Quote of the day
this is what it means to be human
Everything, Mary Oliver
The Breathing, Denise Levertov
A Prayer by Antoine de Saint-Exupéry
The Laughing Heart by Charles Bukowski
Like a Small Café, That’s Love by Mahmoud Darwish (translated by Mohammad Shaheen)
Having a Coke with You by Frank O’Hara
Eating Together by Li-Young Lee
The Orange by Wendy Cope
The Quiet Machine, Ada Limón
To Go Mad, Paruyr Sevak
Our Beautiful Life When It’s Filled with Shrieks by Christopher Citro
Hammond B3 Organ Cistern, Gabrielle Calvocoressi
Peace XVIII, Khalil Gibran
Your Unripe Love, Paruyr Sevak (from “Anthology of Armenian poetry")
Here and Now by Peter Balakian
Ich finde dich (I find you) by Rainer Maria Rilke
The Thing Is by Ellen Bass
One Art by Elizabeth Bishop
Miss you. Would like to take a walk with you. by Gabrielle Calvocoressi
I Want to Write Something So Simply by Mary Oliver
What's Not to Love by Brendan Constantine
Where does such tenderness come from? by Marina Tsvetaeva
You Are Tired (I Think) by E. E. Cummings
Living With the News by W.S.Merwin
What the Living Do by Marie Howe
“you can't have a strong character and an easy life at the same time” why don't you just stab me in the chest?
the fact that i'm no longer the same age as the protagonists of novels and films i once connected to is so heartbreaking. there was a time when I looked forward to turning their age. i did. and i also outgrew them. i continue to age, but they don't; never will. the immortality of fiction is beautiful, but cruel.
the inherent pain of wanting to start again but also the inherent joy of getting to start again
i’d say the best thing i have learned this year is to just let people be who they naturally are. no psychoanalyzing them, no overthinking my actions, no asking what i could possibly do to keep their presence in my life. i just bring my best self to the table and always move from a place of love and respect. how that person responds is ultimately up to them. if that causes them to exit my life, i just let it happen. i will never be in the business of changing people. people are only ever ready to change when they’ve made the conscious decision to. all i can do is check myself and be kind always.
That C.S. Lewis quote about being "old enough for fairy tales again" is really popular in this section of tumblr, but I think I've hit an opposite stage where I'm old enough for realism again. As a teenager in English class, realism seemed like the boring, baseline option that limited your imagination to only the dullest parts of daily life. If I wanted real life, I'd just live it! Stories should give us something bigger and brighter and more exciting!
But as I get older, I'm starting to understand that realism isn't about limiting yourself to the real world, it's about appreciating it. It's about noticing and caring about those tiny details in life. It's about looking at the seemingly ordinary and unexciting people and saying that their stories are worth telling, too. There's a beauty in gazing upon this world in delicate detail and drawing out those fine shades of nuance that you don't notice in the bustle of actually living life. Realism lets you slow down and recognize that our world has wonders, too, and they don't all have to be big and flashy to be worth our attention.
Younger me also got the impression that realism was depressing--we don't get happy endings because they're not realistic. And it's true that realism has a greater share of sad endings, but that can be a comfort. As you grow up, you have more and more experiences tell you that the happiness of life is buried in a lot of murkier emotions--a lot of turmoil and uncertainty and bad decisions--and realism says that's okay. The story's worth telling even if it doesn't end well, even if people don't rise above their baser natures, even if things are a bit dull. Realism can be happier, in some ways, than those bigger, brighter genre stories, because it acknowledges those murkier imperfections of life and says that they don't erase happiness or make someone's story not worth telling.
Lewis' quote is great, but it's not the whole story. Like Chesterton says, children are fascinated by fairy tales, but the youngest children are fascinated by reality--"A child of seven is excited to hear that Tommy opened a door and found a dragon, while a child of three is excited to hear that Tommy opened a door." Fantasy is a fantastic escape, but like all travel, the point of it is to make us see our own world more clearly when we return home. And that's where realism comes in. Those types of stories aren't about casting off childish fancy and focusing on the grim details of adulthood--they can be about regaining an even more innocent and child-like wonder.
Paolo Giordano, “The Solitude of Prime Numbers” / Antonio Tonelli / Laura Giplin, “A Toast to the Alchemists” / Dennis Overbye, “Music of the Heavens Turns Out to Sound a Lot Like a B Flat” / Carina Nebula / Marie Howe, “Singularity” / Alan Bean, “Is Anyone Out There?” / Bill Bryson, “A Short History of Nearly Everything” / Garrett Lee, “Canyon” / Whit Bronaugh, “The Trees That Miss The Mammoths”
— Louise Glück, from “Timor Mortis.”
Life is tragic simply because the earth turns and the sun inexorably risesand sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, which is the only fact we have. It seems to me that one ought to rejoice in the fact of death—ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life.
James Baldwin, The Fire Next Time
why is this so accurate it's like someone read my journal 😭
im always like hehe im so smart i will avoid shame by never doing anything ever but then i feel ashamed of not living and it turns out i didn't escape any sort of discomfort i just traded it in for a less rewarding kind