with arcane’s focus on visual elements, something that’s been nagging on me lately is mel medarda’s final design and why it compounds the tragedy of her story:
firstly, when we see mel in her flashback, she’s already wearing her significant white/gold, but tempered with blue—noticeably missing her mother’s greys and reds, even then, showing her idealogical differences
then in piltover, we see mel as her own self-actualization—all white and gold and black, colors connected to power, and with an elegant cut that still places her slightly apart from piltover fashion. it shows her place as a non-combatant (long skirt) and someone privileged (the pure white) and wealthy (the gold. so much gold.). this is mel medarda at the pinnacle she’s worked so hard to achieve—it’s elegant because she is elegant
which of course becomes subverted when we do see the gold accessories taken away and the white dirtied when she’s kidnapped by the black rose—this is the first and only time we see mel in actual disarray, and it shows how vulnerable she is when she’s outside the political sphere
and after her transformation, we have this costume change, where aside from the increased gold (now representing magical ability instead of just wealth), we have mel in a a skin-tight catsuit style getup, allowing for greater movement, and her hair done in micro-braids in a style that won’t affect her center of gravity. at first, when i was watching, i was confused (especially about the hair), but then i realized—
this isn’t mel dressing herself to reflect a change, this is leblanc’s vision of mel, where power is swiftness and she is markedly different than others in a way that is now impossible to ignore
and she tries to return to her previous sense of self with the white hood, going back to a trademark of her style, but notably this is an outfit worn to conceal, not reveal and show off like her previous iconic dress, and her change is visibly with even just the hood off
and when mel accepts black rose’s help and betrays them and her mother dies, the white hood disappears—try as she might, she cannot go back to who she was, and she stands before noxians as a mage and mother-killer and a wolf, something dangerous
and then, when we see mel leaving piltover, she’s wearing nothing of her original self, but a combination of black rose’s getup and her mother’s colors. there is almost nothing of “mel” in this outfit, as if she’s been subsumed by these two identities—noxian and mage
even her makeup has shifted, with the red line under her eyes and the gold in her lower lip directly copying her mother
this isn’t a mel who’s realized herself in a new identity. this is a mel who, when faced with the enormous loss of her brother, mother, lover and former identity, has fallen into the definitions and roles that were presented to her, and who is now primed to continue the cycles started by her predecessors
and moving on from arcane, i think it would be fascinating to see mel in one of the newer shows to see how she grapples with this and if she either falls back into tradition and dooms herself, or if she’s able to break free and reforge her identity on her own terms
sometimes I’ll be complaining about something bc that’s my right as a chronically ill person, and my parents will chime in with a “you’re in your twenties, you’re too young to be complaining that your back/hips/knees/etc hurt(s)” and I’m like, Yeah??? No shit??? You were AT the doctor’s appointments with me, did you forget the chronic part of CHRONIC PAIN????
Actually it's so important to me that everyone knows that Viktor's "Evolution has a destination" thing IS SUCH BULLSHIT
Evolution doesn't know what it's doing!! It's not trying to go anywhere!! It's pretty much how well you can FUCK!!!!!
Viktor ik you're a stem diva but PLEASE stay in your engineering lane
i dont care about validity i care about my civil rights
BTW i see these posts all the time like "ohhh i dont know what to comment on fics.." and every response is "keysmashes! or hearts!! anything works :3" and thats GREAT!! thats helpful!!
but: consider. if u genuinely like analyzing writing.. do u know ur just allowed to go through and quote your favorite parts and ramble abt what they mean to u and the author will LOSE IT WITH HYPE?
genuinely. i felt SO WEIRD the first time i did it.. but like. holy shit authors love it. its crack for authors. the first time i did it, it was on a fic that hadnt updated in half a year, give or take, and the author made 3 updates that month BECAUSE OF MY COMMENT.
LIKE. as an author every comment is INCREDIBLE!!! but also, dont feel like your comment has to be short or otherwise ur invasive or smth!! authors ADORE long comments more than ANYTHING.
went to my best friend’s house last night and saw a little plushie dog and plushie cat that had been sewn together down the middle into a two-headed chimera. I said, “did you do that?” she said, “yes, I saved them.”
turns out at her old job when the last two plushies hadn’t sold and became deadstock, her boss told her to cut them up and throw them out. so she cut them each in half, preserved their heads, and then rebuilt them together.
cannot stop thinking about the way these little plushies were approached with the instinct of a Vampire or some sort of ancient god. “Let me save you [turn you into a monster].”
I like the idea of there being something a little sharper about Zaunites.
Jayce often turns around to find Viktor much closer than he had thought, even being able to hear the tapping of his cane. During late nights in the lab, his amber eyes burn violently in the blue glow of the hexgems. On the rare occasion he blinks, Jayce can swear they appear reflective, like a cat’s. Just tricks of the light and the mind.
Mel’s skin rises the first time Jayce brings Viktor to a Council meeting. They’ve met before, of course, but there’s something immovable in his grip when she shakes his hand, touching him for the first time. Viktor smiles ingenuinely, almost mockingly, at something Salo says, and his teeth are a tad sharp. Mel has grown up around war, around danger, but it had always come for her head on. In Piltover, it came in the form of ruining reputations or profits. She wonders how thoroughly Viktor could ruin someone before they even realized he was there. She dreams of wolves and foxes that night, and from a tree, the ember-bright eyes of a lynx watches, waiting for the other predators to tear each other apart.
Vi likes to climb. Caitlyn knows this, though she supposes she didn’t really think about it. It’s almost beautiful to watch, really — the agile switches, the power thrumming beneath Vi’s skin like she might burst from it. Vi maneuvers through the rooftops of Zaun as easily as breathing. Sometimes, Caitlyn’s own breath will catch when the jump looks too far, too much, then Vi’s hand will catch the ledge without fail and she can huff a laugh. She ignores how many distances Vi has crossed that shouldn’t be crossable. Like a cat, a Zaunite will always land on their feet.
Ekko seems to move quite strangely, Heimerdinger thinks. Though, he’s never truly paid close attention to human movements, the boy seems to traverse without the normal effect of gravity, as if he simply never dismounted his hoverboard. It was far too smooth, far too even — it took a considerable time for Heimerdinger to put his finger on it. As they discover the sickness of the tree, the pattern changes. Ekko glitches sometimes, staying in one place for too long before seemingly being sling-shot through space, appearing somewhere else without having gotten there. A mystery for later, he supposes.
Silco feels like a condensation of all Zaun’s noxious gases, perhaps with a vein of Shimmer added for realism. Marcus feels like his lungs are clouding just from being around him, getting the urge to cough out the pollution. Silco is the grimy cracks, the perpetually-wet streets, the sunken ribs and track marks of every body slumped on every street. His voice curls around Marcus like a snake, squeezing tighter and tighter until the fear and the threats are the only things left in his brain. Yet, Silco sits calmly, always far too still. Sometimes his scar appears to splinter in front of Marcus’s eyes. When he tucks his daughter in a night, he wonders about what kind of monster might slip, unheard, through the cracks of her window.
There’s always been Something in the air in Zaun. The water too. Really, can one be surprised at the consequences?
That specific sickly, weird, mottled green color that appears when two mirrors are reflecting each other into infinity is so fucking beautiful… I love you weird nasty green of the aether….
the holy trinity: the father (fuck it we ball) the son (it is what it is) the holy spirit (to be cringe is to be free)
been thinking about fantasy/scifi rule systems and free will
babygirl you WILL be subjected to my hyperfixationsCall me Violet | she/her | 20 | ace lesbian, peer-reviewed demiromanticViolet_Storm_Cloud on ao3Feel free to dm, I love to discuss!
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