And another thing I find hilarious about Garak is that - he is such a snob.
Like, Quark's too vulgar and loud for him, close range fighting is "undignified", no one can set a foot on the station without having this middle aged Cardassian criticizing their fashion choice right in front of their Bolinian salads or whatever, he debates epic literature at lunch, he has had Shakespeare for like 5 minutes and he is already quoting it during life or death emergencies.
And it's absolutely hilarious because this man chopped up his countrymen for a living.
so I’m about a third of the way into A Stitch In Time and I just have so many thoughts.
this is unexpectedly one of the most fascinating books I have ever read, because the circumstances of its existence (tie-in novel for established tv show, written by the actor, largely taken from his character-dev writing) create a novel that would’ve never existed otherwise.
in any other normal novel, the protagonist with a sad childhood who gets shipped off to train to be a weapon of the state, in a violent, loveless institution, would be… taking a stand against the status quo! that’s what protagonists do, they make unlikely friends and they stand up for what’s right and they change their world etc etc. yahoo. yay !
but as we good and goddamn know: garak’s not a protagonist
these flashback portions follow so many classic sf/f coming of age tropes of a young lad finding himself in a harsh new world, but instead of the main character being guided by a convenient moral compass and growing in defiance of the competitive, cruel environment– garak adapts, learns to outcompete his peers, learns to be crueler.
it’s not so much that you’re reading garak becoming worse (though he is, for sure)
it’s more that garak is drifting from being a mere product of his environment, to a perpetuator of it
caveat: all trek is beautiful, this is in no way a better/worse thing
i joke that one of the biggest problems I have with tng characterization is the 'we need to give a character the Bad Opinion' phenomena.
an episode wants to explore a moral quandry through plot, but for that to work, they usually need to Give A Character The Bad Opinion– it's often Geordi, or Riker, or Worf who take a stance that's less generous, more defensive, or just plain wrong-through-misunderstanding. now this does give the episode narrative structure, where the character with the Better Opinion and the Bad Opinion can have interpersonal conflict, and then this can resolve in a nuanced understanding. I get it. it's basic plot construction. but this also gives these Bad Opinion prone characters some wildly uneven characterization over the show's run.
I've been rewatching some ds9 episodes (I only just finished my first watchthrough last month) and I've realized that ds9 avoids this issue by simply having so many more characters who are not good people.
It's weird when they write Geordi being unnecessarily stubborn and easily-annoyed towards Scotty, or Riker being a shouty hard-ass to Barkley– because both of these characters are fundamentally good people who we need to root for. It's weird to see them being complete dickbags above and beyond what seems congruous to their characterization, when the whole point of the show is that the crew of the Enterprise is flawed but fundamentally equipped to carry out their mission.
By contrast, it makes perfect sense that Garak would be the one to try and exterminate the Founders instead of finding an ethical peace. It makes perfect sense for Quark to position himself on the side of whatever benefits his business most, even if it's horrific. None of this feels incongruous with who they are throughout the rest of the show– because their function as characters simply doesn't depend on you rooting for them the way you want to root for tng characters.
just thinking a lot of thoughts about this horrible satellite zoo of freaks and bad people who still deserve community. thinking a lot about how you don't have to be good to have a home.
I'm honestly relieved that my hyper-fixation has over 900 episodes of TV and 13 movies.
inspired by the pot im making that is inspired by a vessel from 1000 b.c
The problem w writing fiction is that you'll be like tee-hee I'm going to write a story about a fucked up little scenario that's got nothing to do with anything in real life, just some pure messed up nonsense, and then you finish it and take a step back and go aw rats I made a metaphor again
Ohh you lads have been misleading me about Julian's parents! Richard Bashir is just an honest to God Del-Boy-yuppie style social climber! That makes it so much worse!! But he lacks Del's conscience and warmth! He has a chip on his shoulder the size of Peckham!! This guy is a wheeler dealer with who says "mangetout" as an expression of surprise, but instead of boasting about Rodney's GCEs, he had someone perform brutal surgeries on his child! Oh noooooo lads this is so much worse!!!!