Write your own name?
Fuck you here's a red squiggle
.
the best way to support libraries is to use libraries. go get a card, check something out. not a big reader? they got movies. they got games. yes, like botw and fallout and let’s go eevee. they also have cds that yes, we workers know you take home and rip to your computer. we also do it.
if you have a well funded library you might even have access to maker spaces that have 3D printers. or video/audio recording equipment. libraries aren’t these tomb silent homes for books any more. they’re community spaces. they’re full of life and things.
put a middle finger up at jeffrey bezos and support your local library
It actually works
It works so well
spotify premium amazon prime netflix discord nitro hbo max disney plus youtube premium tumblr plus i hope you die premium i hope we all die plus
Rievaulx Abbey, North Yorkshire, England, United Kingdom.
You mean to tell me that not everyone knows about the Owl Attack Sex Playlist?
I don’t mean flaws in character design, even though they possibly do. I mean the problems your characters SHOULD have. The problems they face in your story ie. villains, conflict, war, homophobic parents, not having a date to the big dance. Y’know…like a plot.
1. Your Characters Need to Make Decisions
This may sound obvious, but it isn’t always. The Problem™ isn’t just something your character has to go through that sucks—they should be faced with options, and have to make Active Decisions™ that affect the outcome of the story. This gives your characters agency—if they don’t have agency, if they don’t make decisions, your characters will be read as passive. Passive characters aren’t interesting.
2. These Choices Need To Be Hard
Give your characters inner conflict.
Hard, tough decisions to make. How to face their big problem. In figuring out what options your characters will choose, remember their
Motivations
Background
They way they were raised
Moral/Ethical/Spiritual beliefs
Fears
Loyalties
3. Figure Out The Stakes
Based on what kind of story you have, the stakes for your protagonist are going to be different.
SciFi novel about how the world is going to get obliterated by an evil force in 2 days? High stakes.
Romance novella about 29-year old Tequila Sheila who can’t seem to find a date to her brother’s wedding? Lower stakes.
And there’s nothing wrong with having higher or lower stakes—but do think about where your stakes should be for your particular story. Many stories don’t have high enough stakes for readers to be captivated; these stories need to be reconfigured, after realizing what exactly is at stake and to what degree. Understanding what your stakes are can help you figure out what kind of reading experience your book will be.
Really makes you wonder what may have happened 🤔
And here I thought The Hard Times was satire
none of yall know what propaganda actually is, do you?