Can You Tell Me Why Aziraphel Said ‘I Forgive You’ ?

Young (baby) David Tennant Photo shoot - from 1998 (he’s 27)

I apologize that I don’t have all of them without watermarks…

I still can’t get over that we got to see this.

GIFs taken from https://www.tumblr.com/flowergrenades/724087820292112384/oh-yes-its-working

The moment he broke into that smile, my first thought was how much he looks like the Doctor here. Because Crowley doesn’t smile like that. We’ve never seen him smile like that: with such pure, radiant, uninhibited joy and awe. Not as himself. The first scene of this season was so impactful because we saw what Crowley was like as an angel, just how adorable and pure he was, full of overflowing love and affection for all of creation… and how much of a contrast it was to Crowley as a demon – jaded, weary, guarded, hiding behind his dark glasses and a grumpy, sardonic demeanour.

But this smile. It’s dazzling. There’s not a trace of irony or snark or sneering amusement, nothing of the sort. He’s just happy. Yes, it’s one of those “pictures taken seconds before a disaster” moments, but he doesn’t know it yet. Right now, he’s watching two humans about to fall in love. Knowing it was him who made it happen. Him, a demon, putting just a little bit more love into this world. And this makes him so happy.

Everything about the way this shot is framed is so intimate, and vulnerable, and powerful. He’s resting his forehead against the window, with his glasses off, and his face is right in front of us, the viewers. It almost feels like intruding on a private moment… because it is. He’s only smiling like that because no one’s looking at him. He wouldn’t do it in front of anyone else. Not even Aziraphale, I think.

But imagine if Aziraphale had been there to see it. He would have perished and discorporated on the spot. He’d have fallen in love with him right there and then, if he hadn’t already fallen in love with him many times over.

I don’t give a fuck if they kiss in S3, I can take it or leave it. The only thing I want is for Crowley to smile at his angel like that. And for Aziraphale to see it.

#i think he's been smitten for a long time, crowley

GOOD OMENS 2.05 • "The Ball"

Now we’ve had this bi-generation I just think we should go full unhinged and have gold tooth turn into Simm Master. Have a full ‘why has this face returned?’ parallel. Shove him into retired life with Tennant’s doctor. Scale down their enmity to absolutely microscopic proportions. From cosmic scale to just domestic life. Have the Nobles stuck in the front row watching them sort their shit out.

I want them trying to survive Sylvia Noble together. I want them at war with their neighbours. I want them battling with the chaos of Evri deliveries - ‘not even the TARDIS can locate the safe place they’ve apparently left it in’. Have them arguing in Tesco over whether it really matters whether eggs are free range. They can make up by getting their own chickens which The Master can regularly threaten to roast much to Rose’s horror (but he won’t because he named them after the Teletubbies and The Doctor knows he’d never hurt Tinky Winky, Dipsy, Laa-Laa or Po… and he just enjoys having dominion over lesser creatures or something 🙄)

I want aliens turning up for their regularly scheduled fuck with London at Christmas time moment only to be faced with the two of them in their matching Noble family Christmas jumpers (and they will be wearing them because have you met Donna?) And no, The Master hasn’t gone soft, he doesn’t care about Earth in general, but the Strictly final is on and he’s a little invested in that.

I want Donna, in her new UNIT job, explaining this to her new colleagues. Because they know The Doctor and The Master, they’ve seen the files, and they just…live in her garden now.

I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):

It's a phrase taken from the Book of Job. Here's the quote in full (King James version):

When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls. --(Job 30:29)

Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.

Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.

They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.

Your punishment is terrible, tormenting loneliness.

(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)

To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the saddest of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.

So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.

Because this story is about Aziraphale.

The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.

He does so fully believing that he's giving in to a temptation.

He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.

And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.

Fallen or not, that's the kind of knowledge that...separates you.

(Whoooo-eeeeee, tormenting loneliness!!!)

Aziraphale is the companion.

...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:

Check out Crowley's glasses.

(screenshots from @seedsofwinter)

Crowley is the owl.

Crowley is the goddamn owl.

This fic is an utter beauty.

I stumbled across it by chance while browsing the Tenth Doctor tag - and was immediately captivated, because it is masterfully written, steadfastly in character (oh, all those little mannerisms and the Doctor's incessant mental tossin' about!) and achingly bittersweet. With the emphasis on bitter, mind you, but there's absolutely nothing wrong with that, considering the moment in the Doctor's life when it's happening (aaand the fact that - for some of us at least - hurt is the crucial element of hurt/comfort).

I feel for him. I feel for Grace, too. It's heartbreaking. And it's beautifully, beautifully written. I've re-read it right now and I cried. Again. Twice.

Part 2 of this untitled Doctor Who fic where 10 meets up with Grace Holloway again. Posted for @scaehime, who was interested in more.

-|-

The Doctor jolted awake. He tried to claw the oxygen mask off his face, but a pair of gloved hands held it more firmly in place. “Don’t worry, Mr. Smith,” someone said. “It’s simply a precaution. We—”

But the Doctor wasn’t willing to simply listen. “I’m not signing anything,” he said, albeit with difficulty, and his voice was muffled anyway. “I’m not going to let you do anything. No x-rays, no—”

“Mr. Smith, please remain calm.”

“Calm?” the Doctor repeated, anything but. “Calm? You’re trying to...you…you….” He trailed off. An oxygen mask, he’d thought. But then he’d breathed it, and analyzed it. And it wasn’t just oxygen. At least, not anymore. He had to wonder if he’d even said what he’d meant to say, whether or not it had been heard.

This time he did manage to get the mask off his face. “How long,” he gasped out, “have I been in here?”

“You were brought into emergency three hours ago,” came the steady reply. “You’re stable now. You were in shock. Do you remember what happened?”

“Partially,” the Doctor replied, looking distracted. “Did a Vera Taylor tell you who I was?”

“That’s right. Dr. Taylor has insisted that we treat you as we treated her.” A small laugh. “Like everyone else, in other words. We try to give the best treatment possible. You’re in good hands, Mr. Smith.”

The Doctor thought for a moment, cursing whatever they’d given him. He hated being slow on the uptake. “Did you say,” he finally asked, “that I’ve been here for three hours?” Without waiting for a reply, he continued, “And, oh, three hours is a long time, isn’t it? Lots of lovely tests you could run.” He sat up abruptly, wincing as his movement partially dislodged an IV from his arm. He pulled it out carefully and turned to assess the nurse who was taking care of him. He scrutinized her for a moment, seeing if he could place her face among his blurred recollections of the time he’d woken up on the operating table, but couldn’t. That was a bit of a relief.

“Mr. Smith, I have to ask you to—”

“Sorry,” he interrupted. He squinted at her nametag. “But, Rachel, I’m fine now. I don’t need oxygen, I don’t need an IV, and I don’t need whatever else you were going to give me.” He glanced down. “Though, I wouldn’t mind my clothes, bloodied or not.” He frowned. “That’ll take a bit of mending. Shame. I hate mending. I can take it to Neo-Sydney, I suppose. They’ve expert tailors there. Then again, the prices, and they don’t fancy taking….” He trailed off and cleared his throat. “Still. Better than making do with a costume again.”

“Mr. Smith—”

“Yes, I know, it’s against regulations and all that, but, without them, I can’t show you my ID to—” He stopped, frustrated. “Oh, what’s it matter. I can’t stay. I have more important things to be doing. I shouldn’t even have come in the first place.”

“Mr. Smith, your condition has stabilized for the moment, but I would advise not disregarding the doctor’s recommendations by—”

“Oh, but I wouldn’t be disregarding the Doctor’s recommendations,” the Doctor cut in. “Because I think I know my body a bit better than you, thanks.” He reached for the chart at the foot of the bed.

Rachel smirked at him. “So it’s true. Doctors are the worst patients.”

The Doctor, however, wasn’t paying attention. He flipped from one page to the next and back again, then skipped ahead and frowned. “You’ve scheduled me for an appointment with a cardiac specialist?” he asked slowly.

“Your heartbeat was erratic,” Rachel pointed out. “Even accounting for the shock, the range was worrisome.”

“Speeding up and slowing down,” the Doctor murmured, deciding he’d better not ramble too much in case she decided to have psychiatric check up on him. Twenty-eight beats a minute, then racing to well over a hundred and twenty-eight in an effort to compensate for the fact that his right heart still wasn’t beating. He was lucky he hadn’t slipped into a healing coma. He was liable to find himself locked up in the morgue again if he did.

At the very least, he was lucky they hadn’t cut him open with the intention of putting in a pacemaker or some such nonsense.

“Dr. Taylor was able to pull a few strings,” Rachel informed him, gently pulling the chart away from his hands. “Dr. Holloway will see to you herself.”

“Oh. Right.” The Doctor frowned. He’d managed to walk right into this, hadn’t he? Sure, he’d been debating having a quick conversation with her, and he had landed and set off, but if he was set to meet up with Grace again, this wasn’t what he’d pictured. Him tracking her down, yes, but if he went into the hospital, he wouldn’t have gone in as a patient. At least, not with injuries of this sort. Still, perhaps just bumping into her on the street would’ve been best. But not this. Well, could be worse, he supposed. He wasn’t on the operating table again.

Nearly had been, but wasn’t.

“Clothes?” he prompted, looking up at Rachel again.

“You’ll want someone to bring you a fresh set,” she admitted.

Oh, brilliant. They’d gone and cut them off him, then. He might just be reduced to making off with someone else’s. Again. What would it be now, the third time? There was his third regeneration, and his eighth, and—

“But my coat?” he asked. He didn’t want to lose his coat. He had important things in that coat. Come to that, he had important things in his suit pockets, too. “And, er, you haven’t disposed of my suit yet, have you?”

“Your things are safe, Mr. Smith.” Rachel stood up. “I’ll ask you to wait here while I call Dr. Miller in to speak with you personally.”

“If I going to talk to a doctor,” the Doctor replied, “I would prefer it to be Grace, if that’s possible. Is she free?”

“She didn’t—”

“Brilliant,” the Doctor interrupted. “Thank you. Off you go now, Rachel; time’s a-wasting.” He settled back into bed, waiting for her to leave. She looked startled, but she did as she was told.

The minute she was out the door, the Doctor allowed himself a small moan. Ooh, how humans could stand it with just one heart, he didn’t know. Though, he was lucky they hadn’t tried to give him anything. Probably had something to do with the good Dr. Taylor, that. She’d held up remarkably well, all things considered. She reminded him a bit of Grace. And even a little of Sarah Jane, come to think of it.

But he didn’t have time to think of it. He had to get out of here. They’d taken x-rays. And he wasn’t sure they’d just chalk it up to a double exposure again. He wasn’t even quite sure when he was—something he hated admitting; he had a reputation to uphold, after all—and he didn’t fancy going through anything like 2012 Utah again, to name one of the more recent unpleasant experiences he’d had on Earth. 

Now was not the time to draw attention to himself by trying to start up his right heart.

He slowly made his way down the hallway and a couple flights of stairs, alternately trying doors and dodging into rooms, occupied or otherwise, to avoid anyone who looked overtly official. He wasn’t sure how far he’d get, dressed as he was, but he was willing to give it a shot. And he could always pretend he was lost. It was fair enough, he figured, even if it was, likely as not, going to get him a ticket to psychiatric. Ah, well; he deserved a bit of fun. He hadn’t had as much as he liked lately. The last time he’d gone looking for it, things hadn’t exactly gone according to plan.

If hadn’t been for one wise, stubborn human, he would have knowingly destroyed an entire timeline.

Sure, it had reasserted himself, skirting around a few anomalies, but he’d been willing to…. He’d tried to sacrifice.... He’d….

“These are his things?”

“Yes. That’s all we found his pockets. No ID, no money—nothing to support his claims to Dr. Taylor.”

Grace. And someone he didn’t recognize. He’d better get out of here. Quickly. He could nip back and gather his things, then be on his way no worse for the wear. Grace might wonder, but he didn’t recall carrying anything on him now that she would recognize. He’d even had the locks changed; the TARDIS key was different. Though that was more because he couldn’t stand the constant reminder of Gallifrey than anything else. Still. New key, new sonic screwdriver….

New body.

Twice over.

And he had no right to ask. To ask would be to burden her with his problems, because she was the sort of person who would take the burden without being asked and wouldn’t lay it down, no matter what he told her. No matter how much he pleaded with her. And he had no right to do that. She’d built a wonderful life for herself. Moved on, just like she should have. Because she’d recognized—

The Doctor dashed into the nearest room. “Oh, hello,” he greeted cheerfully as a rather frail lady looked up at him. “I seem to have gotten the wrong room. I was looking for a Ms. Jones?” He phrased it as a question, but spent some time looking about the room, wandering deeper into it—and away from the doorway—and making it clear that he didn’t expect an answer. “Terribly sorry,” he added. “I’m the, ah, man from just down the hall. John Smith.” He stuck out his hand, grinning widely.

“Dorothy Mae,” the woman replied finally, taking his hand. “You shouldn’t be up and about, young man. I may not be a doctor, but I’m a mother and a grandmother, and you should be in bed. You’re too pale. Never mind that this is a hospital. I’m here after my hip replacement. You,” she added pointedly, looking him up and down again, “look like you got on the wrong side of a fight.” She didn’t sound particularly approving.

The Doctor tugged on an ear. “Yeah, well,” he said, shrugging his shoulders a bit. “Wasn’t intentional. Just trying to help, me. Nothing serious. They’ll be letting me out as soon as they can process the paperwork, I daresay. Need the beds, I think. But my friend—”

“If they’re going to release you when you look like that,” Dorothy Mae interrupted, “then I will be speaking with my doctor about the sort of care they’re giving here.”

The Doctor began to think that perhaps engaging the woman in conversation had not been his best idea. He pasted a smile on his face. “Oh, well, no, it’s not the care. I’m checking out. Against their recommendations, admittedly. But, really, it’s just a form or two to sign, and—”

“You,” declared the outspoken, if well-intentioned, Dorothy Mae, “ought to be ashamed of yourself. You’re liable to get yourself killed if you don’t smarten up.”

She looked like she could have berated him for longer, but the Doctor hastily began extracting himself from the conversation. “Yes, true enough; I will reconsider, I suppose, but I ought to go and tell them that, so I’ll just leave you be, won’t I?” He grinned at her and made his escape.

He bumped into someone and tried to continue on his way, but whoever it was caught his arm. “Mr. Smith,” drawled a man’s voice, “I believe you were assigned to room 403?”

“Dr. Miller, I presume?” the Doctor asked, trying not to look guilty. If he’d waited just one more minute.... “Yes. And may I ask why you are a full two floors from your assigned room?” Over Dr. Miller’s shoulder, the Doctor had watched Grace’s face fall. Perhaps she had thought to connect the dots. He didn’t recall telling her that regeneration worked more than once. Granted, he hadn’t exactly had time to explain anything. Common theme in his life, that.

“Oh, well,” he said slowly. “Fancied a bit of a jaunt, that’s all. Looking to see if I could get a cup of tea, to be honest.” Well, partially honest. He wouldn’t mind a cup of tea now. He needed something to clear his head. “And, I was wondering about my things. Could I have them back? Even the suit? I know an excellent tailor.”

“We can discuss this at a later time, once we have you back in your room.” Dr. Miller steered him towards the lift.

“I’ll join you when he’s settled,” Grace said shakily. The Doctor glanced over his shoulder to get a better look at her. She hadn’t changed, really. So perhaps it wasn’t that long after all. Blimey, it better not be before the millennium. He’d be in a spot then. But surely….

The Doctor accepted his scolding meekly, knowing that if he had any chance of getting out of here, it would be better to throw them off guard. And, sometimes, if you played your cards right, and you acted like you really needed something, they’d give it to you. Like shoes. Shoes would be an excellent thing right now. You can only make it so far without shoes. All right, last time he’d made it over to Grace’s house without shoes, but he’d needed the toe tag on as proof, hadn’t he?

The Doctor did his best to ensure that his conversation with Dr. Miller was short. Grace entered shortly after Dr. Miller had finished his scolding—well, chiding, more like, as if he were a child. But when she came in, holding his coat—and it would take a bit to get those stains out—and a small paper bag, presumably his other things, he almost didn’t want Dr. Miller to leave. He regretted being so apologetic and compliant. He might’ve bought more time if he hadn’t been.

Because, really…. He didn’t want to face her.

He shouldn’t have come.

“John Smith?” she asked softly, depositing his things at the foot of the bed and settling down on the chair by its head. He saw the sleeve of his suit jacket poking out from the bundle that was his coat. Excellent; she’d gotten that, too.

Still, he had to answer her question. He hesitated, and nodded once, sharply and definitively.

“Where are you from?” she asked, keeping her voice light.

“Nottingham,” he answered. “Brilliant place. You ought to visit it sometime.”

“And may I ask why you wanted to speak with me, and why you told Dr. Vera Taylor that I knew you?”

“Oh, well, I just….” The Doctor trailed off. Grace was smart, and lying wasn’t his forte in this regeneration. “It’s been a long while, that’s all. I knew you wouldn’t recognize me.”

She was thinking it. He could tell by the expression on her face. Blinking abruptly, she reached for his chart, scanning it. He watched her shoulders fall. “They want to keep you for monitoring,” she noted. “You’ve a bad heart.”

“It’s just overworked,” the Doctor said bluntly. “Temporary. A victim of circumstances, if you will.”

“X-rays inconclusive?” Grace repeated, looking up from the chart. “You’re due for another round, to make sure you didn’t crack a rib. First round was faulty.”

The Doctor was silent for a moment. “Grace,” he said, slowly, deliberately, “may I have my things?” He held out his hand. “Just the bag for now, if you will.”

“I’d prefer Dr. Holloway at the moment, Mr. Smith.”

“Doctor,” the Doctor corrected.

Grace smiled slightly. “Oh, yes,” she amended. “I do recall Vera mentioning that. Dr. Smith, then.”

“Doctor,” the Doctor repeated, watching her hand falter as she reached for the bag.

She turned back to look at him. “I’m afraid, Dr. Smith, that I do not take to calling anyone simply by their profession. Particularly those from Nottingham.” She passed the paper bag to him.

The Doctor took it and smiled. “Well, it’s a bit more than a profession.” He overturned the bag to see what he could find. They hadn’t found much. Sonic screwdriver, TARDIS key, wallet of currently blank psychic paper—pity, that; might be a bit harder to fool them, if they recognized the covering—and his spectacles. Just some surface things, nothing from too deep in his pockets.

And nothing Grace would recognize.

Though, he had to decide, now, whether or not he was going to go through with it. He’d meant to. But then, he thought maybe it would be best if he didn’t. Because the only reasons he’d meant to have any conversation at all with her were selfish reasons. He wanted to know what she’d seen, and how she’d recognized it—how she’d seen what he, and so many others, couldn’t.

A friend had once told him that if you could choose who lives and who dies, you would be a monster. And he’d agreed whole-heartedly at the time. It wasn’t even that long ago. How could he have forgotten that conversation? How could he have turned his back on that so utterly? How could he have disregarded everything and gone and done it anyhow?

He’d needed to be taken down a few pegs.

It hadn’t taken much.

But it was too much all the same.

One life had had to be ended to keep history on track.

And he hadn’t been the one to realize that.

He’d been the one to ignore it.

And then he’d been shown how important it all was, and how foolish and arrogant he’d been, and how wrong he’d been, to stray from that, even once. He’d seen what he’d become.

A monster.

“Dr. Smith? Are you all right?”

The Doctor blinked. Grace repeated her question, moving closer to check on him.

No. He couldn’t just leave. He’d come here, and the TARDIS had made sure he’d come this far, sneaky as she was. He wanted to run from this, like he’d run from everything else. But he couldn’t keep everything inside him forever, keeping silent. He had to tell some things to someone.

Someone who would listen.

Someone who might help him to understand.

Someone he’d touched but not destroyed.

“I’m always all right,” the Doctor croaked, pulling away from Grace. He reached instead for his coat, digging in the pockets. He had some in here, he was sure of it. He’d gotten them the same time he’d picked up that chocolate egg at Easter, since he hadn’t had any for years and he had had a bit of a liking for them. They wouldn’t be too old; a couple of months, that’s all.

“Dr. Smith, you should just relax. Your heart—”

Right. Dr. Miller had insisted on hooking him up to that again. Bother it all. “Is compensating,” the Doctor cut in. “That’s all. Temporary, like I said.”

“You’re not well.”

No, he wasn’t. But he was on the mend, now—if he could just stop running, just for a moment, long enough to have a conversation.

“Grace—”

“Dr. Holloway.”

“Grace,” the Doctor repeated, very deliberately, as his hand closed upon a small paper bag of candy. He pulled it out of his coat pocket and offered it to her. “Jelly baby?”

She looked at him uncertainly. “I was informed that they’d gone through your pockets.”

The Doctor shrugged. “They didn’t know what they were looking for. Would you like a jelly baby?”

Grace’s expression hardened. “Stop it,” she hissed.

The Doctor was taken aback. “What?” he asked, blinking at her. He hadn’t meant to actually offend her. Yet that was how she was acting.

“Who put you up to this?” she continued angrily. “I’m not having it, you hear? I’ve had enough with people laughing at me. I’m not telling that story anymore.”

Oh.

He hadn’t expected that.

Of course, he wasn’t entirely sure what he had expected.

He hadn’t thought about it all too much.

“What year is it?” he asked slowly.

Wrong question, it seemed, with what she thought of him now. “I’ll thank you not to persist in telling tales in an attempt to speak to me again,” she said sharply, rising to her feet. “Good day, Mr. Smith.”

“Doctor,” he corrected again.

She glared at him. “Dr. Smith, then. Good day.”

“I’d missed you, Grace,” he said truthfully. “But I’d still thought that I was doing the right thing by not coming back. After you’d made your choice, I mean.”

It wasn’t enough to catch her attention, and she started out the room, ignoring him.

And, well, now that he’d made the decision to talk to her, he wanted to talk to her.

So he made sure that he did catch her attention. “The Master survived, you know. Getting sucked into the Eye. But she’s closed now. Room’s locked, good and tight. Even I can’t get into it. Don’t think I will, unless circumstances change.”

She turned back at the doorway to look at him. “How long?” she asked, her voice still cold.

“Pardon?”

“How long have you spent listening to my stories, gathering every bit of information from every story I’ve ever told the children in the recovery ward? And why do you insist on patronizing me?”

She was defensive. Hurt.

Because of him.

Because she’d believed in him and had told her story.

He’d still managed to….

“I’m sorry,” he said, genuinely contrite. “I am so, so sorry, Grace. I didn’t know.”

“Dr. Holloway,” she corrected, but her voice had softened slightly.

And then she was gone.

There was also an incredibly cool pair with the Who logo (the band, that is). Being a huge fan of them myself, I was gutted to find out that they were out of stock before I could get my hands on a pair. Someone was luckier (or more smart and quick to act)!

(photo from the 2012 Summer TCA TOUR, "The Spies of Warsaw" discussion panel)

David’s Colorful Converse Collection

Question:  Did you get to decide what you wore <on Doctor Who> David:  It was certainly kind of based on ideas that I’d had, yeah.  I was very keen to have some soft shoes.  I thought I’m in them for 9 months, I’ve got to do a lot of running up and down corridors, I don’t want a big pair of clumpy boots.                              – Totally Doctor Who

—-

He’d been wearing his favorite plimsolls all summer and suggested he wear those instead.  Louise’s only reservation about them was what would happen when it came to December and it was cold and snowing on location?  His feet would freeze and he’d regret his decision then.  David promised her he wouldn’t.  “We did use his own shoes for The Christmas Invasion and then I bought another five identical pairs.  I’ve got about nine now, but we used his own initially because they were already very broken down, very distressed, ripped and torn.  David liked the idea that the Doctor’s shoes were worn in.  He didn’t want him being this neat, perfect character.”                              – Louise Page in Doctor Who - The Inside Story

Oh, RTD, I could frigging KISS YOU!

Just as a proper "thank you" because you dared to give your Doctor an unapologetic happy ending. (With a TARDIS!!!) And if that is not LOVE I don't know what is. That sheer I-don't-fucking-care-what-you'd-make-of-this but I love them, I want them to be happy and if that's in my power I'd give them this. It's love, guys. Simple as that, love that is brave and doesn't look for excuses because it doesn't need 'em.

And you know what? I'm an aro, and I bask in and laugh and cry and feel so alive because I feel incredibly lucky to have this.

Happy, happy, happy. Stupidly, perhaps. But so what?!

You idiot. We could've been... us.

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

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Bonus feature: the very silly notes I made to myself that inspired this post