Day 4 Of @ineffablehusbandsweek, Posting A Day Later Again Cause I Was On A Concert :D

Thinking about the fact that it's the SECOND chorus of Nightingale that plays in Crowley's car at the end of S02E06

That certain night The night we met There was magic abroad in the air There were angels dining at the Ritz And a nightingale sang in Berkeley Square

I may be right I may be wrong But I'm perfectly willing to swear That when you turned and smiled at me A nightingale sang in Berkeley Square

The streets of town Were paved with stars It was such a romantic affair And as we kissed and said goodnight A nightingale sang in Berkeley Square

I know 'cause I was there That night in Berkeley Square

I compared the choruses in the full version of the song and THAT'S the only one that has any kind of piano/orchestral swell immediately afterward like it does in the show.

OW MY FEELS.

And it ALMOST lines up perfectly with when Aziraphale looks at the car, if you were to start from the beginning of the song, but not quite. Close enough for me. x'D

Also hm, Season One for the first bit, Season Two for the second, and Season Three for the third bit? Give my boys their streets paved with stars and kisses goodnight, Neil!

aziraphale wasn’t the only one visiting discreet gentlemen’s clubs back in the day. crowley had a bit of a reputation too

welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.

the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.

they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.

they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.

now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.

a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.

the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.

i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.

additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.

the movement in order:

bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:

a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.

the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.

to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.

as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.

don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing

This is peak comedy

wild west minisode where aziraphale is tied to the train tracks damsel style but crowley is taking too long to come to the rescue so aziraphale has to keep miracling the train slower and slower to keep giving him chances

Good Omens 2 + Text Posts

When I tell you I NEED Aziraphale and Crowley to kiss again, I mean it.

Anyone who thinks asexual people don’t kiss (or don’t have sex, but that’s not the point of this post) is misinformed. Asexual people - or celestial beings, for that matter - absolutely can and do express feelings and desires by acting physically upon them. Many ace people enjoy the sensations, the nuances, the feelings involved in the physical expressions of love - the only difference is HOW they experience attraction, which has NOTHING to do with kissing or sex, but with what motivates wanting to do those things.

With that said, let’s go back to everyone’s favorite idiots: Aziraphale and Crowley.

During their kiss, you can literally see them pulling each other in, like they need to be as close as physically possible in that moment. You can see it as Aziraphale embraces Crowley for a split second, and you can see it as Crowley throws himself onto Aziraphale more and more during the kiss. He can’t even pull back for a single second, not even to adjust to the kiss - he just GLUES his lips to Aziraphale’s.

Aziraphale’s look after the kiss CANONICALLY means “do it again, please, right now”, as Rob Wilkins already clarified. And that is writing perfection. It creates the angst - the cue - we need to make sure a second kiss - the reward - happens. I’ve been saying this in almost every post, but here i go again: the whole point of angst is that it HAS to pay off eventually, it HAS to be followed by relief, otherwise it’s just angst for the sake of angst.

Aziraphale mouths “no” as Crowley is leaving. He doesn’t say it, but he wants to. Whatever that means, whatever the reason for the “rejection” after the kiss was, the kiss changed something. He wasn’t expecting it, but he was heartbroken to see that Crowley thought he didn’t want it. You can see him not being able to keep his eyes off the door - and later on, off the window he can see Crowley through. He almost changes his mind - and that is still true even if he had a plan all along, he didn’t think Crowley would KISS him and that blows his mind.

He touches his lips after Crowley leaves. He relives that moment by doing so, but also realizes something completely new: Crowley did what Aziraphale had spent millennia wishing for him to do, but did it in the worst possible moment. He almost loses the strength to carry on with whatever it is his plan required. But he doesn’t. He pulls it together, and goes back to heaven.

Wether Crowley knows he has a plan (the “trust me” theory) or believes he was truly rejected, they both know they crossed that line for good. They both know that, if they’re ever reunited, they will never be able to act like platonic friends again. Aziraphale, in a beautifully made parallel to the ox rib scene, realizes he had been starving for Crowley’s touch. And that is just absolutely beautiful.

If you’ve seen my post about why this couple NEEDS a happy ending, you already know why i think Good Omens is the perfect show to give queer couples back their hopes for love. I think we are all tired of the tragic gays / couple baiting fictional couples. Now we need the happily ever after. The fairytale. The cheesy, chaotic, rom-com-y, EPIC resolution. We NEED them to kiss again. We NEED them to be happy.

I REST MY CASE.

Last week an EIGHTY ONE year old Shirley Bassey demonstrated that she is an alien. I can honestly say that I have never heard a singer, that there is not a single vocalist who’s voice has held up like Bassey’s. She seldom performs, and every time she does I expect her to sound more her age… but so far that has never happened! and THANK GOD for that. We are lucky there are still a handful of truly great voices left, none greater than Shirley Bassey’s.

Aziraphale really was like. Are those the pillars of creation or are you just happy to see me

listen. the 1992 good omens script.