Let There Be Light

“We’ve known each other a long time. We’ve been on this planet for a long time. I mean, you and me. I could always rely on you. You could always rely on me. We’re a team, a group. Group of the two of us. And we’ve spent our existence pretending that we aren’t. I mean, the last few years, not really. And I would like to spend… I mean if Gabriel and Beelzebub can do it, go off together, then we can. Just the two of us. We don’t need Heaven, we don’t need Hell, they’re toxic. We need to get away from them, just be an us. You and me, what do you say?”

Crowley’s confession (S2E6 Every Day)

It's OVER!

Aziraphale: We’re not friends. I don’t even like you. It’s over.

Crowley: Fine. I’m leaving. Goodbye forever!

(literally the next day)

Crowley: I’m sorry! I didn’t mean it! I miss you so much! Come with me, let’s run away together!

Aziraphale: I forgive you! But I can’t come with you.

Crowley: Fine, I’m leaving and I’m never even going to THINK about you again!

(literally that same afternoon)

Crowley: He’s not answering his phone. He needs me! Wait - fire - he’s dead! I can’t smell him! Dead forever and ever! There’s no point in going on. I’m going to drink whiskey until the world ends and I DIE.

Aziraphale: You alright there mate?

Crowley: ;_; m y l o v e ;_; where are you i will come to you no matter where you are i would destroy galaxies to protect you

Aziraphale: I need a body. Too bad I can’t use yours.

Crowley: NGK

Aziraphale: Just get to Tadfield air base.

Crowley: I would and will drive through a literal wall of fire to be with you. Anything is possible when we’re together.

(literally like an hour later)

Crowley: That’s it, it’s over, end of the world, we’re all going to die, goodbye reality, goodbye everything, this is the END of ALL THINGS it is LITERALLY SATAN here to kill us

Aziraphale: Fix it or I’ll never talk to you again.

Crowley: * M * I * R * A * C * L * E *

Pt II good omens but i've still never watched it

so you crazies blew up the other post, and many of you tried to explain the plot to me. many others said there is no plot. many said i was accurate. many said i wasn't. and then i watched a few youtube edits of the angel and the demon.

I'm convinced that I know at least a little bit more now, so like the great guy I am, I decided to share how well you've educated me.

the plot is an angel and demon become alcoholics together while doing the good ol' animal husbandry

neil gaiman doesn't have social media

everyone is crying because the angel wanted to go to heaven and the demon said no

and then the demon did the kissy smoochy to make the angel stay and the angel said no

they were not married for 6000 years but they were more married than married

there is a car. it is silver and crowley likes it.

the car is then yellow. crowley doesn't like it. aziraphale does.

there's some kind of Jane Austen ball and dance

oh but also crowley gives aziraphale a more private dance in their home and he bows while making intensely sexual eye contact with the angel who is turned on and says nice and everyone is gasping about it

no one knows about god, not the fandom, not the characters, not god herself. god is ineffable. hey mum i learned a new word!

they run over an american witch

the angel likes books in a way bordering on obsessive and worshipful

the demon likes the angel in a way bordering on obsessive and worshipful

there's a gramophone

crowley says sorry a bunch of times

aziraphale keeps getting flustered and dying coz of crowley, and the fandom dies every time. crowley is also dying. everyone is dying. hopefully not literally, im now scared of this fandom.

there's a psychedelic drug trip at some point that's in the edits where crowley goes whee down a chute. either that or the sleep deprivation is getting to me. fuck you, good omens fandom.

terry pratchett is a guy

whether he is real, or a character, or like neil gaiman he is neither real nor a character, i am unsure, but he is important and people want me to remember him

crowley likes speeding

sick over the fact that we’re gonna get a full season where crowley’s romantic feelings for aziraphale are just out there and aziraphale knows and they’ve kissed. GOOD GOD.

Elizabeth Taylor & Richard Burton: A Tempestuous Triple Feature by Kimberly Lindbergs

Decades before high-profile celebrity couples like Kimye and Brangelina dominated the spotlight, Elizabeth Taylor and Richard Burton ruled the red carpet. The two actors made headlines around the world after their extramarital affair on the set of CLEOPATRA (’63) ignited a flurry of scandalous news reports. Taylor and Burton eventually married, but during their turbulent 12-year relationship they were hounded by the paparazzi wherever they went. Liz and Dick, as they were often referred to in the press, graced countless magazine covers and every move they made was analyzed by gossip columnists and overzealous fans. Audiences loved seeing them on screen and the two actors enjoyed collaborating so it’s not surprising that they starred in 11 movies together before their relationship ended.

FilmStruck currently has three of the films Taylor and Burton appeared in available to stream. If you’re unfamiliar with their work or are just eager to see two acting legends go head-to-head, this triple feature provides a peek at one of Hollywood’s most glamourous, tempestuous and talented couples.

THE V.I.P.S (’63)

THE V.I.P.S centers around a group of wealthy jet-setters whose flights have been grounded due to foggy weather. It also features an all-star cast including Orson Welles, Maggie Smith, Rod Taylor and Louis Jourdan. The central story focuses on an actress, played by Taylor, who is fleeing her wealthy husband (Burton) to run off with her lover (Jourdan). This glossy melodrama borrows heavily from GRAND HOTEL (’32), which you can also view on FilmStruck, and is one of two portmanteau films directed by Anthony Asquith and written by Terence Rattigan. Slight and soapy, THE V.I.P.S is not one of Liz and Dick’s most memorable outings but Taylor does look stunning in her Pierre Cardin costumes and luxurious jewelry, which was mostly owned by the actress herself thanks to the generosity of wealthy paramours including Burton as well as previous husband, producer Mike Todd.

THE COMEDIANS (‘67)

Based on Graham Greene’s political thriller of the same name and boasting a screenplay by the author, THE COMEDIANS offers a harrowing look at Haiti during the repressive reign of François “Papa Doc” Duvalier, who ruled the nation from 1957 to 1971. Much like THE V.I.P.S, THE COMEDIANS features another star-studded cast that includes Lillian Gish, Peter Ustinov, Cicely Tyson and future STAR WARS costars Alec Guinness and James Earl Jones. Taylor plays the discontented wife of the Uruguayan ambassador to Haiti (Ustinov), who is having an affair with a pessimistic hotel owner (Burton) under a looming cloud of government intrigue and upheaval. Like many political films of its ilk, THE COMEDIANS is rather slow-moving and talky, but it does contain some stunning cinematography provided by Henri Decaë. Taylor and Burton deliver surprisingly lowkey and effective performances and the background players, which include talented black actors such as Roscoe Lee Browne, Gloria Foster, Raymond St. Jacques, Zakes Mokae and Georg Stanford Brown, are uniformly good and lend the film much of its emotional gravitas.

WHO’S AFRAID OF VIRGINIA WOOLF? (’66)

Much has been written about this award-winning film directed by Mike Nichols and based on the critically acclaimed play by Edward Albee. Despite its notoriety, WHO’S AFRAID OF VIRGINIA? still packs an emotional wallop for the uninitiated. Taylor and Burton star as a discontented middle-aged married couple named George and Martha. George is an associate professor of history at a New England college and Martha is the daughter of the university president. Following a colleague cocktail party, the booze laden twosome invites a much younger couple (Sandy Dennis and George Segal) over for more drinks and small talk. But the get together begins to unravel when George and Martha engage in a verbal sparring match intended to berate and belittle one another. Taylor and Burton brought much of their own personal conflict to this shockingly frank and fearless film that literary analyst Christopher William Edgar Bigsby rightly called an attack on “the false optimism and myopic confidence of modern society.” Taylor and Burton, along with their costars, are in top form and deliver two of the most powerful performances of their careers in this grim, gloomy and deeply moving portrait of an American marriage in disarray.

The Cleopatra look

hey eklmrlos, thank you for being here and sharing your amazing art with us!

For the request: could you please do Magician Aziraphale and Crowley? Either 1941 oder S1 is fine, i just want Az with his silly little kohl moustache, lol

thank you for this request!! i have to do more 1941….

I hope you understand that I literally do NOT accept any other ideas or explanations. It is Crowley’s precious black feather that Aziraphale is keeping. That’s it. Now I can melt from how absolutely sweet that is.

this gif is of David Tennant BTS of gomens and it’s keeping me alive