so many other shows, movies, videos I could watch now that I finally finished ds9!
instead I am watching s2e22 of ds9. again.
I feel lucky that my pet became a meme that was not adopted and used by nazis. everyone that has told me they adore this meme is a cool person and not a scumbag loser. if she became the face of a crypto scam or the name of an illegal government entity id have a crisis
i just hope from the bottom of my heart that rick berman is having a terrible time
its just embarrassing when you make a fandom related post and it doesnt get any notes like okay. so no one want to play tuoys with me. no one wants to play with our little guys together. okay thats fine. yeah its cool... puts my hands in my jacket pockets. kicks a beer can that was on the side of the road a little
like ok ok ok youre telling me that in the episode where one of the major themes was love and friendships transcending realities and being consistent in multiple universes I got to see Julian and Garak (each from a different reality) find each other AND fall in love and get married and flat out say they'll follow each other to any reality and they dont care where they are so long as theyre together and im supposed to just GO ON WITH MY DAY AS NORMAL
the way I kinda like pulaski more than crusher
"it doesn't make any logical sense for julian to have hang-ups about being queer in the 2370s" is an objectively, factually correct take.
but I need julian bashir to have just bare minimum enough internalized homophobia for 'one of your girls' to be a garak pov garashir song
for me? it was s2e8 “necessary evil”. that’s when I knew deep space 9 was going to be different.
star trek has done murder mystery episodes before– yanno they’re fun, they’re a great format for a well paced forty five minutes where we can learn more about our characters and get some cheeky twists along the way.
“necessary evil” elevates that trope by setting the mystery on terok nor. it’s literally our first flashback look at the ugly political past of the space station. as an audience we’ve been learning to love and trust the warm vibes of the show’s setting– seeing a version of this place that’s dystopian, that’s horrific, that nonetheless features so many of the characters we know? it feels so fuckin visceral.
I will never forget the final twist in this episode. I will never forget learning alongside Odo what it really means for people to make the choices they must in the face of dehumanization, and the fallout that’ll haunt them for years. the realization that sometimes the most obvious truth is the profoundest one, and that sometimes all the twists in the world land you right where u started
the moment the character asks Odo if he can ever trust them again, and the shot lingers, and ends.
the episode ends there
that’s when I knew that this show wasn’t going to be like other trek. that’s when I knew this was going to be a story about the nuance, the incongruity, the unresolution and the things left hanging behind when an episode ends. that’s when I knew the writers on this show would wake up and choose artistic greatness in defiance of conventional tv wisdom.
thank you for my life, s2e8 necessary evil. we should talk about u more. xo.