QUEEN CHARLOTTE: A BRIDGERTON STORY (2023—) 01×06 : “Crown Jewels”

QUEEN CHARLOTTE: A BRIDGERTON STORY (2023—) 01×06 : “Crown Jewels”
QUEEN CHARLOTTE: A BRIDGERTON STORY (2023—) 01×06 : “Crown Jewels”
QUEEN CHARLOTTE: A BRIDGERTON STORY (2023—) 01×06 : “Crown Jewels”
QUEEN CHARLOTTE: A BRIDGERTON STORY (2023—) 01×06 : “Crown Jewels”
QUEEN CHARLOTTE: A BRIDGERTON STORY (2023—) 01×06 : “Crown Jewels”

QUEEN CHARLOTTE: A BRIDGERTON STORY (2023—) 01×06 : “Crown Jewels”

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1 year ago
BEE LB, From "friction Polish"

BEE LB, from "friction polish"


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1 year ago
“We Like To Think We Are So Smart And We Have All The Answers. And We Want To Pass All That On To Our
“We Like To Think We Are So Smart And We Have All The Answers. And We Want To Pass All That On To Our
“We Like To Think We Are So Smart And We Have All The Answers. And We Want To Pass All That On To Our
“We Like To Think We Are So Smart And We Have All The Answers. And We Want To Pass All That On To Our
“We Like To Think We Are So Smart And We Have All The Answers. And We Want To Pass All That On To Our

“We like to think we are so smart and we have all the answers. And we want to pass all that on to our children, but if you scratch beneath the surface you don’t have to dig very deep to find the kid you were.”

Make me choose: Anonymous asked Phil Dunphy or Gloria Delgado-Pritchett?


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1 year ago
CHARLES MELTON As Joe MAY DECEMBER (2023)
CHARLES MELTON As Joe MAY DECEMBER (2023)
CHARLES MELTON As Joe MAY DECEMBER (2023)
CHARLES MELTON As Joe MAY DECEMBER (2023)
CHARLES MELTON As Joe MAY DECEMBER (2023)
CHARLES MELTON As Joe MAY DECEMBER (2023)
CHARLES MELTON As Joe MAY DECEMBER (2023)

CHARLES MELTON as Joe MAY DECEMBER (2023)


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1 year ago
I'll take a quiet life
A handshake of carbon monoxide

And no alarms and no surprises
No alarms and no surprises
A shot from Safe (1995) of Carol White, played by Julianne Moore, in her suburban living room, holding a glass of milk. She is centered in frame, and stares blankly into camera
THE SUBURBS DREAM of violence. Asleep in their drowsy
villas, sheltered by benevolent shopping malls, they wait
patiently for the nightmares that will wake them into a
more passionate world.
A shot from Blue Velvet. A man lays, collapsed, on his lawn. His hose is still running; a dog has climbed on him to drink from it. A child with a lollypop wanders through the gate
And you may ask yourself, "How do I work this?"
And you may ask yourself,
"Where is that large automobile?"
And you may tell yourself,
"This is not my beautiful house"
And you may tell yourself, "This is not my beautiful wife"
A shot from Little Shop of Horrors of a house on a white lawn against a blue sky. The scene has a sense of artificiality about it - the lighting is all wrong, the sky like a painted backdrop. Seymour and Audrey, in a suit and wedding dress respectively, stand in the doorframe.
I think the traditional preoccupations of cosmic horror are ultimately
charming and quaint in comparison to that endless atrophy
wouldn't it be a relief to gaze into the maw of an eldritch god once,
confirm the truth of existence, and lose your mind entirely?
At least that'd have a sense of resolution to it. At least then you
could stop pretending that everything was fine.
A shot from Vivarium. Rows and rows of identical green houses. On the roof the center one, arranged sheets spell out "HELP"
So we were lying in bed afterwards
And she asked me
What made me frightened
And I said...
I'm frightened of Belgian Chocolates
I'm frightened of potpourri
I'm frightened of James Dean posters
I'm, I'm frightened of 26" screens
I'm frightened of, of remote control
I'm frightened of endowment plans
I'm, I'm frightened of figurines
Ow!
I'm frightened of evenings in the Brincliffe Oaks
Searching for the...
Conversations
A shot from the Truman Show. Truman, played by Jim Carrey, climbs a set of stairs against a wall. Both the stairs and wall are painted like a blue sky with clouds.
Murray and I extended the range of our contemplative
walks. In town one day he went into small embarrassed
raptures over diagonal parking. There was a charm and a
native sense to the rows of slanted vehicles. This form of
parking was an indispensable part of the American
townscape, even when the cars were foreign-made. The
arrangement was not only practical but avoided
confrontation, the sexual assault motif of front-to-back
parking in teeming city streets.
Murray says it is possible to be homesick for a place
even when you are there.
Three panels from the comic Supergod. 

The first panel shows a dove flying above a home. 

The second, the dove crashing into the dome of the sky, revealed to be artificial. bubbles read: AN UNDERGROUND
AMERICAN SMALL-TOWN HEAVEN. THE KIND OF
PLACE AN ALL-AMERICAN DEADMAN WOULD HOPE AND PRAY TO FETCH UP IN.

The third panel, a white, middle-aged man stands in a pilot's uniform, drinking a beer. Bubbles read: I LIKE TO IMAGINE HIM THERE BY HIS LITTLE PICKET FENCE IN FRONT OF HIS LITTLE HOUSE, BREATHING IN THE AIR- CONDITIONING OF HIS LITTLE HEAVEN. NEVER QUESTIONING HIS EXISTING WITHOUT EATING, DRINKING OR SLEEPING, BECAUSE HE THINKS HE'S DEAD. PERHAPS HE THINKS OF THE DAY HE VISITED EARTH.
But I don't think so. But I think about it. And I think, well, I can't be. Because I'm like
you, I kinda look at the big long life ahead of me that stretches out forever and
disappears. And I get scared. And I think, "this can't be Heaven if I'm getting scared,
right?"
And then I think, "maybe I am in Heaven, and Heaven is scary."
A photograph of a 70s underground Cold War bunker in Las Vegas. It features an imitation of an outdoor suburban home, complete with painted backdrop and fake trees, cut off by the ceiling.
Ask yourself: is there something sinister in moralism?
And then answer: no. God is in his heaven. Everything is
normal on Earth.

suburbia; or the sad, quiet horror of getting everything you ever wanted

"No Surprises," Radiohead // Safe (1995) // Kingdom Come, J.G. Ballard // Blue Velvet (1986) // "Once in a Lifetime," Talking Heads // Little Shop of Horrors (1986) // Jon Ware on I Am In Eskew // Vivarium (2019) // "His 'n' Hers," Pulp // The Truman Show (1998) // White Noise, Don DeLillo // Supergod, Warren Ellis and Garrie Gastonny // 17776, Jon Bois // photograph of 1970s Las Vegas underground Cold War bunker // Disco Elysium, ZA/UM


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1 year ago

the way coral said "I killed them all for nothing" just before whe was bitten by a snake hit so hard. because for the whole games you saw her as a villian, as a bad person. But, just like everyone in that arena, she wanted to see her family and friends again, she was just a kid that wanted to live. And her last thought was about the innocent souls she had to kill for that.


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1 year ago
In Another Life, I Think I Would Have Really Liked Just Doing Laundry And Taxes With You ✰ everything
In Another Life, I Think I Would Have Really Liked Just Doing Laundry And Taxes With You ✰ everything
In Another Life, I Think I Would Have Really Liked Just Doing Laundry And Taxes With You ✰ everything
In Another Life, I Think I Would Have Really Liked Just Doing Laundry And Taxes With You ✰ everything
In Another Life, I Think I Would Have Really Liked Just Doing Laundry And Taxes With You ✰ everything

in another life, i think i would have really liked just doing laundry and taxes with you ✰ everything everywhere all at once (2022) dir. by the daniels


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1 year ago
100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ
100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ
100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ
100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ
100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ

100 ꜰᴀᴠᴏʀɪᴛᴇ ꜰɪʟᴍꜱ

53/100 — pierrot le fou | 1965

dir. jean-luc godard ✦


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1 year ago
I Miss Them A Bit
I Miss Them A Bit
I Miss Them A Bit
I Miss Them A Bit

I miss them a bit


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1 year ago

i have often imagined what snow would be thinking during the forcefield scene in catching fire where katniss finally convinces him of her love for peeta. thinking about how snow eventually uses peeta as a weapon against katniss, i always thought that snow looked at the scene and was already thinking of strategies to use katniss's love against her. 

but, the more i think about it, that doesn't make sense. at the time, snow did not know anything about plans to rescue the victors. so, why would there be any need to use katniss's love as a weapon? there wouldn't be. as far as he was concerned, he had full control of katniss's fate and her death was a matter of when, not if.

so, i think that snow, wherever he was, was having one of his classic coryo moral crises. because the task that he gave katniss– to prove that she was actually in love with the person that she used for survival– was supposed to be impossible. of course, it would be impossible. right? because lucy gray never loved him and only used him, right? of course, coryo… 

so, i think that seeing that katniss was actually in love with peeta freaked snow out more than anything and sent him into full crisis mode as he works to find another way to justify his victimhood.

but this crisis would not fully be resolved until he finally had the boy who somehow miraculously won the heart of a survivor trapped in his control. and now that snow had him, he would do anything in his power to prove that katniss, when it came down to it, would betray peeta for her own survival. and so, he turned the boy she loves into a mutt set on killing her. 

and i like to think snow's last glimpse before the mob of citizens rushed him at the end of mockingjay was of peeta, a boy who was programmed to kill his love, running to prevent katniss from dying. and snow finally understood that, after everything, katniss could never really kill peeta. because they truly loved each other.

and i like to think that his last thought was of lucy gray and sejenus, finally coming to the irrefutable, horrifying (to him) conclusion that relationships based on survival weren't destined to fall apart. that they could be real, interwoven with pure love. that he was not the victim of nature, but rather the gamemaker of his own hell.

and then i start cackling.


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To be embodied was to be the altar and the flesh and the knife.

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