Mother. She looks quite... Horrible? Yes. It's an excellent likeness. I like to think she can see us from up there. I don't want her to miss a single thing we do.
CRIMSON PEAK (2015) dir. Guillermo del Toro
Pedro Pascal and Lena Headey for HUNGER TV.
“WRITE IT BADLY. Write it badly, write it badly, write it badly, write it badly. Stop what you’re doing, open a Word document, put a pencil on some paper, just get the idea out of your head. Let it be good later. Write it down now. Otherwise it will die in there.”
— Brandon Sanderson on overcoming writer’s block to create a first draft as a professional author (via almost-always-eventually-right)
𝓜𝓾𝓼𝓲𝓷𝓰𝓼 𝓸𝓯 𝓪𝓷 𝓜𝓟…💘 💘 💘
So look me in the eyes
Tell me what you see
Perfect paradise
Tearing at the seams
I wish I could escape
I don't wanna fake it
Wish I could erase it
Make your heart believe
They’ve survived.
Again.
It doesn’t really seem real. None of it. Not that it’s the second attempt to end her life in as many weeks, or that she’s survived both.
David & Julia return home after the bombing at St. Matthews.
“Aye. That, too.”
SINNERS 2025 | dir. Ryan Coogler
Rest assured, ma’am, I’ll do what’s required…
based on a prompt for distracting work kisses.
for @myletternevercame. special thanks to @heidiamalia for the brainstorming session!
rated m.
Frank usually works through his lunch breaks.
He used to take them as far away from—well, everything—as he could, finding himself a lone edge on the roof or some corner of a vacant floor to eat his meal in relative quiet. But ever since Curt roped him into this management job, everything’s always coming to him whether he likes it or not.
And he doesn’t not like it, as it turns out.
It’s a small construction company, a kind of in-between place for hard-up vets to get work, either settling there or to steady their feet for something else that’s more suited to them. The work feels meaningful in that way. Karen had recently coerced a beat reporter from the Bulletin’s local business section into writing up a piece on them, and the glowing review brought in more and more jobs for his guys. Frank has found it surprisingly gratifying, minus all the paperwork.
So much goddamn paperwork.
He’d never pegged himself for an office space kind of guy. He prefers to be out there, in the midst of things with the others—so he spends most of his days doing just that, saving all that bureaucratic bullshit for his lunch breaks in his office trailer.
He’s heading there now, after a rougher-than-usual morning spent on some stubborn electrical wiring. He thinks of all the other kinds of work waiting for him in his trailer and groans, half-wishing he’d packed a beer with his sandwich today.
He shields his gaze from the midday sun, and then he turns, and he sees her.
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Y ya lo ves, que no hay dos sin tres, y que la vida va y viene y que no se detiene y qué sé yo...
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