This Is Pretty Self Indulgent

A new life for Tomura part4

It hurted me deep inside yet i loved him 😭i'm fucked up

Okay okay poll I want to know immediate reactions

And feel free to share thoughts! No judgement just curious

𝓓𝓪𝓽𝓲𝓷𝓰 𝓗𝓮𝓪𝓭𝓬𝓪𝓷𝓸𝓷𝓼 𝓦/ 𝓣𝓸𝓶𝓾𝓻𝓪 𝓢𝓱𝓲𝓰𝓪𝓻𝓪𝓴𝓲

(𝑺𝑭𝑾 + 𝑵𝑺𝑭𝑾 𝑯𝒆𝒂𝒅𝒄𝒂𝒏𝒐𝒏𝒔 𝑾/ 𝑻𝒐𝒎𝒖𝒓𝒂 𝑺𝒉𝒊𝒈𝒂𝒓𝒂𝒌𝒊 𝒙 𝑭𝒆𝒎!𝒓𝒆𝒂𝒅𝒆𝒓)

𝑪𝒐𝒏𝒕𝒆𝒏𝒕 𝑾𝒂𝒓𝒏𝒊𝒏𝒈𝒔: 𝑺𝒍𝒊𝒈𝒉𝒕𝒍𝒚 𝑺𝒖𝒈𝒈𝒆𝒔𝒕𝒊𝒗𝒆, 𝑭𝒆𝒎!𝒓𝒆𝒂𝒅𝒆𝒓, 𝑺𝒘𝒆𝒂𝒓𝒊𝒏𝒈 + 𝑵𝑺𝑭𝑾 𝑨𝒉𝒆𝒂𝒅

When you first met Tomura, he was so fidgety and nervous around you, always scratching at his neck and cheek when he thought he had ruined his chance with you.

People would think it’s a bit creepy with the amount of staring he gives you, but he really is just awestruck by you; his eyes always admiring you.

When you two start officially dating, he feels like he’s in heaven; all his sorrows are washed away when he’s around you.

In public, he’s a bit distant, unlike in private, where he’s all over you. However, that all changes when he sees someone stealing your attention away from him.

He’s so possessive of you and will get jealous whenever he sees someone flirting with you or just chatting you up.

Expect a protective arm around your shoulders or a hand on your waist when you guys are out; he’ll lean in close next to your ear while walking you away from them. "You’re mine; remember that."

He’s pretty touch starved because of his past, so please smother him in kisses, hug him closely, and just make sure you’re close to him; he’ll 100% appreciate it.

He enjoys putting a hand on your thigh when you’re both sitting; he does it since it reminds him that you’re there with him.

When he’s playing video games, he’ll gladly let you play, though he might be an asshole when it comes to 1v1 games. He just likes being a winner LMAO

If you’re not into playing video games, then he wouldn’t mind you just watching him; he likes whenever you rest your head on his shoulder or when you let him rest on your lap while playing.

He also likes when you’re sitting on his lap, arms around his neck, while he's busy playing, though he’ll complain if you’re squirming around too much.

Tomura also likes sharing things with you; if it's his clothes, it's all yours. Food? He’ll pass you his plate; he just likes seeing your cute smile whenever he agrees to share things with you. He also loves having matching things with you, though he finds it ‘stupid’ his words—at first. He finds it really adorable to have matching jewelry or key chains with you.

When he compliments you, it comes off either possessive or a bit mean, so take it or leave it LMAO

"Your stupid face is so fucking cute." "So perfect just for me, my pretty girl." "Dumbass, why are you so adorable?"

NSFW BEYOND THIS POINT

Tomura was most likely inexperienced when going into a relationship with you, and he’s constantly thinking such impure thoughts when you’re around him.

When you’re sitting on his lap, he can’t help but grind his throbbing cock against you, his hands gripping the fat of your hips while he huffs hot breaths against your ear.

He has a love-hate relationship with the cute skirts and tiny tops you wear; oh, how the thin pieces of fabric make him want to pull them down and fuck your soft tits, flip up your skirt, and spank you, leaving his pants feeling tighter.

He’d fuck his fist, thinking about how heavenly your skin felt against him and how you’d look at him with those beautiful eyes and lips of yours.

Tomura is quite literally a pervert; when he goes over to spend time at your house, he'll steal a couple of your panties, maybe a bra or shirt, so he can later spill his cum along the fabric while thinking of fucking you.

When it comes to having sex with him, he often switches depending on his mood. If he’s needing to fuck out his anger, he’ll be more dominant, but in any other mood, he’ll let you decide and take the reins.

Oh, he definitely whimpers, especially when his head is buried between the plush of your thighs, his tongue lapping at your slick folds while you call him a good boy.

He loves it when you praise him, tell him how good he is, and reassure him that he’s making you feel so good; it always has his cock throbbing and tip leaking.

Loves when you sit on his face, his nose rubbing against the nub of your clit while his tongue slips inside you, and bonus if you pull his hair, he’ll give you the cutest whines.

If he’s feeling frustrated, he’ll become so rough with you, manhandling you and marking you up while he bullies his cock inside you.

When he’s upset, he shows more of his possessive side, especially if you make him jealous. His thrusts are harder, his grip on your ass is tighter, "You little slut, remember you’re mine."

"Don’t fucking forget who owns you—who owns this pussy." He groans out while he pushes your legs closer to your chest, his thrusts getting ever rougher as he reaches his high.

Tomura himself likes when you mark him up; he loves the feeling of your soft lips against his neck and chest, feeling your teeth graze his skin; it always has him melting against your touch.

"Such a fucking slut for me." He grunts out while you cock warm him inside your mouth. "Shit, so good at using that pretty mouth of yours."

When he’s fucking you, he enjoys positions where he can see your face, and he loves when you're all teary-eyed and flushed.

(Thank you so much for reading! Hope you all enjoyed! GYAH ok ngl this guy is so scrunkly but so fun to write about and in the future im definitely writing about him LMAO so if you're interested in that or want to request him my inbox is always open! also heads up i maybe unable to post for the weeks coming up due to a vacation im going on but i will definitely try to write some stuff during my break!)

i like to joke about my height but honestly i love it ! I'm 5'1 (1m54) by the way✨🫶

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the new postmodern age (chapter two) - a Shigaraki x f!Reader fic

Written for @threadbaresweater's follower milestone event, and the prompt 'a day at the beach'! Congratulations on the milestone, and thanks for giving me a chance to write this fic.

dividers by @enchanthings

Before the war, you were nothing but a common criminal, but in the world that's arisen from the ashes, you got a second chance. Five years after the final battle between the heroes and the League of Villains, you run a coffee shop in a quiet seaside town, and you're devoted to keeping your customers happy. Even customers like Shimura Tenko, who needs a second chance even more than you did -- and who's harboring a secret that could upend everything you've tried to build. Will you let the past drag both of you down? Or will you find a way, against all odds, to a new beginning? (cross-posted to Ao3)

Chapters: 1 2

Chapter 2

One of the dubious perks of living in a coastal town is fairly mild weather in the spring, but every so often it kicks up with a vengeance. The windows in your apartment are rattling with the wind and rain, and you keep getting power outage alerts on your phone. Your power is still on, along with about half the town’s, and the café has backup generators if anything goes wrong. But tomorrow’s the one day a week that the café is closed, anyway, so you’re curled up on your couch under a blanket, trying to make yourself read a book instead of scrolling your phone. It’s going all right, but when the phone buzzes on the coffee table next to you, you pounce on it with shameful speed.

It's a text from Tenko – Shimura. It’s from Shimura, who you’ve gotten into the bad habit of calling Tenko in your head. my power just went out

that sucks. You wonder if you should offer to help, but what would you even do? did you lose any files?

autosave. but the deadline’s tomorrow and my WiFi went down too. That still begs the question of why Shimura’s texting you about it. town still has power. can I hang out in the café and finish the project?

Now you get it. Shimura’s in hot water and he needs you to bail him out. It’s the kind of thing you’d do for a friend. A lot of things you and Shimura do are the kind of things friends do.

Not that you’re friends. You never see each other outside the café; you ran into him at the grocery store a few months after he started coming in and he pretended he didn’t know you. But inside the café, when it’s quiet, the two of you talk. You learned what he does for work – beta-testing computer games and identifying spots that need a patch – and he learned that you have basically no life outside your job, which he can’t judge you for because he doesn’t have one, either. When the two of you traded phone numbers, it was a work-related thing. Since the babkas have gotten popular, he texts on days when he’s planning on coming in, so you know to set one aside.

Except that’s not all he texts you about. He texts you about the most random things, in massive bursts between days of radio silence, and when he comes into the café again, he keeps talking about whatever it was like you’d been talking about it the whole time. It’s like he has no idea how to carry on a text conversation. Or how to have a friend.

You don’t have a great idea of how to have a friend, either. Let alone a friend you have feelings for. If Shimura was just your friend, you’d have texted back by now. Shimura texts again. I get it if you don’t want to come back into town when the weather’s shit. i would have asked about your place but I didn’t want to make it weird

Not weird. You answer without thinking too hard about it. I don’t know how much longer I’ll have power. You should probably come over now.

yeah. address? Shimura gives a thumbs-up once you send it. thanks.

You give him a thumbs-up, too. You’re already worried you’ve made a mistake.

The power’s still on by the time Shimura knocks on your door, which is one of your worries dealt with. You’ve changed out of your pajamas, and you moved stuff off the kitchen table and hid it in the hall closet so he’ll have a space to work. You’re feeling almost normal by the time you go to let him in, and he slinks through the door, looking like a drowned rat and shivering like a kicked puppy. “It sucks out there,” he mumbles. “My heat went out, too.”

“Mine’s still on. And I’ve got blankets and stuff if you want them,” you say. Shimura is still wearing his mask, but his hoodie is soaking wet, and when he takes down the hood you see that his hair is wavier than you thought. Or maybe it’s just the water. “The WiFi password is on the fridge. Make yourself at home.”

Shimura takes off his shoes and pushes his hair out of his face to peer at your apartment. “Nice place.”

“Don’t be mean.”

“I’m not. It’s not a mess and there aren’t holes anywhere. It’s nice.” Shimura gives you a look you don’t know how to interpret. “Thanks for letting me come over. Uh –”

He runs out of whatever he was going to say, but you’ve got no idea what he was going to follow up with. The two of you stand there for a second. Shimura’s hoodie is so sopping wet that it’s making puddles on the floor. “Okay,” you say finally. “Give me your hoodie and I’ll put it in the dryer.”

“You have a dryer? I drag my shit to the laundromat.”

You used to, but then you found out about all the petty things civilians do to make people like you feel unwelcome. Shimura hasn’t noticed because Shimura’s undercover. You wait while he peels off the hoodie. You’ve never seen him without it, barely seen him with the hood down, and beneath it, his clothes are just as oversized. His arms are bare and pale – and scarred. You wrench your eyes away, take the hoodie to the dryer, and take the opportunity to compose yourself along the way. You have a friend over. Normal people have friends over. You’re helping a friend. It doesn’t get more normal than that.

When you come back, Shimura’s hard at work at the kitchen table, laptop open and notebook at his side. You don’t want to distract him. You have a feeling the two of you are racing the clock with the storm and the power lines, so you sit down on the couch with your blanket and pick up your book. No way are you going to be able to read. When you’re at work, you have a million things to do. Right now, there’s nothing for you to do but watch Shimura.

He's focused on whatever he’s doing, typing fast but lopsided. It takes you a second to figure out what the problem is, but once you do, you’re startled – two fingers on his left hand are basically paralyzed. Maybe that’s why he wears the gloves. His hair falls to his shoulders, and although it’s black, there’s a flatness to the color that tells you it’s not natural, and that he did it at home. Maybe you should offer to do it for him when his roots start to grow out. You’ve never seen the lower half of his face, but apparently you didn’t need to in order to give yourself a crush on him.

You like him. You’re being silly about it. And you’re staring. You stick your face back in your book.

But it can’t hold your attention for long when he’s here, and when you inevitably look back up, you find Shimura already watching you. “What?” you ask.

“Get over here. I need your help with something.”

“I don’t game.”

“It’s not about gameplay. It’s –” Shimura beckons to you impatiently, and you abandon your book and blanket to peer over his shoulder at the screen. “Something’s wrong with this stage. It looks like shit. I told the devs that, and they said I had to be more specific –”

“It’s the color saturation,” you say. Shimura looks up at you. “And the shadows are wrong. If the light source is supposed to be coming from above – like the sun – the shadows should be in different spots. Or there should be shadows, and there aren’t any. That’s why the character looks like – that.”

You glance away from the screen, at Shimura. “What kind of game is this?”

“It’s a dating sim. Shut up,” Shimura says. “I don’t get to pick what I test. What was that about the shadows?”

“They need to fix the lighting.”

Shimura looks irritated. “They’re gonna want specifics.”

“The stage looks flat because they haven’t added shading to match the light source,” you say. Shimura pulls up another document and types something into it. “Shading gives dimension. And the color saturation is too high. That’s why it looks like –”

“A fucking eyesore.” Shimura minimizes the document, then clicks a dialogue option to advance the game to the next screen. “Same problem here?”

You nod, but it’s not the only problem. “Is this supposed to be a schoolgirl sim? High school girls don’t talk like that.”

“How do you know?”

“I was one,” you say. You read the response to Shimura’s chosen prompt again. “This skews really young. Like, twelve or something.”

Shimura’s face twists with disgust. “How do we fix that?”

“Fewer exclamation points,” you suggest. Shimura writes that down. “Does it have to be high school girls? For this game?”

“They’re supposed to be college girls so it’s legal. The outfits are how the dev wants it.” Shimura rolls his eyes. “But he’s a pro hero, so it doesn’t matter that he’s a perv. Right?”

“I didn’t know there were pros making computer games,” you say. “I know a lot of them have side hustles, but – pervy dating sims?”

“Pervy dating sims. Sorry to burst your bubble.”

“I’ve been captured seventeen times and only twice by cops,” you say. “I don’t really have a bubble.”

“Seventeen times,” Shimura repeats. “I can’t tell if that’s a flex or not. Who got you?”

“Um –” You think it over. “Kamui Woods, back when he was field-testing that Lacquered Chain Prison thing.”

“That thing fucking sucks.”

“Tell me about it. Death Arms nabbed me at one point, but he dropped me when I turned him green.” You’re still proud of that one, even if you got in worse trouble for it than usual. “Endeavor actually caught me tagging something once. I would have been screwed, except I guess he was looking for a more high-profile case.”

“So he just let you go?”

“Yep.” You think back on the other times you got booked. “One time Fatgum got me. And then some work-study kids from Shiketsu High.”

Shimura snorts. “Kids got you?”

“My quirk’s not very dangerous,” you say. By that point you’d learned that turning people different colors could net you an assault charge. “And then it was Eraserhead. Four or five times. I can camouflage with my quirk and he could turn it off.”

Shimura nods. He’s clicking through screens on the dating sim. “What about you?” you ask. “Who caught you?”

“I only got taken into custody one time,” Shimura says. “I had run-ins with, uh – Eraserhead, Present Mic, Thirteen, All Might, Endeavor, Kamui Woods, Ryukyu, Miruko –”

Those are all big-name heroes. You have to wonder what Shimura did. “But I guess Midoriya’s the one who made it stick,” Shimura concludes. Midoriya? It takes you a second, and Shimura fills in. “The one with the stupid name. Deku.”

“Oh.”

Deku’s active hero career was fairly short, and all his fights were big ones. Shimura must have been working for somebody powerful before the war, or during it. Shimura’s shoulders stiffen, suddenly. “Forget I said that.”

“Okay,” you say. Maybe he’s embarrassed about getting captured by a student, even if you just told him you did the same thing. “If you forget I got arrested seventeen times.”

“Deal.” Shimura clicks through a few more screens, then curses. “You’ve got to be kidding me.”

“What?” You peer at the screen, and Shimura blocks it. “Is it proprietary or something?”

“No, it’s porn,” Shimura says. He’s scowling. “There’s not one route in this game that doesn’t end with the player getting laid by three characters at once.”

Three seems like a lot, but – “Isn’t that kind of what dating sims are for?” you ask. Shimura shrugs. What little of his face you can see around the mask is flushed. “Wait, is this how you have to test them? Playing through every route?”

“And getting all the bonus cutscenes.” Shimura rolls his eyes. He glances at the screen. “Great. There’s audio.”

“What kind?” you ask. “You have to check if it works, right?”

“Maybe it’s background music,” Shimura says. He presses play.

It’s not background music. It’s exactly what you’d expect, and it’s painfully loud. Shimura scrambles to mute the game and pauses it two seconds after a shot of something anatomically improbable. “Let me guess – the lighting’s fucked up here, too. Right?”

“And the facial movements don’t match the audio,” you say. “Did the developers send you this before it was ready?”

“No, they’re just on a budget. This is as ready as it gets.” Shimura shows you a dialogue prompt. “Do women say stuff like this?”

“Um – no. Not as a first-time thing. If this is a first-time route.”

“It is.” Shimura groans. “I still have a quarter of the route left. Let’s go.”

“Go where?”

“The couch. I need your help with this and you only have one chair at your kitchen table.”

Your couch is sort of messy. You shift the blankets and pillows around to make room for two. Shimura props his feet on the coffee table, sets a pillow on his lap, and balances the laptop on it. “If you spot any more off-balance graphics, tell me. I already made a note about the dialogue.”

“Can you turn the brightness up?” You sit down next to him. The contrast shifts, and you wince. “The light’s wrong.”

“Again?”

“Yeah. Unless that love interest is supposed to give off light.” You don’t know anything about this game. Maybe it actually is about glowing college girls in high school uniforms who really like foursomes. “If she isn’t, that’s a problem, because she’s the light source for the whole frame. And if she is, there’s no shading, so it’s flat again.”

“Ugh.” Shimura rolls his shoulders. “This is gonna be a long night.”

It’s going to be a long night, but it’s also sort of fun. You haven’t hung out with a friend in a while, and it’s nicer than you remember. You decide you want hot chocolate, so you make a cup for Shimura, too, and you learn a lot more about making erotic dating sims than you ever wanted to know. By the third porn interlude, Shimura’s basically out of patience. “This is a waste of time.”

“You’re getting paid for it, right?” you ask. Shimura nods. “Is there something you’d be doing if you didn’t have to do this?”

“Yeah. I’d be talking to you about something other than this dumb game.” Shimura hits the skip button five times in a row. “What were you doing when I texted?”

“Trying to read.” You point out the book on the coffee table and Shimura inspects it. “I used to read a lot when I didn’t have a phone, but it’s hard to get back into it when the phone is right there. That’s why I texted back so fast.”

Shimura’s frowning behind his mask. “Why didn’t you text me first?”

“To ask if your power was out and invite you over?” you ask, puzzled, and Shimura’s frown deepens. “I’d text you more if I thought I could get away with it.”

“What does that mean?”

“Um, just that I’m not sure how much you want to talk,” you say, “and I don’t want to annoy you. That’s it.”

“You know what’s annoying? That.” Shimura clicks through a few more screens. “We can’t talk at the café because you’re busy. You never ask to meet up when you aren’t busy. When else are we supposed to talk?”

“Shimura –” You must have missed something, somewhere. Some little detail that makes all of this make sense. The lights in your apartment flicker, and your stomach jolts. “I think the power’s going.”

“Shit.” Shimura starts typing faster, splitting his screen between the game and the document where he’s been making corrections. “Shit!”

“If the internet goes out, I can use my phone as a hotspot,” you offer.

“The signal won’t be strong enough. I have to send so many fucking screengrabs.” Shimura’s fingers fly across the keys. “If you want to help, start praying that the electricity holds out long enough for me to get this done.”

“I’ll pray,” you say. “I don’t want to be responsible for you losing your job and going back to a life of crime.”

Shimura laughs at that, raspy and sharp, and keeps typing. You watch as he clicks through stages, skips cutscenes he’s already played, hits a key on his keyboard that generates screengrabs of any stage he’s found an issue with, all while typing into a note document at the same time. He’s fast. You’ve never seen him work this fast in the café, but then again, you’ve never really gotten to observe him in the café, either. You’re always busy. Too busy to talk – at least not as much as Shimura wants to talk. He wants to talk to you more. Has he really been waiting for you to make the first move?

The lights flicker again, the room going dark for a split second before brightening up again. Shimura’s no longer typing – instead he’s watching a file upload to a server, progressing a few megabytes at a time. You switch from facetiously praying to actually praying. Your power only needs to hold out long enough for Shimura’s upload to finish.

The entire status bar on the upload turns green, and a checkmark appears, confirming it’s complete. A second later, your power goes out, plunging your apartment into near-total darkness.

Shimura breathes a sigh of relief. “That was close,” he says, and shuts the lid of his laptop, making the darkness complete. “Now I don’t have to return to my life of crime.”

“Good,” you say. “I’d be sad not to see you at the café again.”

He said he wanted to talk to you more, so it’s probably safe for you to say you’d be sad not to see him. Your eyes haven’t adjusted enough to make out more than Shimura’s shape in the darkness. “I looked up the NCRA thing. You could have gone for job training. Why’d you decide to open up a coffee shop?”

“I didn’t just want to make money.” You got asked this same question when you applied for the NCRA in the first place. “People always told me that I was selfish, because all criminals are selfish, so I wanted to make something for other people. I wanted to be able to give other people something I didn’t have when I needed it.”

Shimura sets his closed laptop on the coffee table with a quiet thud. “You really seized the day with this stuff, huh?”

“I didn’t want to live the way I was living before,” you say. “It was either stop living or try something else.”

“Did you think it would work?”

“I didn’t know,” you say. “I wanted to find out.”

That’s what it was, more than anything else. You told yourself you’d go one day at a time, that at the end of each day you’d decide if it was worth trying again tomorrow. At first it was out of spite. The early days of the NCRA were filled with detractors, people who thought criminals and villains deserved to rot in prison or worse, and every day you went without violating your probation was a day you spent pissing them off. But soon it was more than that. You worked on names for the café, too focused on finding the right one to pretend it didn’t matter. You taught yourself to use an espresso machine, and you wanted the chance to use it. You put your first mural up and started planning the next one. Without meaning to, surviving out of spite became surviving for yourself.

“Yeah,” Shimura says after a second. “I want to find out, too.”

Something about his tone of voice captures your attention. You turn to face him, turning on the flashlight on your phone, but the brightness makes you flinch. You lower it partially, and Shimura’s hand comes up to force it down the rest of the way. “Don’t,” he says. “I have to take off my mask.”

Anticipation puts a twist in your spine, and as your eyes readjust to the darkness, you see Shimura unhook one side of his mask, then the other, lowering it away from his face. You’ve never seen the lower half of his face before. “Why did you take it off if you don’t want me to see?”

“Because I want to kiss you and it would get in the way.”

You thought your crush on Shimura was going nowhere fast. You didn’t think there was any chance he’d want you, too. His gloved hands settle at your waist and stay there, shifting you closer to him. You feel his breath against your cheek a moment before his lips, dry and cracked, meet yours.

It’s a quick kiss. Quick, and tentative. He draws back, but he doesn’t go far. You can still feel his breath against your skin, and when you lean forward again, he kisses you a second time. A second time melts into a third, a fourth, blending so seamlessly into each other that you lose count. Kissing Shimura doesn’t set you on fire, but you can’t remember another time where you felt curious like this. Where you’ve wanted to see what another kiss will do, rather than losing patience and pulling away.

The power doesn’t come back on, and just like the darkness emboldened Shimura to take off his mask, it emboldens you to unfold your hands from your lap and touch him. His kisses grow more insistent as you run your hands along his back, when you rest them against his shoulders, fingers uncurling along the length of his collarbones. Shimura’s hands don’t leave your waist, but his grip on you tightens. It tightens further when you run your fingers along the side of his neck.

You’ve seen him scratching there, so it’s not hard to imagine it’s a sensitive place. You draw back from kissing him and press your lips against it, and Shimura speaks, his voice even raspier than usual. “Did you like me this whole time?”

“Huh?”

“Did you like me this whole time? You gave me free stuff when I came in.”

“I gave you discounted stuff,” you correct. You kiss his neck again. Shimura stirs discontentedly under your hands and mouth. “You were a new customer. I wanted you to come back.”

“You saved a pastry for me the day that hero showed up,” Shimura says. “Did you like me then?”

He’s really stuck on this. “Why do you want to know?”

“I couldn’t tell if you liked me or not. I thought you did, but I wasn’t sure.” Shimura’s head tilts, exposing more of his throat, but you’re more interested in his shoulder, partially revealed by the neck of his oversized shirt. “I want to know when.”

“It would have been when I saved the pastry for you, except you were kind of a dick that day,” you say. Shimura snorts. “After that. But before your birthday. I meant it when I said I’d go to your party.”

“You’d be the only one.” Shimura’s hands leave your waist, sliding beneath your shirt. He’s still wearing his gloves, but his exposed fingertips are rough. “Next year.”

He’s thinking way ahead. How do you feel about that? “Yeah,” you say, edging closer to him. “Next year.”

Part of you feels crazy for this. You’re crazy for making out with Shimura on your couch, yanking off his shirt and letting him unhook your bra, tangling your hands up in his hair and tugging it ever so slightly and feeling a sharp stab of desire when he gasps against your mouth. The rest of you doesn’t care. There will always be something within you that doesn’t evaluate risk quite right, that doesn’t care about the aftermath when something you want is right in front of you. Shimura is the first thing you’ve wanted in so long that’s got nothing to do with the faultless new life you’ve been trying to build. You want him, and some part of you will always be bad at saying no to what you want.

An alarm goes off on Shimura’s phone and scares the two of you apart. You’re closer to it, and when you grab it, you notice two things right away. First, that Shimura’s alarm is labeled “go to sleep, moron”. Second, the time. “It’s two am.”

“Shit.” Shimura lifts the phone out of your hands and silences the alarm. “You need to wake up in three hours.”

“The café’s closed tomorrow.” You’re sort of touched that he remembered how early you have to wake up on workdays. Your heart is still beating too fast. “Do you need to go?”

“The streetlights are still out.” It’s pitch-dark outside your window. “Can I crash on your couch?”

“You could,” you say. “The bed’s more comfortable, though.”

“Yeah, no shit. It –” Shimura’s head snaps up. “Wait, seriously?”

“Yeah,” you say. “I don’t know about you, but I wasn’t done here.”

“Me, either.” Shimura stands up, and so do you. “Let’s go.”

Your apartment is tough to navigate in the dark, even for you, and Shimura bumps into every obstacle you know about and a few more you didn’t think would be a problem. He swerves to avoid the edge of your kitchen table and walks straight into the corner of the hallway that leads to your bedroom and the bathroom. “Fuck!”

“Back up a few steps,” you say. Shimura backs up. “Take two steps to the left. No, your other left.”

Shimura curses again, quieter. “Either this place is a fucking labyrinth, or –”

“You got so wound up you walked into a wall,” you say. Shimura snorts. “You’ve never been here before, Shimura. Take it easy.”

“Tenko.”

“Hm?”

“It’s Tenko,” he says. You get the faintest hint of butterflies in your stomach. “We made out for three hours and you invited me back to your bedroom. Quit it with the Shimura thing. I’ve been using your name the whole time.”

“Okay. Tenko.” You step forward until you’re right in front of him. “Hold out your hands.”

He holds them straight out at shoulder height and narrowly avoids smacking you in the face. You take them both and pull them down, noting how badly Tenko startles. “You’ve been using my first name, but you don’t want to hold my hands?”

“I don’t get why you want to hold mine.”

“Why wouldn’t I?” you say, puzzled. You take one step back, and another, and another after that, until your back hits your bedroom door. “Like you said, I asked you to stay over.”

“I asked to stay over. You said –”

“I remember.” You can’t believe you did that. You don’t regret it, but you’re a little floored. “I wouldn’t have done that if I didn’t want to hold your hands, too.”

Tenko steps forward, crowding you against the door, and kisses you without letting go of your hands. It feels different than the earlier kisses, not frantic or heated, not light or uncertain, not slow or deep or inexorable. This feels like a movie kiss, the kind at the end of a romcom where everything and nothing’s been resolved. Your life has never been a movie. There’s every chance that this is a mistake. But you don’t mind setting it aside for a little while, from now until you fall asleep. You keep kissing Tenko in your lightless apartment, and you don’t let go of his hands until it’s time to open your bedroom door.

You’re not hungover when you wake up, and when you think about it, you’re not actually confused. You know why it’s warmer in your bed than usual, why you feel like that, why the first thing that hits you is uncertainty, anxiety. Shimura came over last night, because the power went out in his apartment and he still had work to do. The power didn’t go out in your apartment until after his work was finished. And you shouldn’t be calling him Shimura in your head, because sometime between the couch and your bedroom, he told you to call him Tenko – and then he gave you a lot of chances to get used to saying his name.

Your face goes up in flames at the memory, but there’s no stopping it, and there’s no relief in waking up. When you turn your head, you see Tenko asleep on his side, the shadowy scars on his back interrupted here and there with scratches you left. It’s the scratches more than anything that hammer it home to you, more than the fact that you’re naked or the soreness between your legs. You slept with Shimura Tenko last night, and you let him come inside you, and you didn’t pee after sex like you’re supposed to do. You didn’t even clean up. What did you do?

You sit bolt upright in a panic, and beside you, Tenko stirs. “Too early,” he mumbles. One hand reaches out for you, closes three fingers and a thumb around your forearm, and yanks you back down. “Sleep.”

“I don’t usually sleep late,” you say, trying to keep your voice steady.

“I don’t usually sleep.” Tenko’s halfway back to it already. You glance at the hand holding your arm and realize that it’s ungloved. You’ve never seen Tenko without his gloves. “Don’t ruin it.”

You’re ruining his sleep by getting up? How? The question is answered when he flops back against you, forcing you into the role of the big spoon whether you want it or not. You know he doesn’t sleep well. You’ve seen dark circles under his red eyes, and he wouldn’t have set a two am alarm that calls him a moron for staying awake if going to sleep was easy for him. Tenko’s a guest, and your friend – maybe – and whatever else he is or isn’t, you slept with him last night, and he slept over. Maybe you should just be grateful that he didn’t flee the scene. You’ve heard guys do that the morning after. It’s not something you’ve seen before, because nobody you ever slept with before stayed the night. They wouldn’t have, even if you’d had a place to stay.

You lie back down and wrap your arm loosely around Tenko’s waist, turning your head and pressing your cheek against his shoulder. There’s scar tissue under your cheek, just like there was on his neck, just like there is on his back and his arms. Something horrible happened to him. You don’t have the first clue what it is, but it’s in his past. He’s here. You close your eyes and do your best to fall asleep.

When you wake up again, there’s light slanting through the window, and your ceiling fan is on. The power’s back. Tenko’s here, awake, but he must have left at some point, because he has his mask on again. He’s also got his phone in his ungloved hand, scrolling away at something. His other hand, still gloved, rests on your bare back. Not doing anything, not starting anything. Just – there.

You clear your throat. “You’re still here.”

“Where else was I gonna be?” Tenko gives you a weird look. His bedhead is absolutely horrendous. “I don’t have a new project yet and it’s your day off. So we can hang out.”

You think through what you were going to do today. It wasn’t much. Mostly errands – laundry, picking up a prescription. But you’d planned to do something fun, too. “Want to go down to the beach?”

“The beach?” Tenko sounds like he’s thinking about it. Then he shakes his head. “Too many people.”

“On the main beach. I go to a different one. It’s a lot quieter over there.” You look up at him. “After a storm like last night’s there should be tons of good stuff washed up. And if you want we can come back here to hang out afterward. Or go to your place.”

“My place is gross,” Tenko says. He grimaces behind the mask. “I mean – I’m not gross. It’s gross. Everything has a hole in it. And I don’t have, like – I don’t decorate. It’s not –”

“It’s okay,” you say. “We don’t have to go there today.”

“Some other time,” Tenko says. “I have to clean.”

“I’d have cleaned if I’d known you were coming over.”

“This place is clean.” Tenko’s fingers tap a pattern on your back. “Fine. I’ll go to the beach with you. If anything bites me I’m leaving.”

“We’re not getting in the water. It’s still too cold,” you say, laughing. “But sure. Fine. You’ve got a deal.”

“I’m serious. If something bites me –”

“I’ll protect you.” You sit up as he scoffs, leaning in to kiss his cheek over the mask. “You agreed to try it. It’s the least I can do.”

You can tell Tenko’s frowning when you draw back. “We had sex last night and I get a cheek kiss?”

“I’m not making out with you through your mask.”

“Close your eyes, then.”

You do. You’re not sure why Tenko’s so insistent on only taking off his mask when you can’t see his face, but you don’t have a problem respecting that boundary as long as he still kisses you every so often. Just like last night, you feel Tenko’s breath against your skin before his lips meet yours – but while last night you had curiosity, now you have memories, and heat floods through you as you kiss him. When Tenko pulls you down into his lap, you don’t argue with him. He's already half-hard, and he hisses sharply when you shift against him. It’s all too easy to imagine his expression.

You saw shadows of it last night, and you remember something else, too. “Did you make me close my eyes so I wouldn’t call you pretty again?”

“Not pretty,” Tenko mumbles. “You’re weird.”

Maybe, but you’re not wrong, and you also know it’s not a mood killer. A few more kisses and Tenko’s hard again, his hands grasping your hips and pulling you down towards his cock. No condom, again. You didn’t have one last night, and you’re still not on birth control, but – you sink down on him for the second time in twelve hours, and your thoughts flutter uselessly alongside your eyelids. You had your period a week ago. You’re not going to get pregnant. It’s – fine –

It’s so close to noon that you can barely call it morning sex, but if this thing with Tenko keeps up, morning sex is a strong contender for your favorite kind. Or maybe you just like riding him. Maybe both. It’s slow and easy, and Tenko leans back against the headboard, letting you do most of the work. He has one request, though. One thing that’s odd. “My right hand. Hold it down.”

You curl your fingers around his wrist and pin it to the headboard, and his hips jerk sharply. “Yeah. Don’t let go.”

His right hand’s immobilized, but his left stays on your hip, fingernails digging in as you increase your pace. With your eyes closed, with nothing to ground yourself but Tenko’s touch, it’s all too easy to lose yourself. You come on his cock in a rush of pleasure that leaves you gasping, and Tenko’s wrist strains in your grip as he loses control seconds later, a low moan wrenching itself out of his mouth. He’s shaking beneath you, and when he speaks, his voice is a wreck. “This was a bad idea,” he says, and your heart plummets. “Now I’m too tired for the beach.”

You laugh breathlessly. “I bet we can rally,” you say. “Let me know when it’s safe to open my eyes.”

Even once Tenko’s put his mask back on, he doesn’t want to let you out of his lap. You get up anyway and stagger to the bathroom, catching a glimpse of yourself in the mirror on the way. You definitely look like you had sex twice in the last twelve hours. You don’t look half as anxious as you feel. You vaguely remember telling yourself not to worry about what this means last night, but you and Tenko are going to have to talk at some point, because not knowing what’s going on is stressing you out.

You have to kick Tenko out of bed when you get back from the bathroom, because not changing the sheets is also stressing you out. So is not having very many choices in the breakfast department, even though you had no idea he was coming over and even less of one that he’d spend the night. You can provide coffee, at least – the espresso machine you learned on is still in your kitchen at home. You upgraded the café’s as soon as you possibly could.

You don’t have the usual flavored syrups here, but you mix two cappuccinos instead. Tenko pulls his mask to one side and tries a sip. “This is good,” he says, surprised in a way that should offend you but doesn’t. “Next time I’m ordering one of these.”

“Instead of the mocha?”

“Instead of the coffee.” Tenko takes another sip. “I found frozen waffles in the freezer. Can I eat those?”

“Yeah. The toaster’s over there.”

You discover a few seconds later that Tenko wasn’t actually planning to defrost the waffles before eating them, and you spend a little while being appalled before you show him how to toast them properly. The two of you eat standing up in the kitchen and finish your coffee, and Tenko plugs in his laptop while you switch out the laundry. “I can leave this here, right?” he asks when you come back to the living room. “We’re coming back after?”

“Yeah.” You watch as Tenko leaves his backpack but pockets his phone and keys. “Let’s go.”

Your anxiety was held at bay for a while, when you had things to do, but now it’s just the two of you walking side by side down the street, and you’re agonizing about whether to hold his hand. Tenko’s hand brushes with yours once, twice, before you lose patience. “Do you want to hold hands?”

Tenko’s eyes widen over his mask, and he doesn’t answer you, but a moment later, his hand closes awkwardly over yours. You haven’t held hands in a while. You don’t think this is how it’s supposed to work. But you’re holding hands with Tenko. That’s what you wanted. Everything’s fine.

“Why did you move here?” Tenko asks, as the two of you pass the street that leads down to the main beach and keep walking. “Out of everywhere?”

“It was strongly suggested by my probation officer that I get out of the city,” you say. “He thought I’d be less likely to fall back into my old ways if I was in a small town, since I’d actually know the people whose buildings I was defacing.”

“Didn’t you get busted for tagging your own house?”

“Yep.” Looking back, it was an incredibly stupid move. Your parents were already at the end of their rope with you. You should have known they’d cut you loose. “And I’d always wanted to live near the ocean, so it worked out. What about you?”

“I needed somewhere out of the way,” Tenko says. “It didn’t matter where.”

“And you got here five years ago?” You keep walking past the second beach access road. The road to your beach is a lot more out of the way. “We must have gotten here around the same time, then.”

“I was first. I’d been here three months when you started renovating that building.” Tenko’s eyes seem far away. “It was good timing. People were starting to ask questions about me, but then they switched over to you instead.”

“Glad I could help.” You feel funny about the fact that you were running interference for him, four and a half years before he ever set foot in your café. “And I’m glad you picked this place for a fresh start.”

“People like me don’t get fresh starts,” Tenko says. You’re about to point out that as a person without a record, all he has to do for a fresh start is move, but he speaks before you can. “I’m glad I ended up here, too.”

You’ll take it, even if you have a lot of questions about everything else he just said. The two of you walk in silence for a little while. It’s a cloudy day, with only faint sunbeams sneaking through, and the wind carries a faint chill even though it’s officially summer by now. “What should we do when we get back?” Tenko asks.

“We aren’t even there yet.”

“Yeah, but I want to know what I have to look forward to,” Tenko says. You roll your eyes. “You don’t play games. Do you want to learn?”

“Maybe,” you say. “I’m not going to be good at it. I’d slow you down.”

“You’ll get better fast if I’m the one teaching you,” Tenko says. “There are lots of different games. I can teach you to play any of them. Except dating sims.”

“You don’t like playing dating sims?” You fake surprise, and it’s Tenko’s turn to roll his eyes. “Do you have to test a lot of them?”

“I test whatever people send me. That’s why it’ll be easy for me to teach you,” Tenko says. “They’re all the same underneath. I haven’t played one in a long time that was actually a challenge.”

His grip on your hand relaxes slightly, his fingers sliding through yours to lace them together. “I used to really like games. It sucks.”

You squeeze his hand slightly. You’ve been there, or somewhere like it. It took you a long time to get back into art after you joined the NCRA. “Have you ever thought about making one? A game?”

“Like the kind I’d want to play?” Tenko seems to perk up for a second. Then his shoulders slump. “Nobody else would want to play it.”

“It sounds like you’ve got an idea, though.” You nudge him lightly with your shoulder and he stumbles. Oops. “Want to tell me about it?”

He hesitates for a while. A really long while. Then: “It’s mystery and horror, but not jump-scare horror. There are monsters, but they aren’t the real problem – or the ones you see aren’t the ones you should be worried about. It’s hard to explain. Anyway, the player character – it’s all going to be second-person – wakes up in a room they don’t recognize with no memory of how they got there. You can remember some things about your life, but how you got from where you’re supposed to be to stage one of the game is a total question mark. So there are two initial objectives. Figuring out what the hell is going on and getting the hell out of there.”

“Okay,” you say. It sounds stressful. “How do you do that? In the game.”

“You have to find a way out of the building first.” Tenko looks surprised that you’re still asking questions. “And that’s easy enough, so then –”

For a game he thinks no one else would want to play, Tenko’s put a lot of thought into it. He’s still talking about it as the two of you make the turn onto the beach access road – about the storyline of the game, the twists and reveals he’s thought of, the need to tweak the design and color palette to make everything seem just slightly off. The question of music or no music, and if music, what it should sound like. You like hearing him talk about something important to him, something he’s excited about, even if the concept of the game is giving you heart palpitations. You don’t think there are many things that make Tenko happy. You’d like to be one of them.

You get down to the beach at last, and just like you were hoping, it’s basically deserted. The tide is on its slow, steady way back in, but the beach is strewn with logs and twists of seaweed and kelp, and you’re willing to bet that there’s some sea-glass lying around in the debris along the high-tide line. Tenko studies it, significantly less ambivalent than he was a second ago. “When you said there’d be more stuff, I didn’t think you meant trees.”

“A storm can dredge up all kinds of things,” you say. “And last night’s storm was pretty bad. Come on.”

Tenko lets you pull him a little closer to the water, until you’re both walking on hard-packed sand. You get distracted by the debris field almost immediately, and you let go of Tenko’s hand without thinking so you can search for sea-glass more efficiently. Tenko’s tone of voice makes it clear he’s amused. “So this is like a scavenger hunt for you?”

“I guess.” You come up with a brown piece, followed by a green one, both of them old and smooth. “I want to make something for the café. I’ve been collecting it since I moved here.”

“Five years and you still don’t have enough?”

“The idea for the project keeps getting bigger,” you admit. Tenko snorts. “You can go on ahead if you want. I don’t want to slow you down.”

“I want to hang out with you.” Tenko crouches down next to you on the sand. “This is fine.”

You find multiple pieces in the time it takes him to find one, which he offers to you. It’s a pretty piece, sky-blue and frosted over, but you shake your head. “You found it. It’s yours.”

“I found it for you,” Tenko says, but you notice that he pockets it. And that he keeps looking.

The two of you wander from debris field to debris field, the tide inching up behind you. You’re comfortable with the silence – it’s how it usually is when he’s at the café, after all – but beneath the veneer of ease, questions are eating at you. Questions you don’t know how to ask or how to answer. Your crush on Shimura Tenko is intense, but it’s never been something real. It was just proof that you were getting back to normal, that you could live a life not dominated by the need to prove to the rest of the world that criminals are people, too. You never expected your crush to turn into sleeping with him, him staying the night, him wanting to hang out the next day – and even if you had expected it, you’d never have expected it to happen so fast.

“You were right,” Tenko says. You glance at him. “No people. It’s not as bad.”

You nod. “I’d come back if you wanted to,” Tenko says. He tilts his head, studying you. “Do you want to?”

“Do you want to do all this again?” you ask. He gives you a weird look. “The whole sex, sleepover, hang out the next day thing?”

“That’s what people do, isn’t it?” Tenko’s giving you an even weirder look now. “What are you talking about?”

“I’m talking about –” The distress is building beyond what you can handle. You force yourself to take a deep breath. “What we are. To each other. After that.”

He’s not giving you a weird look anymore. He’s looking at you like you’re the dumbest person he’s ever met. You feel like the dumbest person anybody’s ever met, ever. “Like, are we friends with benefits, or –”

“You said you like me,” Tenko cuts you off. “I like you. Do you think I just – with anybody? I’ve been here for five fucking years. Do you know how many people have my phone number? One. The day that hero showed up, I never would have come back, except –”

His hand comes up, scratching his neck with gloved fingers. “I wouldn’t do this if I didn’t like you. Why do you think it took me so long?”

It? What is he talking about? “I do like you,” you say. “I really like you. I just didn’t think anything would happen. Or happen that fast.”

“Hooking up like that was your idea,” Tenko says. You don’t want to own up to that, but it’s true – he was the one who kissed you, but you were the one who suggested heading back to your room. “Do you wish we hadn’t?”

“I wish I’d been better prepared,” you admit. Tenko blinks. “If I had condoms things wouldn’t have been as messy.”

“I like it messy.” Tenko states it so plainly that you feel your face heat up. “We’ll get condoms. You can stop freaking out whenever you want.”

“I’m not freaking out,” you say. “I just –”

The scream comes out of nowhere, cutting off a thought you didn’t have a prayer of articulating properly. “Help!”

It’s a kid’s voice, high-pitched and splitting with fear. You can’t identify where it’s coming from, and there’s not even a question of what you’ll do. You and Tenko trade a glance, then rocket to your feet. Tenko takes off down the beach. You head back the way you came. “Keep yelling!” you shout to the kid. “Let us know where you are!”

The kid keeps yelling, getting steadily less coherent. They must be closer to you than to Tenko, because their voice is getting louder. You veer closer to the water’s edge, your heart in your throat. The water’s already rushing up around the logs the storm left behind, up to your ankles and getting higher. The kid’s scream takes on a new urgency. “Hurry! The waves –”

You skitter around a log, giving it a wide berth to avoid the deeper pool of water beneath it, and find the kid, halfway trapped under another log and struggling to keep his head above water. He spots you, opens his mouth to scream again, and catches a mouthful of seawater from the wave that’s just rolled in.

You duck down beside him, hoisting his head and shoulders up, buying time. You suck down a breath and let loose a shout of your own. “Tenko! Over here!”

It seems like an eternity before he appears around the side of the log. He looks at the kid, then at you. “What the hell happened?”

The kid is crying too hard to answer, but it’s not hard to guess. “He must have been climbing on the log, and it rolled over on him.”

“What were you doing out here alone?” Tenko demands of the kid. The kid doesn’t answer, and Tenko’s red eyes flash with rage. “Who was supposed to take care of you? Why aren’t they here?”

“Hey,” you snap. This isn’t helping. “I need you to call emergency services. Tell them we’re at Fourth Beach and there’s a kid in trouble.”

Tenko pulls out his phone and dials, while you try to strategize. The tide is coming in faster now. Even if emergency services gets here at their top speed, there’s a good chance the water will have already covered the kid’s head. Based on the way he’s panicking, you don’t think he has a quirk that lets him breathe underwater, and you have a fleeting thought about heroes before remembering that you’re in a rural town. There are no heroes here. You and Tenko are going to have to get him out yourselves.

Your quirk is worse than useless for this. You don’t know what Tenko’s quirk is, or if he even has one. Tenko shoves his phone in his pocket and hurries back to your side. “They said they’re coming.”

“How long?”

“Ten minutes.”

The kid doesn’t have ten minutes, and all three of you know it. “Here’s what I’m thinking,” you say, trying to keep your voice calm. “When the next wave comes in, we can use its momentum to roll the log forward and pull him out from underneath it.”

“It’s huge,” Tenko says. “That won’t work.”

“It rolled from him stepping on it,” you say. “We can do this.”

Tenko doesn’t argue with you. He turns to watch the waves, looking for a likely one, while you explain the situation to the boy. He’s going to have to hold his breath while you and Tenko push the log, and then one of you – probably you – will pull him out. He starts to protest, but then Tenko calls out that a wave’s coming up, and the boy switches to sucking down air instead. Good. You hold him up until the last possible moment, then get to your feet. You take up a position at Tenko’s side, set your feet as firmly as you’re able to in the shifting sand, and shove hard at the log as the wave washes up around it.

You think you feel it move, a little bit. But then the water recedes, and you scramble back to the kid, and as soon as his head breaks the surface, he howls in pain. “My leg!”

You must have rolled the log back on it – or forward, or something. “We need a bigger wave.”

Tenko shakes his head. He looks like he’s going to be sick. You can hear sirens in the distance, but they’re too far away. The kid is screaming, clawing at your shirt, and you struggle to comfort him, promising that help is coming, promising it’ll be okay. It doesn’t work, or else what happened to his leg in your failed attempt to move the log is worse than you thought, because his eyes roll up in his head and he goes boneless in your grip. You shake him, terrified, desperate to keep his head above water as another wave crashes against your back. He’s going to die. A kid is going to die while you’re holding him, and there’s nothing you can do.

You can’t look at his pale, slackened face a second longer. You look up instead, and that’s when you see the solitary crack running across the log’s surface.

It wasn’t there before, and now it’s not alone. One crack turns into a dozen, and dozens more, spreading and colliding with each other until the log simply crumbles away, leaving nothing in its place. Nothing except Tenko on the other side, both hands outstretched – and ungloved.

Something twists in the back of your mind, but the kid is free now, and the tide is still coming in. You start dragging him up the beach, trying to get clear of the high-tide line. A quick glance at his leg shows you that it’s broken, badly, but you can’t worry about it now, or get lost in the fact that it’s your fault. The two of you make it onto dry sand just in time for a trio of paramedics to race down the beach, carrying a stretcher and pursued by five or six terrified people. “What happened?”

“He got – stuck,” you manage. Your teeth are chattering. You aren’t even that cold. “Is he going to be okay?”

The paramedics have questions for you, even as they shoo you out of the way. Did he swallow water? Yes. Did he breathe water in? You don’t know. How long has he been unconscious? A minute, maybe less. Time feels uneven, unreal. You don’t have a clue what’s going on, and you stand blankly off to one side, unsure whether you’re supposed to stay or go. Maybe you can go. Everybody knows where to find you if they have questions, and you’ll calm down faster if you and Tenko can –

Tenko’s not standing next to you. You look up and down the beach, but you can’t see him anywhere.

Maybe emergency services scared him off. He booked it pretty fast at the sight of Present Mic. You pull your phone out of your pocket to text him, but your phone’s dripping wet and unresponsive. Now you really need to get home, and maybe Tenko’s there already. He saved someone’s life. If he’s freaked out even slightly as much as you are, you want to be with him.

But something is nagging at you as you speed-walk back through town, something about Tenko’s quirk. You never asked what it was, but the gloves were enough for you to infer that it had something to do with his hands. And maybe he doesn’t feel all that comfortable with it. You wouldn’t either, if you had a quirk like that. The way it looked, how fast it moved – it was almost like –

You stop dead in your tracks on the side of the road. Tenko’s gloves. His red eyes. His dyed hair and scarred face and mangled hands, and a quirk that lets him destroy things he touches. Even their initials are the same. Shimura Tenko, and. And. Your mind won’t let you finish the thought. You won’t let yourself jump to conclusions like that. You need to be sure. You force yourself into motion, back to a speed-walk. Then into a run.

Back at home, you drop your phone in a bowl of rice and sit down at the kitchen table with your laptop without bothering to change out of your wet clothes. You haven’t been a criminal in half a decade, but you still know how to search the internet like one. This isn’t dark-web level, and it’s not illegal, but you could raise red flags, and if you’re right – you connect to a VPN, open a web browser you’ve never used before, set your cache to empty every five minutes, and type in your first query.

‘shigaraki tomura quirk’ gets you a long list. You have to scroll all the way to the bottom of the first page you click on to find the quirk you’re thinking of, and when you read the description, your heart sinks. You navigate away from the webpage and type in a new prompt. ‘shigaraki tomura decay’ gets you more pages analyzing the quirk itself, all of which feel unnecessary and unhelpful. You know what Decay is. You need to know what it looked like. You modify the search. ‘shigaraki tomura decay video’.

YouTube has nothing, courtesy of aggressive content moderation. You dig a little deeper, finding lesser-known, sketchier hosting sites, and the first video that pops up is of the destruction of Jaku City, at the very beginning of the war. It happens so quickly – too quickly to see anything except the way the buildings implode into nothing. You need an up-close view, so you modify your search, scrolling past video after blurry video until you find one tagged as part of the Deika City massacre.

The quality looks okay. You click on it and find yourself watching a group of people thundering up a street, headed for something just out of frame. A moment later, whatever it is ducks through the corner of the frame. A pale hand rises up, making contact with the face of one of the people in the group. And then you see it. Cracks spreading across their face, just a few at first, and then they spread so rapidly that the person simply falls apart where they stand.

You just watched a snuff film, but that’s not what makes you recoil. What Shigaraki Tomura did to the person in that video is the same thing Tenko did to the log on the beach. It’s the same quirk. They’re the same man.

Tenko’s hair is dyed, and it’s not dyed well. You never asked what his natural color is, but you’re betting it’s white, which is why there’s no way he can get someone else to color it for him. If he walked into a salon with white hair, red eyes, no eyebrows, and a scar over his right eye, there’s not a person in Japan who wouldn’t recognize him instantly.

You type in another query: ‘shigaraki tomura face’. It turns up a lot of photos of him with the signature hand over his face, but you get at least one without it, and the reason why he wears a mask all the time becomes clear in an instant. No eyebrows – happens. Plenty of people have red eyes. But add in the scar over the left side of Tenko’s lips, a scar you ran your thumb over last night, and the birthmark Shigaraki has just below the right corner of his mouth, and he’d be unmistakable. No matter how many bad dye jobs he did on his hair.

You shut the lid of your laptop with shaking hands and sit back in your chair. Shimura Tenko, your regular customer, who slept over last night, who you like and who likes you, is the same person as Shigaraki Tomura, an unrepentant supervillain who’s been dead for five years. It doesn’t make any sense. If Shigaraki had survived the war, he’d be in maximum-security prison for the rest of his life, not beta-testing video games and hanging out in your coffee shop. Shigaraki Tomura is dead. You met the hero who killed him.

Or did he? You remember thinking how odd it was that Deku kept referring to Shigaraki watching what he was doing, wishing he could talk to him. You remember what he said when Spinner asked about Shigaraki’s ashes: There was nothing left of Shigaraki Tomura. But somebody else walked away from that fight, and he’s got Shigaraki’s quirk – and the only time you’ve seen him use it, it was to save someone’s life. You can’t say for sure, but the circumstantial evidence is compelling as hell. You know who Shimura Tenko is. And you’re halfway convinced he used to be Shigaraki Tomura.

You fish your phone out of the bowl of rice to check if it’s working yet. It isn’t. You’re going to have to wait a little longer to reach out to Tenko. His backpack and laptop are still here. He’ll be back for them, probably tonight – and if not, you’ll see him at the café tomorrow, and you can give it to him then. And when you see him again, you can sort this out. There’s nothing else you can do right now.

You tell yourself that, make yourself believe it, and spend the rest of your one day off every week getting your chores done. And even though it’s been an exhausting twenty-four hours, even though there’s nothing you can do, you still toss and turn through the night, thinking about Tenko. Worrying about him. Wondering who he was before this, and wondering at how little it matters to you.

hey ! If anyone is intrested in a fic about that pls go suport the autor @bat-eclecticwolfbouquet-love

Almost done with Shigaraki x French hero reader. It's not a full fic. You can expect it soon hopefully. If anyone is still intersed.

Love Like Ghosts (Chapter 6) - a Shigaraki x f!Reader fic

You knew the empty house in a quiet neighborhood was too good to be true, but you were so desperate to get out of your tiny apartment that you didn't care, and now you find yourself sharing space with something inhuman and immensely powerful. As you struggle to coexist with a ghost whose intentions you're unsure of, you find yourself drawn unwillingly into the upside world of spirits and conjurers, and becoming part of a neighborhood whose existence depends on your house staying exactly as it is, forever. But ghosts can change, just like people can. And as your feelings and your ghost's become more complex and intertwined, everything else begins to crumble. (cross-posted to Ao3)

Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9

Chapter 6

There’s something wrong with your house, but you knew that when you bought it. And to your dull human senses, what’s wrong with your house barely stands out on your street. You barely stand out on y our street anymore, either. Other people avoid this neighborhood. It’s not uncommon for everybody’s mail and packages to get dumped in a pile at the top of the street, because no postal worker wants to drive down this way if they can help it. But you’ve been here long enough now. Your neighborhood feels like home. Everybody here knows your name.

Shinsou and Hizashi are trying to start a garden, so you bring over some of your plants to help get them started. Keigo is teaching Jin to drive, and neither of them can get the hang of parallel parking, so you help out by shouting instructions from the curb as Jin tries not to murder your car or Aizawa’s while backing Keigo’s in. Sometimes you take Atsuhiro with you when you go grocery shopping, at Aizawa’s request – Atsuhiro has a shoplifting problem, and everyone else is tired of bailing him out of jail. And in the most awkward incident yet, Himiko gets her first period while Jin’s mom is at work and runs shrieking up the street to your house.

It’s your day off, but you’re in the bathroom when she arrives, so Tomura goes out onto the porch instead. Tomura’s not the person you want addressing a sensitive topic. When you finally make it out there, he’s in the middle of speculating that the unexplained blood loss means Himiko is going to die.

She looks close to tears, and you decide to address the biggest problem first. “You’re not going to die,” you tell her. Then you turn to Tomura. “And you – get out of here. This is girl stuff.”

Usually the threat of girl stuff banishes Tomura pretty quickly, but he doesn’t move. “Humans die from blood loss.”

“This isn’t that kind of blood loss. Shoo.”

Himiko ghost-blinks up at you through teary eyes. “It’s not?”

You shake your head. “It’s normal. Have you been feeling okay these last few days?”

“My stomach hurts. Since Friday.” Himiko’s mouth turns down at the corners. “Ochako at school says I’ve been mean.”

PMS is bad enough when you know it’s coming, but Himiko’s a former ghost, and her favorite human is a guy. She’s probably never seen this before. “Okay,” you say. “You should probably ask Jin’s mom more about this when she gets home. This is kind of a mom thing. But you’re not dying. You just got your period. It’s normal.”

“For humans.”

“Yep.

“Do you have one?”

“Not right now,” you say. You feel a little weird talking about this in front of Tomura. “Every month, though. I’m going to give you some pads to take with you, and you can borrow my heating pad. I’d invite you in, but –”

“Tomura’s a boy and he’s gross.”

“Hey!”

“Right,” you say, ignoring him. “Just a second.”

You duck back inside, pick up an unopened package of pads, and retrieve your heating pad from the medicine cabinet. When you get back to the porch, Tomura’s still there. He and Himiko are staring at each other. Neither of them are making a sound, but you get the sense that they’re talking. Spinner said the ghosts say weird things when they talk to each other, but he must have been eavesdropping on a conversation out loud. You’ve got no idea what Himiko and Tomura are saying to each other, and you have to clear your throat twice before either of them turn their attention back to you. And when they do, their expressions are different than you’d expect. Tomura looks uncomfortable, defensive. Himiko, still a little teary-eyed, looks pleased with herself. Why?

Whatever it is, you’ll have more luck getting it out of Tomura than her. “Here are the pads,” you say, holding them out. “You probably won’t go through them too fast, and when your mom gets back she can help you pick some out. And the heating pad is good for cramps. Put it on your stomach or your lower back, whichever feels worse.”

“Okay.” Himiko wipes her eyes, then smiles at you. “You’re nice. Are you old enough to be a mom?”

“I mean, probably?” A few of your friends from college have kids now. “Not old enough to be your mom, though. Why?”

“No reason.” Himiko turns and makes her way down the porch steps, staggering a bit like you do when you get hit with a bad cramp. “Thanks.”

“If you need anything else before your mom comes back, come over,” you say. You wait until she’s out of sight, then turn your attention to Tomura. “What was that about?”

“She asked if I like you like a mom.” Tomura looks like he wants to hurl. “I said no, and then she asked if I like you like she likes Jin, or like Eri likes Shinsou.”

“And you said no?”

“I said yes,” Tomura says, and your heart sinks – but only for a second. “The little brat can still read auras. She knew I was lying.”

It’s on the tip of your tongue to ask him what he lied about, but then you realize you already know. Himiko eliminated two of the three varieties of ghost-human relationships in the neighborhood – sibling-sibling and parent-child. That leaves two options, neither of which you like. Either Tomura likes you the way Hizashi likes Aizawa and Dabi used to like Keigo, or he doesn’t like you at all.

You should leave it. You should drop the topic and back away slowly. Instead you open your mouth. “Why did you lie to her?”

“What I do with my human is none of her business. Or anyone else’s.” Tomura is dematerializing. Now he’s just a voice and a pair of hands gripping the porch railing so hard that you’re worried it’ll snap. “Go away.”

Fine. You tell yourself it’s fine, that you’ll go, but your feet stay stubbornly planted until your phone rings from somewhere inside the house and you have to go back to retrieve it. Aizawa’s calling, and when you pick up, he starts talking without greeting you first. “Your job gives you access to public records. I’m going to give you a list of names.”

“I can’t just –”

Aizawa starts reading them off, proving that the ghosts aren’t the only ones in the neighborhood who can be assholes in the bargain, and you scramble for a pen and a piece of paper. Phantom is prodding you in the ankle with her snout, looking for a treat. “Hang on a second,” you snap at Aizawa. “I need to write this down.”

A piece of paper skids across the counter towards you, followed by a pen. “Thanks,” you say to Tomura. Then, to Aizawa: “Start at the beginning. The first name was?”

There are seven names on the list. They’re all men’s names. “I want all the information you can find,” Aizawa says. “As quickly as you can find it.”

“This is public record,” you complain. “Make a records request. This is my job. I’m not going to get in trouble just so you can avoid some paperwork.”

“It’s not the paperwork,” Aizawa says flatly. “If I make that request, my name and address become public. You’re the only one in the neighborhood who can look without giving us away.”

The neighborhood. You thought this was just some project of Aizawa’s, but – “Who are these people?”

“That’s what you need to find out,” Aizawa says. “As soon as possible.”

He hangs up the phone without saying thank you, and you look down at the piece of paper and the names you scribbled. Your handwriting is bad. You need to recopy them. “So that’s it?” Tomura says from the other side of the kitchen. He’s barely an outline. “Aizawa calls and you jump to it? Pathetic.”

You ignore him. What he says, at least. “Do you know any of these names?”

“Why would I know them?”

“Just look.” You hold out the list, and Tomura drifts across the kitchen to investigate. “I don’t know why he wants me to look these up. He made it sound really important. Do any of these look familiar?”

“No.” Tomura’s hand materializes fully, plucks the list out of your grip, and sets it down on the counter. “I wasn’t done with you.”

“You told me to go away,” you say. “I listened.”

It’s like you didn’t speak at all. The rest of Tomura materializes, from the tips of his fingers upward, until he’s standing before you, closer than he’s gotten in a while. “You asked me what I want. I know now.”

You can’t remember ever putting that question to him – according to Aizawa, asking ghosts open-ended questions like that is a really bad idea. But because you’re you, and you’re stupid, you ask it again. “What do you want, Tomura?”

A pair of cold hands close on your waist. Tomura pulls you forward so hard that you stumble, falling against his chest. “You’re mine,” he says. “I want you.”

A jolt goes straight down your spine. You’ve heard that note in his voice once before and imagined it a thousand times over, but hearing it again right now feels like a disaster. “Be specific,” you say, looking anywhere but up into his face. “What specifically do you –”

One hand leaves your waist to press against your jaw, forcing you to turn your head and look up. A moment later Tomura’s lips crash down against yours.

He kisses exactly the way you’d expect him to kiss, the way of someone who’s seen it in movies but never asked anyone how it’s done. Mouth closed, all pressure, nothing else. He’s not going to let you go, so you hold still, hoping Tomura will take some kind of hint that it’s not going as plan. Tomura stops and draws back, frowning. “You aren’t doing it back.”

“I can’t when you’re doing it like that,” you say. “You’re doing it wrong.”

“I’m not doing it wrong. You’re doing it wrong.”

“Hey. I’ve kissed somebody before. You’ve just watched it on TV.” You feel Tomura’s grip on you loosen slightly. This is your chance to escape, to tell him that you’re not interested, to threaten to move out if he ever tries this again and maybe mean it. “It’s more fun if you do it right.”

Tomura looks at you suspiciously. “How do I do it right?”

Some part of your mind that’s still sane, that still exists in the real world instead of the twisted upside-down haunt of your house and your neighborhood, is screaming for you to stop, but it’s fading fast. You let it go. You free your hands from where they’re trapped at your sides and frame Tomura’s face with them. “I’ll show you.”

You start with a gentle kiss, mouth closed but soft, and because Tomura’s an asshole, he starts arguing even before you’ve pulled away. “That’s what I did.”

“No, you did it too hard.” You kiss him the same way again, trying to get the point across. “You can still talk when I do it like this, which means you can respond.”

Tomura’s scowling now, but he leans in to kiss you again, and this time the pressure is significantly less. His lips are chapped. You part your lips against his, catching on his lower lip, and he startles. You wonder if anybody else in the neighborhood had to teach their undersocialized ghost how to kiss properly. Probably not.

Tomura’s fatal flaw with kissing is overenthusiasm. As soon as he figures out that opening his mouth is a thing he can do, he overdoes it. The only reason it’s not horrendous is because his mouth tastes like nothing, and it’s almost sandpaper-dry. You let go of his face, put your hands on his shoulders, and give a few shoves until he pulls back. “No.”

“I like it,” Tomura says defiantly. He does. That patchy flush is all over his face. “I don’t care if you do.”

“You should,” you say, and you fall back on a negotiating tactic from forever ago. “If you’re good at it, I’ll want to kiss you more.”

You’ve tried this tactic on human men before. Human men usually convince themselves that you’re playing hard to get and go right back to the vacuum-cleaner technique they were using. But Tomura looks like he’s thinking about it, so you try to sweeten the deal. “I’ll show you,” you say, and he’s already leaning in.

Part of you is still aware that this is a mistake. You won’t be able to turn back the clock on this incident the way you could with the last one. You can’t pretend that this is all for Tomura, that it’s got nothing to do with you, when you’re the one who won’t settle for less than a good kiss. You’re the one who keeps trying to get a reaction out of him, trying to put him back at the mercy of his body just like he was before, and there’s something heady and intoxicating about the fact that it’s working. Tomura’s breathing comes in sharp gasps, and yours isn’t doing much better – but it’s normal for you. “Why do you do that?” you ask, pulling away. Tomura lets out a frustrated whine and leans in again, but you stay just out of reach. “Breathing like that. You don’t need to breathe.”

“I can’t – help it.” Tomura’s shoulders heave beneath your hands. He claws at your hips, trying to pull you back. “Come on. I need it. I need it. I can’t go back like this.”

You’re still out of kissing range, but your hips are locked against his, and you can feel that he’s hard. It surprises you, although it shouldn’t. You got to him before by touching his hand. This is a lot more stimulation than that. You study him, your heart racing, taking in his dilated pupils, his flushed face. The scars over his lip and eye stand out in sharp relief. His skin is shiny, sweaty. You were right in all your daydreams about how desire looks on him. It looks good.

It looks good, and he looks desperate. “Don’t stare at me. Why are you staring at me?”

“You’re pretty,” you say without thinking. You lean in and kiss him again before he can complain about it.

The plan is to keep kissing him until he comes and dematerializes, but you like the sounds he’s making too much to keep muffling them. You duck away from his kiss and start kissing his neck instead, lips moving over the same spot he usually scratches. “Hey,” Tomura complains. “What are you doing? I – ah –”

He grinds against you, groans, and you realize you have a problem. You’re at least as turned on as Tomura is, only you can’t get off from just a kiss. He gets to dematerialize as soon as he comes, and after that you’ll be stuck. You decide that’s a problem for later. You’re busy. A second after you have that thought, Tomura loses patience. He pushes you back against the counter, pinning you in place as his hips jerk in brief, unpracticed thrusts. You keep kissing his neck. If he was human, he’d be walking around with love bites. That thought shouldn’t turn you on, but it does, and it occurs to you that Tomura’s possessiveness runs the other way, too. You’re his human, sure. But he’s nobody’s ghost but yours.

“I can’t,” Tomura gasps. He’s starting to dematerialize. “I can’t. Not yet –”

If he dematerializes while he’s still turned on, the entire street’s going to be pissed off at you for however long it takes him to materialize again. You back off from kissing Tomura’s neck and kiss his mouth again, as he moans and struggles for air he doesn’t need. Suddenly his back arches, pinning you harder than before, and you hold on tight as he shudders. It doesn’t matter how tightly you hold onto him. He’s already dematerializing, slipping away, just like you knew he would. The warm air rushes in once he’s gone.

One of the perks of having a ghost in the house is that the house is never too warm. Now, with said ghost too zapped to materialize, it’s way too warm in the kitchen, and even that isn’t enough to change how ridiculously turned on you are. You could stick your head in the refrigerator and try to calm down, but the idea of doing that pisses you off. Tomura got to get off to your weird but still hot kitchen makeout. So should you.

Some sense of propriety motivates you not to just stick your hand down your pants in the kitchen. You make your way to your bedroom upstairs, and this time, you settle onto the bed instead of the floor. This time, you don’t have to go to your imagination for something to fantasize to. You’ve got the memory of the absolute mess that occurred in the kitchen to keep you focused, and honestly, you’re so shamefully hot over it that you barely need to fantasize at all.

Your mind floods with a replay of the insistent pressure of Tomura’s mouth against yours, the uneven roll of his hips, and remembering the needy sounds he made makes your muscles clench tight in response. You have both hands between your legs, one teasing your clit while the other presses two fingers inside, crooking at an angle that’s never easy to reach on your own. If somebody else, somebody with longer fingers, somebody poised above you or settled between your legs – once you let that thought into your mind, it’s all over. You come so fast you’re almost embarrassed by it. Almost.

You’re lying on your bed, catching your breath, when the temperature of your room begins to change. Tomura’s voice, barely a whisper, snakes through the air. “I saw that.”

Your face heats up, but you’re already flushed, so it doesn’t matter. “So?”

“I want that next time.”

You’re not sure how you feel about Tomura’s assumption that there’s going to be a next time. But there’s a bigger problem. “Based on what I felt this time, you don’t really have the equipment for that.”

“Don’t be stupid. I want you to do this next time when I do.” The temperature of the room settles into the low chill you’ve become familiar with, but the cold spot itself is on the bed next to you, inching closer. “Or I can do it.”

You can’t think about that. Not right now, anyway. “Nobody’s doing anything right now. I don’t even want to know what you already drained to make this happen.” A terrible thought occurs to you. “Phantom! Where –”

“Don’t be stupid,” Tomura says again. You can hear Phantom scratching at the door and whining. She knows you and Tomura are both in here and she wants to know why she’s being left out. “I wouldn’t touch her. I used some plants.”

“Not the ones –”

“Not the ones you like.” If Tomura was materialized, he’d be rolling his eyes. “They all look the same anyway.”

“They don’t all look the same.” You sit up and swing your legs off the bed. “Stupid.”

Tomura makes an indignant sound, but you ignore him as you head to the bathroom to wash your hands. You’d expect things to be weird, so it’s a surprise to you how normal things feel. Normal except for the fact that Tomura’s in your room instead of lurking somewhere else in the house. So normal, in fact, that you find yourself dealing with a problem you’ve had since you found out you had a ghost. “You’re still not allowed in the bathroom when I’m in here.”

“You’re not even doing anything!”

You know you’re going to have to deal with the fallout from the kitchen makeout later. But it’ll be a while before Tomura can materialize again, and until that happens, you’re not going to think about it at all. “I don’t care. Get out.”

You were hoping you dealt with Tomura fast enough that none of the other adult ghosts caught on, but you’re not that lucky. When you leave the house the next morning to get in your car for the drive to work, Hizashi’s right out front on the sidewalk, holding a jar of fresh bugs as far from his body as humanly possible. When he sees you, he pushes it into your hands and backs away. “You know,” he says, and winks. “For later.”

You cringe and duck into your car, but a moment later, Keigo calls out to you from across the street. “Hey, can I get a ride to work? My car’s out of commission.”

“It looks okay,” you say – and then you realize it’s noticeably sinking on one side. “The tires.”

“Yep. Do you mind?”

“Nope.” You move your work bag to the backseat to make room, and look back up front just in time for a balled-up piece of paper to hit the windshield. It could only have come from one direction, and when you look up, you spot Tomura on the porch, barely materialized. “What was that?”

“Your dumb list.”

“The one Shou gave you?” Hizashi still hasn’t left, and he watches you closely as you pull the piece of paper into the car and un-crumple it. “Good. Let him know as soon as you find anything.”

“Sorry. Gotta move.” Keigo eases past Hizashi and hops into the passenger seat. You start the car and back out into the street a little faster than necessary.

You’re driving fast, but not fast enough to get past Spinner’s house before Magne steps out the front door. She waves at you, smirking, and gives a thumbs-up. You wave back, still cringing, and Keigo notices. He reclines his seat with a yawn. “Big night, huh?”

You hit your head against the steering wheel when you reach the stop sign at the top of the street. “Does everybody know?”

“Probably. He’s too powerful. Every time his mood changes, the whole street feels it.” Keigo shrugs. “Also, your whole front lawn is dead.”

You didn’t even notice. “Great,” you mumble. “Think he’ll tone it down if I ask him to?”

“You know him better than me,” Keigo says. He yawns a second time. “He seems like he cares about what you want. He made sure you didn’t forget your list when you left. Dabi, for comparison, snuck out of the house and slashed my tires before I woke up. You definitely got the better ghost.”

“Sorry about your tires,” you say, for lack of anything better. Keigo shrugs again. “Can I ask you about the list? Aizawa was cagey about it on the phone.”

“Sure.” Keigo spends a few minutes smoothing out the wrinkles in the piece of paper. You sneak looks at him out of the corner of your eye, and you don’t miss the way his eyes widen. “I don’t know most of these names. I know this one, though – Garaki Kyudai. He’s a conjurer. Touya’s conjurer.”

“What?” You stare at Keigo once you’re safely at a stoplight. “Touya’s conjurer is alive?”

“Most of them are,” Keigo says. He looks pale. “If Aizawa and Hizashi have that name, they know something we don’t.”

“Then they should tell us,” you say. Keigo looks worried. You’re not worried, maybe because you don’t know enough to be worried, maybe because Tomura didn’t recognize any of the names on the list. “Aizawa and Hizashi don’t get to hide things from the rest of us just because they’re the oldest.”

Keigo nods. “Do the research they asked for. Today,” he says. “Don’t give it to them until they level with us.”

“Sounds good.” Us could be you and Keigo. Us could also be the entire neighborhood, which is fine. If it concerns conjurers, it concerns the entire neighborhood, and everyone should know. But this is going to involve you saying no to Aizawa, who you owe big-time, and to Hizashi, who still sort of terrifies you. “Um, so I think I’m going to wait to say no until I’m in my yard.”

“Yeah, that’s probably smart,” Keigo agrees. “Hizashi won’t get into it with Tomura. Can you imagine if Hizashi was still incorporeal, though? That would be a hell of a fight.”

“Ghosts fight?”

“Yeah, big-time. Dabi’s old house – the one I moved into, like a moron – had a bunch of ghosts in it. It got crazy in there.”

Sharing a house with one ghost is chaotic enough. You can’t imagine a house with multiple ghosts, let alone multiple ghosts who are fighting with each other. You wonder if Tomura’s ever fought another ghost, and if so, how it went. He probably hasn’t. He’s picky enough with who he lets onto the property to begin with. No way he’d let another ghost in just to fight.

You park your car in the lot at the courthouse, and you and Keigo go your separate ways – you to the public defenders’ office in the courthouse’s lower levels, Keigo to the police station. He’s a social worker, not a cop, and he usually goes out on mental health calls. The two of you plan to meet after work, go over what you found, and book it into your respective houses once you get back to the neighborhood to minimize the chances that Aizawa or Hizashi will corner you. It’s only nine am on Monday and you’re already tired.

You didn’t sleep well last night. Part of it was still being sort of turned on and not being able to do anything about – not now that you know Tomura’s watching. And Tomura was watching. He’s been leaving you alone at night for the most part, but last night he was back to hanging out in the corner of your room. At least, you think he stayed in the corner of your room. At some point you woke up shivering, and you could have sworn he was on the bed with you, draped over you in some weird position that humans definitely don’t sleep in. But that could have been a dream. You’re hoping it was a dream. You don’t know what you’ll do if it wasn’t.

You’ve got no idea what Tomura thinks is going on between the two of you. He didn’t talk to you this morning. He usually doesn’t – you’re busy, and he doesn’t like it when you multitask while talking to him, and after you explained what will happen if you can’t pay your mortgage he’s stopped interfering with you going to work. But he was there. You could feel him there, shadowing your every move, close in a way that would be impossible to work around if he was human. Something’s changed in your relationship, and he wanted it that way. You can’t pretend you didn’t want it, too. But as you make coffee and take off your coat and go through your inbox, you realize you have no idea what you’ll be walking into when you get home.

You know you’ll be walking into it with the information Aizawa asked you to gather, though. You take the list out of your pocket and think things through. Technically you could get into the records database on your own, but you’re a paralegal, not a lawyer – people will be likely to question what you’re doing in there, which means you need cover. And you know just who to go to for help. Mr. Yagi likes that you’re thorough, that you check every angle when you have the time for it. If you ask his permission to get into the database, he won’t say no. You pocket the list again, square your shoulders, throw down your coffee, and go to his office.

The door’s ajar, like usual, but you knock anyway. “Come in,” Mr. Yagi says. He’s hunched over a document on his desk, marking it up in red pen. “I hate to start your morning off with editing, but this will need to be done by noon.”

“No problem,” you say. You can type fast. “Sir, I was wondering if I could log into the records database today.”

“You don’t need my permission for that, my dear,” Mr. Yagi says without looking up. “But you have it, of course. What do you –”

He looks up at you at last and bursts into a coughing fit. It’s a bad one. You duck out into the bullpen, fill a cup from the water cooler, and race back in with it, pushing it into his hands. Mr. Yagi takes small sips, but every time he looks at you, the coughing kicks up again. Something is dawning on you, something you don’t like, something about what Mr. Yagi said and did at the housewarming party. “Sir? Is there something wrong?”

“It’s all over you,” Mr. Yagi says, and your stomach lurches. “What happened?”

“I don’t know what you mean,” you stammer. You can feel your face heating up, and it gets worse when Mr. Yagi reaches into his desk and extracts a UV light wand. “Um –”

He switches it on and pans it over you, and suddenly you understand. There are handprints. Tomura’s handprints, on your shoulders, on your waist, along your jaw, invisible without the light but in stark relief under it. You were worried that the light was going to show ghost cum splattered on your skin, even though you showered and changed clothes twice since yesterday, but this might actually be worse. This looks like you were handled. It looks like you liked it.

Could Hizashi see this, and Magne? Did Tomura do it on purpose? Now that you think about it, you’re sure he did it on purpose. He’s been possessive of you since the beginning. Of course he’d mark you as his own the first chance he got, even if the only people who can see the marks are the other ghosts. If Keigo could see them, you’re pretty sure he’d have given you a heads-up.

But Mr. Yagi could see them without the UV light. And Mr. Yagi knew Tomura was there before you did, saw Tomura before you did. You stare hard at your boss, at his eyes. His eyes are bright blue, and their pupils are round, like they should be. But there’s a faint shadow around his irises in both eyes. You realize, with another lurch in the pit of your stomach, that you’ve never seen your boss blink.

“You’re one of them,” you say. It isn’t a question.

Mr. Yagi sighs. “I’ve been human long enough that my powers have faded. The contacts are enough to hide behind. But no former spirit, no matter how distant they are from their origins, could fail to spot that.” He gestures at you and you cringe. “Were you – aware of this as it happened? Did you consent to it?”

Your eyes well up suddenly, and Mr. Yagi panics, knocking over his cup of water onto his desk. You move to mop it up while he tries to hand you tissues, and in the chaos, it takes you a while to recognize the emotion you’re feeling as shame. What happened yesterday wasn’t out of the ordinary in your neighborhood. Keigo barely blinked when he found out, and Hizashi and Magne were teasing you, not mocking you. Hooking up with a ghost is a semi-normal thing to do in the world you live in now. But it’s not normal here. The way Mr. Yagi asked the question made it clear that he thinks nobody sane would do what you did yesterday. You feel like you’re going to be sick.

Mr. Yagi gives up on the tissues and hands you a handkerchief from his pocket instead. “I will get you out of there,” he says. “You can stay with my family and I, for as long as it takes for you to find your feet. You don’t have to stay –”

“It was consensual.” You force the words out of your mouth. Somewhere in the back of your mind it occurs to you that this conversation is wildly inappropriate for work. HR-reportable levels of inappropriate for work. “I’m fine. I don’t want to leave. Can I get into the database or not?”

“If you’re fine, why are you crying?”

Because you weren’t ashamed before and now you are. “I’ll have the brief retyped by noon. The database –”

“Why do you need it?”

It crosses your mind to lie, but there’s no need. Mr. Yagi is a former ghost. If you explain, he’ll understand. You draw the list out of your pocket. “These are the names of conjurers. I think. I need to get into the database to find out everything I can about them.”

Mr. Yagi takes the list, scans it, and immediately starts coughing again. You head out to the water cooler for the second time in five minutes. By the time you get back, Mr. Yagi is back at his desk, scribbling furiously on the list. You set the water down next to him and he ignores it. “This man is dead,” he says, and draws a line through the name – Akaguro Chizome. “Chisaki Kai – also dead, and recently. Ujiko Daruma is an alias of Garaki Kyudai. Which of the names is his true one, I can’t say.”

You stare at him. He continues to write, drawing circles around the remaining three names. “Garaki is worth locating, but concentrate your efforts on these three. They may be three different people or they may all be aliases of the same man. Who gave you this list?”

Some instinct makes you hold back Aizawa’s name. “Why do you need to know?”

“If they’re planning to hunt conjurers, I have some advice that might make the endeavor less dangerous.”

“Hunt them?” you repeat. “No. They wouldn’t. That’s not what – um.”

Mr. Yagi is looking at you, waiting for an explanation, but you don’t know how much to say. Your neighborhood might be sort of friendly, but there’s at least one murderer in every house except yours, and your boss is a lawyer. A lawyer, not a cop. And if he’s embodied, he’s killed someone, too. Based on your expression, he knows what you’re thinking. “Type the brief, then conduct your research. We’ll meet for lunch to discuss it.”

“Yes, sir.” Lunch is three hours away. You’ve got exactly that long to come up with a plan.

You text Keigo in between typing paragraphs of the brief. My boss is a ghost and he knows about the list. What do I do?

For real? I’ve never met one in the wild. Keigo texts back way too fast for somebody who’s supposed to be at work. You say so and get an eyeroll in response. I’m a crisis responder. If nobody’s in crisis I don’t go out. Did he have ideas?

He knew the names. I’m supposed to meet him at lunch to talk about it. You get an idea. If you’re still around at noon, come meet us.

Keigo sends a thumbs-up and you throw yourself into typing the brief. You print it and return it to Mr. Yagi, swapping it for the list of names. Then you settle in at your computer again, considering where to start. Mr. Yagi seems like he knows what he’s talking about, but it won’t hurt to double-check.

You start with the first name he crossed out. Akaguro Chizome has been dead for a while. Twenty years, almost, and he died from blunt force trauma that crushed his skull to powder. You wonder which ghost did that, if it was even a ghost that did it. There’s not much on him. Just an autopsy report. There’s a lot more on Chisaki Kai, when you look him up. Death certificate, police report, interviews. Interviews. You dig into those, and the name at the top of the first one stuns you into stillness: Aizawa Shouta.

The next interviewee is Shinsou Hitoshi, and after him, Aizawa Eri. The only name that’s missing is Hizashi’s, and slowly the pieces start to come together in your head. Chisaki’s remains were so splattered that he wasn’t identified until long after the investigation was closed. Hizashi wouldn’t have cared what Eri’s conjurer’s name was when he killed him, and as long as he was gone, Aizawa wouldn’t have cared, either. His name is still on their list because they never found out who he really was.

Chisaki’s cause of death was internal organ rupture – all of them, all at once. How the hell did Hizashi do that when he was already human? Probably the same way Dabi still burns Keigo – the stronger they are, the more of their powers they keep when they embody themselves. However Hizashi killed humans as a ghost, it must have been nasty. Really nasty.

You tell yourself not to think about that. The important thing is that Mr. Yagi is a credible source. You can take his advice on this. You borrow the computer at the desk next to yours – your coworker’s on maternity leave, leaving you with triple the workload in the bargain – and pull up a second database window. Then you set two searches to run simultaneously. One for Garaki Kyudai, since you want to have some information to give Keigo when you see him. And one for the first of the three circled names: Shigaraki Akira.

The Garaki search finishes fastest, and you print what you’ve got, then rerun the search for Ujiko Daruma. The search for Shigaraki is much more difficult. It’s not a common name, so while there will be fewer documents, they should be easier to find. They aren’t. You turn up some documents for a Shigaraki Yoichi, all of which mention an older brother, but the older brother’s name never comes up. You rerun the search, this time for Shigaraki Yoichi, wondering all the while if it’s futile. These documents are two hundred years old or more. These people, whoever they are, are long dead.

There’s more on Shigaraki Yoichi than Shigaraki Akira. Shigaraki Yoichi had a really shitty life. He was chronically ill at a time when regular illness was still too hard for most doctors to handle, and his mind wasn’t doing too great, either. He died when he was your age, in a mental hospital. Suicide.

At least, it was thought to be a suicide. The medical examiner’s report inserts some doubt into the equation, but it’s noted specifically that the family of Shigaraki Yoichi chose not to press charges against the asylum for his death. There’s a note about the family members – the ones who came to visit, and the one who identified the body. Mother: in a fragile state. Father: deceased. Sister: absent. Body was identified by deceased’s elder brother Akira.

“Got you,” you mumble, and hit print. Now you’ve got proof that there was somebody out there named Shigaraki Akira – and when you scan the list again, you spot the first name of the next name on the list. Kiriyama Yoichi. It could be a coincidence, but you’re pretty sure the asshole jacked his dead brother’s name. “Nice try. I’ve got you now.”

There’s more on Kiriyama Yoichi, but while that search is running, you look up the asylum Shigaraki Yoichi died in. Sure enough, it’s been shut down, but it wasn’t knocked down – it was turned into a museum. Maybe some of the documents were preserved. If they were, you’d love to read whatever Shigaraki Yoichi had to say about his brother.

You’re in the middle of writing an email to the curator when your phone rings. It’s Spinner’s contact number, which is weird. You can’t figure out why Spinner would be calling you, unless something’s gone wrong in the neighborhood. You pick up the call. “Hello?”

You hear Spinner’s voice, but it’s in the background. “Dude, give it back! Don’t go inside –”

There’s the sound of the door opening and shutting. “Phantom missed you,” Tomura says without preamble. Your jaw drops. “Say hi.”

“Hi, sweetie,” you say helplessly. You can hear her snuffling the phone. “Are you being good? Did you get in trouble?”

Phantom barks. “Good girl,” you say, and she barks again. If you were at home, you’d sit down on the floor to cuddle with her, but you’re at work – and Tomura called you. “You really should give Spinner his phone back.”

“He can have it when I’m done. If I feel like giving it back.” Tomura, you remind yourself, is still an asshole. “When are you coming back?”

“The same time I always get back,” you say. “Why did you take Spinner’s phone? Don’t lie.”

“Wanted to talk to you.” Tomura’s voice takes on an almost laughably sulky note. “What? You don’t want to talk to me?”

“I do. I just can’t believe you called me. I thought you hated phones.”

“I hate other things more than phones,” Tomura says. “Where are you, anyway?”

“I’m at my computer at work. I’m looking up things for the list.” You cast around for something else to say. “I’ll tell you about it when I get back. And I’m going to need help when I get back. Hizashi’s going to try to get it out of me, and I’m not telling anyone until they tell us what’s going on.”

“If he comes near us he’s dead,” Tomura says at once. You can hear knocking on the door in the background, and when Tomura speaks again, he’s not talking to you. “You can have it back when I’m done! Go away!”

“We’re done now. I have work to do, and if I don’t get it done, I have to stay late,” you say. Tomura makes an annoyed sound. “I don’t want to stay late and you don’t want me to, either. I –”

You slap your hand down over your mouth just in time. “What?” Tomura asks.

“I’ll talk to you later,” you say. You’re still reeling from whatever the hell almost came out of your mouth. The sooner you get off the phone, the better. “Give Spinner his phone.”

“Fine,” Tomura complains. “Say goodbye to Phantom.”

You tell her goodbye and listen to the appalling sound of her licking the microphone before Tomura hangs up. You’re going to have to apologize to Spinner when you get back. And you might have to get Tomura a phone.

You have time to finish your email to the curator and print the documents for Kiriyama Yoichi before Mr. Yagi ventures out of his office for lunch. “We’ll be going to the usual place,” he says. He nods at the folder you’re carrying. “It seems your search was fruitful.”

You nod. “One of my neighbors works nearby. Can he come with us?”

“Does he – know?”

You laugh. “He has one. A former one. Half a former one.” Mr. Yagi looks baffled, and you sigh. “I’ll let him explain.”

The lunch place is just up the street. You text Keigo to let him know you’re headed there and start the walk with Mr. Yagi. He insists on carrying your files along with his own briefcase, and all you can do is hover, waiting for him to drop one of the two. “The friend who will be joining us,” Mr. Yagi says, “is that who you were speaking with on the phone?”

“No,” you say. Mr. Yagi looks quizzically at you, but there’s no way you’re getting into it. The less you say about Tomura, the better.

When you get to the restaurant, Keigo’s there already, and he waves you and Mr. Yagi over. There’s a mischievous look on his face, and you watch it anxiously as you introduce the two of them. “Mr. Yagi, this is my neighbor across the street, Takami Keigo. And Keigo, this is my boss, Mr. Yagi.”

“Nice to meet you! And nice contacts,” Keigo says. Then he looks at you. His expression’s gone from a smile to a full-blown smirk. “So.”

“What?”

“The strangest thing happened this morning,” Keigo says. “I got a text from Dabi.”

“Dabi?”

“My – roommate,” Keigo says, modifying the sentence after you kick him under the table. “Usually Dabi’s communication style leaves something to be desired. Blighting crops and hexing people is more his speed. But today he texted me. Quite a bit. Take a look at this.”

He shows you the screen of his phone. You read, with Mr. Yagi reading over your shoulder, cringing on every line.

Dabi: do you believe this shit

Dabi: that asshole from across the street lured Spinner over to the fence like a pedo

Dabi: so then they’re talking about fuck knows what

Dabi: Spinner’s showing him his Switch

Dabi: then Spinner shows him his phone

Dabi: and that asshole fucking materializes one hand, grabs it, and hauls ass back inside

Dabi: it’s been thirty minutes and he still hasn’t given it back

Dabi: crazy shit

Mr. Yagi coughs. Keigo gives you a significant look. “Any speculations as to why Tomura stole Spinner’s phone?”

“Tomura is –”

“Her ghost.” Keigo nods at you.

“Ah,” Mr. Yagi says. “I imagine that Tomura stole the phone in order to place a call to her.”

Keigo wheezes. “He said Phantom missed me,” you say lamely.

“More like he missed you! You’re going to have to get him a phone.” Keigo misinterprets the look you’re giving him and keeps talking. “Don’t teach him how the camera works, though. I taught Touya and now I get photos.”

The last thing you want to do is teach Tomura about dick pics. If you get him a phone, it’s going to be a flip phone. Or one of the ancient ones with the keyboard that slides out. Mr. Yagi is studying Keigo carefully. “Is it true that you have a ghost? I was led to believe that there was something – odd about him.”

“Dabi? Yeah. He’s a scar wraith,” Keigo says. Mr. Yagi nods. “Do you know something about those?”

“Nothing, other than that it’s an uncomfortable state to exist in. How long has he been that way?”

“A while. Before we moved here.” Keigo focuses in on the file folder in a way that tells you he’s done talking about this. “What’s in there? Did you find anything on Garaki?”

“Here.” You pass him the relevant documents, then extract the files on Shigaraki to show to Mr. Yagi. “You were right. At least one of these is an alias. But this person – the first one on the list – was born two hundred and fifty years ago. He can’t still be alive.”

“Conjurers draw power from the world between,” Mr. Yagi says. “It allows them to exceed a natural human lifespan. But in order to draw that power, they require a conduit of some kind. Some are lucky enough to find a location that’s been consumed, in whole or in part, by the world between. Others must create their own.”

“What do you mean?” Keigo asks. “Like – well, shit. No wonder they keep coming back.”

Mr. Yagi nods. You feel like you missed something. “What?”

“The ghosts summoned by conjurers act as their conduits to the world between,” Mr. Yagi says. “When a ghost embodies itself permanently, the conduit is closed. A powerful enough conjurer will have summoned and bound many ghosts, and the loss of one or two will not trouble them. But weaker conjurers don’t have the ghosts to spare. When they lose a conduit, they come to investigate. And to punish.”

“Eri’s conjurer was weaker than the others,” you realize. “If Spinner’s right, and he was Magne’s and Atsuhiro’s too, then he lost three ghosts. He would have had to do something –”

“And he probably thought it was going to be easy until Hizashi murked him,” Keigo says. “I don’t think they even found out his name.”

“It was Chisaki Kai,” you say. “He was on the list. And he’s not the only one. Akaguro Chizome is dead, too. Do you know who killed him?”

“It is possible to kill conjurers,” Mr. Yagi says, noticeably avoiding your question. “However, it’s highly dangerous, as the conjurers are capable of harnessing ghostly power through their conduits to the world between. Humans who try to kill them often fail. I assume this Hizashi is a former ghost?”

“Probably the ghostliest former ghost, other than my idiot,” Keigo says. “If I was ranking power levels on the street, he and Dabi would be the strongest. If we’re counting former ghosts. We’ve only got one real ghost left.”

“You’ve been to my house,” you say to Mr. Yagi. “Is he really that strong?”

“Almost incalculably strong,” Mr. Yagi says. You’re weirdly proud of Tomura. “Given his presence, I’m not surprised your neighborhood has such a high concentration of ghosts. Unfortunately, such a high concentration poses a risk.”

“No, he blocks us,” Keigo says, frowning. “He blocks all of us.”

“I’m sure he does,” Mr. Yagi says. “What I mean is simply that if a conjurer discovers one of you, all of you will be compromised.”

He’s right. You hadn’t thought of that, and based on Keigo’s expression, neither had he – but Mr. Yagi is right. If a conjurer makes it past Tomura’s aura to investigate, they’ll find out that the neighborhood contains half a dozen former ghosts. “Do they talk to each other? Conjurers?”

“Some do,” Mr. Yagi says. “But all of them are able to sense the presence of ghostly power, just as ghosts are. If one finds your neighborhood –”

“We’ll just kill him,” Keigo says. “Problem solved.”

“Problem not solved. If we just kill some guy, our neighborhood will be his last known location,” you say. You’re not a lawyer, but after three years as Mr. Yagi’s paralegal, you know your way around a murder case. “We’d look guilty. And not everybody in the neighborhood can stand up to direct questioning. If the police show up we’d be in a lot of trouble.”

“We can get out of that,” Keigo says, waving his hand and accidentally attracting the attention of a server. “Now that I’ve met your boss, I know a good lawyer. Hi! We’re definitely ready to order.”

Keigo can put away food like there’s no tomorrow, but Mr. Yagi’s a slow eater, and your appetite’s taken a hit. Mr. Yagi notices. “Are you all right, my dear?”

“I’m worried,” you say. “Aizawa gave me those names yesterday, and Hizashi asked about them again this morning. Neither of them were taking no for an answer. It seems urgent. I think there’s a chance we’ve already been caught.”

“We’ve been caught. You haven’t been caught.” Keigo waves a piece of fried chicken at you. “You’ve got a live ghost. If a conjurer shows up, you’re the only person on the street who doesn’t have to worry.”

“That depends on the conjurer,” Mr. Yagi says quietly. “Conjurers lose ghosts for one reason and one reason only – permanent embodiment. Ghosts don’t embody themselves permanently without reason, and if Tomura’s conjurer were to suspect that Tomura might consider it, their wisest move would be to remove the reason why he would.”

“You’re saying Tomura’s conjurer might try to kill me,” you say. Mr. Yagi nods. “That would be stupid of them. He’d never embody himself. He likes being a ghost.”

“You sure about that?” Keigo eyes you over the rim of his soda. “I wouldn’t be. Since you two hooked up –”

“We didn’t hook up,” you say. There’s no world in which kissing constitutes hooking up. You’re not even all that sure Tomura knows what sex is, and you really don’t want to talk about it in front of your boss. You turn to your boss, pretending Keigo isn’t there. “I’m guessing a conjurer wouldn’t stop to ask. He’d just kill me. Right?”

“Yes.” Mr. Yagi sighs. “By that token, you’re perhaps the unsafest of all.”

“It’s a waste of time to decide who’s safest and unsafest,” you say. “If a conjurer shows up we’re all in trouble. Either Hizashi and Aizawa think somebody’s found us already, or – I don’t know. Maybe they’re trying to track where the other conjurers are?”

“That sounds right,” Keigo says. “If we monitor them, then we can figure out if they’re getting close, and kill them away from the neighborhood so nobody gets suspicious.”

“Let’s speak a little more quietly about this,” Mr. Yagi implores. People are starting to stare at the three of you. “Engaging with the conjurers this way should be your last resort. Stay hidden at all costs.”

“What if we have to kill someone in order to stay hidden?”

Mr. Yagi gives Keigo a look. “I’ve stayed hidden for fifteen years. Do you mean to tell me that you can’t hide better than an old man like me?”

The challenge is enough to silence Keigo on the issue – that issue, and only that issue, for the rest of lunch, until his work phone chimes. He drops his credit card on the table and bolts, and you and Mr. Yagi both stare at it for a moment. “Is he buying lunch?”

You think about some of Keigo’s bullshit today. “Yes.”

With Keigo gone, you seize the opportunity to go into a little more depth with your research. “With Kiriyama Yoichi, I need to do some more reading. Since Akira stole his brother’s name for his new identity, I’m guessing he stole a name from somebody he knew in the Kiriyama identity to generate the next alias. I’m not sure who it is, but it’ll help to find them. They almost certainly left a bigger paper trail than he has.”

You contemplate the stack of papers, then think about what your work inbox looks like. “There’s no way I can get this done before the end of the day.”

“Take it home,” Mr. Yagi says. You nod. “May I make a suggestion?”

“Please.”

“My son, Izuku, is very good at projects such as this one,” Mr. Yagi says. You’ve met Izuku. He’s simultaneously the friendliest and the most intense kid on the planet. “You won’t need to give him much background information, and he’s on summer break. Both of you can read over the information and share conclusions. Two heads are better than one.”

You nod. “In addition,” Mr. Yagi continues, “there are conjurers who do not engage in the practice of binding spirits. I’ll reach out to my contacts there and see what they know.”

“Thank you,” you say. Mr. Yagi nods, taking the last sips of his tea. “Sir, um – why are you helping me? I know I’ve been difficult the last few months. I’ve been slow. And this morning, I –”

“I’ve had no concerns with your work. And I knew all about your office demeanor when I hired you.” Mr. Yagi cracks a small, skeletal grin. Then his expression softens. “As for why I would help you, there are three reasons. First, because it’s the right thing to do. Second, because I care for you. And third, because it would have helped my wife immensely to have met someone who could explain the nature of these things, rather than having to find out on her own.”

“Oh,” you say. You weren’t sure what you were expecting him to say. Probably not that he cares about you, but it’s true, isn’t it? He’s the nicest boss you’ve ever had, and his first reaction to seeing Tomura’s marks on you was to offer to help. Even if you felt judged. Maybe the feeling of being judged was just you. “Thank you, sir. It means a lot.”

Mr. Yagi nods. “Be careful,” he tells you. “This world is more dangerous than you realize.”

You could take that as paternalistic, patronizing, if you wanted to. You’ve never doubted that the world of ghosts and conjurers was a dangerous one. The first time you learned of Tomura’s existence, it was because you saw him kill something, and even if everyone else on the street is incredibly blasé about it, you never let yourself forget the kind of neighborhood you live in. It’s almost a relief to hear Mr. Yagi’s reminder. “Don’t worry, sir,” you say. You aren’t scared of Tomura these days, but careful of the rest? Careful you can do. “I will.”

Maybe the one he say he's tired xd

Guys, give me ideas for Shigaraki tattoos!

I'm wanting to get this panel on my forearm, but I wanna see y'all's ideas. 👀

I choose both i just love him so much 🥺

Be honest, which shiggy do you prefer?

(Reblog if you have another answer or you jus wanna rant about which shig you like better x)

18+ shigaraki drabble, MDNI

dom tomura pressing his tiny, meek little s/o into the matress, fucking them senseless. they're covered in bruises and they've cum countless times already, their little hole sore from the abuse and hot tears rolling down their red cheeks. tomura wipes them away with his thumb, hushing them and telling them how good they're being for him.

tomura pressing his hand against their neck, one finger lifted, carefully restricting their airflow til their vision goes spotty. hand around their neck to remind them that they're his. that he's in control here. the other hand grips their thigh, holding one leg over his shoulder to bury his cock into their core impossibly deeper. their little hole so hot and tight, it's like he's taking their innocence, corrupting them all over again.

when his mouth isn't on their lips, it's exploring the rest of them while he fucks them dumb. leaving dark hickeys, bite marks, licks and kisses all across their flesh, making sure to leave some places they can't hide easily. he wants everyone to know they belong to him. he wants to show them off proudly. he wants to see their hopelessly flustered face when they're around the others and desperately trying to cover the marks he left.

tomura feels like a predator with a fresh catch. a wolf, devouring a rabbit. his quiet, skittish s/o reminds him so much of a little bunny. their cries and moans and mewls and squeals resembling that of a small mammal in the jaws of a ravenous beast. but unlike a wolf or a beast with their prey, he'd never hurt a hair on his s/o's pretty head.

just when his little darling is on the verge of breaking, tomura's thick cock trobs inside of their sensitive walls, causing them to cum one more time with a weak cry. he stops, fully sheathed inside as he fills them to the point of overflowing with his hot, thick cum. he stays hilted inside of them, twitching, panting, petting their head while the seed that can't fit inside of them coats their already sticky thighs. tomura mutters small curses and praises that make them feel warm.

he stays inside until he's soft, part of him never wanting to move again. to just bask in the comforting feeling of his darling wrapped around his cock, looking so pretty underneath him. eventually, he pulls out, a flood of cum coming with it. he cuddles beside them and wraps a protective arm around their small frame. and with his s/o in his arms, leaking his seed, all fucked out and drifting off, he's happy.