The Fluffy Papa Series: Part 1

Camellia: Popia x f!reader - Chapter 1

Camellia: n. - A flower which symbolizes a deep desire or longing.

Summary: You are a translator for the Ministry. You receive a letter summoning you to the Abbey for a project involving an ancient diary with a mysterious author, but you find yourself wishing you were back home. That is, until you meet the charming Papa Emeritus the Fourth.

Word count: 4.4k

A/N: Hi all!! This is the first long-form fic I've ever written and decided to publish, so I hope you all enjoy!! The first chapter is mostly setup and scene building, so not a lot of interaction with our beloved Copia. But there will be more, I promise!!

Warnings: none for now but there will be some in later chapters.

AO3 Link

Prologue

“Will you help me move this box?” the Brother of Sin says. 

Wordlessly, the Sister of Sin stops what she’s doing and maneuvers through the crowded, dusty basement room to help the Brother. The two crouch down, bracing their hands against the box of books. It leaves behind a path carved into the layers of dust as it slides across the wooden floor. 

Once the box is pushed a few feet out of the way, the Sister lets go and, losing her balance, falls to her hands and knees from the crouching position. She cries out in surprise when her hand sinks through the floorboards as one of the slats gives way. The hole is only a few inches deep and filled with dirt and cobwebs, but the Sister’s hand falls onto something softer than wood. 

She lifts her hand to find that there’s a small leather-bound volume hidden face-down in the small crevice. The Sister can hardly imagine how long it has been there, with how thick the grime lies on the back cover. 

This room of the Abbey’s basement had been long forgotten, until Sister Imperator tasked these Siblings of Sin to clear out the room to make way for new storage. They had half expected to find a ruby-encrusted sarcophagus in the room, with how ancient and opulent the Abbey is. So far the only things of interest they have found are books—it seems that the only items stored in the room are books. 

The Sister gently removes the book from the hole in the floor and replaces the wooden slat. Even through her gloves she can tell that it is close to disintegrating. The distinct orange of rotten leather lines the edges of its binding and a few corners of pages fall to the ground. 

“What’s that?” The Brother asks. 

The Sister carefully turns the volume over so that she can read the front cover. It, too, is covered in dust, so she gently brushes it with her hand in order to read the embossed leather cover. Having been face-down in the crevice, the gold leaf illuminating the embossment is preserved and it shines in the low light of the basement. 

“It says…” the Sister squints to read the small letters, “...Elizabeth.” 

“Elizabeth? Who’s Elizabeth?” 

The Sister turns over the book once more. “I don’t know, just… Elizabeth.”

Chapter 1

The ride from the airport to the Abbey is a long one. The car you had been picked up in took you through the city and the suburbs, to the rural outskirts of civilization where the coniferous trees block much of the sunlight. The winding roads, dotted in late-afternoon sunbeams, feel endless as the car climbs into the hills. It’s been a silent ride, and rather awkward (at least, you feel that it’s been awkward) because the helmeted ghoul who drives the sleek black sedan has not said a word. 

You knew that the Abbey has ghouls. A few abbeys do, as they are big enough to warrant summoning help, but your home chapter is not. This is the first time you’ve met one. 

You wonder if they’re all so stoic, or if the driver simply doesn’t have anything to say. He isn’t impolite, but you wish he would say something, anything to make the drive a little more bearable. You want to ask him about the Abbey–what the Siblings are like, what Papa is like. How many Siblings live there full time? How big is the library? You’ve heard that the ghost of a former Papa haunts the corridors, is that true? Hundreds of questions brew in your mind, but the ghoul remains silent and you’re left feeling like an unwelcome guest in a strange country.

You already miss home. 

The Marseille abbey, your home for the better part of your adult life, is a medieval stone structure built on a hilltop south of the Marseille city proper. The ornate, stained-glass windows of its chapel face west over the Mediterranean so that the sunset streams into the room during Black Mass. The walls are old and drafty, and keep faded tapestries in a constant state of fluttering. The linens line the walls of the refectory in between tall, narrow windows which also overlook the sea. If it were not for the inverted crosses and scenes of the unjust fall of Lucifer, one might think the atmosphere in the chapel—and the rest of the small abbey—is almost holy.

The windows in the Sibling dormitories are small and south-facing, with deep stone sills and wood frames that have somehow managed to survive the ages (although they hardly open without a fight.) Your own dormitory windowsill is lined with personal prayer books. Each has about a hundred loose papers sticking out. They are your translation practice, your way of staying versed in every language you know, because you know the prayers by heart at this point. The papers are experiments: which language makes the prayer sound better, sound prettier? Which language makes the most sense? Which language makes the prayers the shortest, the longest? 

No matter which language you use, to you the prayers sound the most beautiful in your mother tongue. That is how you’d memorized them, after all. Yet… you wish there had been room in your single suitcase to take your prayer books with you. 

“We’re almost there,” the ghoul says, snapping you out of your homesick reverie. His voice is deep and softer than you’d expected. There’s no spurt of hellfire from his mouth as you’d half-thought there would be, and no low rumble in his words that might signify he’s more beast than man. The ghoul, despite his bug-eyed mask, seems shockingly human. 

He steers the car through tall wrought-iron gates which seem to open automatically. You can see the tall peak of the Abbey’s bell tower peeking through the trees, and suddenly the reality that you’re very, very far from home hits you. 

You unfold the crinkled envelope in your hands and reread the letter for the hundredth time that day. 

Dear Sister, 

I hope this letter finds you well. 

We at the Abbey have recently uncovered a very important document which we require your expertise to translate. However, this document is extremely fragile and cannot be transported in the post. Papa Emeritus IV and the rest of the Clergy request your presence at the Abbey as soon as possible. 

We expect this project to take several months. Enclosed is a one-way ticket for you to travel to the airport closest to us, from which a car will transport you to the Abbey. We will discuss plans for your return to Marseille when you are nearing the end of your work here.

We anxiously await your arrival. 

Sincerely, 

Sister Imperator

The letter itself is quite presumptuous. Sister Imperator had assumed you were not busy, and assumed that you would be able to drop everything and travel halfway across the world for a months-long project. And then to use Papa’s name to exaggerate the importance of this mysterious document which she hadn’t even disclosed the nature of? 

Well… you can’t exactly say no to the woman who practically runs the Ministry’s affairs. 

The car takes a bend in the Abbey’s endless driveway and emerges into a clearing. Sitting far back on a sprawling lawn is a massive, imposing stone structure. The rows of trimmed hedges and flower bushes do little to soften the gothic hardness of it. Two pointed bell towers loom over the steep roof of what must be the chapel, with stained glass windows stretching up at least two storeys. The central image is of Baphomet, in his iconographic pose. The setting sun glints off of his golden halo. Sweet Satan, you think, your eyes tracking the window as the car rounds the drive. Baphomet alone must be taller than the entire height of Marseille. 

The ghoul pulls the car to a stop in front of the wide steps leading up to wooden double doors. A woman stands there, her hands clasped in front of her and her back straight, like the matron of this grand palace. You suppose she is–the severity of her expression alone leads you to believe that it’s Sister Imperator who waits for you.

You step out into the chilly air and shut the car door behind yourself. The ghoul already has your suitcase in hand and gestures for you to walk up the stairs before him. You wish he’d let you carry your own suitcase, if only to give your hands something to do, but you are far too stunned to ask. Climbing the shallow stone steps feels like stepping into another world. A world in which you feel far too plain to exist. 

“Sister,” The woman greets with a smile. It doesn’t quite reach her eyes, which squint at you beneath slightly furrowed, well-groomed brows. She strikes you as someone who is all business, all the time. “How was your journey?” 

You return her smile as best you can. She speaks to you like you don’t understand English. “It went well, your dark eminence.” 

She seems a little surprised that you respond so fluently, but she quickly fixes her face into another warm grin. “I am glad to hear it,” she says. “Thank you for coming on such short notice. I’m sure you must understand that this document is very important, and quite fragile. We would not risk losing it in the post.” “Of course,” you nod. “If I may ask, Sister Imperator, what is this document? You did not disclose it in your letter.” You gesture to the envelope safely stored in your jacket pocket. 

Sister Imperator turns to step inside the slightly ajar wooden door and you assume she wants you to follow. The ghoul accompanies you over the threshold, but at the wave of a hand from Sister Imperator, he turns down a narrow corridor with your suitcase and disappears around a corner. 

You are still a bit too overwhelmed to thank him. Instead, you look at the woman beside you. “The ghoul will bring your luggage to a room we have prepared for your stay,” she explains at your silent question.

She continues down the main hall, deeper into the Abbey. Your footsteps echo through the atrium, bouncing up to the high, painted ceilings and off the stone walls. There are a few wooden benches pushed back against the wall, with pots of surprisingly lush houseplants on either side. Framed oil paintings line the walls: some depicting biblical scenes, some of landscapes, and a few large, dignified portraits. You can tell by the distinct Papal paints in each portrait that the subject is a Papa, and you wonder which one depicts Papa Emeritus IV. You’ve never seen an image of His Unholiness before. 

After a few moments of silence, Sister Imperator speaks again. “We found the document last month, in one of the storage rooms in the Abbey’s basement.” She likes to use the royal ‘we’ a lot, you think. 

She continues. “One of our archivists believes that it is at least five hundred years old. It is very fragile, you see, and so we ask that you handle it with the utmost care as you work with it. We would prefer it if you used gloves. And frankly, Sister, I believe that you would want to. The leather is fairly rotten.” You stay silent as you follow slightly behind her. You’ve worked with old, rotten books before. The pages nearly crumble apart in your hands and the leather splits easily, but it’s nothing you can’t handle. 

“We believe it is a journal—a diary, rather, of someone very important in the Ministry’s history.” You find it strange that she doesn’t immediately disclose whose diary it might be. “Who, if I may ask?” “Elizabeth.” Sister Imperator’s voice is clipped as she answers you. She gives no further explanation. Just Elizabeth. 

There are millions of women named Elizabeth in the world. It is very likely that there is more than one important Elizabeth in the Ministry’s history as well. It’s a fairly common name, especially five hundred years ago (if the archivist is correct). For all you know, this document could be some random Sister’s sexual logbook, and documenting her sinful indulgences was her way of praying to the Lord Below. 

You break out of your ponderance over possibilities when Sister Imperator turns a corner to walk down another, slightly narrower (but still wide) corridor. She speaks again. “The book is to be kept in a lockbox at all times when you are not working with it. Under no circumstances is it to be removed from the Abbey library without my express permission, or the permission of Papa. Is that understood?” 

“Yes, Sister,” you answer hastily. Her tone of voice as she lays down the law makes you feel as though you’ve already made a mistake. 

“Now. The reason we need you, Sister, is because none of our own archivists or translators can figure out what language the journal is written in.” 

This piques your interest, and also slightly flatters you. “What do you mean?” you ask.

She releases a long-suffering sigh. “The writing is jumbled. It is a mess of letters and sometimes numbers, with no spaces whatsoever.” 

The possibilities immediately start to stack in your mind. Latin from the Roman era tended not to use spaces, a practice called ‘scriptio continua’. Ancient Greek also did this… but wouldn’t the in-house translators be able to read it? 

“I cannot explain it well enough,” Sister Imperator says. “You will have to see, Sister.” 

The two of you come to another set of large double doors. Sister Imperator pushes one open and steps inside, holding it open for you. You slip past her into a huge, bright room, filled with hundreds and hundreds of bookshelves. Immediately you are hit with the scent of old books and parchment paper, and the gentle sounds of turning pages. To your left sits an ornate wooden desk with one Sibling standing behind it. They are sorting books onto a three-tiered cart, presumably to put them away in the correct order. You accidentally make eye contact, but they smile politely and you respond in kind with a little wave. 

You avert your gaze upward towards the open second floor, which wraps around the large atrium and is protected by a dark oak bannister. A few Siblings linger on the catwalk, carrying books or making their way towards the wide staircase that opens to your right. The bottom floor of the atrium houses several wooden tables where another smattering of Siblings sit. Most other tables are empty save for an abandoned book or two. 

The late evening glow shines down into the room from a large, circular skylight in the middle of the ceiling. There are desk lamps and overhead lights scattered about but none have been turned on yet. 

It reminds you of the University library.

“Come,” Sister Imperator says after allowing you to gaze around the massive library for a moment. “The lockbox is in the restricted section. You will receive your own key while you are here but you are required to return it, directly to myself or the Head Librarian, before you leave.”

She leads you up the carpeted staircase and deep into the bowels of the second floor. Towards the back corner, where the shelves are labeled ‘Fiction - Romance’, there is a wooden door tucked against the wall. A sign beneath its small glass window reads ‘RESTRICTED’. Sister Imperator fishes a rather noisy set of keys from her pocket and finds the correct one to unlock the door. She pushes it open with a squeak that feels loud in the quiet of the library. When both of you are in the room and the door is shut behind you, she removes an identical key from her keyring and hands it to you. “Your copy,” she says. “Do not lose it.” 

The room isn’t cramped, but it is small compared to the atrium. A few single-person desks sit along the back wall, while the walls on either side of you are lined with glass boxes. Each box is shaped similarly to a narrow cubby, and houses a single book. Printed labels on the front face of each box display a box number and the name of the volume stored inside. 

“Your key allows you to access any of these boxes,” Sister Imperator explains to you, “but I do not expect you to require any of them, except for the diary you’ll be working with. It is kept in box number seven, which is here,” she points to a box about halfway up the rightmost column of cubbies. Using her key (still attached to the incredibly jingly keyring), she gently unlocks the box and it glides out like a drawer. 

You step beside her to look down into the glass drawer. The diary is wrapped in white linen, but you can see the faint brown color of the leather through the cloth. “The archivist requests that you keep the white cloth under the book at all times,” Sister Imperator says. She reaches down into the box and gently retrieves the diary, careful not to jostle the cloth too much. “It will protect the leather from further decay.” You don’t need her to explain how preservation works, but you appreciate it anyway. It saves you from having to ask, or endure another awkward silence. 

She places the book down on a nearby table and slowly unwraps the cloth. Already you can see small flecks of brown and orange sticking to it where the leather has rotted, but it seems to be fairly well preserved in light of its age. On the front cover in small, embossed gold letters is the name Elizabeth. 

“Elizabeth,” you say, understanding. 

“Elizabeth,” Sister Imperator replies. “That is the only word we have managed to decipher. Hopefully you will be able to help us with the rest.”

You nod. “I believe I can.” 

She wraps the cloth loosely around the book once more, and returns it to its box. “I do not expect you to start tonight, Sister. We will give you time to settle, and have something to eat. But from tomorrow morning until you are done, this is your sole responsibility. Do you understand?” 

Her sudden, almost intimidating tone surprises you. You bite the inside of your cheek–a nasty habit you’ve had since you were a child. “I understand, your Dark Eminence,” you say with another nod. 

Her face softens, as does her stare. “Please, just Sister is fine,” she says. You follow her again as she begins to lead you out of the Restricted room. “I believe the dinner hour is to start soon. I will show you to your dormitory, and then leave you to get settled.” 

She brings you back through the library and the main hall towards where you’d seen the ghoul disappear with your luggage. The dormitory hall is a long, narrow corridor with windows on one side and doors on the other. Each door is marked with a number and a nameplate, and in between each door are wall sconces lit by incandescent bulbs. Halfway down the hall there is an opening to a stairwell which, you assume, leads up to the second floor of the dormitories. You walk past many, many doors, some of which have two nameplates, until you reach the very end of the hall where there are unmarked doors. Sister finds her keyring again and unlocks one, then removes the key and hands it to you. 

“These rooms here are the guest quarters. They are typically not suited for long-term stays but we have prepared yours to have everything you will need. If you need anything, ask Sibling Superior and they will make sure that you receive it.”

Sister Imperator turns to leave, but then turns around. “You know, Sister,” she says, with a curious look. “For someone of your expertise, I thought you would have been… older.” You can’t tell if it’s praise or suspicion in her voice. “Yes, well,” you stall. How are you supposed to explain that language just comes naturally to you and that it’s not your fault you’re not old and wrinkly? “I suppose once you learn one language, all the rest come easy. Especially romance languages.” 

“Hm,” Sister Imperator hums, sizing you up for a moment. “Find me at the end of the week and we will talk about your progress. I’m sure you will know your way around by then.” 

It seems her well of kindness has run dry.  

~~~

If the loud ringing of the bell didn’t tell you that the dinner hour had started, then the steadily rising sounds of a crowd did. You can hear the murmurs of conversation even through your closed door. A few Siblings emerge from the dormitory next to yours, their chatting and laughing growing quieter as they walk down the corridor towards the refectory. The old wood floorboards creak above you from the movement of Siblings who occupy the second floor. All around you there is an excited bustle, and yet you don’t feel like joining it. 

You have never liked crowds. Especially crowds of strangers. And these strangers all seem to know each other, if the echoes of loud conversations tell you anything. 

But your stomach does rumble, and you feel rather weak from a day of travel, so you decide that it’s best to eat something before you go to bed. Once the corridor seems clear again, you quietly slip out your door (patting your pocket to make sure you remembered your key) and make your way to the refectory. Sister Imperator hadn’t shown it to you but you can make an educated guess as to where it is. 

When you emerge into the main hall, you see a few Siblings occupying the wood benches that had been previously empty. They all hold trays or to-go boxes on their laps. Some speak animatedly, enthralling their friends with stories from their eventful day, while others sit quietly beside each other and eat. You think that it might be nice to sit somewhere to eat so that you feel a bit more connected to the Abbey, but all of the benches are occupied. The ever-growing roar from the refectory does not seem too appealing, either. 

The large room is across the main hall from the library. When you turn the corner you see that it’s not as grand as the atrium, and that it only occupies one level. There are sheer curtains hung over the windows, which allow the sunlight to illuminate the room but keeps it from growing too warm. Siblings, Clergy members, and ghouls alike sit at long wooden tables not unlike those of your home Abbey. But these tables alone are longer than the entire length of the Marseille refectory, and once again you’re reminded that you’re quite far from home. 

No, you can’t eat here. Not tonight. 

There is a long counter stretching nearly wall-to-wall to the left of the door, where a dwindling line of Siblings make their dinner selections. Whatever meal the kitchens had prepared smells delicious but you find that you don’t have the appetite for it. However, close to where you stand in the doorway and nestled in the space between the wall and the counter, are a few baskets of fruit arranged on a small table. The baskets are nearly empty, with the only indication of their contents being the small pops of color peeking through gaps in the woven pattern. 

Despite not wanting a hot meal, you are hungry, and so you enter the refectory and move towards the baskets. You opt for two good-sized oranges–although the bananas do look perfectly ripe–and turn to leave as quickly as you came. Your eyes briefly sweep over the crowd and land on a long table, perpendicular to all the others, situated on a platform at the opposite end of the refectory. The platform isn’t tall, but it is just enough to raise the table’s occupants slightly above the Siblings. The table is entirely composed of men, save for Sister Imperator, who seems to be talking to an older man with Papal paints and long blonde hair–is that Papa?

You look at the others occupying the table, and find that no less than three are also wearing Papal paints. 

Marseille is a tiny Abbey. At any given time, only about ten Siblings reside there at once. And so there is no need for an upper Clergyman to be stationed there. Instead, the Chapter is run by Bishop Beaumont, who (until now) is the highest ranking member of the Satanic Ministry you have ever met, let alone seen. 

So, to be faced with not one, but four Papas, all in the same room, makes your heart thump with nerves. You recognize them all from the portraits in the main hall, but in person they are all so much more… just more. And yet you still don’t know who is who. 

Of course, you know that all four of the most recent reigning Papas are brothers, the order of which was determined by age. The man who Sister Imperator is talking to must be Papa Emeritus I, or Papa Primo, as you’ve heard him called by Bishop Beaumont. The other three look relatively close in age, and so you truly have no idea which man currently holds the helm and steers the ship. 

You realize you’re staring when you make eye contact with one of the Papas. You nearly gasp in surprise, as if you shouldn’t even be on the same plane of existence as him… and yet your eyes met. Of course one of them would have caught you eventually, you think. You were practically ogling them from across the room. 

Hastily, you turn and make your way back out of the refectory and into the main hall. Your eyes fall on the nearest portrait. The Papal paints of the subject match the ones of the man you’d just been caught staring at. You blush as if his portrait could think, and had just caught you a second time. Your eyes flick down to the gold plate affixed to the frame, and read the words. 

PAPA EMERITUS IV.

write bad fanfic. write mediocre fanfic. write fanfic that a thousand people before you have already written. write niche fanfic. write fanfic that only a few people will read or understand. write fanfic just for you. write fanfic just for a friend. write ocs. write self-inserts. the fact that you’re taking the time and energy to put your ideas into the world is amazing and people who shame you for it need to find better ways to spend their time.

New Face Paint

Secondo x Reader || Halloween Ficlet

no beta we die like men, SFW :) I chose a new theme for my Fall Festival with the Papas collection and just thought this was too nice to rot in my WIP folder

A trail of crimson trickled from a razor edged canine perched atop an even row of teeth, fixed together in a menacing snarl. One piercingly white eye stared back at you in the dull light with a gaze that intended to bore its way into your own soul, at least until the beast rolled its eyes in irritation that is.

“Is this really necessary?”

“The silence is not scary anymore! You need to practice!” An exasperated sigh heaves its way from your chest. Weeks had already been spent begging Secondo to consider playing a more active role in the haunted house; to trade in his traditional silent scare tactics in favor of a more active approach. There was no time for him to chicken out now.

“Need I remind you, most of the Siblings already find me quite terrifying. I could stand stock still, staring, and they would turn tail and run. Which is what I do best.” His objections were quickly dismissed with a wave of your hand followed by a gentle push on his shoulders to lead him back to sitting in front of the mirrored vanity so you could adjust his make up once more.

“You are not terrifying, amore mío. But you do stare. A lot.” You reminded him with a playful squeeze of the apple of his cheek which only earned a groan underneath his breath. Your lips pursed together as you stared down at him in search of what aspect was still amiss from his costume make up. Already you had been pretty proud of what you had applied to his face. Larger faux canines affixed to his own, dribbling over his chin with fake blood, along with a stitching affect crossing over his face, opening over the top left side of his skull to expose spiraling sections of brain matter you had painted on painstakingly over the course of two hours.

“You are simply easy to stare at.” The purred flirtation combined with Secondo’s arms creeping around to encircle your torso was nearly enough to distract you from the task at hand. Credit where credit is due, the man was relentless and had almost gotten his way. Almost.

Look who's next ! 👀✨

I have to. Secondo is my fav papa to draw even if I don't draw him that much and it's been a long time since I last drew him?? Well I sketch him quite a lot but never share jaidoqbd and I need to test my new love for textured brush on him.

COWBOYS FROM HELL . SECONDO

Pairing: Outlaw!Secondo x Fem!Reader (crossover between Ghost and Red Dead Redemption and Copia is part of the bloodline because I can).

Summary: Tales of the Emeritus Brothers have traveled every corner of the Wild West since dawn of time. You had heard about them for the first time when you were a child. Your grandfather would sit outside and paint a world of chaos and destruction to you. For most of your life, that was what they were. Tales. Until their rage fell upon you and the tales turned to reality. Or the one where our beloved Papas are the leaders of a gang in the 1899 Wild West.

Word count: 4.3k

Warnings: Graphic depctions of violence, minor character death, implied/referenced talk about rape, objectification, mentions of blood, mentions of a large abdominal wound, dubious morality.

Notes: This is a repost since I moved from my old to a new blog! Will I ever continue this? Will this turn into an enemies to lovers thing? Will our boys have a redemption arc? Will they all die at the end? I have no idea. What I know is that I had so much fun writing about evil brothers being the bringers of chaos in the 1899 Wild West. This writing was 100% inspired by this amazing art. I swear I stared at it for, like, two hours. Also, although I mentioned places, weapons and outfits from the game (because I just had to… Sorry, my mind likes a lot to specify things), they definitely shouldn't stop you from reading this if you haven't played the game! Keep in mind that English isn't my first language. Sorry in advance for any mistakes. Enjoy!

If you prefer to read on AO3, here it is!

If you want to take a look at my other writings, here they are!

If you want to discover the Red Dead Redemption World, here is an interactive map (it's mainly for Red Dead Online, but choose the "Hide All" option and you should be able to properly study the map — our story is set in Ambarino, more specifically, in Grizzlies West) and here is the page where it all begins (feel free to explore the infinite pages they have about the game, including a page about weapons and other about clothes).

The logs crackled and popped in the fireplace. Umidity had permanently settled itself inside the hut, a timeless, silent, mysterious resident, which lurked in the shadows and corroded bones. The fire flickered under its influence, fighting to stay alight. You were just another visitor. Suceeded countless other visitors. Pioneers, scouts, lawmen, outlaws, gangs and gunslingers, gamblers, naturalists, bounty hunters, traders, collectors. People who had ventured north only to meet Winter. And, along with it, death. Cold had clawed at skin and bone. Only ghost stories remained, and, whenever the wind blew, they resonated inside the hut, a million voices crying for help.

And there you were.

The hut was small. Its walls were made of wood. When the wind blew harder, it whistled through the cracks between the logs. There was one bed, one table, one chair, one shelf. The bed was placed on the same wall as the fireplace. The table and the shelf were placed on the opposite wall. The former, under a window covered with a ragged blue curtain. A small kitchen had been built in the farthest corner of the hut. The counter bore a sink. It was rounded and shallow. So shallow that it was impossible to fit both hands under the tap when washing them. A cauldron had been abaondoned beside the counter. Food had rotted inside the counter and stained the wood. Other than the stains, the counter was empty.

Marion coughed. Weakly and lowly. You averted your eyes to her emaciated body, a small lump underneath a ragged blanket. She shivered, pulling the blanket closer in a useless attempt to warm herself. Her fingers tightly wrapped around the blanket. They were slender and firm, capable of shooting a rifle with incredible precision, but, in the matter of a week, they became bony and weak, uncapable of holding a spoon with minimum steadiness.

"I-In the bleak m-midwinter... In the... In the bleak midwinter... In t-the bleak midwinter..."

A dagger sliced your heart. Her voice was low and quavering; her breath, shallow and accelerated. Your fingers tightened around the cup between your hands. It was old, rusty and faded. Spirals of steam rose from it and perfumated the air with the scent of coffee. "Frosty wind made moan," you continued.

"F-Frosty wind m-made..."

She coughed again. Silence fell in the hut, except for the logs crackling and popping in the fireplace.

"Earth stood hard as iron," you insisted.

"Earth..." Marion begun, but her low voice faded into a ragged breath.

"Stood hard as iron."

Tears blurred your vision as you supressed a sob. Desperation filled your bloodstream. You had tried to avoid the truth. But, now, it was impossible to ignore it. Marion was dying. And there was nothing you could do to save her, except watch life drip from her eyes at each passing day. The deep wound on her right thigh had turned into a black mass of rotten tissue that had started to spread in all directions no matter what you did. You had three and a half bottles of Medicine, five doses of Chewing Tobacco and four bottles of potent tonics. But they were all over, and, apparently, useless despite their promising results on the first days. You had even tried Moonshine and Cocaine Gum, but they were equally useless.

It had been a day since you had arrived at that forgotten-by-God hut in that forgotten-by-God land. Not that you had a choice. The Emeritus Boys had massacrated your gang. They were popularly known as the Cowboys from Hell. Legend said they sold their souls to the Devil and ravaged the Wild West in His name, bearing skull face-paints and riding horses in flames that destroyed everything on their way. They were followed by countless masked people. It was believed they had been, once, victims of the Emeritus Brothers, and were possessed by the Devil. Their masks had the shape of the Devil, with horns and two holes for the eyes that, rumor had it, were useless, because only their sockets had remained.

When you were little, your grandfather used to tell stories of their heartless undertakings, and you hung on every single word that fell from his lips. Usually, he sat on a rocking chair at the front porch, peacefully smoking a cigarette, and you would seat in front of him, insistently begging for stories. You had promised you would protect him, and the rest of the family, if they ever set foot in your ranch as you aimed an unloaded carbine at the horizon.

The stories faded. So did the promise. Your grandfather passed away, and the Emeritus Brothers never set foot in your ranch. But tuberculosis did, and your unloaded carbine was useless to protect your family. First, it was your brother. Then, months later, your mother. Your father sold the ranch, believing a curse had befallen it, and you moved from sunny Henningan's Stead to cloudy Big Valley. A new life. That, nonetheless, never worked for your father. He ended up dying years later, drunk and lost inside his mind. You had to figure out a life for yourself.

Ended up becoming a bounty hunter, and, then, joining a gang.

A week prior, when the Emeritus Brothers appeared in the dead of the night, the stories, although faded, had turned to reality; and the promise, although faded, story. Again, you had failed to protect what you now called family. And miserably. There were no horses in flames, but four men in skull face-paints and men in masks with horns and two holes for the eyes destroyed Rowe manor.

Chester "Bad" Rowe, the gang leader, had played with fire, and, thus, suffered the consequences. So did the gang.

Suddenly, the door opened. Russell, Tim and Fannie entered the hut. And, along with them, cold, uninvited. The wind blew behind them, pushing snow inside, and the fire violently danced on the fireplace.

You abruptly stood from the chair, which loudly screeched against the floor. "The fire, damn it!"

Russell huffed and rushed to close the door. Tim glared at you as he yanked the leather gloves from his hands. A rabbit rested over his shoulder. And that was that.

"One rabbit? Really?"

"Feel free to hunt yourself," Tim irritatedly mumbled.

You glared at him, "Tomorrow."

Sustaining your glare, Tim abandoned the rabbit on the wooden table. It collapsed with a thud against it, making the rest of the coffee wave inside your cup, and you averted your gaze to the dead animal. It was a scrawny rabbit, with grey fur and long ears.

"Clean it," he spat.

You pushed him against the nearest wall, forearm pressing against his chest and hand fisting a bunch of fabric of the jacket he wore. "Don't fucking tell me what to do."

You pulled your dagger from your belt, pressing the cold blade against his throat. A single tear had streamed down your face and the path created by it shone under the fire. It stood out amongst the dirt and soot on your face.

"Hey..." Russell touched your shoulder. Fannie stood behind him in a stony silence. You exchanged a glance with her. "C'mon, stop it."

"The new leader of the gang, or, well, what rested of it," Tim ironically grinned at you, ignoring Russell and Fannie beside him.

"I needn't be a leader to cut your damn throat, bastard" you mumbled trough gritted teeth. The blade cut his skin and blood trickled out of the superficial cut, staining his clothes.

"Earth s-stood hard as iron," Marion softly mumbled from the bed. "Earth... In the bleak..."

Russell was filled with consternation for his wife. There she rested, with no prospects of getting better, and you fought because of a rabbit.

"Dear God, let the rabbit with me!" he spat at you and Tim, burrying the axe in his hand in the table and opening a crack in its wooden surface. "Stop this nonsense!"

You released Tim, and he spat on the ground. "Was it you that told the Emeritus Brothers where to find Chet? Brought those skulls and demons to do the dirty job for you so you could steal his position?"

"Tell me, what has that done for me? Starving in the middle of nowhere. No food, no medicine, nothing!" you answered. "You should work for the Pinkertons with those clever assumptions, Tim. You'd go far," you joked, an amused smile playing on your lips.

In the blink of an eye, you had been pinned to the ground. You winced when the back of your head hit the hard surface. The air was knocked out of your lungs by the weight of Tim on you. The chair fell beside you with a loud thud, and your dagger clanked away from your hand. Russell protested against the fight again. Fannie stood beside him in a stony silence.

"Whore," Tim shouted above you. It seemed his face was going to explode. Red and swollen. Veins pulsated on his forehead, and beads of saliva rested on his chin. "I could spill your guts right here on this filthy floor."

"Do it," you challenged him. Your heart rumbled inside your chest. Adrenaline and fear filled your bloodstream. "Do it."

He fumed at you, but did nothing.

"In the bleak midwinter... In the..."

You pushed him from the top of you and sat up, your hand reaching for your dagger. "Coward."

Tim pushed himself up with a struggle, but once he stood up, he spat on you. His saliva landed on your clothed thigh, and you frowned at it. You had had much worse before.

Once you slotted the dagger in your belt and stood up, Russell had pulled the rabbit skin from its muscles, and Fannie had pulled vegetables from her satchel, one carrot and one potato.

"I'll get water for the stew," you announced to no one in particular, your fingers snatching the cauldron from its corner. You definitely could fill the utensil with water from the tap if water actually came out of it, but only droplets of water mixed with rust did.

"Be careful," Fannie matter-of-factly stated.

You yanked the door open and stepped outside. You never left the hut alone, but given the tension brewing inside it, time alone would be a gift. You felt sorry for Marion.

It was dark and windy. Cold gnawed on your bones as you attached the cauldron to and hung a lamp on your saddle, in front of the chest of the animal, and mounted your horse. It neighed, maybe in protest against the journey, but obeyed you nonetheless and walked to the riverbank. The Glacier flowed east, to the Spider Gorge, approximately three miles north of the hut. You walked between the dense forest. The light emanating from the lamp fluttered before you, the paws of your horse sank in the snow, a path forming behind it.

The wind blew silently, digging its way through leaves, branches and trunks. A crack of sky was visible between the thin leaves; it was the navy-blue of the ocean, and everything was quiet except for an owl peeping lowly in the distance. You pricked up your ears to carefully listen to any small sound. It was well-known wolves wandered around the mountains, but none interrupted the journey to the riverbank.

You submerged the cauldron and shivered at the contact of your skin with the water, an icy handshake embrancing your fingers, then your hands. The metallic utensil quickly filled with water. You carried it to your horse when a wolf howled in the distance. You instantly stopped moving, body freezing in place, as still as the trees that surrounded you. Your horse whined in fear, and you glared at it. Your breath condensated in the air as soon as you exhaled.

You cursed the water for hampering your attempt to listen to the forest. The howl was followed by barks and growls. There was more than one wolf. Seconds passed before you decided to move. It would be better if you had a gun in your hand. You attached the cauldron back to your saddle.

"Quiet," you shushed your horse. Not that it would actually keep it quiet, but fear clawed at your bones. Facing a lonely wolf was entirely different from facing a wolf pack all by yourself.

A gunshot echoed in the distance, followed by more barks.

You were accompanied. And by the loudness of it, they were close.

Your horse protested, its front paws kicking the air. You hoped the water would muffle the sounds coming from the animal. Knew it was a matter of time before the wolves heard it or, well, sniffed it. You pulled your Springfield Rifle from your saddle. Another gunshot echoed in the distance. The wolves barked and growled. You stepped around a large tree, studying your surroudings.

You walked towards the sounds, slow and silent. You took advantage of the low trunks and the darkness to hide yourself from sight. The Glacier flowed behind you as you headed southeast.

"Stay," you mumbled to your horse. It exhaled in response and agitated its head, the reins clicking around its neck.

Every cell of your body begged you to be sensible and run from trouble, but you would return with a wolf in the back of your horse. Would rub salt in the wound. Tim "Dickhead" Swanson deserved it. And, well, moreover, you were starving. The rabbit would do for a thin stew. And Marion, obviously, would get the largest portion. And you, Russell, Fannie and Tim would share its remainings just to calm your nervous stomachs, but not to fill them. The prospect of a decent meal enticed your senses.

You reached a clearing. On the opposite edge, two wolves circled a lump in the snow. A low growl rumbled from their throat. They were big wolves, with grey fur and long tails. Your stomach churned with hunger. One wolf lay dead on your right, and a trail of blood traveled to where the other wolves stood. You should be fast. Other wolves might sniff the blood and you would be dead if a whole wolf pack surrounded you. You aimed at the neck of one of the wolves and pulled the trigger. It yowled and staggered before falling over the lump in the snow. When the other wolf turned to you, you noticed a foot behind it. The animal angrily advanced towards you, and you blindly shot it, your feet tumbling backwards. It seemed your heart would explode inside your chest. The wolf whined and fell on the snow. The forest fell silent.

You pushed your body up from the snow as you whistled for your horse. Once you crossed the clearing, you noticed that the foot you had seen belonged to Tim. What was the bastard doing there? What had happened after you left to fill the cauldron?

Tim rested under the first wolf you had shot, and was alive. It was possible to hear a shallow breath escaping from his lips. The fear poisoning your bloodstream was instantly replaced by rage.

The wolf that had fallen over his body hid the wound the animals had caused, but it must be large since blood abundantly stained the snow around him.

You pulled your Schofield Revolver from your belt and pointed at him. Your finger rested on the trigger. Tim had no force to open his eyes, to speak, to breathe. To react at the gun pointed at him. Judging by the gravity of the wound, Tim would certainly die no matter what you did. And you already had to take care of Marion. And you had no medicine. Nothing.

If you shot him, it would be an act of mercy.

So you did.

The bullet carved its way through his chest, and you would never admit that peace filled your heart at the sight of his dead body. You loudly exhaled. Tears blurred your vision as you suppressed a laugh. You would have to lie to Fannie. Would have to hide the fact that you had shot her husband. Would say the wolves did it. Which, actually, wasn't a lie. You had just finished their job. Right?

You slotted the revolver in your belt and hang the rifle across your chest. Then, you kneeled in front of the first wolf you shot. It was a perfect shot, and the meat of the animal would be intact. Once you pulled the wolf from over the body, blood gurgled from the wound. As you suspected, it was large. His skin had been tore apart and his guts had been exposed, intestines destroyed.

"The tables have turned, fucker. I spilled your guts," you spat at the corpse in front you.

You had definitey gone mad.

You panted as you lifted the wolf to place it on the back of your horse. Your fingers knotted ropes around it when you heard steps behind the trees. They belonged to no animal, too loud for a predator that wished to hide from its prey.

You immediatelly snatched the rifle from your back. You waited. Were in disadvantage, exposed in the clearing. Your horse sensed your nervousness and neighed.

"In the bleak midwinter," you mumbled to yourself, your fingers mindlessly tightening around the gun.

A shadow stepped from the forest. Your eyes widened in shock at the sight in front of you, but you swept the emotion from your face before he could notice it and replaced it with rage. Deep and intense rage.

The man held a personalized Litchfield Repeater, wore a black Walden Coat, black leather gloves, black Buckley hat. And, around his neck, a cross. An upside down cross with a circle around it. And, on his face, a skull paint.

His lips were tinted black and crossed by thin lines imitating the exposed teeth of a skull. His cheeks showed black patches that stretched towards his ears and, from there, towards his neck. His eyes were surrounded by black circles and, to your bewilderment, had different colors. From where you stood, it was impossible to make out the color of his right eye — in fact, it seemed there was no eye there, the black paint and the shadows strangely camuflated it —, but his left eye... Was white. And it eerily shone in the darkness. A shiver shot through your spine.

"This is indeed a forgotten-by-God land."

"Yes, ma'am," he agreed.

"But I dare say... Too cold for the Devil."

He remained silent, a mischievous smile contorting his lips.

"What're you doing here?"

"The Devil," he licked his lips as he stepped towards you. "Has unfinished business in this land."

"And where're your brothers to help you? I expected the whole entourage, the Four Horseman of Apocalypse an' shit," you defiantly said. Had just killed two wolves and a man, and the adrenaline of doing so crawled under your skin and, apparently, prevented your mind from thinking straight. Perhaps not only adrenaline. But rage either. And... You had to admit fear had its share of your skin, but you refused to show it. At least, tried not to show it. He certainly noticed the tight grip of your fingers around your gun, or the slight frown on your face, or the nervous gulp of your throat.

His mismatched eyes sparkled at the insolence on your voice.

You had lost everything because of them and were thirsty for vengeance. Had sworn to hunt the Emeritus Brothers down and kill one by one. Had no clue the prey would willingly walk towards you. People said revenge was a dish best served cold, but you would say it was a dish best eaten.

"Well, you must agree with me that it would be a waste for the four of us to come for a lonely deer."

"And you volunteered to be the hunter?"

"In fact, yes... I like hunting. Especially preys such as you,” he menacingly circled you. “That think of themselves as wolves, but, in fact, are just deers. Scared and fragile deers. 'S pitiful, but endearing."

You glared at him, your eyes following his steps and mind searching for alternatives to escape from him alive, but nothing came to it. There was only one way out. Your hands slid over the gun, placing themselves on the appropriate spots for a shot.

"No talking anymore?" he nonchalantly asked from behind your horse, clearly more interested in it than in you. It was your chance to shoot your way out of that. You just had to circle your horse and shoot him. Wherever. Just to wound him and gain a few seconds to, then, aim properly at him, preferably at his head, and shoot him again. You could do it. You had just killed two wolves. "This is a fine animal."

He touched the neck of the horse, a black Turkoman horse. Fantastic health, good stamina and fast speed. The animal impatiently neighed, and responded to the touch with a shake of the head. "Ah," he delighfully exclaimed, "A rebel horse. The best ones, right?"

"Under unknown touch," you irritatedly stated, your body turning towards him. Only the left portion of his head and neck were visible behind the horse. You refused to hurt it. The only alternative was indeed to circle it. The emotions inside your body collided and churned. There were too many, and you were growing tired of them. Of the suspense. Of standing in the edge of the precipice, uncertain about who would fall. "Tame it and its yours."

"How about you?"

Your heart missed a beat. No. No, no, no. No. You nearly puked at the words, at the wicked smile. God forgave you for murder. You would commit another one.

"How about you?" he impatiently repeated.

You loudly whistled, and your horse quickly disappeared inside the forest surrouding you, the wolf swaying on his back. The confusion created by the sudden movement allowed you to attack him before he attacked you. Your hands trembled so much that your finger pulled the trigger before you could aim at any portion of his body, and the shot missed him. He angrily growled at you, his fingers swiftly traveling to the trigger of his gun.

Instead of trying to shoot him again, you took advantage of his occupied arms and hit his neck with the body of your gun to gain space. It would be easier to shoot him if the distance between you was larger. He huffed and stumbled backwards. Was bigger and stronger, so you had to move fast before he recovered balance, but he ended up falling on the snow with a thud as you ran to him.

Once you stepped over his body, he shot you. The bullet hit your left arm, and you desperately shouted as your body burnt in pain. It slowed your movement and stealed your strenght on the limb, but you kicked his hands and fell over him. His gun tumbled on the snow and he noticed it would be useless to reach for it, so he fought you with bare hands.

You pressed the body of your gun against his neck. The fibers of your body fought against him, desperately tried to maintain your position over him, but he fiercely writhed. Gasped and cursed you as you watched his eyes widen under the pressure on his neck. Tears blurred your vision, and blood soaked your clothes. It seemed your left arm would combust with all the strength you mustered from it to maintain the gun in place.

Then, it actually combusted. When he sank one of his fingers inside the hole the bullet had carved on your skin. You screamed as you had never done before. You were certain it echoed around Ambarino. He pushed your body from over him and stretched for his gun.

Then, a hand fisted your hair from behind and pulled your head back. You winced at the new pain. "Well, well, well, fratellino... What a treat."

On your knees, you desperately observed your surroundings. An upside down cross dangled from the neck of the man who held you in place. You needn't look at his face to know he wore a skull paint either. You silently cried. It had all been in vain. The first brother had been playing you all along. Had let you start the fight. Had let you exhaust your strength. So that he could laugh at you in the end.

He pointed his gun at you, his lips pursing in a wicked grin. "Indeed, a rebel horse. Tame it and its yours."

Steps thuded around the edge of the clearing. Two more figures joined the ones who were already there. One of them pulled your horse and another one. The other one pulled three more horses.

"Ah! The whole entourage, the Four Horseman of Apocalypse an' shit," Secondo spat. "Well, let me introduce myself and my brothers to you. I'm Secondo. The man behind you, the oldest brother, is Primo. The man by your horse, Terzo. And the man by the other horses, the youngest brother, Copia."

It was impossible to look at all of them when the man introduced as Primo had such fierce grip on your hair. Your horse entered your field of vision, so did the third brother.

"What a beauty," he tutted, his fingers holding your chin. "No need to cry, mia cara," he gently wiped your tears. You hated the touch of his gloved hand on your skin and closed your eyes. "Me and my brothers will take good care of you, si?"

You wanted to puke.

Then, he turned to Secondo. "Will you share her, fratello?"

"If you tame her, fratellino..." Secondo joked. The men laughed in unisson. It disgusted you to your core the way they talked about you as though you were a piece of meat. You would kill them, one by one. "She 'as fire in her eyes, oh, she does. Killed two wolves and that ol' bastard there before I showed up."

"In the bleak midwinter..." you trembly whispered. More tears rolled down your cheeks.

Another hand grabbed your chin, rougher this time. You opened your eyes. Secondo stood right before you. "You come with us. We still need to find your friends. You didn't fill this cauldron or kill this wolf for them to starve, yeah?"

PLEASE, CONSIDER REBLOGGING THIS AND/OR GIVING ME FEEDBACK, I WOULD APPRECIATE IT A LOT!

every day this month I'm going to recommend a different spooky ghost fic! today's rec is:

The Fall Festival - @rspitespitfield - T, 3k

Get lost (and found) in the Ministry’s annual corn maze with the first Papa 🎃

"That's it. Run." He whispers to himself as his muscles tense in anticipation, the words falling on deaf ears as your foot steps mix with the crunch of gravel further and further away. But the chase has only just begun.

𖤐 you know the drill--bookmark, read, leave kudos and/or comments!

(browse the other rectober posts here.)

I'm so obsessed with Secondo using my dove as a pet name for his love because to him it represent a sort of innocent optimism, a sign of positive change in his life, reprieve from the banality and the aversion he holds for his duties in the senior clergy, freedom and relief from his own trauma and deep-rooted pain as well as a calmer state of mind and making peace with his past to move into a happier future. The first time he uses it it just feels right. And he is a romantic, he wants you to feel the implications of his use of the name, enunciating it in a way that makes the word heavy with how much emotion it carries. This man has more devotion in his little finger than others carry in their whole body. There is no way you won't feel utterly loved by him at all times.

Am I over-analyzing my own HCs? Maybe.

oh silly little old people (i couldn't find a good reference and had to improvise a lot)

his tits are out

Pronouns and gendered words

Hello! Just a bit of a heads up for every writer out there:

If you're writing dialogue in a romance language (specially spanish or italian), be careful with the gendered words! I know there are barely those in English, but here's a few examples so you get what I mean:

•Friend≠amigo. Amigo -> boy friend Amiga -> girl friend. Friend is gender neutral, but there is no equivalent in Spanish.

•Pretty≈bonita. It can be, but bonita describes something considered femenine (a plant, a house, the living room, etc.). It can also mean bonito, which has more of a masculine meaning (the sea, the sky, the grass, etc.). Pretty is gn, but it isn't in Spanish.

•Mouse ≈ topo. Mouse can be topo in italian, but it can also be rat. Different genders, possible same word.

•Kid ≠ bambino. It's more like: little boy -> bambino Little girl -> bambina. Something similar happens in Spanish:

•Child≠niña/niño. Again, child is gender neutral, but there is no gender neutral equivalent in Spanish.

There is also, officially, no such thing as they in Spanish. The literal translation would be ellos, but it specifically addresses a group of people and cannot be taken otherwise. So, what to do? People who identify as non binary in Spanish usually use gendered words with an e. Bonite, niñe, hermose, etc. It depends on each individual, but that is the widely accepted way of addressing a person. They is often translated to elle (a new word, if you see it a certain way) in Spanish, but again, it depends on each person.

I decided to make this post because I've read a few fics (both reader inserts and other types) that have characters with neutral pronouns but end up being referred to in a gendered way when another character speaks to them in a different language. I know it isn't your intention, it’s difficult to figure out when it’s not your native language. Still, I hope this helps a little bit, we should all be careful and do an effort to respect people's pronouns in all languages!

Feel free to message me if you want/need help :)

blue secondo 🦋