Younger Mustang

Innerhum

Encontré esto

Les dejo esta obra de un gran colega de la vida. Paz y Bien 

Santiago: Según Laura, su hermana residía en un pequeño apartamento en Madrid. Al principio pensaba “¿Me quiere ver la cara de tonto?, hace tan solo unos instantes me había dicho que vivía en Florencia”, pero tenía que creerle, no tenía opción, o ¿qué otra cosa podía hacer?, solo me quedaba...

cheesy garlic bread: recipe here

Lo peor no es que la carne sea mortal, sino que sea sexuada. No solamente mortal sino mortífera.

La vie

Y disfrutar aunque sea un poquito, de esas cosas triviales sin que pasen al plano de las indispensables, solo asi sin esperar mas pero dando todo. J'adore

Baby - Devendra Banhart (cover) by Edd Barrera & Robert Mustang

(Preview.)

Baby- Cover. Cover-Edd Barrea&Robert Mustang Original- Devendra Banhart  

Hermosa

Absolutamente maravilloso!

Captain Nemo

Victo Ngai

Nautilus is a marine organism, Captain Nemo’s submarine, as well as an exciting online magazine launched this week, dedicated to science, philosophy AND committed to illustrations! Check out the cool articles and art on their site: http://nautil.us/

The image above is for an article written by Linda Zeldovich. It’s about the power of a great book. In this case, how the infamous science fiction “20,000 leagues under the sea” has influenced the young minds of its readers and eventually shaped their career choices.  So I came up with the idea of a child following the adventure of Captain Nemo in his/her transcendental bedroom.

It was a great honor to be part of the preview issue along side with great artists such as Gerard Dubois, John Hendrix, Andrew Zbihlyj, Matt Stevens and Daniel Hertzberg. Big thanks to AD Len Small! 

One of the most often asked question from student is “Now that print is dying,  how do you see the future of illustration?” I don’t know if print is actually dying but I think Nautilus provides a perfect (and relieving) example on how there will always be a need for good illustration, despite the change of media. Over the past thousands of years, illustrations have been presented on cave walls, parchment, tapestries, fresco, canvas and paper. I don’t see why it won’t make the transition to digital and interactive platforms.