Ok, I know we're all still talking about the Bowuigi face grab, and don't get me wrong, it's a great scene and it deserves to be talked about, but I want to talk about my favorite scene in the movie
The Brother's Reuniting:
If you watch it, you can see Mario pull Luigi down, and press their foreheads together, before they hug. There's a battle going on right next to them- but they're only looking at each other. Holding each other, staring into the other's eyes, and just proving to themselves that they're okay.
They had to spend the entire movie apart, and in this scene, it's obvious the toll that this has taken on them. Mario even mentions in one scene that they've never been apart this long- and it happens in the middle of a new world and kingdom that they've never seen before? In the middle of a war? While one of them was locked in a dungeon, and about to sacrificed in the name of a forced wedding?
It's horrible for them, they're both on the brink of breaking down this entire movie (mostly Luigi, but Mario had his moments) and in this moment, right after Luigi almost died, where they're finally reunited, they don't care about anything elae in the world more than they care about each other.
Mario and Luigi need each other, no doubt about it. And it's not a one sided thing either- it's not cowardly Luigi needs big brother Mario to protect him- its Mario and Luigi cannot exist without each other.
I could go on for hours about how this movie shows just how much Mario needs Luigi, and I WILL, but not tonight (but probably tomorrow.).
Just, ugh, this scene was so good, and so meaningful. It's absolutely going down as one of my favorite scenes in cinema
ALSO:
LOOK HOW HAPPY THEY ARE TO SEE EACH OTHER
LOOK AT THEM
MARIO IS ON THE VERGE OF TEARS, AND LUIGI IS GRINNING SO HARD
JUST-
UGGGGGGGGGHHH
NOBODY TOUCH ME ðŸ˜
Imagine your OCs are in collage. What would they study? Would they get involved in the Greek system? Would they do well in their classes?
Henry started his trip with 12 gallons of gas. After 4 hours, he had 6 gallons left in the tank. How much gas would Henry have left if ten ink creatures and himself were sitting in the car, driving to Henry's house, for 7 goddamn hours, and a certain Prophet kept trying to eat the gas, and also a round Searcher named Jack kept stealing gas and using it to refuel the car but can only steal 3 gallons at a time?
I know that’s you Grant Cohen
happy pokemon day <3
Well, that makes two: You and the entire internet community
Are fedoras really that bad?
YES YES THEY ARE
One core trait of Phoenix Wright as a character that I rarely see discussed is how utterly evasive he is about his private affairs. It sticks out the most in AA4 when we see Phoenix from the outside, but "Phoenix won't tell anyone anything important unless he absolutely has to (and even then, he probably won't)" is by no means a new development for him.
From AA1 onwards, we see Phoenix dodge people's questions about his personal life time and time again. In part, this is by narrative necessity - Phoenix knows more than the player is meant to know in order to achieve the optimal tension curve. But AA takes his narrative shortcut and turns it into a real character beat.
Phoenix Wright is the most cagey fucker on the planet.
At the end of 1-1 Mia asks him how he came to befriend Larry and Phoenix dodges the question with a vague promise to tell her later - this also means that in all of his time working with Mia, he's never actually disclosed his full motivation for becoming a lawyer to her.
In 1-2, Maya asks him how he knows Edgeworth and he dodges, because of course he does. The same song and dance repeats at the end of 1-3. And despite Maya's repeated prodding by 1-4, Phoenix still has not told her a thing about his past. That's from October until December that Maya is left going ??? and her questions go nowhere.
Then, between AA1 and AA2, Edgeworth is presumed dead by suicide. Does Phoenix tell Maya about this? Absolutely not. He does not tell her in letters nor is he clear about it when they see each other again in person, months later.
What Maya gets once it's inevitable to talk is a vague 'he's gone' and no elaboration other than the request to not speak about him again.
This is Phoenix's default coping mechanism.
In AA3, there are numerous instances where he mentions forgetting Dahlia, not speaking her name again, etc. Edgeworth is 100% getting the 'person who hurt me too deeply to think about' treatment here.
But to not even tell Maya a vague overview on the matter, when Maya knew him too? Rough. And it just keeps going.
It's six months between telling Maya that Edgeworth is 'gone' in 2-2 and her finding out that 'gone' seemingly means' dead' in 2-3.
Maya complains about it, too. This isn't a matter of 'she never asked again', it's a matter of 'Phoenix is dodging all questions'. Gumshoe has to intervene in order for Maya to finally find out.
And finally in 3-5, does he tell anybody why he's going to Hazakura temple and why he seems interested in Iris? Absolutely not!
At this point we get Edgeworth openly acknowledging that Phoenix keeps his emotional cards extremely closely to the chest. When he states that he wants confirmation on whether or not he has met Iris before, this exchange happens:
Even as Edgeworth directly calls him out on being evasive and never actually speaking to people, all Phoenix can do is acknowledge that this is how he is by apologizing - but he won't change his ways.
AA4 Phoenix is really just a natural evolution of Trilogy Phoenix - Trilogy Phoenix is already evasive, already hates telling people about his struggles or accepting help... It's really no wonder that he'd isolate himself instead of reaching out once he gets disbarred.
Find four cheesy stock images to describe your OC(s).
Welcome to Wolfgangs kingdom, a place for frogs to come together. A young artist who does not post often
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