DETECTIVE RUST COHLE, From TRUE DETECTIVE 1.01 “The Long Bright Dark”

i have often imagined what snow would be thinking during the forcefield scene in catching fire where katniss finally convinces him of her love for peeta. thinking about how snow eventually uses peeta as a weapon against katniss, i always thought that snow looked at the scene and was already thinking of strategies to use katniss's love against her. 

but, the more i think about it, that doesn't make sense. at the time, snow did not know anything about plans to rescue the victors. so, why would there be any need to use katniss's love as a weapon? there wouldn't be. as far as he was concerned, he had full control of katniss's fate and her death was a matter of when, not if.

so, i think that snow, wherever he was, was having one of his classic coryo moral crises. because the task that he gave katniss– to prove that she was actually in love with the person that she used for survival– was supposed to be impossible. of course, it would be impossible. right? because lucy gray never loved him and only used him, right? of course, coryo… 

so, i think that seeing that katniss was actually in love with peeta freaked snow out more than anything and sent him into full crisis mode as he works to find another way to justify his victimhood.

but this crisis would not fully be resolved until he finally had the boy who somehow miraculously won the heart of a survivor trapped in his control. and now that snow had him, he would do anything in his power to prove that katniss, when it came down to it, would betray peeta for her own survival. and so, he turned the boy she loves into a mutt set on killing her. 

and i like to think snow's last glimpse before the mob of citizens rushed him at the end of mockingjay was of peeta, a boy who was programmed to kill his love, running to prevent katniss from dying. and snow finally understood that, after everything, katniss could never really kill peeta. because they truly loved each other.

and i like to think that his last thought was of lucy gray and sejenus, finally coming to the irrefutable, horrifying (to him) conclusion that relationships based on survival weren't destined to fall apart. that they could be real, interwoven with pure love. that he was not the victim of nature, but rather the gamemaker of his own hell.

and then i start cackling.

the moment of true detective that stuck with me the most was the scene where they find the two kids and have to carry them to the road, and rust decides to carry the dead one. he has a dead child in his arm and a dead daughter in his heart. he will always carry the heavier burden so others don't have to. litterally insane.

True Detective | 1x02 Seeing Things

it makes sense to me that maggie is the one capable of saying something cutting to rust, if only by being the only woman in his life who isn't dead. the whole crux of the conflict, in terms of the state of the soul of true detective, is rust and marty's denial that all men's weakness, sadism, beliefs, mistakes disproportionately destroys the lives of women and children, and the men who do it get to just keep truckin, sometimes with guilt heaped on. they just get away with it over and over and it kills women and girls. I think of rust's, "she sounds sad, marty, like a person on their last legs" about dora after visiting the bunny ranch. how dora was predated on by her father ("why wouldn't a father bathe his child?"), ended up with charlie lang, and was then marked as a target because charlie showed her naked pictures to his cellmate who he hated.

marty's whole hang up is just a classic cop one. he's the good guy and he hunts the bad guys. rust doesn't think he's the good guy, he's just another bad guy hunting bad guys, but that's still denial. when he passes a tide of hallow rationalizations to maggie, they suddenly sound like exactly what they are. normally rust has been monologuing to male audiences -- papania, marty -- who balk and seem defensive or quietly suspicious, but when maggie is the audience you realize rust actually sounds exactly like marty giving his stupid "you gotta decompress" schtick. she's not hung up on any of his actual ideas, doesn't take a single one seriously, because it turns out they're a baby blanket. in rust's phrasing, they're just the encouragement of illusion so he can get through his reality. that scene coming so soon after rust saying, "when I think of my daughter, what she was spared." he just can't do it yet. despite all his efforts, he just can't look at anything head on, not until the end, when he's in that syrupy blackness experiencing his loved ones. he only edges up to the truth, keeping himself mostly at arms length. he gets right on top of it in that same monologue, "she spared me the sin of being a father." the death of women in girls in this season are redemptive; the childress' seem to use them as some kind of baptism. when they're not around to destroy, the men who destroy them are spared of being the men who destroy them.

marty is always under the impression his intentions are good. "was that a down payment?" and marty chews him out for "joking" about his moment of decency, but it was absolutely a down payment. rust clocked it correctly, most of the reason marty was mad was because he was attracted to beth, and he started blustering some rhetoric and then gives beth a twenty, hissing out a white hot, "do something else," like an accusation. but marty goes through all the motions of a hero, so to beth he looks like one. he slaps his daughter and calls her a slut for doing the kinds of things he does with women. he beats on the men she was with so he can feel like a Father and a Hero then vomits in front of his car because it was all just clumsy violence and cowardice. rust knows he isn't doing any good, but he still wants some of that redemption; he tells maggie his little screed about man-woman drama because he wants her to accept it. he knows the women and girls pay more to live in the same world, they don't get away with just existing while men get away with it all, but knowing that doesn't bring him any closer to looking at it head on. he's still asking maggie for something: accept it, get on the same page, spare me, and maggie says no, at least right then. eventually she does, then ultimately she doesn't.

anyway, I think it's interesting how different it feels to hear rust say what he says in that scene. you suddenly realize exactly how his words fall on the ears of reality. "at the end of the day you duck behind rationalizations just like the rest of them."

HOW TO LOSE A GUY IN 10 DAYS (2003) dir. Donald Petrie

Riceboy Sleeps (2022) | dir. Anthony Shim

Hanif Abdurraqib, A Little Devil in America: Notes in Praise of Black Performance

Mary Oliver, from “Green, Green is My Sister's House”, A Thousand Mornings

Less Dire Situations | 1

Part 2

Peter liked you the moment he met you after moving in with his Aunt May. Unfortunately, he never got the guts to talk to you. The idea disappeared after grade school and high school graduation, so you can imagine how surprised he was when you answered his ad for Advanced Calculus tutoring. It felt like he could actually get a shot with you… and then you jumped off the Manhattan Bridge.

Peter Parker x Reader | 5k+ | cw: fem!reader, DD:DNE, suicidal thoughts/ideation, suicide attempt, themes of depression, social withdrawing, emotional masking, canon divergence, angst, hurt, typos, etc.

A/N: i have an andrew garfield brainrot and i needed a fic to help me escape, thus this fic. btw its originally posted on ao3

Tagging: @sloanexx @azperja

I groan and slam my head on the table.

"Brava," Peter laughs and claps his hand, a pencil between his grip, "she's done it, folks. All 22 questions." He shifts on his chair and checks his phone for the time, "and it only took 3 hours."

I begrudgingly lift my head and glare at him, "there would still be daylight had you let me cheat."

He chuckles and shakes his head, "you don't pay me enough for that."

I raise my brows, "I feel like your reasoning is skewed."

Peter puts his pencil down and crosses his arms. He watches me as I finally close my journal and maths book, gathering my things into my bag. He tidies up his things too, "hey. You genuinely did good though."

"Psh. Gee. Thanks," I throw my pencil case in my pack.

"No," he shakes his head, "I'm serious," he places a hand on my shoulder, "you did good. You understood the concept. I'm proud of you."

He looks genuine when he says this, solemn and earnest even. I can't help but smile back at him, the vexation in my system, shattering into a million pieces. I chuckle and nod, "thank you, Peter."

He smiles.

I make a face, "you're such a dad."

Peter laughs under his breath and gathers his things.

"You ever hear that before?"

"Wow," he says exaggeratedly, "it's almost like you don't call me that every chance you get," he stands as he brings his books in his arms. He points the eraser end of his pencil, "which is such a foul, considering I don't have one."

I cackle. Peter chuckles inwardly, shaking his head as he heads into his bedroom. He mutters breathily, "you're so messed up in the head."

I tidy the rest of my things and fix his two-seater dining table. I then stand and push the chairs under the table, putting my backpack on.

Peter comes out of his bedroom, hand in one pocket, the other adjusting his glasses, "I'll walk you home."

I shake my head, "nah. I'm gonna go get a hotdog."

"That's fine," he heads to his front door and grabs his coat, "my treat," he puts on his coat and looks over his shoulder, "using the money you paid me."

I roll my eyes and chuckle as he opens the door.

"Ladies first," he motions and bows.

"You're such a weirdo," I walk out his apartment.

"True," he closes the door.

We eat hotdogs, heaping with relish, mustard, and ketchup on a bench by the river. It was out of the way from my home, but it was always a welcome detour, in my opinion.

I lick my lips as I look at the massive monument across from us. The Manhattan Bridge; my final stop.

I point as I chew.

Peter looks as he takes a bite of his hotdog. He turns back to me, "Manhattan Bridge."

"My launch pad," I say. I swallow and hold the rest of my hotdog in both hands, "one day, I'll jump."

He stills in his spot. He refrains from eating his hotdog and wonders if he heard right as he watches me continue to eat mine. He shifts and turns to me.

I chomp, and chew, and look back at him.

"What?"

I was never one to repeat myself, so I don't.

"Don't joke like that."

I turn to my hotdog and mutter under my breath, "I'm not joking."

Peter hears this of course but he doesn't doesn't give it away.

I look back at him and stuff hotdog in my face. The worry and concern that radiates off his face eats at me. I regret saying it. Part of me wants to tell him, to seriously tell him I am messed up in the head. I want to tell him the idea of jump off such a pretty bridge that means so much to so many people sounds so... cathartic.

I want to tell him I don't want him to feel concerned or worried. I don't want anyone to feel that way for me, which is precisely why I want to do this.

I don't though, because I know he'll only be more concerned and worried.

I grin at him and nudge him with my elbow, "it'd be a great way to meet the Spoods, huh?"

I cackle to myself as Peter gets recoils.

He doesn't respond to my joke, not in anyway that counted. He straightens up and gives a sigh, "a Spiderman joke?"

I nod.

He shakes his head, "still not funny."

"Oh, come on, grampa. What? You can't take a dark joke?"

"Dark jokes are funny."

"Come on," I raise my arms, "it is. Spiderman has saved so many people from falling before! It's a great idea."

"Listen," he raises a hand, "if you want to meet Spiderman, I hear there's a spot he goes to a lot."

"Pshh," I wave him off, "where's your sense of adventure? Where's the serendipity?"

He shakes his head, looking at the last of his hotdog. He doesn't feel like eating it anymore.

I decide to lighten the mood by pointing at other things and commenting on them. I get a couple chuckles out of him by the time I finish the last of my hotdog. When I turn to him, I recognize how badly I've killed the mood.

He and I stare for a moment. I can only take so much until I decide to look at his hotdog.

I grab it and eat it myself. He watches as I stand and brush the crumbs off my hands. With a mouthful, I say, "you snooze, you lose."

Peter stands and places his hands in his pockets.

He walks me home like he always does, only this time the mood was not so chipper.

When I get to my building, I give him a smile and wave, "thanks for the hotdog, Parker."

We stand in front of the entrance.

"And for walking me," I add.

He nods and smiles, "you're welcome. You should still eat dinner though, particularly vegtables."

I snort and nod, "yes, dad." I head towards the door.

"And hey," he calls out, making me stop.

I look back at him and raise my brows.

Peter presses his lips together, "it was a joke, right? Just a silly, ha-ha joke."

My heart sinks. I smile and lie through my teeth, "of course, Peter."

Peter stares at me. He smiles. He nods, "good."

"Good," I nod back.

"There's still so much Algebra you have to learn."

"Good night, Peter."

He watches me as I go inside. He is deeply unsettled, "night."

It's been 30 minutes since I woke up. Where once was only shadow, at this point, the sunshine was trickling through. The glow-in-the-dark stars on my ceiling were no longer glowing.

My alarm goes off. It's now 8 o' clock.

I sit down on my bed and wipe my face. Time to check the news.

I grab my phone and finally end my alarm. I open my news and look at the latest headlines. My eyes are heavy as I scroll through the depressing articles: the war of Israel, the genocide of Palestine, the war crimes in Sudan, the human rights crisis in Afghanistan, the exploitation of Congo, the US missile strikes in Yemen, topped off with local crime and, neighborhood disturbances-- fuck, someone killed a 90-year-old at the K-mart two blocks down?

I chew on my lip as I feel desperation creep up my spine. My fingers are ice cold and my eyes water as I search the tabloids for something-- anything.

But there was nothing.

There was no news on Spiderman.

I throw my phone on the sheets in front of me.

I turn to my calendar on the wall, looking at today's date, encircled with red, just like every day before it.

I stand and grab my red marker, crossing today out, just like every date before it. I look at date tomorrow, fingers tingling with agitation.

Why won't he just come?

I encircle tomorrow's date and decide, fuck it. I toss the marker on my desk. Tomorrow's D-day regardless if Spiderman shows.

I grab my towel and take a cold shower.

The next thing I know, I'm freezing in first period. I exhale on my hands and rub them together as Ms. Vasquez explains today's activity, a study on good vs evil, a sketch that concisely depicts each side, utilizing the combination of techniques we've been discussing for the week.

She says while were drawing, she'll also make rounds to check on our the status of our final output.

By the time she comes to my desk, I'm halfway through my sketch.

Ms. Vasquez looks at my drawing pad and smiles. I look to her, then my work. It was what it was.

She places her tender, veiny hand on my shoulder, "exceptional work, my dear. As always."

I turn to her. I don't know what about 'as always' rubbed me the wrong way. Was it the implicit excellence constantly required of me? Was it the feeling I had nowhere else to go and therefore had to keep outdoing myself? Was it the fact I didn't actually believe I was always exceptional? Was it the fact it felt like it negated all the times I did feel exceptional but people couldn't discern it?

I smile, "thanks, Ms. V."

The middle aged woman purses her lips. She scrutinizes my expression and I get nervous. She motions with her head, "I especially like the rendering you did."

I turn to my drawing.

"There's more visual weight on the good side than the evil, making it look darker."

I release a chuckle and turn back to her.

"There's that smile," Ms. Vasquez said.

"Can't get anything past you," I mutter lowly. I rub my neck uncomfortably.

"That remains to be seen," the woman responds, "do you finally have something to show me for your finals?"

I press my lips into a small smile and examine my current drawing, only to release my pencil and give her a bashful expression. I make nonsensical sounds. She raises her thin brows in concern.

"Come on," she urges, tightening her cardigan around her, "not 1 sketch? Not even a doodle?"

I let out an airy chuckle, "I haven't really been seeing inspiring heroes lately."

I watch as her freckled face contorts, her smile lines turn to frown lines and her forehead curls with worry, "a lot of your classmates are doing their parents, siblings, friends. I've seen a lot of Spiderman sketches too. And Iron Man... And that one trapeze act from Hell's Kitchen."

I snort at the mention.

"You mind me looking at your sketchbook?"

"Sure," I push my open book towards her.

"I mean your personal sketchbook."

I freeze at the mention. I look at her, trying to figure if she was serious or not.

She raises her hands, "artist to artist, I know it's like opening your ribcage, so I won't judge. But teacher to student," she sighs, "I'm honestly concerned about you. You were so excited when I announced A Study on Heroes. I wanna know what's going on with your drawings at least."

Fuck. I rub my thumbs across my fingers and chuckle, "ah. What can I say," I take my backpack and rummage through my things, "burnout."

I hand her my notebook. It was tattered and crusty. It had pages clinging on for dear life and ones that didn't belong there at all.

Ms. Vasquez accepts the object with reverence. I gulp as I watch her open it. If she catches the page where I drafted my suicide notes, she either doesn't notice or doesn't note it. I'm sure as hell she saw my distressed drawings, but she doesn't say a word about that either. She is completely stoic as he works her way back into my work.

My heart nearly leaves me when she turns my book to me, "who's this?"

I look at the primitive sketch. I look at the faceless figure eating a block of something undistinguishable. I don't know how she knew it was someone at all, "that's Peter."

"Peter Matthew? From the other section?"

"No," I shake my head, "just Peter. He's studying bio-chem."

"Ah," she nods, tucking her dark curly hair behind her ear.

I wait for her to explain how she knew the sketch was a person, but she doesn't. She only brings the book back to her chest and continues flicking the pages.

After a while, she shows me again, "what about these?"

I look at the plump man who had a handless raised arm. The paper where his wrist ends was ripped, having been been erased so many times. There are other doodles of him surround that one, scenes of taking orders and making angry faces. I had forgotten about those. My teacher turns the page and I see more of him.

"That's Eddie," I point toward the whiteboard, "he sells-" I swallow the lump on my throat "... doughnuts."

She nods, "why not him?"

I look at my sketchbook as she places it before me.

"I-" I shake my head, "haven't bought doughnuts there in so long. I doubt I should even do him." I close my notebook and shove it back into my bag.

Ms. Vasquez takes a moment before replying, "there's light and dark within all of us. Sometimes acknowledging the darkness is the first step to letting it go, to make room for light."

My nerves begin to tighten when she says this.

She releases a breath, "if he was relevant enough for you to commit more than 5 pages, I'd say he impacted you enough."

Thank goodness she let it go. "... his doughnuts were pretty good."

"Good then," she nods, "find an angle. Think of how he impacted you, say--" she shakes her head in thought, "you eat his doughnuts when you're stressed and after, you feel like life isn't so bad."

I pick up my pencil and nod. I absentmindedly continue shading my current drawing.

I perk when she calls my name. I turn back to her.

"I've been lax on you because I know you're a good student," Ms. Vasquez explains, making my throat constrict. She continues, "and because the finals were still pretty far. But not anymore," she raises a finger, "I need something soon. And I mean within this week soon."

"Yes, Ms. Vasquez."

She nods, "it can be about the doughnut guy, or someone else entirely. Okay?"

"Okay."

She smiles when she walks away and so do I.

The next thing I know, I'm being yanked back to keep my balance.

I whip to my left, barely hearing what Peter had to say against the loud bustle of the street.

When he lets go of me, we stop by the corner of the pavement. He tucks his hands back into his jacket pocket, "you are so out of it."

"Sorry," I make a face then smile, "Ms. Vasquez really chewed me out."

His brows quirk, "she did?"

"Yeah," I look at the passing cars, then the streetlight, "I've been procrastinating the final work for too long. She said even I couldn't shit out a whole final output overnight."

Peter doesn't respond until after we cross the street. He nudges me with the hand buried in his jacket, "what was your final output again?"

"Ah, we're supposed to make a fleshed out character design on a hero of our choosing. They have to have impacted us someway."

He nods. He takes a chance on a joke, "so no Spidey for you."

I chuckle and shake my head, "a lot of people are actually doing Spiderman."

"For real?" he asks, genuinely surprised.

I laugh, looking back to where I was walking, "yeah. It's all about justifying it, you know."

Peter feels fuzzy inside. He chuckles, "he walked my dog once."

I laugh and follow-up, "he beat up my 6th grade bully."

Peter snorts then adjusts his glasses.

At this point, we take a turn and the smell of warm vanilla becomes apparent. It doesn't take long for us to reach Eduardo and Son's Doughnuts.

I stop at the entrance for a moment. Peter looks at me and pulls me back, so not to disrupt the flow of people. Even through it all, the place was busy as ever.

"You okay?" Peter asks me.

I nod as I turn to my feet. I give him a smile and impulsively push the glass doors open, walking into the store even though my chest was tightening.

Peter follows after me, not saying a word. We stand in line. The line was as long as I remember, maybe even longer.

The warmth of the store, which used to be so welcoming and comforting, felt suffocating now. I stare at the checkered floor; the tiles were new. It seems even the walls were freshly painted. I rub my hands together as the line moves.

"Hey," Peter says from behind, patting my shoulder. I look back and turn where he was pointing.

My heart gets nipped at when I see a portrait of Eddie on the wall. It was candid shot, his face was stoic as he fried donuts.

I gulp and look forward.

As I got closer and closer to the front, I turn to Peter and grab his arm. He looks at me with reassurance. He takes the lead when it was our turn.

"Hey Eduardo," Peter says.

"Peter," the man exclaims, "the-" he stops himself when he sees me. I make eye contact with Eduardo and muster up all the guts to smile at him.

He speaks my name with such surprise and fondness, guilt nearly paralyzes me.

"How've you been, Da Vinci?!" the beefy man chuckles with excitement, "it's been so long! We missed you here!"

Peter turns to me with a smile. My chest tightens as I smile back.

"Peter says you're gonna be a big shot animator soon!'

My lip slightly trembles, "nah. I'm barely even graduating."

Eduardo waves his large hands, "oh-ho-ho. Dad was crazy about your drawings. And you know him. He's not crazy about anything but doughnuts."

My smile crumbles at the weight of the conversation.

Eduardo turns to the baked goods before him, his profile on full display, a carbon copy of his father's, then back to us, "whatever you want, Da Vinci, you got it. On the house."

"I- E-Eduardo- it's fine."

"Oh no. I gotta convince you to be a regular again," he smiles. I notice he's got a golden tooth now. Eduardo shakes his head, "what was it? Boston Creme and a Bear Claw?"

I don't nod but he gets the order anyway.

"The regular for me too, Eduardo."

"Yeah, yeah, pay up, Parker."

Peter and I head to the register. There, we are assisted by Lorenzo, who immediately says, "sorry about my older brother."

The soft smile on his angular face soothes me enough that I actually manage to smile back.

"It is so nice to see you again though," Lorenzo says as he rings up our order, "really."

Peter watches as I rub my arm. Lorenzo says the amount due.

Peter turns to Lorenzo, passing a bill as he says, "hey. Last time my ham and cheese was cold."

Lorenzo raises a bushy brow, "tough luck, kid." The lanky man gives Peter his change and Eduardo himself comes to give us our order packed food.

"Nice to see you again, sweetheart," the older of the two brothers says, "make sure to come back; Chico would want to see you."

Peter takes our order. The three men look at me.

My face contorts, "I..." I suck in a breath, "I'm really sorry about your dad."

Lorenzo presses his lips. Eduardo smiles, "thank you. I'm sorry too. We all miss him here. I'm happy you had the courage to come back."

"It was hard to open up again after we closed up," Lorenzo says with a half smile, "but it's what dad would have wanted."

Peter and I eat our warm treats on our way back to campus. The crunch of the dough and the sweetness of the cream made me feel like I wasn't where I was right now. It was enough to make me cry, so I don't think about it too much.

"Are you gonna do it?" Peter asks, "the hero thing?"

I turn to him and shake my head, "I shouldn't. It wouldn't be right."

A loud car honk from afar fills the air.

"Maybe you could do it, in memoriam."

I chuckle under my breath.

The thought of coming back to ask for photos from the bereaved family sounds horrifying. I want to argue on this point, but I dismiss the thought altogether. It doesn't matter anyway.

"You know what," I smile at Peter, "when you put it that way, it sounds like a good idea."

Peter perks as he takes a bite of his food. He chews and nods, "it is."

I turn back to my doughnut, and speak without a second though, "I hate that he died. I hate that it was him. No one deserves to go out like that."

He doesn't get to respond.

"The police don't even care. No one cares." I shake my head, "not even Spiderman cares anymore."

Peter feels winded. He turns to his ham and cheese. He feels tempted to say 'cut the Spiderman some slack' about as much as he wants to say he was too busy with homework, too busy with Calculus... too busy enjoying tutoring to have time to put on the suit.

"I hate that we have to depend on some masked bozo for justice," I say out of spite.

Peter and I halt at a bend.

He looks at me as I look at the street, littered, polluted, and filthy. Peter thinks there's so much to unpack here.

He zones onto my face, studying the wafting strands of hair, the visible turmoil, and the tormented beauty.

"You know what, Pete?"

"Hmm?"

"Nevermind what I said. Good for him," I take a bite of my warm food, "I'd bail too. Probably build a web swing for myself and rob the Trump tower."

I laugh when I say this. Peter doesn't.

Peter decided Spiderman did care.

He got in his suit and spent the whole night waiting by the radio on his desk for a scene to help out on, not that he had to wait the whole night for something to happen.

There wasn't anything big, which was a good thing, just a few run away robbers and gang fights needing to be broken up.

It was, what, weeks, a month and a half since he put on the suit? It both felt so long and not long at all. What he knew for sure was that he missed this.

He missed it so much he swung around New York until he couldn't.

And then he missed his morning alarms.

When he finally woke up, he felt incredibly well-rested, a little too well-rested. When he realized he caught up with his sleep, he jolted into a panic and knew he fucked up.

He scrambles for his phone, slapping his hand on his bedside table. He checks his screen and jumps out of bed when he sees it's 2pm. He webs his backpack towards him and leaps out of the window, swinging through after lunch traffic.

He lands on campus, a little winded and sweaty, praying he could still catch what was left of his class that starts at 1:40. He sprints to his building, evading most of the people around. Just as he runs up to the entrance, he passes a woman who startles because of him.

It happens in slow-motion; Peter's spider senses cause him to turn and witness the aftermath just as it played out. She lady was carrying way too much for a person of her size; the heaps of paper in her arms comes crashing down.

His instincts get the best of him and he shoots a web at her water jug before it hits the ground. He makes an abrupt stop and grabs her arm before she loses her balance.

"Woah there," he huffs, keeping the woman upright.

She gasps as her things escape her.

Peter releases her arm and picks up the fallen objects.

She catches her breath and watches as he hands her the papers. He gives a guilty look, "sorry about that."

The middle aged woman knits her thin brows and huffs, "you running late or what?"

Peter chuckles with guilt, holding her water container by its handle, "I'm so late."

She grunts as she carries her papers. He makes a face when she leans back to carry the weight, clearly struggling.

Peter releases a breath and chuckles, "but uh-" he takes the papers back from her, "not too late."

"Oh, you don't-"

"No, ma'am, I insist," he says, "I'm guessing you're heading into the main building?"

"Actually," she slowly takes her water container from him, "I'm heading to my car. It's in the lot outside campus."

"Alright then," he smiles, "lead the way."

"Really? Are you sure? Because I really do need help..."

Peter chuckles, "yep. Yes. It's fine."

She smiles and nods, raising her arm forward.

They walk to her car and when they get there, he places the papers in the front seat.

"Thank you so much," she sighs, clutching her jug in her chest, "what's your college? Maybe I can put in good word to your teacher for getting you late."

Peter laughs, "no, it's fine really. I'm, uh, in bio-chem."

She raises a brow, "you wouldn't happen to be a Peter, would you?"

He's surprised, "woah, I am actually."

The woman chuckles, "what a coincidence."

Peter's heart leaps when she says your name and explains you're in her class, introducing herself as Ms. Vasquez. She says you mentioned him just yesterday, as he was the subject in one of your drawings. As quickly as his heart soars, it crashes when she tells him you had gifted her the water container in her hand.

Ms. Vasquez raises it, flaunting the familiar looking thing, "she's such a sweet girl."

That was your container.

"But you know," she adds, "I'm concerned about her. Has she been acting odd lately?"

Peter gulps, his entire body tenses. He can't speak.

"She hasn't been passing her requirements on time, and normally, I wouldn't think much of it, but she's been my student for 5 semesters, and she's never once been late, let alone missed a submission."

He uncomfortably smiles, "she's... I don't -she's going through some stuff."

Ms. Vasquez' brows furrow but she nods, "well I'm glad to know she has you in her life," she pats his shoulder, "thank you again, Peter."

Peter raises his hand in regard as the woman gets into her car. The moment she drives off, he pulls out his phone and calls you.

Except he doesn't call when he catches the 13 missed calls you've left him. His soul nearly slips out of his body as your 'this could have been a text, Parker,' line plays in his head; you hate calling.

He frantically presses his thumbs on your number. His pulse races as he hears the continuous ringing and did-not-pickup beep.

Fuck his 2pm class.

He looks for you all over campus. He checks almost every room in your building before realizing it was a waste of precious time. He revisits all the areas you've taken him, and visits places you've mentioned once before. He goes through the entire campus, then runs around the entire neighborhood.

He goes to your building but the guard to your dorm won't let him in without you there, even though he knew him well. He climbs up the fire exit but you had your curtains drawn and the windows locked. He tries knocking, then debates on breaking the window down. He decides against it.

He goes to the convenience store, the fast food chain, the café, the thrift shop, the bodega, the pharmacy, the record store, all of which you loved, but doesn't find you. He finds himself busting through the arcade you loathed because of how loud it was and the flower shop you scorned because they over-charged you once.

Nothing.

He finds himself busting into Eduardo and Son's Doughnuts, nearly breaking the glass door down with him.

The brothers turn to door and give a chorus of shocked exclamations.

"Jesucristo, hermano!" Eduardo shouts from the counter.

Lorenzo gasps and clutches his chest, leaning toward the register.

"You good, Pedrito?" Chico asks as he stops cleaning the tables.

Peter feels sweat on his neck and back begin to cling on his shirt. He surveys the unusually vacant establishment, finding only 3 customers present.

Chico wipes down the tables with his thick arms and large fingers, "you want an iced strawberry latte, kid? You looked stressed."

"He's in university," Lorenzo chuckles, going back on his phone, "what do you expect?"

Peter shakes his head and waves his hands, asking if they've, by any chance, seen you.

"Ah, yeah," Chico smiles, "she was just here."

"Wait, what?"

Eduardo grins and steps away from his station, pointing at the wall by Peter's side, "she set those up."

Chico and Peter turn to where Eduardo heads.

Peter surveys the wall that was bare just just yesterday. Where once only a small portrait of the brothers' father adorned the space, now had a framed illustration of Eddie and his kids beside a bulletin board where multiple pages were pinned. Most of them, he recognized, were your doodles of Eddie, ripped out of your sketchbook, the others were notes written with different handwriting.

"She asked if she could something to the wall," Eduardo said, "I thought she was gonna put one drawing of dad. I was shocked when she started ripping at her journal. She said... what did she say Chi-"

"Art keeps the memory of those we love alive," Chico raises a finger.

Lorenzo makes a face, "she literally only said art is meant to be shared."

"That's what she meant," Chico eyes his younger brother.

Lorenzo shakes his head and turns to Peter, "she was actually looking for you too."

His stomach drops, "she was?"

"Yeah," Lorenzo puts his phone down and rummages through the drawer behind him. He pulls out something and reaches out to Peter, "she said to give you this if you come."

Peter dashes forward and receives... a Tawagoshi.

"When she left, I realized she didn't think of why just giving it to you tomorrow," Lorenzo says, crossing his lean arms.

Peter looks at him in a panic, "did she say where she was headed?"

Lorenzo is taken aback by his expression, ".... uh... No? She- she didn't."

Just as Eduardo continues to muse about the new wall decorations and how so many people posted their letters to Eddie, Peter busts out of the place, just as roughly as he came in, causing Eduardo and Chico to yell at him in Spanish.

At this point, Peter is full on Spiderman. He puts on his suit and swings through the city. He's on high alert as he goes through each street.

Part of him wants to take thorough looks through every corner of the neighborhood, but his gut was urging him to speed through the avenue, dead set on a destination.

The sun begins to set on New York when he reaches the Manhattan Bridge. He looks down from the pillars of the structure. As the seconds pass, he feels more and more desperate.

He lies on his back and takes off his mask. He takes his phone out and calls you over and over and over.

He wonders if you already did it. He sits up and stares at the river, eyes watering as he imagines your lifeless body floating up the shoreline. He pulls his mask on, tugging it on his head way harder than need.

He realizes he started to cry when his lenses begins to fog. He tugs his mask on and snaps himself out of it. He battles with himself on what he should do next.

He's already off the other side of the bridge when he feels the urge to swing back. He wrestles with himself, unwilling to waste time, but ultimately he succumbs to that urge and perches himself back atop the pillar.

And then, the worst possible flavor of relief washes through him when he sees you. It's cruel how you don't even think twice when you reach the middle of the bridge.

"NO!" Peter yells as you climb onto the railing.

He swings towards you, using his body as a pendulum to reach you faster.

You're already free falling when Spiderman whips himself towards you.

He catches you.

You let out a grunt as your body cracks at the impact.

Peter has and arm and his legs around you, "what are you doing? What are you doing?!"

You look at him, eyes red and puffy. Your voice is hoarse, "S-pidey?"

if only tonight we could sleep? (rust cohle x reader)

the dora lange case had come to a close...but was it really ever over?

a/n: inspired by getting lost in the sound of the cure's kiss me, kiss me, kiss me album. this is set somewhere in the same world of jealousy, jealousy!. your feedback, as always, is greatly treasured!

word count: around 2.6k

warnings: angst, canon-typical death (mentions of what happens at the Ledoux shootout), nudity (showering together!), cursing, dread, etc (minors go away)

----

The Dora Lange case had finally been closed once and for all. All the bullshit and danger that had accumulated over all these weeks could finally cease to continue. You’re sure that even within the next twenty something odd years or so when all of this would be well blown over and buried you would never be able to truly process the fucked up-ness of it all. 

Your mind was thoroughly numb and all of your limbs ached to no end. You could feel everything you’d endured catching up to you as your body finally allowed itself to let go. Adrenaline and sheer will had been what kept you from fully crumbling during the case’s most crucial and final moments. The shit Rust and Marty decided to pull with that druggie Ginger had already left you worse for wear. Discovering Ledoux and the horrors that were transpiring in that shithole was something you couldn’t let yourself dwell on for too long lest you wanted to find yourself having a complete mental breakdown. Bodies and skulls being blown to bits right in front of you. The sight of rich blood and scattered brain matter sprayed to stain onto your boots. Finding those kids like that…you’d never get over it. One was sentenced to a life of trauma that left her catatonic and the other one deceased. You’d had the naive thought more than once telling you if only we'd all been a bit quicker…

But there was no point in dwelling on all the ifs and maybes. That was a guaranteed one-way ticket to self-induced insanity. 

You should feel relief that this is over. The weight of one of the many atrocities committed in the world removed from your down-trodden shoulders. Solved. A monster taken down and put into the earth where he couldn’t return to cause more strife. Why couldn't it feel over? Where was the relief?

You didn’t know much of what Rust and Marty felt on the matter, too busy dealing with keeping your stories straight on just how you all had come across Ledoux’s hideout instead of finding the time to have a heart-to-heart on how much this might’ve permanently screwed with your heads for ages to come. You knew well enough that ending the case like this wasn’t easy for either of them given their respective standpoints when it came to kids. Marty discovered those children and both men had carried them back. Rust had shouldered the burden of carrying that poor boy. A small choice of action that had your heart twisting even more painfully than you thought it already had during it all. The Texan could go on and on about the world being shit and there being no control over the horrors one would be put through trying to live life but you found that it was he who tried the hardest to shield others from said pain and horror whether he was aware of it or not. He cared a lot more about the human race than he let on but it would be more than ineffectual trying to convince him of that particular truth. 

Things with Rust had been all over the place since the fiasco of a night you had after the bar: surprise, surprise. The time you’d initially aimed for to really sit down and decipher where it was exactly you saw the two of you headed had found itself slipping away at every possible chance. Neither of you was to necessarily blame, as the nature of your work was in constant demand of your full attention, but that didn't make it any less frustrating.

You guys weren’t even truly anything yet and it was already this arduous. What kind of shelf-life did a pairing such as this really have down the line? It was more than likely that acting on any idea of pursuing Rust romantically was destined to never end in your favor. He was your coworker for Christ’s sake. Yes, there was no one else who could probably understand what it is you go through like each other but it was harder to separate other crueler aspects of your lives as well. Everything would get in the way of professionalism. It already had when it came to the showdown with Ginger. 

Trying not to let your thoughts go down the usual Rust rabbit hole it found itself in you decided that you’d take the longest and hottest shower you hadn’t had the luxury of taking in weeks. Any extra time you had lately was reserved for quick and cold rinses to keep yourself up and at 'em’. Relaxation in any sense of the word was hard to adjust to after long stretches of work such as these. It was like your body had forgotten how to just be. Nothing was chasing you and there was no clock ticking over your shoulder to mock you that time to get shit done was running out. The empty quiet that followed would never not be unnerving to you. You had nowhere to be and nothing to do. 

Where was the fucking relief? 

With a huff, you set aside the jack and coke you’d been cradling out on your front porch in the dwindling evening light. The air was more balmy than the stifling hot you’d experienced day in and day out though your skin still held that essence of a humid dew that kept your hair and clothes sticking to you like a second skin. Dusting off your pants you made way to get on up from your depressing reverie only to find the outline of a familiarly limber figure at the end of your driveway. How the hell hadn’t you heard him pull up?

“Are you gonna stand there like a regular ol’ weirdo or get up here?” You feigned nonchalance at his sudden presence but your heart told another story with the quickening pace it decided to adopt. 

Wordlessly, Rust ventured his way up the pathway and onto your shabby porch. He eyed the abandoned drink you had by your side so you offered it up to him. He loosened the tie around his neck and undid the first two buttons of his dress shirt before accepting the silent offering. It took two long gulps before the glass was drained.

There was a heavy silence for longer than what was comfortable. Where could you even start? You didn’t want to catch yourself in an awkward fumble trying to gauge what it was he exactly needed from you as it was clear there was a purpose in him showing up without a warning. The set of his posture made it seem like he was curling in on himself more and more by the minute. He couldn’t bring himself to look you in the eye, fearful that it would be his complete undoing. This visible deflation in action made you feel panicked for not knowing what assistance you could offer without having him pull away.

“...D’ya wanna talk about it?”

Rust shook his head softly as if in a daze. His eyes growing glassy and increasingly distant while he stared at your porch’s floorboards. 

At a loss, you cleared your throat shakily, “Well I was just about to hop in the shower. You can come inside…hang around if you want. We don’t have to talk or nothin’...o-or we can if that’s what you wanna end up doin’ after havin’ some quiet.”

No reply.

“Well, there’s beers and whatnot in the fridge if you choose. Don’t be shy to helpin’ yourself.” You got up and squeezed his hand gently, warm and calloused like you’d been dreaming about since they held you. That already felt like ages ago. He still made no move.

“I’m here.” Was all you could say and with that, you loosened your grip and headed on inside then upstairs to your bathroom. After setting out some comfy clothes and shedding out of the day’s stiff attire for all the press work that entailed you waited for the shower to reach its desired heat. The person looking back at you in your steadily fogging mirror was almost unrecognizable. Bruises from recent incidents had barely begun to make their way towards the fading process. Skin so sullen and hair even duller. When had you started to look so tired? This beaten down? You felt sorry for anyone who had the displeasure of viewing your walking corpse as of late. 

The spray of the showerhead above you was nothing short of heavenly. Any pain and misery melted away to be forever cast down into the depths of the tub’s drain. Your bones felt like lead as you let yourself stand there, waiting to gain the sense of motivation to start washing yourself clean. It could’ve been ten minutes or even ten hours before the sound of the bathroom door clicking ajar had you opening your eyes. The silhouette of the cause of your heart’s aching and beating stood beyond the fogged glass as if at a loss of what to make himself do next. You said nothing, not wanting him to feel as if he was unwanted or on the other hand forced to join you. To expose himself beyond what a casual act of nudity could display already. 

It was another elongated moment before you heard the clink of a belt and the rustle of clothes being discarded. You were so far gone that it hadn’t occurred to you he was about to see you at your most vulnerable. He’d witnessed you at some of your lowest, shittiest points but this was crossing into an entirely new territory. 

And yet you didn’t feel as scared as you thought you would. You didn’t find Rust to be as judgemental about the physical as he was about the metaphysical. 

The shower’s sliding door worked its way open and you didn’t turn around until a few moments after it had closed. The look on his face was similar to the one you’d been subjected to all those weeks ago after the bar. One of true fear. Fear of being seen at his very core. Open and raw. Fear that you’d take this all in and decide to turn him away in disgust or disinterest. Rust’s eyes didn’t wander down any further than your face. He wasn’t here out of primal desire. He needed something…someone…you to help him hold himself together for just this moment. Any and all strength he usually had keeping him upright had escaped him after the weight of everything finally penetrated his psyche. 

You found your hand making its way up to his face, tracing dampening tendrils out of his line of sight before cupping his jaw. That empty blue fluttered closed, giving himself a moment or two before completely relinquishing himself to your gentle touch. Your other hand met the other side of his face before you leaned forward to touch your forehead to his. The downfall of water in the small cubicle drowned out any other possible thoughts or worries that could’ve been had in the current moment. There was nothing and no one else that mattered. 

One kiss to his nose, then his chin, and finally his trembling lips had large palms come up to rest on the supple flesh of your hips, steadily gripping you as if you’d float away from him. You separated for a moment as his hands traveled up to clutch at your back. Before he could bring you closer you kissed him gently once more before succumbing to his grasp. Settling with leaving barely-there imprints of your mouth on the expansive skin of his chest and neck, your own hands brought themselves up to return his embrace. You felt the soft press of a peck linger on the side of your head as his grip grew a bit tighter. Seconds passed until the subtle shaking of broad shoulders had you clinging to him impossibly tighter. His sobs were not all that audible but the shuddering breaths he’d take in every now and then were more than enough to clue you in on just how much he was hurting. Tears began to burn behind your own eyes as your pain melded with his. 

Here you were, just two broken people who gave up all notions of stoicism to completely and utterly crumble in front of each other. Fully at each other’s undeniable mercy. 

- - - -

You didn’t know how much more time had passed after holding each other but as the water began to grow more frigid you made haste to help each other wash up. You both stepped out so you could wrap yourself in your own towel before making your way to your linen closet to fetch him one as well as to not have him left wet and cold for too long. With your mind a bit clearer from the emotional release experienced, you finally came to realize the presence of the exceptionally athletic physique in front of you. He seemed to be in the same state of appreciation towards you and you caught yourself feeling hot in the face as you clumsily thrust a towel in his direction. 

“You don’t have to be shy in front of me.” His voice sounded raw from lack of use. The first words he’d uttered since he’d come here.

You tucked a wet piece of hair behind your ear, trying to casually meet his stare, “I know. Just didn’t expect us to end up here when you showed up is all. It’s just catchin’ up to me…” The pinch of your chin between long fingers drew you to kiss him again. 

“You’re everythin'...and then some.” 

You fought a self-deprecating scoff but he said it as if it were the most simplest fact in the world. You had no choice but to believe him.

“Let’s just find you some clothes. I am in dire need of one looong hibernation after everythin’. You too, mister.” You flicked his chest then slinked out of the bathroom. You finished any of the necessary preparations for bed by the time he had wandered into your room. The window you cracked open let in a gentle breeze while the warm glow of the few candles that had been lit danced in the haven you created. Whether you wanted a form of light for the sake of your own comfort or it being done out of some subconsciously innate need to keep Rust out of the dark for the night, you didn’t care to unpack. 

Climbing into bed once and for all, you lay facing each other. Letting peace and stillness settle in. 

“We did it y’know…it’s over. We can be okay.” You couldn’t help but say. Feeling the need to find something to reaffirm the so-called fact that should’ve been comforting at the end of all this. Anything to soothe underlying anxiety as the heavy shadow of the unknown and incomplete loomed over you. It should’ve been over but Ledoux was but a small piece to a hugely fragmented puzzle. Both of you knew it deep down but hadn’t the strength to confirm it out loud. Afraid to shatter this sense of temporary false security.

This was far from being done and dealt with. From being fully uncovered.  

Rust didn’t say anything else as he pulled you into the warmth of his chest. Caging you in with no choice but to surrender to the silent feeling of safety he was trying to provide you. You could only pray that the two of you could make it through anything as you both found yourselves victims to the passing of time and any other trials it had ready for you.

Especially with whatever was waiting for you on the other side of Carcosa.  

----

a/n: ahhhh! hurt/comfort is always a guilty pleasure. sorry for the immense dread at the end. i'm thinking of cooking up another fic that draws back to what exactly went down with our trio and ginger if that's something of interest to you all! thanks for reading!