- HOT TAKE: The issue I had with Five and Lila getting together wasn’t the bizarre age gap or insensitivity of Five sleeping with his brother’s wife, but how they don’t resolve the tension properly before they all cease to exist. Specifically Diego and Five don’t get to hold hands the way Lila and Five did, even though it wasn’t really up to Lila to “forgive” Five, but whatever. I thought that had this affair been treated with an ounce of consideration it would reveal a lot more about both characters shared desperation for affection and emotional stimulation. Five spent decades in complete social isolation to the point where he legitimately fell in love with a mannequin and you want me to believe that, given the similar scenario that most certainly triggered the same “well I guess I’m stuck in this shit now for an indefinite amount of time” area of his brain, he wouldn’t have resorted to falling in love with the fist available person regardless of what it meant outside of the subway? Lila too seemed to get with Diego because while they did click in S2, she had never lived a life that allowed her to experience romance or starting a family like she could with Diego. She pumped out three kids to seemingly force herself to enjoy what she knows could be taken away from her at the throwing of a time traveling briefcase, but her behavior this season is baffling because what do you mean after seven years of searching for a way home she never once brings up missing those three children until the opportunity to return home presents itself? She tries to wipe her hands of the situation, but then the show just kind of ends without meaningful conclusion, so…
- The ending was sloppy. I know you know that, but my issue wasn’t the actual end. The Hargreeves having to sacrifice themselves in a way indicative of the S1 finale makes perfect sense, especially with the painfully shallow Five Diner down in that unexplained subway station where they all indirectly allude to the fact that there’s never a condition where at least one of the family doesn’t end the world. Had the Fives took time to explain that each Hargreeve possesses earth shattering abilities that eventually snowball out of control regardless of the condition, and all resistance is futile, I would accept that the ending makes more sense than just blaming the marigold despite the fact that Victor can/has been able to syphon marigold out of people, and could’ve just taken it all himself but you know, whatever.
- I also deeply resent that a show about familial trauma and bonding despite the shared adversity ultimately concluded on everyone giving up. No. You don’t get to say that they “didn’t just give up” because yes, them saying “oh no, well, there’s ten minutes left of the episode, guess we should cease to exist now” is the definition of not even trying to venture down into the subway as a family and fix the other timelines one at a time, using their newfound familial unity to solve every timeline until they converge into one. I’m not saying that needed to happen at all, or that they should have succeeded even if they tried, but AT LEAST THEN THEY WOULD HAVE TRIED. The writers gave up, the characters gave up, and the metaphor of grief and family issues the show spent so long to cultivate were just abandoned.
- Klaus regressed with no substantial reason or impact other than to provide slapstick humor and comedic relief antics that didn’t amount to any of what he had spent the last few seasons building and working towards. Ben shouldn’t have been brought back after his noble and meaningful sacrifice of S2 only to be made into the most obnoxious version of himself. Allison didn’t even get to say “I heard a rumor” this season nor did she address attempting to sexually assault Luther, and Diego’s relationship with Lila was the absolute worst case scenario for both characters. Viktor was the only one with an arc worth watching this season, which is why I thought him having a solo sacrifice would have been even more gut wrenching but whatever.
- There is an insurmountable amount of plot holes that prove this show just got lazy. There should be a kugelblitz in the finale’s timeline. If Lila/Allison were never born then there could never be Grace/Lila’s children. You don’t get to say “well what about the subway” because that doesn’t protect them from the grandfather paradox, unless outright stated which the writers didn’t even bother to do.
- Why didn’t they just kill Jennifer? Who put her in the squid? If it was Reggie’s wife then why didn’t she just kill her? Why didn’t Reggie kill her when he built the town to “protect” her? Why did she react with pure terror when shown the squid? How did Jean and Gene get their hands on it? Was it a normal giant squid or an alien? Was it her mother? No, because then how did she speak English when she emerged from its stomach? Why did she say “the cleanse” like she knew what it meant when she didn’t? Ben should’ve been able to remember in the OG timeline how he died because absolutely every other spirit does and the show can’t just rewrite its own lore to cater to a last minute subplot that went nowhere. I don’t want to be mean but Jennifer never should have existed as a S4 add in because she did absolutely nothing for the plot other than confusing the audience with the persistent question of why didn’t they just kill her to prevent the cleanse from happening. Reginald said one of them had to die, but in the OG timeline he killed both just to be…cruel? What’s the point of writing that it just had to be one of them if you’re just going to act like it’s a package deal? This entire plot line made me truly believe this season was written by AI, I’m sorry.
I can’t be the only one who thinks Jason should’ve swapped places with Frank in HoO.
The Love Club (Ares, Aphrodite, and Hephaestus) at Camp Halfblood, and The Little Three (Jupiter, Neptune, and Pluto) at Camp Jupiter.
If only…
Nobody ever loved me, ever loved me
Nobody ever loved me
Like she loves me
Nobody ever loved me, ever loved me
Nobody ever loved me
Like she tells me she does
i sing to thee, poseidon — o lord of the everdark waters — to him who moves the earth, who feeds from the fruitless sea, o savior, helper, destroyer, & god — i sing to thee. give me the heart to look upon the storm ; give grace to my feet, let me step through upon unbroken water & let the earth tremble with your strength. lord of the sea — vast and endless is your glory as radiant as sunlight through gentle tides ; bless me to be as foam upon the waters — spray upon the wind — my boat unshattered and constantly sailing towards your sharp horizons —
Starlight 🌟
I can’t be the only one surprised that MM survived this season of The Boys. Butcher, Annie, Frenchie, Kimiko, and Hughie all had moments where they needed to sit with their past trauma and mistakes, but MM didn’t. I was assuming that they were making the point that the rest of the boys felt grave remorse and needed to persevere for a better future, and when Annie confronts Firecracker/The Shapeshifter to affirm that she’s not the monster she used to be, Frenchie dealt with his history with Collin, Kimiko dealt with her Shining Light roots, and Hughie dealt with his mother, the only two who didn’t get this were Butcher and MM. Yes, Butcher had both Ryan and Kessler, but he ultimately surrendered to his darkness and became consumed by Kessler’s negative influence. MM on the other hand had no reflection beyond his repetitive “hey honey, sorry I’m a bad dad, lol” storyline. I thought that this was finally the season when he accepted his past mistakes to embrace his end, and I wish that that came at the cost of both his and Victoria’s lives (I was hoping she would at least take out one of the boys to make her death more understandable).
I could literally NEVER get into Teen Wolf. There, I said it. It feels like unless you find the main characters hot, which I only liked Stiles, it just feels like I’m listening to an Alpha podcast gone wrong.
The sun-eyed witch☀️