Kafka gives hope to all writers
πΉπππ’ πΈπΏ, π·πΏπ·πΊ πππ π³ππππππ πΎπ π΅ππππ£ πΊππππ, π·πΏπ·πΊ-π·πΏπΈπΉ
[ID: Began things that went wrong. But I will not give up in spite of insomnia, headaches, a general incapacity. END ID]
This.
the thing, why Erik and Christine is my ship and beyond that the dynamic that fascinated me the most is because their relationship is so toxic and so beautiful and so layered. it's like...i am the angel your dead father sent you, you are my angel of music, i am your father (figure), i am your teacher, you are my teacher, you're my muse, you're my victim, i am yours, you made me experience musical ecstasy, you too, you guided me out of my grief, i am grieving because of you, you're the normalcy i long for, you bring out the side in me i didn't even know i had, i've never been so happy, i've never been so frightened, i've never been so desperate, i want to die because of you, i want you to kill us both, he's just a man, he's every shadow, she's just a woman, she saved everyone, it's just a kiss, no, it means everything!
Erik and Christine are an abuser and his victim but they were also two lonely, broken people who found solace in each other, they are also musical geniuses inspiring each other to inhuman achievements in their art, they share are bond that even they can't really understand or anyone else.
I also love the weathered frenemy relationship he has with the Daroga and Raoul is also a perfectly nice young man who, in my opinion, is the most interesting when he's at his worst (jealous) and I love that everyone has fun with their non canon ships too. But Erik and Christine's dynamic will always be like crack to me personally. They're Death and the Maiden, Hades and Persephone, Mephisto and Faust/Margarete, the Rose and the Nightingale, Beauty and the Beast, they're opposites, they can't be together, they're day and night AND YET
ah! Fate links thee to me, forever and a day...
In celebration of the birthday of this most-beautiful building (a few days late, I know), I upload these photos I took on my recent visit to its majestic halls. Nowhere else have I seen such beauty nor felt such awe; it is a sanctuary for divine art and a fitting home for the Angel of Music.
Words cannot express my love for it, so I wonβt even try.
Let me only say: Gaston Leroux NAILED its description in that book, both visually and atmospherically. That building IS Erik.
me coming in from the rain before I read Lerouxβs Phantom of the Opera: bit wet out there
me coming in from the rain after I read Lerouxβs Phantom of the Opera: YOU'RE LOOKING AT ME BECAUSE I AM ALL WET?... Oh, my dear, it's raining cats and dogs outside!
[β¦] for when one has fire within and a soul, one cannot keep bottling them up β better to burn than to burst [β¦]
Vincent van Gogh, fromΒ βThe Letters of Vincent van GoghβΒ β β Wilhelmina van GoghΒ c. summer or autumn 1887,Β tr. Arnold Pomerans
Does ANYONE have video of Erik first coming out to the Overture for the Olympics??? Because I keep hearing about it, and of COURSE I wasnβt watching that day, and I. need. to. know. if. itβs. true.
Redemption.
Sylvia Plath, from The Unabridged Journals of Sylvia Plath
oh dostoevsky
Fyodor Dostoevsky, from a letter featured in "Letters of Fyodor Michailovitch Dostoevsky to his Family & Friends,"
yes all my favorite characters are desperate to be loved. no i donβt think that says anything about me
Writer. In love with The Phantom of the Opera and classic literature. Art, aesthetic, moode. Canβt live without Beauty.
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