CHRISTIAN DIOR “PALMYRE” COUTURE JEWELED STRAPLESS EVENING GOWN, 1952. 

CHRISTIAN DIOR “PALMYRE” COUTURE JEWELED STRAPLESS EVENING GOWN, 1952. 
CHRISTIAN DIOR “PALMYRE” COUTURE JEWELED STRAPLESS EVENING GOWN, 1952. 
CHRISTIAN DIOR “PALMYRE” COUTURE JEWELED STRAPLESS EVENING GOWN, 1952. 
CHRISTIAN DIOR “PALMYRE” COUTURE JEWELED STRAPLESS EVENING GOWN, 1952. 
CHRISTIAN DIOR “PALMYRE” COUTURE JEWELED STRAPLESS EVENING GOWN, 1952. 

CHRISTIAN DIOR “PALMYRE” COUTURE JEWELED STRAPLESS EVENING GOWN, 1952. 

Platinum silk satin opulently decorated with prong set rhinestones and blue jewels, pearls, silver metallic cord, periwinkle embroidery and sequins, boned bodice with top band of darts above meandering floral trailing down skirt having side pleats and center back inverted pleat. Bust 35, waist 26, length 51. It appears that the interior corset, probably with label, has been removed, minor bead loss, hem edge slightly soiled. The Duchess of Windsor’s short cocktail length version of this dress is in the Palais Galliera, Fashion Museum City of Paris. Marlene Dietrich and Mrs. Illustrated in Alexandra Palmer’s new book, “Couture and Commerce: The Transatlantic Fashion Trade in the 1950’s”, page 248 and 249. Marlene Dietrich and Mrs. Charles Chaplain also owned versions of this dress.

More Posts from Greensweetie and Others

1 year ago
"You Can't Save Everyone."
"You Can't Save Everyone."
"You Can't Save Everyone."
"You Can't Save Everyone."

"You can't save everyone."

"Why not?"


Tags
1 year ago

The real fun starts after you watch Good Omens and relisten to every song you've ever heard IN YOUR LIFE and realize it's ALL about them.


Tags
1 year ago

Sometimes I’m ok

Sometimes I remember this

Sometimes I’m Ok

And I’m not ok anymore

1 year ago

Sorry i can’t come into work today yeah these are my thinking about good omens hours

1 year ago

ok well what if in season 3 aziraphale takes crowley's sunglasses off and says "look at you you're gorgeous". what then.

1 year ago

When I tell you I NEED Aziraphale and Crowley to kiss again, I mean it.

When I Tell You I NEED Aziraphale And Crowley To Kiss Again, I Mean It.

Anyone who thinks asexual people don’t kiss (or don’t have sex, but that’s not the point of this post) is misinformed. Asexual people - or celestial beings, for that matter - absolutely can and do express feelings and desires by acting physically upon them. Many ace people enjoy the sensations, the nuances, the feelings involved in the physical expressions of love - the only difference is HOW they experience attraction, which has NOTHING to do with kissing or sex, but with what motivates wanting to do those things.

With that said, let’s go back to everyone’s favorite idiots: Aziraphale and Crowley.

During their kiss, you can literally see them pulling each other in, like they need to be as close as physically possible in that moment. You can see it as Aziraphale embraces Crowley for a split second, and you can see it as Crowley throws himself onto Aziraphale more and more during the kiss. He can’t even pull back for a single second, not even to adjust to the kiss - he just GLUES his lips to Aziraphale’s.

When I Tell You I NEED Aziraphale And Crowley To Kiss Again, I Mean It.

Aziraphale’s look after the kiss CANONICALLY means “do it again, please, right now”, as Rob Wilkins already clarified. And that is writing perfection. It creates the angst - the cue - we need to make sure a second kiss - the reward - happens. I’ve been saying this in almost every post, but here i go again: the whole point of angst is that it HAS to pay off eventually, it HAS to be followed by relief, otherwise it’s just angst for the sake of angst.

Aziraphale mouths “no” as Crowley is leaving. He doesn’t say it, but he wants to. Whatever that means, whatever the reason for the “rejection” after the kiss was, the kiss changed something. He wasn’t expecting it, but he was heartbroken to see that Crowley thought he didn’t want it. You can see him not being able to keep his eyes off the door - and later on, off the window he can see Crowley through. He almost changes his mind - and that is still true even if he had a plan all along, he didn’t think Crowley would KISS him and that blows his mind.

When I Tell You I NEED Aziraphale And Crowley To Kiss Again, I Mean It.

He touches his lips after Crowley leaves. He relives that moment by doing so, but also realizes something completely new: Crowley did what Aziraphale had spent millennia wishing for him to do, but did it in the worst possible moment. He almost loses the strength to carry on with whatever it is his plan required. But he doesn’t. He pulls it together, and goes back to heaven.

Wether Crowley knows he has a plan (the “trust me” theory) or believes he was truly rejected, they both know they crossed that line for good. They both know that, if they’re ever reunited, they will never be able to act like platonic friends again. Aziraphale, in a beautifully made parallel to the ox rib scene, realizes he had been starving for Crowley’s touch. And that is just absolutely beautiful.

When I Tell You I NEED Aziraphale And Crowley To Kiss Again, I Mean It.

If you’ve seen my post about why this couple NEEDS a happy ending, you already know why i think Good Omens is the perfect show to give queer couples back their hopes for love. I think we are all tired of the tragic gays / couple baiting fictional couples. Now we need the happily ever after. The fairytale. The cheesy, chaotic, rom-com-y, EPIC resolution. We NEED them to kiss again. We NEED them to be happy.

I REST MY CASE.

When I Tell You I NEED Aziraphale And Crowley To Kiss Again, I Mean It.

Tags
1 year ago

At their core aziraphale and crowley are just two employees trying to get away with as little actual work as possible. Working class heroes


Tags
1 year ago

The fandom doesn’t talk enough about Crowley and Aziraphale having a room where they lock themselves away to speak in private.

The fandom also doesn’t talk enough about them getting “caught” by “police” and Crowley commenting about it being a hobby of certain policemen.

Brilliant social commentary and how it relates to their relationship being forbidden.

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greensweetie - a green sweet
a green sweet

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