hi!
i’ve wanted to draw cora-san recently so @corazon-week gave me the perfect reason. but ahh! it’s late! sorry...
the first picture is my main submission and it’s definitely NOT a projection of how i spent my halloween. so i drew a happy little cora facetiming law.
if anybody could suggest good free photo editing software i’d be very grateful!
bye bye!
The Lyctoral Process remains unchanged for thousands of years with no alternatives, only for two 20-somethings in a trench coat to invent Paulymerization.
i get mean when i’m nervous like a bad dog
~
i only talk to dogs cause they don’t understand me, my teeth are yellow, hello world
would you like me a little better if they were white like yours?
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i bet on losing dogs, i know theyre losing and i pay for my place by the ring
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you’re an angel, im a dog
or you’re a dog and im your man
you believe me like a god, i destroy you like i am
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i’ll worship like a dog at the shrine of your lies
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you always said how you love dogs, i don’t know if i count.
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i’m just a dog with no bite, this is all i’ve ever known
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i am the dog under your couch, gnashing teeth and open mouth. i shouldnt have clawed my own way out.
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if you’d been a dog they would have drowned you at birth
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so i will wait for the next time you want me, like a dog with a bird at your door
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into this world we’re thrown, like a dog without a bone
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those thoughts i cant deny, these sleeping dogs won’t lie, and now i tried but its eating me apart inside
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i’m tired of begging for the things that i want, i’m oversleeping like a dog on the floor
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death inspires me like a dog, inspires a rabbit
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She loves me like a dog
And when we mess around, I'll let her known the truth
I can't rely on hope with fate
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One last kiss, I love you like a pack of dogs
angry smol in need of cuddles
Note: this is regarding the lore made up by tumblr collaboratively about a fake Martin Scorsese film. See the post that started it all and fake poster.
Goncharov was released in 1973. It was written by Matteo JWHJ 0715 and directed (?) and/or possibly co-written by Martin Scorsese. Scorsese’s big name helped popularize the film, but as a result JWHJ 0715’s significant contribution is often overlooked
Goncharov was forgotten and was actually difficult to acquire for many years. This may have been due to corporations hoarding rights and access, the actually mafia targeting distribution of the film, other factors, or a combination of these. This led to pirating of the film, which allegedly led to pirating discourse surrounding the film
There are talks of a Goncharov II or remake
Goncharov is a mafia boss in Naples of Russian origin. His wife/fiancée is named Katya, also of Russian origin. Goncharov may or may not have fled Russia, and may or may not have been pursued by someone trying to get him back to Russia, possibly to face legal justice. One such person trying to do this could be Valery Michailov
Valery Michailov in Katya’s sister. He may resent Goncharov due to his relationship with his sister and due to Goncharov being wanted by the Russian government. He is somewhat patriotic, possibly a former government worker or soldier.
Katya’s last name is either Michailova or Goncharova (although possibly with the wrong suffix). Her relationship with Goncharov is strained, tense, and possibly loveless. She ends up betraying him in the end. This is often seen as a subversion on the typical tropes for women in mafia movies.
At some point, Katya is on a bridge with Goncharov. At some point, Katya points a gun at Goncharov. At some point, Katya is injured on a boat/in a boathouse.
Katya is amicable with someone named Sofia, who has brown hair. She also has subtextual homoerotic tension with her
Sofia may be working class/poorer than many of the other characters are.
Goncharov has subtextual homoerotic tension with someone named Andrey. Andrey is Goncharov’s old friend/best friend/nemesis/enemy/competitor. There is at least one instance of one of them trying to kill the other.
Ice pick Joe is played by John Cazale, making this his 6th movie. He has a famous 10 minute scene with Katya, and at some point dies, also possibly at the hands of Katya.
Mario Ambrosini works with Goncharov, possibly as a lackey or number two. At some point in the middle of the story, he betrays Goncharov and Goncharov tells him that he “never wants to see [Mario] again”. It is unclear what happens to him after that. Mario also has a relationship with Andrey that some have described as “fascinating”. It is unclear how.
There is a clock motif in Goncharov, and a general theme regarding “running out of time” before death. There are a few characters who seem at the very least subconsciously aware of the fact that they have little time until their death. The film also deals with the theme of fate, of death and tragedy being and inevitable thing for these characters.
Goncharov dies at the end of the movie, due to someone’s betrayal.
Goncharov (1973) was heavily influenced by the American Cold War propaganda of the time. Some argue that it plays right into the stereotypes of Russians, others say it is a clever subversion of the propaganda and stereotypes of the time.
Feel free to add more/expand/add alternative information!
AU where Minerva McGonagall has a little less faith in Albus Dumbledore so she does agree to leave Harry at the Dursleys.
But then proceeds to move right in next door with her wife because Albus never said that she couldn’t.
So Harry grows up with two grandmalike aunties next door, who basically finnagle him into living with them in all but name. It’s great, until he gets to Hogwarts because he keeps accidentally calling McGonagall Aunt Min instead of Professor.
Diagrams from a thirteenth-century version of the Ars Notoria.