We Are In The South... Suffering From Famine‼️, Save Us🙏

So I just saw a post by a random personal blog that said “don’t follow me if we never even had a conversation before” and?????? Not to be rude but literally what the fuck??????????

I’ve had people (non-pornbots) try to strike conversation out of nowhere in my DMs recently, and now I’m wondering if they were doing that because they wanted to follow me and thought they needed to interact first. I feel compelled to say, just in case, that it’s totally okay to follow this blog (or my side blog, for that matter) even if we’ve never talked before.

Also, I’m legit confused. Is this how follow culture works right now? It was worded like it’s common sense but is that really a thing?

There once was a doctor named Freud

YOU hates terfs

Dialogue Punctuation Cheat Sheet

This is just a friendly little guide on how to use punctuation in dialogue since (at least for me) this isn’t something that I was taught in school and had to learn on my own. That being said, I am not an expert! I don’t have an English degree or anything like that! I’m just an avid reader and writer and wanted to share what I have learned in a concise format.

A lot of this information is from “How to Write Dazzling Dialogue: The Fastest Way to Improve Any Manuscript” by James Scott Bell, “The Best Punctuation Book, Period” by June Casagrande, and “The Blue Book of Grammar and Punctuation” by Jane Straus, Lester Kaufman, and Tom Stern. If you’re able to get these books, I highly recommend them!

(Also, yes I used Disney quotes for most of my examples lol)

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Rule 1: Dialogue punctuation includes the following:

Period

Comma

Question mark

Exclamation point

Em-dash

Ellipsis

All dialogue will include some sort of punctuation before the closing quotation. 

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Rule 2: Punctuation goes inside the quotes.

Correct

“Do you want to build a snowman?” Anna asked.

Correct

“You can’t marry a man you just met,” Elsa said.

Incorrect

“Do you want to build a snowman”? Anna asked.

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Rule 3: Don’t capitalize a pronoun used for dialogue attribution.

Correct

“I was hiding under your porch because I love you,” he said.

Incorrect

“I was hiding under your porch because I love you,” He said.

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Rule 4: Capitalize for action beats.

Correct

“A llama? He’s supposed to be dead!” She slammed her fist on the table.

Incorrect 

“A llama? He’s supposed to be dead!” she slammed her fist on the table.

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Rule 5: Use a comma when introducing a quotation, such as when dialogue attribution comes at the beginning. The first word of the dialogue is capitalized.

Correct

Scar leaned forward and said, “Run away, Simba.”

Incorrect

Scar leaned forward and said. “Run away, Simba.”

Incorrect

Scar leaned forward and said, “run away, Simba.”

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Rule 6: Use single quotation marks for quotations within quotations. Punctuation goes inside both quotations (I’ve heard this can vary depending on country).

Correct

“My father said, ‘Everything the light touches is our kingdom.’”

Incorrect 

“My father said, ‘Everything the light touches is our kingdom’.”

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Rule 7: If there are two or more sentences, the speaker attribution should be put before or after the first complete phrase.

Correct

Grandmother said, “Great. She brings home a sword. If you ask me, she should’ve brought home a man.”

Correct

“Great,” Grandmother said. “She brings home a sword. If you ask me, she should’ve brought home a man.”

Incorrect

“Great. She brings home a sword. If you ask me, she should’ve brought home a man,” Grandmother said.

(Note: This is a rule I break all the time, but I thought I would include it in this list anyway! Usually when the first sentence or two are very, very, short and go together, but they still need that “breath” of a dialogue tag in between. But it’s a good thing to be aware of!) 

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Rule 8: Use commas to interrupt a complete sentence with a dialogue attribution. Don’t capitalize the next word after the comma. 

Correct

“Aren’t you,” Hercules said, “a damsel in distress?”

Incorrect

“Aren’t you,” Hercules said, “A damsel in distress?”

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Rule 9: Use ellipses to illustrate a character trailing off, showing hesitation, or a pause.

“Aren’t you… a damsel in distress?”

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Rule 10: Em-dashes can be used for interruptions, indicating simultaneous actions that do not cause an interruption, or a change in thought/tone. Don’t use dialogue attribution after an em-dash.

Another Person Interrupts

Correct

“He would never do anything to hurt me. He—”

Hades threw up his hands. “He’s a guy!”

Correct

Meg said, “He would never do anything to hurt me. He—”

Hades threw up his hands. “He’s a guy!”

Incorrect

“He would never do anything to hurt me. He—” Meg said.

Hades threw up his hands. “He’s a guy!”

Self Interruption

“I—” Hercules reached into his pocket and pulled out a small doll. “I’m an action figure!

Simultaneous Action

“I am surrounded” — Scar dragged his paw over his face — “by idiots.” 

Change In Thought/Tone

“It’s not that you’re awkward. I’m awkward. You’re gorgeous — wait, what?”

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Other Notes (these might just be my personal preferences, feel free to ignore)

Don’t use semi-colons in dialogue. Use a period instead.

Use exclamation points sparingly. Extremely sparingly. Maybe once per 10k words or even less.

After using an ellipsis, saying “he/she trailed off” is redundant. Just skip to the next action. The ellipsis already implies someone trailed off.

New speaker (or character action that serves as a response) = New paragraph.

“Said” should be your most commonly used dialogue tag. Any dialogue tag other than “said” or “asked” will stick out to the reader, and should be used sparingly.

If there is anything I missed, got wrong, or should add, PLEASE KINDLY LET ME KNOW! Again, I don’t have an English degree, I’m not a professional, and I’m actually a bit of a pea-brain, but these are the general rules that I know of and follow in my writing.

my mans running animation only got two frames

imagine youre about to go down on miss piggy and you get down there and frank oz punches you in the face

Preparing to take my kittens for spaying and neutering. They're currently playing with each other on top of their carrier. They haven't yet learned to associate it with the vet so they're innocent and unsuspecting. Man, I hate this part. I feel like a monster. 😭

More creepy and unsettling, creature Astarion please.

I beg of thee. Vampires are meant to be an uncanny valley type of thing. An undead creature of the night that passes itself as just the right amount of living and mortal for you to let your guard down. I need more examples of his vampiric nature showing once he's grown comfortable enough, and I need it now.

~

An Astarion who is so silent in his movements that you often got jump scared by it in the earlier stages of your relationship.

You'd be lounging around on the sofa. Reading a book, lost in thought, all serene and cozy beneath a nice knitted blanket-- just having an all around nice, relaxing time when you see movement out of the corner of your eye. You glance up for just a moment, to the space before you that was previously unoccupied, and his entire face is suddenly hovering right in front of you.

Just waiting. Not moving. Pupils blown so huge that there's barely any color left to his eyes. Fangs are peeking out over the bruise-purple skin of his bottom lip. He's pallid. White as a corpse. Definitely in need of a good feeding.

His intentions were entirely innocent. He really only meant to ask you a question, and here you are being all dramatic and jumping several feet into the air and throwing your book off to the side in a panic. Thankfully, you're able to catch yourself before you full on shriek in his face.

(You love him and his ghoulishly handsome face, you really and truly do, but you sincerely thought for a moment that he was a spectre come to take you to the afterlife.)

~

Astarion, who routinely forgets to breathe. Yanno, like it's nothing.

You're well aware of the fact that vampires don't need to breathe. It's more of a force of habit than anything else, really-- something left over from when he was still mortal, he says.

Although, during bouts of intense emotion, or some sort of uh, stimulation, the focus on something so trivial gets put on the backburner for a bit.

The two of you will be sharing a particularly passionate kiss (or worse) when you feel the rapid rise and fall of his chest stop short. It's like all of the air has gotten caught in his lungs, and he ends up making these creaky grudge-like sounds in place of his usual low moaning. A clicking in the back of his throat in place of a sigh. If you play your cards just right, there might even be a rattling from deep within his chest that almost sounds like a purr.

When he finally does breathe, usually due to a well executed nip to his bottom lip, or the gentle brush of your fingers against one of his ears as you play with his hair, it comes out as an animalistic hiss. A sharp, choking gasp that sends goosebumps down the length of your arms.

~

How you catch him watching you sleep.

How you'll wake up in the pitch black of your bedroom in a cold sweat. Your hair is stood on end, a fearful shudder threatening to rattle your frame. A spike in your pulse that has your sleep addled brain doing somersaults in your skull. All of your instinctual alarm bells go off at once, telling you that something must be terribly wrong. Something must be watching you.

You try to blink away the bleariness-- try to shake off the fog of sleep for long enough to get your bearings, and catch a glint in the dark so ominous that for a moment you're scared stock still.

Something is watching you. Someone, rather.

Astarion's eyes gleam back at you in the dark like a wild animal's might. A bobcat, maybe, like the ones you'd often find stalking pray outside the tree line of camp all those nights ago. Pupils that glow a filmy, holographic orange despite there being no light to reflect off of them.

You don't notice until after you've taken a second to calm yourself that he's hovering over you. The bed just barely dips from his weight as he supports himself, and you'd be baffled by it all if you had any braincells left.

"Go back to sleep, darling." His voice is so soft, even over the pounding against your eardrums. Soothing. Tranquilizing. And though your eyes do begin to feel heavy, you're not exactly in the mood for rest anymore.

Especially not when he's pressing cold, feather-light kisses down the length of your throat not a moment later.

~

Please, I beg. Give me more.

I need everyone to know that the ship Götheborg, the world's largest ocean-going wooden sailing ship, answered a distress call the other day.

Imagine waiting for the coast guard or whatever to show up and instead a replica of 18th century merchant ship pulls up and tows you to the coast.

The whole greatsword scabbard discourse gets me because, like, we know the answer to this one. We've got primary sources talking about it. The answer to "how do you carry a weapon that's more than a yard or so long" is:

If you don't think you'll need it on short notice and you're lucky enough to have access to a wagon or other means of transport, you don't carry it at all – you stick it in the wagon.

If you do think you'll need it on short notice or you don't have a wagon, you just carry it in your hands everywhere you go and constantly complain about how dumb and awkward that is, unless you're a professional mercenary and/or independently wealthy, in which case you hire a guy to follow you around carrying it in his hands everywhere you go and he complains about how dumb and awkward that is (though probably not while you're listening).