@kitsu-katsu’s comments (i hope you don’t mind—i thought this was all very clever analysis and wanted to reblog it separately for myself)
Something has been bothering me about the book Frankenstein, and I have to say it.
Why didn’t Victor Frankenstein give the creature a wife but just, like, tie her tubes. Like, the Creature, I’m going to call him Adam, doesn’t know anatomy? He wouldn’t know that. His brain was from a dead guy. That guy probably didn’t know anatomy. Even if he did, Adam wouldn’t know it. Adam is very smart, so even if he did go out and learn 1818 anatomy, Victor could probably just go and be sneaky about it? Not add ovaries? Or heck, get ovaries from someone who was infertile? I mean, there’s lots of couples who are in love and don’t have children. When Adam asked for a bride, he was mostly asking for companionship. He was alone in the world with nobody to talk to.
Frankenstein could have had a happy ending if he was smart about it.
(I know, not the point of the book, but seriously, I feel like this could have been a solution, rather than just point blank destroying the bride, telling the creature no, and having his wife killed as a result)
i cannot believe the common consensus around here is that walton is boring and less deserving of interest than the other narrators when in his literal introduction hes like. im a daydreamer and hopeless romantic. im an orphan. i love my sister. i went against my fathers dying wishes and pursued life as a seafarer. im self-educated. im illiterate. im a failed poet. im feminine and proud. im into pop culture. i bitterly feel the want of a (boy)friend. im gay.
“victor frankenstein was selfish” name 5 choices he actually made for himself
Very conscious that across the board Basil is emotionally disconnected and wrapped up in his own head and actively avoids reassessing his ingrained opinions and that this is key to his downfall etc… but I’m really realising the degree to which Basil does not process anything Dorian says?
Exhibit A:
Dorian Gray turned and looked at him. “I believe you would, Basil. You like your art better than your friends. I am no more to you than a green bronze figure. Hardly as much, I dare say.”
The painter stared in amazement. It was so unlike Dorian to speak like that. What had happened? He seemed quite angry. His face was flushed and his cheeks burning.
“Yes,” he continued, “I am less to you than your ivory Hermes or your silver Faun. You will like them always. How long will you like me? Till I have my first wrinkle, I suppose. […]”
Minutes later:
The painter bit his lip and walked over, cup in hand, to the picture. “I shall stay with the real Dorian,” he said, sadly.
“Is it the real Dorian?” cried the original of the portrait, strolling across to him. “Am I really like that?”
“Yes; you are just like that.”
“How wonderful, Basil!”
“At least you are like it in appearance. But it will never alter,” sighed Hallward. “That is something.”
Exhibit B:
“[…] I am changed, but you must always be my friend. Of course, I am very fond of Harry. But I know that you are better than he is. You are not stronger–you are too much afraid of life–but you are better. And how happy we used to be together! Don’t leave me, Basil, and don’t quarrel with me. I am what I am. There is nothing more to be said.“
Minutes later:
“[…] But you mustn’t talk about worship. It is foolish. You and I are friends, Basil, and we must always remain so.“
“You have got Harry,” said the painter sadly.
Addition: I have realised on pasting these back-to-back how much the problem for Dorian with Basil’s self-diminishing shows up here… Because Basil has already designated himself this role of passiveness, unimportance, and lack of value to Dorian’s life relative to his own feelings, he either refuses to or isn’t capable of processing anything contradictory. This then internally absolves him of any responsibility for affecting Dorian’s emotional state, as he doesn’t acknowledge he has the capacity to do so to any significant degree - not to have his words taken on as genuinely hurtful, and simultaneously not to have his presence be genuinely wanted.
- FREAKenstein, or; the modern PRONOUNS
- IARCHMYBACULA
- strange case of dr QUEERKYLL and mr PRYDE
- the picture of dorian GAY
- phantom of the DRAG SHOW
- PRIDE MONTH and prejudice
- WLW heights
- the stranger
- the CLOSETED man
- TESTOSTERONE island
- CUNT and PUSSY
”this video is made possible by ingolstadt morgue. not sponsored” victor says while breaking and entering
it’s come to my attention that apparently there’s a kanye west adaptation of the re-animator novelization and i couldn’t bear the burden of this awful information alone:
look at it... and its got such impassioned reviews too:
Hello and welcome to Frankenstein Fridays !!!!
Frankenstein Fridays is a weekly Substack mailing list, set on delivering one chapter* of Mary Shelley's Frankenstein (1818) to your inbox every Friday!
Basically: you know Dracula Daily? This is kind of like that, except with Frankenstein. It would be in the daily style of DD, except Frankenstein spans multiple years, not months.
Mailing will begin on Friday September 6th and end on Friday March 7th (if all goes according to plan). You can sign up any time, though.
Also, if you are so kind as to want to design a logo for FF, feel free to submit it in an ask!! ❤️❤️
(* or sections of one chapter, depending on length. The first section, for example, is Letters I, II, & III.)
CREDIT: inspired by dracula daily & @martian-messages 🔗 ; final push inspo made by @spooky-something ; saw divider by @animatedglittergraphics-n-more ; heart divider by @astralnymphh
run by @nota1eks
FRANKENDOODLES !!!!!
ive come full circle on here once again i am posting frankenstein drawings . its been so long since ive drawn him but i think i can do him justice now