Mental Framework

We split time into seconds, minutes, and years, but that's only a human construct. In reality, all moments exist at once—what we consider past, present, and future are just different angles of the same infinite Now.

3. Shifting Proves Time's Flexibility

When we shift, we can be in a DR for a year, while only a few minutes pass here. Some shifters have even returned before they originally left. That alone proves that time is not absolute—it is relative to the nature of the reality you're in.

How Does This Affect Our Affirmations?

Since time isn't real, any affirmation based on time is merely a way to frame your own perception of reality. That means:

"I am always in my DR."

"I shift immediately."

These both convey the same message because your awareness isn't restricted by linear time—it simply goes to the perspective that aligns with your intention.

So don't think: ❌ "How long will it take?"

Think instead: ✅ "Where do I want my awareness to be?"

Because in an infinite reality, you're already there. 🚀

u survive literally every single event in your life & still every time a new event happens you feel like this is the event that will kill you and that you will never move on from but actually you will continue to survive like you always have bc u have a 100% win rate of surviving events. btw

Keira Knightley when she’s offered projects that take place in modern day society

HOW to stop coming from a state of lack? Show me your ways master Emma

same . i am currently attempting to repair my soul using a roll of glitter tape and derealised self-talk, so like. welcome to the coven.

but. you are not lacking. you are looping.

lack is a trick of the light, and the light is currently being filtered through like… your seventh grade math trauma and whatever weird alchemical slop your brain decided to stew together from three unhealed tiktok videos and one badly-scripted childhood memory. you’re not lacking. you’re remembering something wrong.

manifesting / shifting from lack is like baking a cake while crying about how you don’t have a cake. girl you are the cake. you're literally in the oven. you’re halfway frosted. like yeah it feels hot and sticky and stupid in here but that’s just because you’re becoming dessert. trust the process

it’s not about trying to get something. it’s about being the version of you who already has it.

start assuming. start lying (but sexy). your current life is just fanfiction of the life you actually have, and every time you remember that, you shift. assume it’s done, assume it’s easy, assume you always get what you want.

you’re not waiting for it to happen. you’re relaxing into the fact that it already did. your desire isn’t a gap. it’s a memory.

and i’m hugging you now. it’s already done. you’ve already shifted. we’re just waiting for the light to catch up. <3

p.s. you’re not manifesting from lack anymore because we killed the idea of “lack” in a basement with a philosophy degree and a glock. i love when we commit semantic murder for healing. anyway. go be ethereal now. go be deeply, disgustingly abundant.

RANDOM VEDIC OBSERVATIONS

ᴛʜᴇ ᴍᴏᴠɪᴇ ɴᴏꜱꜰᴇʀᴀᴛᴜ ɪꜱ ᴀʟʟ ᴀʙᴏᴜᴛ ʙʜᴀʀᴀɴɪ ᴅᴜᴇ ᴛᴏ ᴛʜᴇᴍᴇꜱ ᴏꜰ ꜰᴏʀʙɪᴅᴅᴇɴ ʟᴏᴠᴇ, ꜰᴀᴛᴇ, ᴅᴇᴀᴛʜ ᴀɴᴅ ʀᴇʙɪʀᴛʜ

ᴛʜᴇ ᴅɪꜱɴᴇʏ ᴄʜᴀʀᴀᴄᴛᴇʀ, ᴍᴜʟᴀɴ, ɪꜱ ᴄᴏɴɴᴇᴄᴛᴇᴅ ᴛᴏ ᴍᴀɢʜᴀ ᴅᴜᴇ ᴛᴏ ᴛʜᴇ ᴛʜᴇᴍᴇꜱ ᴏꜰ ᴀɴᴄᴇꜱᴛʀʏ, ꜰᴀᴍɪʟɪᴀʟ ʙᴏɴᴅꜱ, ᴀɴᴅ ᴜᴘʜᴏʟᴅɪɴɢ ᴏɴᴇ'ꜱ ʟᴇɢᴀᴄʏ (ᴛʜᴇ ᴀᴄᴛʀᴇꜱꜱ, ʟɪᴜ ʏɪꜰᴇɪ, ᴡʜᴏ ᴘʟᴀʏᴇᴅ ᴍᴜʟᴀɴ ʜᴀꜱ ᴀ ᴡʜᴏʟᴇ ᴍᴀɢʜᴀ ꜱᴛᴇʟʟɪᴜᴍ)

ᴍᴇʀᴄᴜʀʏ-ᴋᴇᴛᴜ ᴀꜱᴘᴇᴄᴛꜱ ᴄᴀɴ ᴍᴀᴋᴇ ꜱᴏᴍᴇᴏɴᴇ ᴠᴇʀʏ ʙʟᴜɴᴛ ɪɴ ꜱᴘᴇᴇᴄʜ ᴏʀ ʜᴀᴠᴇ ᴀ ꜱᴘᴇᴇᴄʜ ɪᴍᴘᴇᴅɪᴍᴇɴᴛ

ᴀꜱʜʟᴇꜱʜᴀ ᴡᴏᴍᴇɴ ᴛᴇɴᴅ ᴛᴏ ʜᴀᴠᴇ ɪꜱꜱᴜᴇꜱ ᴡɪᴛʜ ᴛʜᴇɪʀ ꜰᴇᴍɪɴɪɴɪᴛʏ ᴡʜɪʟᴇ ᴀꜱʜʟᴇꜱʜᴀ ᴍᴇɴ ᴛᴇɴᴅ ᴛᴏ ʜᴀᴠᴇ ɪꜱꜱᴜᴇꜱ ᴡɪᴛʜ ᴛʜᴇɪʀ ᴍᴀꜱᴄᴜʟɪɴɪᴛʏ

ꜱᴘᴇᴀᴋɪɴɢ ᴏꜰ ᴍᴀɢʜᴀ, ᴍᴀɢʜᴀ ɴᴀᴛɪᴠᴇꜱ ʜᴀᴠᴇ ᴀ ᴛᴇɴᴅᴇɴᴄʏ ᴛᴏ ᴀᴘᴘᴇᴀʀ ᴀʀʀᴏɢᴀɴᴛ ᴏʀ ᴄᴏɴᴄᴇɪᴛᴇᴅ ꜱᴏᴍᴇᴛɪᴍᴇꜱ (ᴇx: ᴛʏʟᴀ)

ʜᴀᴠɪɴɢ ᴀꜱʜʟᴇꜱʜᴀ ɪɴ ᴛʜᴇ 4ᴛʜ ʜᴏᴜꜱᴇ ᴍᴇᴀɴꜱ ʜᴀᴠɪɴɢ ᴀ ᴍᴏᴛʜᴇʀ ᴡʜᴏ ᴡᴀꜱ ᴠᴇʀʏ ᴄᴏɴᴛʀᴏʟʟɪɴɢ ᴀɴᴅ ᴇᴍᴏᴛɪᴏɴᴀʟʟʏ ꜱᴍᴏᴛʜᴇʀɪɴɢ

ᴀʟʟ ᴠᴇɴᴜꜱɪᴀɴ ɴᴀᴋꜱʜᴀᴛʀᴀ ᴡᴏᴍᴇɴ (ʙʜᴀʀᴀɴɪ, ᴘᴜʀᴠᴀ ᴘʜᴀʟɢᴜɴɪ, ᴘᴜʀᴠᴀ ᴀꜱʜᴀᴅʜᴀ) ʜᴀᴠᴇ ᴀ ᴛᴇɴᴅᴇɴᴄʏ ᴛᴏ ᴄʀᴀᴠᴇ ᴛʜᴇ ᴅᴇꜱɪʀᴇ ᴏꜰ ꜱᴜʙᴍɪꜱꜱɪᴏɴ ᴀɴᴅ ʏɪᴇʟᴅɪɴɢ

ꜱᴜɴ-ᴅᴏᴍɪɴᴀɴᴛ ᴡᴏᴍᴇɴ ᴀʀᴇ ᴛʜᴇ ᴅᴇꜰɪɴɪᴛɪᴏɴ ᴏꜰ ᴀ ɢɪʀʟʙᴏꜱꜱ

ᴋᴇᴛᴜ-ᴅᴏᴍɪɴᴀɴᴛ ᴍᴇɴ ᴀʀᴇ ɴᴏᴛ ᴍᴀʀʀɪᴀɢᴇ ᴍᴀᴛᴇʀɪᴀʟ, ɪɴ ꜰᴀᴄᴛ, ᴛʜᴇʏ'ᴅ ᴘʀᴏʙᴀʙʟʏ ᴘʀᴇꜰᴇʀ ᴛᴏ ᴊᴜꜱᴛ ᴅᴀᴛᴇ ꜱᴏᴍᴇᴏɴᴇ ꜰᴏʀ ᴀ ʀᴇᴀʟʟʏ ʟᴏɴɢ ᴛɪᴍᴇ ᴜɴᴛɪʟ ᴛʜᴇʏ ᴅᴇᴄɪᴅᴇ ᴛᴏ ꜰɪɴᴀʟʟʏ ᴘᴜᴛ ᴀ ʀɪɴɢ ᴏɴ ᴛʜᴀᴛ ꜰɪɴɢᴇʀ

ᴠᴇɴᴜꜱɪᴀɴ ᴍᴇɴ ʟᴏᴠᴇ ᴛᴏ ꜱᴘᴏɪʟ ᴛʜᴇɪʀ ᴘᴀʀᴛɴᴇʀꜱ, ᴛʜᴇɪʀ ʟᴏᴠᴇ ʟᴀɴɢᴜᴀɢᴇ ɪꜱ ʜᴀɴᴅɪɴɢ ʏᴏᴜ ɢɪꜰᴛꜱ

ɪ ɴᴏᴛɪᴄᴇ ᴛʜᴀᴛ ꜰᴇᴡ ᴜᴛᴛᴀʀᴀ ʙʜᴀᴅʀᴀᴘᴀᴅᴀ ᴡᴏᴍᴇɴ ʜᴀᴠᴇ ᴘʟᴀʏᴇᴅ ʟᴇꜱʙɪᴀɴ ʀᴏʟᴇꜱ ɪɴ ᴍᴏᴠɪᴇꜱ (ᴇx: ᴅʏʟᴀɴ ɢᴇʟᴜʟᴀ ɪɴ ꜰɪʀꜱᴛ ɢɪʀʟ ɪ ʟᴏᴠᴇᴅ)

ᴅʜᴀɴɪꜱʜᴛᴀ ᴀɴᴅ ᴘᴜʀᴠᴀ ʙʜᴀᴅʀᴀᴘᴀᴅᴀ ɴᴀᴛɪᴠᴇꜱ ᴀʀᴇ ꜱᴏ ᴅᴀɴɢᴇʀᴏᴜꜱʟʏ ꜱᴇxʏ ɪɴ ᴀ ꜰʟᴀᴍʙᴏʏᴀɴᴛ ᴡᴀʏ, ɪ ʟᴏᴠᴇ ᴛʜᴇᴍ ꜱᴏ ᴍᴜᴄʜ. ᴛʜᴇʏ ᴀʟꜱᴏ ʜᴀᴠᴇ ᴘʀᴇᴛᴛʏ ʟᴀʀɢᴇ ᴍᴏᴜᴛʜꜱ ᴀɴᴅ ᴡɪᴅᴇ ꜱᴍɪʟᴇꜱ ᴛʜᴀᴛ ᴊᴜꜱᴛ ʟɪɢʜᴛᴇɴꜱ ᴜᴘ ᴛʜᴇɪʀ ᴡʜᴏʟᴇ ꜰᴀᴄᴇ (ᴇx: ʙᴀʀᴀᴄᴋ ᴏʙᴀᴍᴀ, ᴍᴀᴅɪꜱᴏɴ ʙᴇᴇʀ, ᴍᴇɢᴀɴ ᴛʜᴇᴇ ꜱᴛᴀʟʟɪᴏɴ, ʙɪʟʟ ꜱᴋᴀʀꜱɢᴀʀᴅ)

ꜱʜʀᴀᴠᴀɴᴀ ɴᴀᴛɪᴠᴇꜱ ᴀʀᴇ ᴏɴᴇ ᴏꜰ ᴛʜᴇ ᴍᴏꜱᴛ ʀᴇʟɪᴀʙʟᴇ ᴀɴᴅ ᴛʀᴜꜱᴛ-ᴡᴏʀᴛʜʏ ꜰʀɪᴇɴᴅꜱ ᴏᴜᴛ ᴛʜᴇʀᴇ ʙᴜᴛ ᴘᴇᴏᴘʟᴇ ᴜꜱᴜᴀʟʟʏ ᴍɪꜱᴛʀᴇᴀᴛ ᴛʜᴇᴍ

ʏᴏᴜ ᴡᴀɴᴛ ꜱᴏᴍᴇ ᴀᴍᴀᴢɪɴɢ ʜᴏᴛ ᴀɴᴅ ʜᴇᴀᴠʏ ꜱᴇx ᴛʜᴀᴛ'ʟʟ ʟᴇᴀᴠᴇ ʏᴏᴜ ꜰᴇᴇʟɪɴɢ ꜱᴀᴛɪꜱꜰɪᴇᴅ ꜰᴏʀ ᴀ ʟᴏɴɢ ᴛɪᴍᴇ? ꜰɪɴᴅ ᴀ ᴘᴜʀᴠᴀ ᴘʜᴀʟɢᴜɴɪ ᴏʀ ᴜᴛᴛᴀʀᴀ ᴘʜᴀʟɢᴜɴɪ ᴍᴀɴ, ᴛʜᴇʏ ʀᴇᴀʟʟʏ ᴋɴᴏᴡ ʜᴏᴡ ᴛᴏ ᴍᴏᴠᴇ ᴛʜᴇɪʀ ʜɪᴘꜱ ɪꜰʏᴋᴡɪᴍ

ᴍᴜʟᴀ ᴀɴᴅ ᴘᴜʀᴠᴀ ᴀꜱʜᴀᴅʜᴀ ᴡᴏᴍᴇɴ ʜᴀᴠᴇ ꜱᴜᴄʜ ᴀ ᴡᴀʏ ᴡɪᴛʜ ᴡᴏʀᴅꜱ, ᴛʜᴇʏ ꜱᴏᴜɴᴅ ꜱᴏ ᴘᴏᴇᴛɪᴄ ᴀɴᴅ ᴇᴛʜᴇʀᴇᴀʟ ᴡʜᴇɴ ᴛʜᴇʏ'ʀᴇ ᴛᴀʟᴋɪɴɢ ᴀʙᴏᴜᴛ ꜱᴏᴍᴇᴛʜɪɴɢ ᴅᴇᴇᴘ ᴏʀ ᴘᴇʀꜱᴏɴᴀʟ

ᴡᴀɴɴᴀ ʀᴇᴀʟʟʏ ʟᴇᴛ ʟᴏᴏꜱᴇ ᴀɴᴅ ʜᴀᴠᴇ ꜱᴏᴍᴇ ꜰᴜɴ? ᴄᴀʟʟ ᴜᴘ ᴀɴ ᴀʀᴅʀᴀ ɴᴀᴛɪᴠᴇ

ᴋʀɪᴛᴛɪᴋᴀ ᴀɴᴅ ᴘᴜꜱʜʏᴀ ɴᴀᴛɪᴠᴇꜱ ʜᴀᴠᴇ ᴀ ʜᴀʙɪᴛ ᴏꜰ ʙɪᴛɪɴɢ ᴛʜᴇɪʀ ɴᴀɪʟꜱ

ᴄʜɪᴛʀᴀ ɴᴀᴛɪᴠᴇꜱ ᴀʀᴇ ᴛʜᴇ ᴛʏᴘᴇ ᴏꜰ ᴘᴇᴏᴘʟᴇ ᴛʜᴀᴛ ᴡɪʟʟ ɢᴇᴛ ʏᴏᴜ ɪɴᴛᴏ ꜱᴏᴍᴇ ᴛʀᴏᴜʙʟᴇ ɪꜰ ᴛʜᴇʏ ᴅᴏɴ'ᴛ ᴄᴏɴᴛʀᴏʟ ᴛʜᴇᴍꜱᴇʟᴠᴇꜱ

(And that's all for now! If it resonates with you, comment below. If you feel confused about something in relation to vedic, don't be afraid to reach out! Have a good day/night!)

Qualities of the Nakshatras - How do you do what you do?

While the traditional Vedic classification of the qualities of the Nakshatras can be found in many common sources, few of them describe in detail, how that classification is applied in real life. I myself struggled and took my time pondering, analysing and discussing these qualities and their practical application, in order to be able to understand and then explain the reality of those particular Nakshatra traits.

For those who never heard of Nakshatra qualities, these are described as Chara, Sthira, Mrdu, Ugra, Tikshna, Kshipra and Mishra.

It is important to realise, that these descriptions show not just what activities will a given Nakshatra undertake, but how it operates, and if you look at your Moon Nakshatra, you will see that its quality will reflect your basic nature of being. However, that doesn't mean that all Nakshatras from the same group have the same interests/jobs/interests/always do the same thing. It's more about how people "take up space" energetically, the style in which they bring about change.

Chara Nakshatra - "Moveable" - Shravana, Dhanishta, Shatabhisha, Punarvasu and Swati.

The word I would associate with those Nakshatras, more than simply moveable, is "dynamic". You can see it best perhaps in Dhanishta, that is notorious for its amazing natural sense of rhythm and association with dancing and being in the public eye. However, even Shatabhisha, that moves in the shadows, has a certain rhythm to it, coupled with restlessness. The energy here is breezy and flowing, and you can see it in those natives, even if they just sit and talk, that they are decidedly and constantly animated.

Sthira Nakshatra - "Fixed" - Rohini, Uttaraphalguni, Uttarashadha and Uttarabhadrapada.

The energy here is of a person in position of authority sitting on a throne and establishing something durable. I associate this Nakshatra group with authority, because there is something passively steady and indomitable about them. Their authority is a given, they are in their place and they don't feel the need to go out of their way to prove it, instead they build upon who they are. This is why this Nakshatra group in traditional Vedic sources is associated with making firm, long term decisions, as these people lay foundations for things that all the other Nakshatras build upon. Their position of authority often comes from the fact, that decision making and authority often goes hand in hand. While the moveable Nakshatras make waves in motion, fixed Nakshatras can change the fate of the entire collective from their steady position with one decision.

Mrdu Nakshatra - "Tender" - Chitra, Anuradha, Mrigashira and Revati.

These Nakshatras relate to feelings and creations that are fleeting yet eternal at the same time. There is a certain contradiction here, as these natives may appear outwardly defensive, but that defensiveness is born out of necessity in a harsh world and hides deep sensitivity, and if you talk to them more, you will see their softer side, their attachment to beauty and harmony, and their fear of losing that serenity. Traditional Vedic sources point out their connection to subtlety of music, delicate, precious newly purchased things or clothing. More than the objects themselves, it's about the thrill of happiness such experiences give you. And even if they last not more than a moment, the reality of these Nakshatras is their sensitivity of creation and perception, their ability to see, that beauty and intricate delicacy can be found anywhere, and while you can never fundamentally shield it from all harm, it will always pop up in the world somewhere else, just like a flower, even if picked, will regrow next spring.

Ugra Nakshatra - "Violent" - Bharani, Magha, Purvaphalguni, Purvashadha, and Purvabhadrapada. 

The main theme of these Nakshatras is conquest, and while of course not all of these natives are interested in traditional warfare, these are the kind of people that occupy 100% of any space they are in and like to set the rules with their presence. Their naturally fierce presence can make them incredibly successful with the demands of the modern world, but even a housewife with Ugra Nakshatra is a force to be reckoned with. The conquest here can have multiple meanings, and gains a decidedly creative, romantic and sexual nature in Venusian Purva Phalguni and Purva Ashadha, to conquer one's object of sexual desire. However, the energy here is really about internally conquering one's own weaknesses and wrestling with the animalistic, expansive desirous aspect of human nature.

Tikshna Nakshatra - "Sharp" - Moola, Jyeshta, Ardra and Ashlesha.

The real task of these Nakshatras is putting other people back in their place. While the fixed Nakshatras have a natural, calm authority coming from status, and violent Nakshatras can be intimidating, sharp Nakshatras automatically gain respect with their presence, because they are so ready to regulate people who are out of line. Their "sharpness" is required for that energy to effective against others, especially since some Nakshatras like Ugra will not back down easily. However, unlike Ugra, these Nakshatras correct and regulate rather than express desire for outwards conquest, relying more on handling things, that are already out there, making these natives excellent in managerial positions. You can think of it in the context of Ardra being a passionate activist and critic of established social systems.

Kshipra Nakshatra - "Swift" -  Ashwini, Pushya and Hasta.

These Nakshatras operate in short but intense bursts of energy. Hasta is a good example, as it embodies the traditional business transaction - money and goods exchange hands, the deed is done, the seller moves on to the next one. Same with Pushya and spiritual teaching, delivering quick but valuable lessons and moving on to another student/activity/rest. The focus here is on efficiency and maximising good energy through limited an realistic potential.

Mishra Nakshatra - "Mixed" - Krittika and Vishakha.

An interesting aspect of these Nakshatras comes from how Vedic astrologers link them both to laying out furniture, electronics and fire rituals. You would think these two activities have nothing in common, but they are actually the key to the ceremonial nature of these Nakshatras. In modern households, few houses have a fireplace, but fire pits in the middle of the main living space used to be traditional in old houses, to keep them warm and for religious purposes. In the 21st century, a grand television set is god, and coupled with a comfortable couch it is what sets the scene in a home. And this is what these Nakshatras do, energetically, set the scene both for worship and to be worshipped, establishing a relationship between the viewer and the viewed. For that reason, there is a sense of fiery dramatism in these Nakshatras, ready to both worship and be worshipped at any given time.

The Saturn Nakshatra stage is about reevaluating the quality and durability of the given house area in your chart.

That will wildly vary between charts as to how it manifests, but generally Saturn cleans up the mess that the Jupiterian expansion left behind and tests the fortitude of the house Saturn occupies in your chart. You will notice such effects in your life, even if you don’t get a Saturn Mahadasha in this incarnation, simply through the Antardasha of another Mahadasha period.

To give you an example, I have Saturn in the 4th house and I was born in the Saturn Mahadasha, which lasted until I was 11. Even though I was just a child, I had a lot of changes around me during that time (probably because my Saturn is in a Mars Nakshatra), and every housing/family situation I’ve been in during that time has been tested and ultimately what didn’t hold fell apart, until only what was really stable remained when my Dasha changed into Mercury. First, my parents split up and my mom moved out of my fathers apartment. Then, I lived with my grandparents at their house, but it was very small, so there was no long term room for me, I slept in the living room, and my grandparents were getting increasingly tired at raising a child at their age. After I moved into our new apartment with my mom, I still visited every weekend and every major holiday, until by the end of the Dasha my grandmother refused any more sleepovers, saying she was too old and tired for the work it took and family visiting was reduced to Sunday lunch.

Then there was the matter of family community (since my Saturn is in Aquarius). We used to have a very big community between all my aunts and uncles and cousins and their extended family, which resulted in Christmases of around 12 people. By the time my Saturn Dasha ended, my uncle got a divorce and moved abroad to work to be able to afford paying child support. As a result, the family gatherings we got through his marriage were cut, and our holiday celebrations were cut from 12 to 4 maximum 5 people. That change was permanent, and when the Saturn Dasha ended, the family stayed in that shape for a very long time, and only eroded slowly with deaths of family members over time.

I gave you this description so that you can check the Saturn Mahadasha or Antardasha periods in your own chart relative to its house position and observe the changes that took place in your life, and what remained after Saturn’s cleanup.

they're mad at her for this. oh my god

SOOOOOO TRUE

I feel like people are naturally uninterested in the nakshatra of their ascendant because they are already the embodiment of that nakshatra as they interact through that nakshatra in the material world on a daily basis. We are more so hypnotized by and drawn to the nakshatra of our Sun, Moon, Ketu and Atmakaraka. Correct me if I’m wrong and let me know how YOU personally feel and why :)

There isn't any scent in this world as comforting as the scent of a mother's duppata.