jisoo’s iconic smirk supremacy
while being depressing, this is also sort of fascinating to me bc there’s something so…inauthentic here. what i mean is that if you saw something like this back in say 2001 (which you probably wouldn’t, at least for carl’s jr. but i digress) it would seem tacky but in a “sex sells” sort of way.
seeing this in 2025, it’s clearly purely a political statement and you can tell partially bc the image itself is so oddly sexless. it’s like there’s more titillation in the prospect of “owning the libs” than in the image of the scantily clad blonde white woman itself.
Can we discuss how likely it was Stack was still inside the juke joint and it was the reason why the place had been locked up? So yeah Smoke killed the kkk for revenge but also it was his final act of protecting his brother who would have died had sun light been let in???
Also the fact that Stack could have watched everything and been the one to give Smoke a proper burial in the end? I just hate how they were separated in life and death. So unfair!
"it was in 2020" oh so like a year or so ago. a couple years. im sorry 5? did you just say five? five years ago ?
Nosferatu (2024) / Jennifer’s Body (2009)
Adding this amazing "Sinners Syllabus" too for further resources to educate yourself. The books above are ones I have in my personal library, but some very cool people put together an entire webpage of information. Check it out HERE.
Nosferatu (2024) is unquestionably a multifaceted work, but what I personally consider to be the unifying idea behind its facets is that, for Ellen, Orlok represents validation.
Her fears are dismissed and called childish?.. He's a nightmarish manifestation of them.
She is consistently disrespected by everyone around her?.. He considers her his only equal. She never uses his title, it's permitted.
She is told to fix herself, misunderstood, and always isolated?.. He knows all the darkest parts of her and is delighted by them. He wants her just as she is, so much that he will lie, kill, and cross the ocean to find her.
The scene in their death/wedding bed is a direct parallel to the scene of her waking in that bed at the beginning of the film. She complains to Thomas that the "honeymoon is yet too short" and tries to pull him down with a kiss - however, he is worried about being late for work, and so he extricates himself and leaves. Cut forward to her sharing the same bed with Orlok, similarly early in the morning; he is startled by cock-crow and begins to rise, but she guides his head back down - and, even though he knows that he will die, he stays. He is her sexual and emotional desire, realized.
Given that there is a plethora of emotions Ellen is forced to suppress on daily basis, there is no singular correct interpretation of her relationship with Orlok. To erase any one of them is to render it shallower than it actually is; but there is no doubt as to why their attachment is mutual. To each, the other is something they’ve never had before.
I need this mirror.
by cameupinthedrought.
244 posts