Para Mi, Mejor Amiga

para mi, mejor amiga

Esta noche pasaste por mi camino y me tembló en el alma no sé qué afán, pero yo estoy consciente de mi destino que es mirarte de lejos y nada más. No, tú nunca dijiste que hay primavera en las rosas ocultas de tu rosal. Ni yo debo mirarte de otra manera que mirarte de lejos y nada más. Y así pasas a veces tranquila y bella,

More Posts from Hello-dani-ela and Others

11 years ago
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11 years ago

¿Cómo podria ser fuerte, si la única persona que era mi fortaleza me destruyó totalmente?

11 years ago
—Maravilloso Desastre Jamie McGuire

—Maravilloso Desastre Jamie McGuire

11 years ago
DIY Folded Valentine’s Day Cards Tutorials And Templates From Minieco. For More Valentine’s Day
DIY Folded Valentine’s Day Cards Tutorials And Templates From Minieco. For More Valentine’s Day
DIY Folded Valentine’s Day Cards Tutorials And Templates From Minieco. For More Valentine’s Day

DIY Folded Valentine’s Day Cards Tutorials and Templates from minieco. For more Valentine’s Day ideas go here: truebluemeandyou.tumblr.com/tagged/hearts

11 years ago
りえま@壁博チ09a
りえま@壁博チ09a
りえま@壁博チ09a

りえま@壁博チ09a

(Please do not remove the source)

11 years ago

indirectas? cuáles?

(1) Tumblr En We Heart It - Http://weheartit.com/entry/97442645

(1) Tumblr en We Heart It - http://weheartit.com/entry/97442645

11 years ago
“I Grew Up On Disney Fairytales And It Was An Absolute Dream Come True To Work On This Show,” Brittney
“I Grew Up On Disney Fairytales And It Was An Absolute Dream Come True To Work On This Show,” Brittney
“I Grew Up On Disney Fairytales And It Was An Absolute Dream Come True To Work On This Show,” Brittney

“I grew up on Disney fairytales and it was an absolute dream come true to work on this show,” Brittney says about designing for Frozen. “And not only just to work on it, but to be able to work on costuming. It turned out that this film is a huge costume show. It’s perhaps the biggest animated costume film that’s ever been done. Not only the shear number of costumes, but the layers, and the amount of complicated layers of costuming because these girls can’t freeze!”

“So our materials had to be heavier materials like wool and velvet,” says Brittney. “Those materials are inherently more structured so we had to design these costumes to sort of have a shape, have a form that was their natural form and design any folds that would happen. If we needed a character like Anna to twirl with a really nice flowing dress, we had to give her pleats instead of more fabric that was less structured. One of the ways that we were able to add playfulness, though, into these more structured materials, was through rosemaling, inspired by the Bunad costumes that we’re seeing in Norway.”

“For Elsa, our jumping off point was really the shape of a snowflake,” Brittney says. “Because it, well it harkens back to some of the language we see in the rosemaling throughout the film up until this point, it is unique to her. And so we replaced all of her rosemaling with the snowflake and we go further by sort of completely immersing her in a snowflake. See, if you take her cape and you lay it flat on the ground, it is a snowflake. It’s the shape, the six-sided shape of a snowflake. So that was, it was a sort of groundbreaking moment for her because that really sort of set the language for what Elsa is at this point in the film.”

Brittney Lee at D23.com

11 years ago
:( En We Heart It - Http://weheartit.com/entry/80746048

:( en We Heart It - http://weheartit.com/entry/80746048

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