Sustainable fashion for the Solar Punk
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Stuff I Learned at My Writing Workshop (That I’m Kicking Myself in the Head for Not Realizing Sooner):
- The difference between a book that grabs you from the beginning vs. one that you’re on the fence about tossing out the window is winning your trust. It’s why it’s “easier” to read books by authors you already know, or fanfic where you’re familiar with the characters. Winning the reader’s trust as quickly as possible should be your first goal as a writer when you’re going back and editing your first draft. This can be accomplished by things like: speaking authoritatively about the subject (even if it’s utter bullshit), graceful prose, or establishing quickly in the story what it’s about. For example,“Character A had a problem. Character B didn’t love them back, so Character A was going to kidnap them so they would.” Maybe it’s not a story you want to read, but you are now firmly couched in what you signed up for in this story and the promise the author is going to deliver on before the end.
- Characters need goals. They need goals in every moment and in every scene. Every character needs a goal in every moment and in every scene. Maybe they’re not directly pursuing that goal right this very moment but it’s probably always at the back of their mind. Romances and detective stories are the easiest to deliver on this need. Character A wants to win their love. Detective A wants to solve the case. Even when they’re having tea with grandma, their thing is at the back of their mind. Keeping your character and your story focused on this thing they want helps pull your reader along and keeps them engaged on the “So what?” and “Why are we reading this scene?” questions of why they should keep reading.
- Characters shouldn’t just have things they like, they should have obsessions. This is the one I’m kicking myself for. The scientists in Pacific Rim are eccentrically obsessed with studying their thing. Thorin in the Hobbit is obsessed with regaining his home. Katniss Everdeen is obsessed with protecting her sister. Every crazy whackadoodle fandom darling character is obsessed with something. What do they have in common? They’re intensely obsessed with the thing that they care about. We love characters who are obsessed with things beyond reason, whether it’s reclaiming their home stolen by a dragon, or building artisanal bird houses, saving your sister, or studying monsters. Everyone “likes” things, but people and characters who are obsessed with something fascinate us. Examine the characters you’re most attracted to writing in fanfic, and examine your original characters if you’re trying to build those, and figure out what are they obsessed with and how does that inform their character. That’s the thing that’s going to make readers care about them.
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You weren't raised to love tender x
I hate when I say things like "oh I want an ipod classic but with bluetooth so I can use wireless headphones" and some peanut comes in and replies with "so a smartphone with spotify?" No. I want a 160GB+ rectangular monstrosity where I can download every version of every song I want to it and it does nothing except play music and I don't need a data connection and don't have to pay a subscription to not have ads and don't have popups suggesting terrible AI playlists all over the menus.
Gimme the clicky wheel and song titles like "My Chemical Romance- The Black Parade- Blood (Bonus Track)- secret track- album rip- high quality"
Do they sleep with a stuffed animal? If they have multiple, who’s the favorite?
Can they take care of a plant? What about a pet? What about a child?
Ask them to describe their love interest.
Do they look good in red?
Speech! Speech! Speech! Speech! Will they give one, and what about?
Who will they take advice from, no matter what it is? Who won’t they take advice from, no matter what it is?
Describe them in three words. Now let them describe themself in three words.
Do complex puzzles intrigue or frustrate them?
Do they empathize with non-sentient things (dolls, plants, books…)?
What age do they most want to be right now?
They’ve won the lottery. Spend, or save?
Do they like romance in the books they read (or in the book they’re in)?
Name one thing their parents taught them.
Would they agree with the term ‘guilty pleasure’? Do they have any?
What would they consider a waste of time– other than school or work?
If money wasn’t a limit, what would they wear?
Do they like children?
Kissing: tongue or no tongue?
Do they study before tests? Practice before job interviews?
What do they like that nobody else does?
What would it take for them to break up with someone? What would be the last straw?
Do they like being called pet names? Do they call other people pet names? What’s their go-to?
Stability or novelty?
Honesty or charity?
Safety or possibility?
Talent or effort?
Forgiveness or vengeance (or…)?
Would they date a fixer-upper?
What recurring dreams do they have?
What would they do if they knew it would be forgiven?
Everyone has Cave Story, dipshit. It came free with your fucking computer
accepting that I will be thinking really hard about omelas approximately once per year for the rest of my life so here's a bunch of links for future me next time I go down this rabbithole
The Ones Who Walk Away from Omelas, Ursula K. Le Guin (1973)
Omelas, Je T’Aime, Kurt Schiller (2022)
The Ones Who Stay and Fight, N.K. Jemisin (2018)
The Ones Who Yell at Omelas, Rite Gud podcast (2022) [links a bunch of other responses]
tumblr post by shedoesnotcomprehend (2018)
After We Walked Away, Erica L. Satifka (2016)
Why Don't We Just Kill the Kid In the Omelas Hole, Isabel J. Kim (2024)
and bc I always forget, the BTS music video that references it is Spring Day
@ myself read another story jfc
We were discussing creating characters in my screenwriting class, and my professor had us fill out a number of these questions that I found could be helpful for other writers and roleplayers and could even be an ask meme. Below the cut are 100 QUESTIONS for your character to answer.
Keep reading
You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.
Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?
When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.
'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.
Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.
So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.