I Think What I Love Most About Crowley’s Character Is How Poetic And Cyclical His Story And Struggle

I think what I love most about Crowley’s character is how poetic and cyclical his story and struggle is.

It starts with him in heaven, an angel with a deep love and reverence for God and her creations, a love that he then pours into his work to bring Her vision of the stars to life. But just as he begun his work, he is given a message from God through Aziraphale that can be effectively summed up to “nothing lasts forever”. The physical manifestations of Crowley’s passion and love will be erased in, what is to an angel, a blink of the eye. For forever God has always been the designer and Crowley, as an angel, has always been there to simply carry out Her plans. But it is here that Crowley begins to question and strain this unspoken relationship, desiring change.

So despite being warned, Crowley dares to test his relationship with God and questions the unspoken, only to be rejected and abandoned by her in the most visceral way imaginable. It was here that Crowley began his fall.

As a demon, Crowley comes to love Aziraphale and, just as he did with God, he expresses this intense love through acts of service. He takes him out to eat, he saves him, he bends at every whim to keep him happy and safe, and yet nothing is ever explicitly said. Instead they dance around each other and communicate in code, and so Crowley is left to assume.

But then just as with God, Crowley pushes his luck and says too much, asks for too much. He questions the comfortable unspoken dance they’ve been doing for centuries and asks for something more. In response, Aziraphale parrots what he had said in the very beginning, except this time it’s his own words: “nothing lasts forever”. Not the stars, not the bookshop, not love.

So despite being warned, Crowley kisses Aziraphale, posing his most desperate question. In return, he is rejected and abandoned by Aziraphale in the most visceral way imaginable.

Aziraphale’s “I forgive you” is a very loaded response, and while it rings as an attempt to call back to his and Crowley’s old unspoken routine, it also reminds me a lot of God. Crowley falls in act of sin, and while God punished Crowley, She also forgives him for being a sinner because God forgives all sin. So Aziraphale forgives Crowley because again he has sinned. Again he has fallen.

At this point we realize Crowley did not just fall, that’s past tense. Rather, Crowley is falling. He continues to love, dares to show it, and thus suffers the consequences.

More Posts from Gentildonna and Others

1 year ago

I think there's actually something really profound in Donna's 'missing everything' gag. Like, yes, it's objectively funny that this woman has somehow missed every alien invasion in the entirety of her time on Earth.

But there's more to it than that. She's the most compassionate companion, the most down to Earth as the saying goes. She sees things that others don't. Like the missing sick records, the way others are treated, Martha's ring. Sees the inside of the Tardis before she sees the outside. And perhaps most importantly, she doesn't see The Time Lord - that big otherworldly figure. She just sees the Doctor. Sees his need for true companionship, his need for guidance, his need for someone to carry a burden he is being crushed under.

She misses the big things, yes, but in exchange she is so wholly, beautifully immersed in the small things no one else sees.


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1 year ago

whatever the doctor and the master have going on is so much more complex than just “enemies-to-lovers” or even “friends-to-enemies-to-lovers” in the most deranged way possible. they’re friends, enemies, lovers, rivals, bitter exes, reluctant allies, arch-nemeses, and they’re constantly, rapidly oscillating between those things. usually they’re more than one of those things simultaneously. they’re lovers who regularly try to kill each other. they’re tentatively repairing their friendship but still can’t trust each other. they’re hatefucking. they’re searching in each other for a lost innocence they can never truly recover. they’re enemies with benefits. they’re each going scorched-earth to annihilate the other. they’re a disgrace to their species. they’re the last of their species. they both want to carve out the parts of themselves that resemble the other. they ran together through fields of red grass under the orange sky of their now-destroyed homeworld and made a pact to run away together to see every star in the universe. i just. do you understand.


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1 year ago

When I first watched Good Omens 2 I was surprised by the ending. I had been so focused the romance of the season. The Jane Austen, the witty retorts, the dancing, the secrets glancing. I took the bait and when the ending came I fell hook line and sinker. Much like Crowley I felt I had drove into a pot of boiling sulfur. But then looking back I realized if I had actually been following the story we were being told instead as of getting swept up in the romance, I would have realized it was never going to end happily.

The flashbacks are what really foretell the ending. They aren’t just fun romps through history. They serve a purpose. And the purpose is to set up and elaborate upon how Crowely and Aziraphale see the world and each other, and how they see heaven, hell and earth. And what these flashbacks prove is they have huge gaps between the ways they see the world that need to be bridged. Those gaps could have been crossed ages ago but as the flashbacks show multiple times- Crowley and Aziraphale don’t communicate well and that leads to disaster. It will destroy them if they don’t sort it out- I mean their ability to communicate is so lacking that it literally ends with Crowley pointing a gun in Aziraphale’s face and shooting it. And he gets in this pickle because he loves him! Which is pretty twisted! And if the gun wasn’t dangerous enough their friendship them almost gets revealed to hell by zombies- grossly incompetent zombies at that! If Aziraphale hadn’t managed to pull off that magic trick- which easily could have happened. He’s very bad at magic. Who knows what horrible things would have happened to the both of them.

This miscommunication gap also hurts the people around them. If Crowley had explained the why Elspeth was graverobbing to Aziraphale instead of letting him watch and figure out for himself maybe things wouldn’t have gone so far and Wee Morag wouldn’t have ended up dead. Or at least Aziraphale and Crowley could have found away to help Wee Morag that didn’t involved inspiring displays of well… Scottishness? while being drunk on laudanum that end up with Crowley getting sent to hell and tortured (tortured to the point that some people have pointed out that when Crowley gets he asks for holy water for insurance- which is just plain sad and awful, and leads to even more conflict between Aziraphale and Crowley. Or if Aziraphale hadn’t felt the need to plan an entire ball just to dance with Crowley- cause let’s be honesty that’s really why he did it- maybe all of his guests wouldn’t have ended up in danger.

I remember upon watching the episode with the graveyard and Scottish Crowley- being dismayed with how behind ideologically Aziraphale was compared to Crowley. I knew he would do a huge amount of growing in the two centuries to follow. But part of me had filled in the blanks and assumed he would be farther along in that journey by the 1800s. I remember wondering how he was going to catch up in between then and the present day. When I watched the finale episode I realized he hasn’t caught up. He hasn’t quite made the leap away from heaven. He might think he has and Crowley might even be starting to think that too. He even had us as an audience beginning to think he had let go of that baggage But Aziraphale’s problem is he wants to do good . He wants to save the world and heaven with it. he can’t quite give up the ghost- he is too self sacrificial. He’s going to need to learn that he, like many kids of abusive parents- can’t fix the situation he came from. Not without sacrificing himself. He’s going to have to stop running and confront his baggage to truly be free of it. And Crowley on the other hand needs to realize he can’t just run from his past. He needs to reckon with his time as both angel and demon. He needs to grieve what was taken from him instead of just living in opposition to it. Because Crowley’s problem is he too wants to save the world. He just wants to do it in his own (and maybe with Aziraphale, but mostly on his own). He too is way too self sacrificial to the point that he sacrifices himself and his sense of self time and time again all in the name of his own side. His side may be the only truly good one between heaven and hell. But he is only one entity. He has to learn to open up again. To truly open up. Which is why it’s so frustrating that when he finally opens up to Aziraphale in episode 6, things go wrong! But as frustrating as it is, it sets an amazing stage. It gives Aziraphale the chance to build up Crowley’s trust. To build up Crowley’s faith in them as team. So that when Crowley opens his heart again it’s done on his own terms and in a way that is healing. Poor Crowley has been though so much, and he has been through so much of it alone. People can affirm themselves and their path’s in life only so much with out needing some support from others. Notice how Crowley is still living in his car. He never asked if he could move into Aziraphale’s bookshop. He sees himself as a burden, as not good enough for the angelic Aziraphale that he so admires. He probably thinks he would weigh him down. Crowley needs affirmation to heal. He needs to be loved and not loved in a way that’s cloaked with shame, but loved in a way that is able to sit with self comfortable. But Aziraphale is not at the point where he can give that love yet. When that happens he can help Crowley heal from his abandonment by heaven. He’s been picking up after heaven’s mistakes since before his fall. It’s time for someone to take care of him in return. Because as much as Crowley says his actions have nothing to do with heaven or hell, he does still feel burdened by their weight. Now he can’t do this journey just with Aziraphale. He needs to do some of it on his own. Bu he needs love to heal- we all do. So does Aziraphale. They can give each other that. But they have to be ready to. They have to do the work they need to do on themselves to get to that point.


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1 year ago

I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):

It's a phrase taken from the Book of Job. Here's the quote in full (King James version):

When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls. --(Job 30:29)

Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.

Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.

They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.

Your punishment is terrible, tormenting loneliness.

(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)

To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the saddest of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.

So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.

Because this story is about Aziraphale.

The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.

He does so fully believing that he's giving in to a temptation.

He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.

And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.

Fallen or not, that's the kind of knowledge that...separates you.

(Whoooo-eeeeee, tormenting loneliness!!!)

Aziraphale is the companion.

...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:

Check out Crowley's glasses.

I'm Seeing Some Confusion Out And About Over The Title A Companion To Owls (generally Along The Lines
I'm Seeing Some Confusion Out And About Over The Title A Companion To Owls (generally Along The Lines

(screenshots from @seedsofwinter)

Crowley is the owl.

Crowley is the goddamn owl.


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5 months ago
He Was Helping With The TARDIS Maintenance And Fell Asleep. Probably To The Music He's Listening

He was helping with The TARDIS maintenance and fell asleep. Probably to the music he's listening


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1 year ago

"Wild Blue Yonder" dealt with some of the emotional fallout of the Flux, so I want to rewind a bit and look at what that means for the Doctor.

I know that the Timeless Child and the Flux are contentious topics. I'm not here to argue either way. But now those storylines have decisively not been retconned, and with both of these fresh in my memory, I feel the need to offer some context for anyone who may not have seen it, and to recontextualize it for myself and anyone who has.

NotDonna: You don't know where you're from. The Doctor: How do you know that? How does anyone know? How does Donna know?

In "The Timeless Children", we find out that the Doctor was discovered as a child alone under a wormhole, and adopted by a woman named Tecteun. There was an accident where the Doctor fell from a cliff and regenerated, and subsequently Tecteun performed "experiments" on them to try to understand regeneration. The show minces words about this but she killed a child a whole bunch of times is what happened. Her experiments created the Time Lords and allow them to engineer their regeneration properties. The Doctor has no memory of any of this, and only finds out via the Master and information stored in the Time Lord Matrix.

The Doctor, predictably, doesn't tell anyone about this revelation. She makes a speech to the Master about how this makes her more, we get a single shot of her looking a bit tired in the TARDIS, then she immediately gets thrown in prison.

Ultimately, the Doctor doesn't know where they're from or who their parents are. And the very fact that they're not from Gallifrey is information that no one in the universe should have. Everyone who knew is now dead.

NotDonna: I saw it in your head. The Flux. The Doctor: It destroyed half the universe because of me. We stand here now, on the edge of creation, a creation which I devastated, so yes I keep running, of course I do! How am I supposed to look back on that? NotDonna: It wasn't your fault! The Doctor: I know!

A fun fact about the Flux is that the Doctor did not cause it. So why does he blame himself? Because the person who caused the Flux was Tecteun.

The reason why Tecteun wanted to destroy the universe is because the Doctor interfered with things too much. Too much morality. Too inspirational to people. She calls them a virus. So her solution to the problem of the Doctor is to destroy the universe, with the Doctor inside, and take her ship to a different universe to start fresh. She also was the one to steal all the Doctor's memories of previous lives in the first place. She's dismissive and patronizing and clearly does not care about the Doctor on an emotional level at all. Tecteun is a piece of work, and the implications of her actions and how they've shaped the Doctor have the potential to go deep.

Thirteen doesn't get too much of a chance to react to any of this, because there is plot going on. And shortly after they reunite, Tecteun gets killed by a different villain. So there was no emotional closure in the moment, and there's now no possibility for the Doctor to make sense of her actions. The Doctor does not tell any of her friends about any of these events. She keeps promising to tell Yaz but does not.

"Wild Blue Yonder" is the first time we, as the audience, hear the Doctor discuss the Flux. And their perception of events is skewed at best. The Flux wasn't caused because the Doctor made a mistake and a lot of people were killed, which is what you can argue for many other situations. The Flux and the devastation of the universe was caused by their mother, who promptly turned around and told them it was their fault for being such an interfering nuisance. We know that the Doctor is often an unreliable narrator, but this is beyond that. These are the words of an abused child who has internalized the narrative that the abuse was their fault.

So the Doctor being able to talk about this with Donna, who has seen what happened, who knows him, and tells him that it's not his fault — it means so much to him. He wants it to be her so badly. And then NotDonna laughs in his face. You can see the devastation. He thinks for one moment that he can finally talk about this with his best friend, and it's snatched away from him. He gives himself a moment to break down in the corridor, and then you can see the walls rebuilding as he suppresses it all again.

At the very end of the episode, back in the TARDIS, he's trying very very hard to be nonchalant. I'm curious. The NotDonna could remember all these things that happened to me while we were apart. Can you? Just wondering. Things happened, but I'll be fine. In a million years. It's not a joke.

He wants so badly to be able to talk about this. You can see it in all the lines of his body language. He's keeping himself together but is prepared to fall apart in an instant. He doesn't want to actually tell anyone, but if Donna just magically knew already, and could tell him it wasn't his fault — well, that would make the world of difference. But she doesn't know, and he can't bring himself to tell her. And so the cycle continues.


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1 year ago

Crowley is Lucifer

(Ok I know some of you don't believe this theory but I highly suggest you give this a quick read anyway. I tried to make it short and easy and I'll be going chronologically, from s1 all through s2)

- First, let's get this out of the way, Lucifer and Satan aren't neccesarilly the same person. Even in the show the devil that appeared in s1 has only ever been reffered to as Satan, not even once as Lucifer.

- In the bible Lucifer was the one to tempt Eve with the apple, and who do we know that does that in the show. Crowley is literally THE snake from Eden.

- An obvious one perhaps, but the red hair is also a giveaway

- In the bible Jesus was tempted by the devil for 30 days, in the show Crowley says "I showed him all the kingdoms of the world", so that's another role Lucifer has that Crowley had in the show

- It's well known (even mentioned in the Sandman) that Lucifer was the most beautiful of all angels, and our demon is played by no other than David Tennant

Now on to season 2 because there's a LOT to unpack here

- He litterally started the engine of the universe which was one of Lucifers roles

- He's the first to say "let there be light", which is pretty fucking huge since that is Gods line

- "I worked closely with upstairs on it" even in the first scene they're telling us Crowley is an angel of very very high rank

- He fell for asking questions, which is litterally what Lucifer fell for, for questioning God. This in and of itself should be a pretty big indicator. "I only ever asked questions"

- Shax: "a miracle of enourmous power only the mightiest of archangels can perform"

Crowley: "How do you know I didn't do it"

And Shax just... doesn't counter that. She looks even skeptical, as if it COULD be a possibility, unlike Uriel who says to Aziraphale don't excpect us to believe you did it. Shax litterally doesn't shut the option down which confirms Crowley has the power not only of an archangel but of the mightiest kind

- In the bookshop with Gabriel/Jim he says "I don't remember. It [gravity] seemed like a good idea when we were all talking about it"

- "You're welcome to come in, you might even spot an archangel" don't tell me this was Crowley just egging Shax on and not being sneaky

- The fact that he could sense the demons coming. "Somethings wrong""It's coming in waves", when Aziraphale couldn't. It could be a demon thing but we saw Sandalphon, an archangel of lower rank, in the first season mention "something smells evil" so obviously angels can sense demons too, they just have to be powerful enough. And keep in mind Sandalphon was already in the book shop for quite some time, Crowley sensed them even before they had arrived (he also sensed the hell hound who was some fucking miles away)

- The.fucking.folder. "You have to be a throne or dominion above" and this dude opens these clasified documents like it's nothing. If this isn't an indicator of his high position as an angel I don't know what is.

- He's worked with Saraqael, another very high ranking angel

- "I'm the only first order archangel in the room"... and the camera imediately pans to Crowley, and for anyone who's read the book and watched the show you know that rarely anything is coincidental

- When the Metatron says they can't lose another prince of heaven. This... this fucking line. So it's relatively well known that Gabriel and Lucifer are brothers, and if Gabriel is one of the princes of heaven I wonder who the other one could be. "Two princes of heaven". And the Metatrons words were very careful, he doesn't say lost as in heaven can't find him, he says it in the context that they won't be sending Gabriel to hell since they won't lose another prince to downstairs

- In the bookshop when no one can identify the Metatron he turns to Crowley who imediately recognises him. Now you have this dude, who's literally on top of the angel hierarchy and is responsible for running heaven and the connection to God themself, surrounded by archangels and a principality you spoke to face to face with just a few years ago and... none of them can tell who you are, the only one who does is the literal demon. That tells us that Crowley has not only seen him in this form, but has probably worked with the Metaron himself personally. "Always asking damn fool questions", 10 million angels and he remembers what this one particular angel was like 6000 years ago

- Crowley is also very reluctant to reveal his identity as an angel. Now if he were just an ordinary angel of no real significance he wouldn't have a problem revealing his name, but... if his name was one that's the literal representation of all evil in this world, then it is understandable he keeps it a secret, in fear he might scare Aziraphale away

- And I wanted to leave the best for last. So you remember in the book when Crowley has to sign his name to start Armaggedon, and Hastur tells him "no, your real name" after which he reluctantly writes it. Now in the book we never see him write anything, but in the show we see him write a sygil, something that looks very mich like an L. An L... A FUCKING L. And now I wonder how this theory didn't come up sooner.

(Also he can fucking stop time, like dafuq)

Edit:

- "Oh looky here it's Lucifer and the guys" we all thought he was talking about someone else, he's just refferencing things other angels have said about HIM. FUCK

- I keep seing people saying Crowleys memories were wiped because he couldn't remember Saraqael and Furfur. But I think people forget, demons lie. He's lying to make them think he's not that angel they worked with, that he's not Lucifer. (In season 1 we hear him a few times refferencing his life as an angel, so he does remember most of it)

- Also saying if the Raphael theory were true then as showrunners they would have mentioned him somewhere for those not that familiar with the bible (or don't read much fanfiction). The refferences for Crowleys past are so so vague that it would be too sudden and confusing if he were Raphael. But there is one name that everyone is familiar with, no matter who you are how old you are or where you're from, a name that needs no introduction.


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1 year ago

I keep seeing a post that's like "it's so sweet that Crowley cleaned up the bookshop while Aziraphale was in Edinburgh" and I'm like listen, I get what you mean but that is not what's happening here, Aziraphale keeps his shop a mess on purpose to ward off customers and Crowley tries to alphabetize his CD collection to take his mind off the impending apocalypse but is thwarted by them already being alphabetized. That was stress cleaning and it was for Crowley's benefit.


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gentildonna - Jude_V
Jude_V

Doctor Who, Good Omens and basically everything DT is in | Not a shipper per se, but feel rather partial to tensimm f***ed-up dynamics. Some other stuff as well - Classic Rock (mostly British), Art Deco, etc

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