Look I DON’T CARE If I Won’t HaVE TIme FoR Reading I WILL BRING MY BOOK ANYWAY Cause Having A Book

Come away oh human child, to the waters and the wild, with a fairy, hand in hand, for the world’s more full of weeping than you can understand.

Song of the Sea (2014) dir. Tomm Moore

Remember this viral post? Wanda and Jamal and her husband Lonnie are the most wholesome people, this story brought tears to my eyes originally and I am crying once more learning from Jamal's social media that Lonnie has sadly passed away.

Rest in Peace, Lonnie :(

imagine being kinkshamed AND cockblocked by your own fucking twin

Take creators stepping in and dismissing fan theories and interpretations of their works with a grain of salt. This is a lesson I learned early, from Anne “my vampires aren’t gay and also I might sue you” Rice. 

During the peak of my Vampire Chronicles love, I – at that time, a very petty fifteen-year-old –  set out to underline every single really queer moment in the whole series. Spite aside, I quickly realized that in a series where the protagonist runs away to Paris with clearly his violinist boyfriend, and convinces his next super angsty obviously boyfriend to MAKE A VAMPIRE CHILD WITH HIM to keep said angsty boyfriend from leaving, this was easier said than done. 

I mean, she’s not fully wrong – Lestat’s not gay, he’s very bisexual. Louis and Nicki are both hella gay, though. 

Anyway, I’ve meandered. The point is – creators can say wildly inaccurate things about their works sometimes. Anne Rice went Christian and didn’t want her books to be SUPER FUCKING QUEER anymore. Creators’ views on what they’ve made can change over the years. You never fucking know. 

YA literature? You mean books about Super Special White Girl and Her Mysterious Brooding Boyfriend?

Famous authors, their writings and their rejection letters.

Sylvia Plath: There certainly isn’t enough genuine talent for us to take notice.

Rudyard Kipling: I’m sorry Mr. Kipling, but you just don’t know how to use the English language.

Emily Dickinson: [Your poems] are quite as remarkable for defects as for beauties and are generally devoid of true poetical qualities.

Ernest Hemingway (on The Torrents of Spring): It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish it.

Dr. Seuss: Too different from other juveniles on the market to warrant its selling.

The Diary of Anne Frank: The girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the ‘curiosity’ level.

Richard Bach (on Jonathan Livingston Seagull): will never make it as a paperback. (Over 7.25 million copies sold)

H.G. Wells (on The War of the Worlds): An endless nightmare. I do not believe it would “take”…I think the verdict would be ‘Oh don’t read that horrid book’. And (on The Time Machine): It is not interesting enough for the general reader and not thorough enough for the scientific reader.

Edgar Allan Poe: Readers in this country have a decided and strong preference for works in which a single and connected story occupies the entire volume.

Herman Melville (on Moby Dick): We regret to say that our united opinion is entirely against the book as we do not think it would be at all suitable for the Juvenile Market in [England]. It is very long, rather old-fashioned…

Jack London: [Your book is] forbidding and depressing.

William Faulkner: If the book had a plot and structure, we might suggest shortening and revisions, but it is so diffuse that I don’t think this would be of any use. My chief objection is that you don’t have any story to tell. And two years later: Good God, I can’t publish this!

Stephen King (on Carrie): We are not interested in science fiction which deals with negative utopias. They do not sell.

Joseph Heller (on Catch–22): I haven’t really the foggiest idea about what the man is trying to say… Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level … From your long publishing experience you will know that it is less disastrous to turn down a work of genius than to turn down talented mediocrities.

George Orwell (on Animal Farm): It is impossible to sell animal stories in the USA.

Oscar Wilde (on Lady Windermere’s Fan): My dear sir, I have read your manuscript. Oh, my dear sir.

Vladimir Nabokov (on Lolita): … overwhelmingly nauseating, even to an enlightened Freudian … the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream … I recommend that it be buried under a stone for a thousand years.

The Tale of Peter Rabbit was turned down so many times, Beatrix Potter initially self-published it.

Lust for Life by Irving Stone was rejected 16 times, but found a publisher and went on to sell about 25 million copies.

John Grisham’s first novel was rejected 25 times.

Jack Canfield and Mark Victor Hansen (Chicken Soup for the Soul) received 134 rejections.

Robert Pirsig (Zen and the Art of Motorcycle Maintenance) received 121 rejections.

Gertrude Stein spent 22 years submitting before getting a single poem accepted.

Judy Blume, beloved by children everywhere, received rejections for two straight years.

A Wrinkle in Time by Madeline L’Engle received 26 rejections.

Frank Herbert’s Dune was rejected 20 times.

Carrie by Stephen King received 30 rejections.

The Diary of Anne Frank received 16 rejections.

Harry Potter and The Philosopher’s Stone by J.K. Rolling was rejected 12 times.

Dr. Seuss received 27 rejection letters

When you finished a task

When you realize how much you still have to do

The signs as King gifs

Aries:

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Aquarius:

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