“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”

“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”
“You And I Have Begun To Blur… I’m Curious Whether Either Of Us Can Survive Separation.”

“You and I have begun to blur… I’m curious whether either of us can survive separation.”

Hannibal (2013-2015)

More Posts from Girlcross and Others

1 year ago
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)
Right Person, Wrong Time (variations On Heartbreak)

right person, wrong time (variations on heartbreak)

@leemartenspoetry on tumblr

vita sackville-west & fegan’s 1924 café in dublin

everything everywhere all at once (2022)

@heavensghost on tumblr

i had to get out by indigo de souza

‘calling a wolf a wolf' by kaveh akbar

river by joni mitchell

‘english song’ in a little larger than the entire universe: selected poems by fernando pessoa

slumber by ron hicks

fish in exile by vi khi nao

penitent magdalene by antonio ciseri

@ojibwa on tumblr

this is what the drugs are for by gracie abrams & the awakening by angelo morbelli

as good as it gets by fizz

lonely this christmas by mud & picture of the christmas tree at trinity college dublin, taken by me in december of 2022

this is what the drugs are for by gracie abrams & picture by andrew collins via globalnews.ca

@inanotherunivrs on tumblr & a polaroid of me taken by my ex-boyfriend

‘in a dream you saw a way to survive’ by clementine von radics & a picture of my ex-boyfriend's window, taken by me

bluets by maggie nelson & the poolbeg generating station, dublin

‘unrequited’ by sasha m george & inheritance by matthew w. cornell

[unknown]

@ faraway on instagram & lavender sprigs farm cut by linda jacobus

the museum of heartbreak by meg leder

[unknown]

‘seaside improvisation’ by richard siken

@ dracarysgang on twitter

@-love-letters-i-never-sent

@fromdarzaitoleeza on tumblr

explosions by ellie goulding

‘i had a dream about you’ by richard siken

the beatrice letters by lemony snicket

la la land (2016)

‘catalog of unabashed gratitude’ by ross gay

@stuckinapril on tumblr

@deathlywounded on tumblr

some are always hungry by jihyun yun

‘speaking practice’ by franny choi

 a self-portrait in letters by anna sexton & a picture of my ex-boyfriend in a lake in Orfű, Hungary

@sunsbleeding on tumblr

‘there is no absolution for the fallen, only the dying’ by p.d


Tags
1 year ago

when ethel cain said i’m tired of you still tied to me and when gracie abrams said i see you every night in my sleep anticipating every bad dream and when noah kahan said the ghost you dressed up as sure knows how to haunt and when lee mandelo said come on i love you but this is no life and when micah nemerever said all they were — all they had ever been — was a pair of sunflowers who each believed the other was the sun


Tags
1 year ago
I'll take a quiet life
A handshake of carbon monoxide

And no alarms and no surprises
No alarms and no surprises
A shot from Safe (1995) of Carol White, played by Julianne Moore, in her suburban living room, holding a glass of milk. She is centered in frame, and stares blankly into camera
THE SUBURBS DREAM of violence. Asleep in their drowsy
villas, sheltered by benevolent shopping malls, they wait
patiently for the nightmares that will wake them into a
more passionate world.
A shot from Blue Velvet. A man lays, collapsed, on his lawn. His hose is still running; a dog has climbed on him to drink from it. A child with a lollypop wanders through the gate
And you may ask yourself, "How do I work this?"
And you may ask yourself,
"Where is that large automobile?"
And you may tell yourself,
"This is not my beautiful house"
And you may tell yourself, "This is not my beautiful wife"
A shot from Little Shop of Horrors of a house on a white lawn against a blue sky. The scene has a sense of artificiality about it - the lighting is all wrong, the sky like a painted backdrop. Seymour and Audrey, in a suit and wedding dress respectively, stand in the doorframe.
I think the traditional preoccupations of cosmic horror are ultimately
charming and quaint in comparison to that endless atrophy
wouldn't it be a relief to gaze into the maw of an eldritch god once,
confirm the truth of existence, and lose your mind entirely?
At least that'd have a sense of resolution to it. At least then you
could stop pretending that everything was fine.
A shot from Vivarium. Rows and rows of identical green houses. On the roof the center one, arranged sheets spell out "HELP"
So we were lying in bed afterwards
And she asked me
What made me frightened
And I said...
I'm frightened of Belgian Chocolates
I'm frightened of potpourri
I'm frightened of James Dean posters
I'm, I'm frightened of 26" screens
I'm frightened of, of remote control
I'm frightened of endowment plans
I'm, I'm frightened of figurines
Ow!
I'm frightened of evenings in the Brincliffe Oaks
Searching for the...
Conversations
A shot from the Truman Show. Truman, played by Jim Carrey, climbs a set of stairs against a wall. Both the stairs and wall are painted like a blue sky with clouds.
Murray and I extended the range of our contemplative
walks. In town one day he went into small embarrassed
raptures over diagonal parking. There was a charm and a
native sense to the rows of slanted vehicles. This form of
parking was an indispensable part of the American
townscape, even when the cars were foreign-made. The
arrangement was not only practical but avoided
confrontation, the sexual assault motif of front-to-back
parking in teeming city streets.
Murray says it is possible to be homesick for a place
even when you are there.
Three panels from the comic Supergod. 

The first panel shows a dove flying above a home. 

The second, the dove crashing into the dome of the sky, revealed to be artificial. bubbles read: AN UNDERGROUND
AMERICAN SMALL-TOWN HEAVEN. THE KIND OF
PLACE AN ALL-AMERICAN DEADMAN WOULD HOPE AND PRAY TO FETCH UP IN.

The third panel, a white, middle-aged man stands in a pilot's uniform, drinking a beer. Bubbles read: I LIKE TO IMAGINE HIM THERE BY HIS LITTLE PICKET FENCE IN FRONT OF HIS LITTLE HOUSE, BREATHING IN THE AIR- CONDITIONING OF HIS LITTLE HEAVEN. NEVER QUESTIONING HIS EXISTING WITHOUT EATING, DRINKING OR SLEEPING, BECAUSE HE THINKS HE'S DEAD. PERHAPS HE THINKS OF THE DAY HE VISITED EARTH.
But I don't think so. But I think about it. And I think, well, I can't be. Because I'm like
you, I kinda look at the big long life ahead of me that stretches out forever and
disappears. And I get scared. And I think, "this can't be Heaven if I'm getting scared,
right?"
And then I think, "maybe I am in Heaven, and Heaven is scary."
A photograph of a 70s underground Cold War bunker in Las Vegas. It features an imitation of an outdoor suburban home, complete with painted backdrop and fake trees, cut off by the ceiling.
Ask yourself: is there something sinister in moralism?
And then answer: no. God is in his heaven. Everything is
normal on Earth.

suburbia; or the sad, quiet horror of getting everything you ever wanted

"No Surprises," Radiohead // Safe (1995) // Kingdom Come, J.G. Ballard // Blue Velvet (1986) // "Once in a Lifetime," Talking Heads // Little Shop of Horrors (1986) // Jon Ware on I Am In Eskew // Vivarium (2019) // "His 'n' Hers," Pulp // The Truman Show (1998) // White Noise, Don DeLillo // Supergod, Warren Ellis and Garrie Gastonny // 17776, Jon Bois // photograph of 1970s Las Vegas underground Cold War bunker // Disco Elysium, ZA/UM


Tags
1 year ago

if i think about the hunger games in peeta's perspective i WILL start sobbing


Tags
1 year ago
BEE LB, From "friction Polish"

BEE LB, from "friction polish"


Tags
1 year ago
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)
Robot Carnival (1987)

Robot Carnival (1987)


Tags
1 year ago
On Brothers
On Brothers
On Brothers
On Brothers
On Brothers
On Brothers
On Brothers

on brothers


Tags
1 year ago
TRUE DETECTIVE: NIGHT COUNTRY | Part 5
TRUE DETECTIVE: NIGHT COUNTRY | Part 5
TRUE DETECTIVE: NIGHT COUNTRY | Part 5
TRUE DETECTIVE: NIGHT COUNTRY | Part 5
TRUE DETECTIVE: NIGHT COUNTRY | Part 5
TRUE DETECTIVE: NIGHT COUNTRY | Part 5

TRUE DETECTIVE: NIGHT COUNTRY | part 5


Tags
1 year ago
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).
Society Of The Snow (2023).

society of the snow (2023).

on love and sacrifice.


Tags
1 year ago

i think what fucked me up most about the midnight club is how desperate everyone was to believe in something, in anything. and in their desperation, all they found was each other. the stories mike flanagan create are actually heart-wrenching but this was on another level. the fact that he’s shown in every show that ghosts are not simply ghosts, they are wishes, and faith, and love, and sadness, and desperation. how when no one can bring themselves to believe in the truth they take to tales, and stories, to help themselves feel better. how every ghost story in the show was just themselves coping with their diseases and their pain. how fantastical is it that they held onto something so tightly, but it slipped through. like the sunlight in the trees or the wind through the grass. how no one blamed ilonka for believing in something so.. strange to make her friend better.

at the end of the day all they wanted was each other to do better. to live. how terrifying is it to know that you cannot live for much longer? to accept it? to let go of the ghosts and to simply stay present? how do you love and how do you lose? how do you accept loss? how do you grieve? how do you hold someone’s hand and not let go even when they do? how do you let someone go when they’re ready to but you’re not?

anyways this was my little tangent thing i’m still sobbing over the show. no one hmu will be rotting in my room for the next month


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To be embodied was to be the altar and the flesh and the knife.

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