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What makes Poor Things so ultimately triumphant for me is the way that Bella Baxter is, despite it all, her own creation. She came into the world in an experiment that violated the autonomy of both Victoria before her and Bella herself, but she steps beyond the parameters of the experiment and into the world, to learn from it. The intentions of men may be to possess her or use her or take joy in despoiling her vulnerability, but their intentions do not determine her experiences. She decides. She explores. She looks at a world full of sorrow that could render her helpless and chooses instead to do what she can about it and then sleep easy at night. She listens to the call of her curiosity before all else, her happiness second, her compassion third. The family that she makes for herself in the end is unconventional, but it's ultimately hers and allows her to flourish as a doctor with an experimental nature and a heart of patinaed silver.

And I don't think it could be that particular kind of triumphant if the movie wasn't so fucked up.

looking at the 'midseason trailer' and seeing roman fighting his siblings, roman shitting on gerri, roman working for fascists, roman walking proudly through ATN like logan did just two days prior... it's not surprising, but it is fucking sad.

logan's death will not free roman. instead, it will reforge the chains he's worn all his life, casting them in iron -- that's what roman deserves for thinking, for the first time in his life, that maybe he wants the chains off. that's what roman deserves for killing his father by not loving him enough, by not loving him correctly or at the right times. logan's death will not free roman at all. if anything, it will imprison him.

(as always, this got very long, so keep reading under the cut!)

this was the worst case scenario for roman. not just logan dying, but the exact way everything played out. he betrayed his siblings, he fired gerri -- for nothing. he could have been on the plane with his father in his last moments -- he refused. his last interaction with his father was leaving logan a voice message that called him a cunt -- the first time roman has ever, ever, questioned or stood up to his father, and also the last. we don't know what killed logan. we probably never will. but god if it won't feel awfully coincidental to roman: the one time he fought back against his father or even showed the slightest hint of doing so, his father died. is it likely that logan heard roman's voice memo and keeled over because he called him a cunt? no. but is it just as possible as anything else? entirely. roman might have killed his dad. roman murdered logan when he could've been on the plane with him holding his hand, if he were a good son. he didn't even tell logan he loved him. not that he needed to, it fucking oozed from his every pore and the desperate nature of that love was one of the reasons logan could never quite stand him -- but that's not the point. roman's one attempt at agency, at setting boundaries, at standing up for himself killed his fucking father.

logan dying would never have been good for roman, at least in his current state, no matter how the actual death came to pass. people often talk about abusive relationships as if the end-all-be-all fixer to abuse is independence, and it's not. independence isn't always enough to heal, especially not when it's forced upon you rather than something you choose. this is especially true for roman, i think. what roman needed was not just to gain his own independence, but to realize that independence and love are not mutually exclusive, that gaining one does not mean losing the other. logan's always hammered in roman's weakness, his wrongness; roman was never someone who deserved to be loved on his own terms. roman's never considered himself to be someone with agency and authority in his relationships -- he's been told over and over again that he isn't a real person, that there's something deeply wrong and unfixable in him, and he believes it. he's never set boundaries with his father or even his siblings because i don't think he really realizes he has the power to do that. he's simply there until people decide they no longer have use for him or want him around, and he'll always come crawling back after a kick because he doesn't realize he's not on a leash -- that he doesn't need to be on a leash. independence has been unreachable all his life, he isn't normal or real enough to be a real normal independent capable person, but if he grovels and shows his use enough, then maybe he can be loved. but his dependence and loyalty is all he's good for. independence means no love, no family, no relationships. and roman desperately wants, needs, those relationships in a way that none of the other characters do (or at least can admit to) -- he wants his father in his life, no matter what; he wants his siblings in his life, no matter what. but independence, being his own person, separating himself from logan's side means he'd lose everything else, everyone else. he's not good for anything anyways. it's not like he has other options.

...until the start of season four. that's why this is all so tragic -- more than anyone else, it seemed like roman was on the road to healing. it seemed like he was finally realizing that independence and love might not be as mutually exclusive as he's been made to think: maybe he could be independent while still having a relationship with his siblings and even his father. maybe he could have his cake and eat it too. he's realized that he's capable, that he has his own worth, and that he can be successful without living under logan's thumb -- and, more importantly, could still text him on his birthday and try to rebuild a relationship, this time outside of business. outside of "that room" in waystar royco. an actual fucking family relationship. that's what escaping the cycle would look like for roman — not complete separation, not a metaphorical killing of his father, but the ability to live alongside him, to have a life outside of him, to love his father without living for him. so simply removing logan from the equation wouldn’t help roman, not when what he needs most is to realize that self-respect is not mutually exclusive with love, that being your own person isn’t a betrayal, that family and love aren’t dependent on how low you can kneel and won’t be whisked away the moment you stand up. and for the first time in his life, it seemed like he was on track to discovering this. maybe he and the siblings could have the hundred, logan could keep going with atn, and in a few years down the line they'd all get together to talk shop and joke around and coexist -- for the first time, he had started to think of himself as enough of a real, okay person to be allowed to coexist with his family, rather than naturally subordinating himself in every interaction.

roman could’ve been his own person, could’ve escaped the cycle, could’ve started a business with his siblings and tried to heal, but now he won’t. he can’t. roman can’t become his own person now, not when his first attempt to do so is exactly what killed logan. it’s his fault. he fucked up and now there’s no dad. he gained his independence, but at what cost? love. that’s the cost. it always has been and always will be. nothing could be more detrimental to roman roy than the exact series of events that occurred in this episode, because just as he started to see a world beyond his father, logan dies -- proving once and for all that the only world beyond logan is one without him in it at all. that’s been roman’s fear all along and why he’s stuck so close to his side: roman loves and loves and loves and is terrified, terrified, of death. of loss. but in a moment of 'weakness,' roman wobbled (he tried to stand up to logan rather than just taking the kicks as he's supposed to, as he always has), and his father paid the ultimate price. there’s no more dad. there’s no reviving him.

…unless, of course, there is. unless roman can undo his error by choosing his father again, and again, and again. becoming logan is the closest roman can get to resurrecting him, after all. and besides, doesn’t he owe it to dad after killing him? after calling him a cunt, choosing not to be with him on that plane he ended up dying on? after forgetting to even say “i love you dad” before the end? roman needs to fix things. needs to make it like dad's still here. needs to make it like he didn't kill his own father by refusing him for the first time in his life. so roman will be the firebreather logan wanted -- he'll do ATN, he'll push for mencken, he'll do whatever it fucking takes to try and make things right. if it's his fault logan's no longer here, then he needs to do everything he possibly can to fulfill his dying wishes, to do what logan would've done, were he alive.

"dad can't die, he's dad." he can't ever die. he's immortal, and his immortality was solidified by the circumstances of his death -- logan will not die. he’ll live on in roman, as roman.

roman will make sure of it.

peepaw didn’t win shit but he dgaf

By Engraving Found Plastic Waste, Duke Riley Links Extractive Practices Throughout Human History

festen as inspiration for succession makes total sense and i've heard so much said about succession's style, but to me, these deliberate zoom-ins, the messy handheld mock doc type stuff, it all conveys a desperation to capture the moment as it is, since the present is the only reality, since the past as a rule is always ambiguous and unreal. a home movie but (like festen) the parts that are very unfortunately happening right now. the past has and can be rewritten but what actually takes place in succession as we see it cannot be refuted because we're witnesses. our participation is definitely a part of this. and the camera knows all of this, its work enhances this sense of fleetingness. there's such a sense of now, of presentness because the present is all we have to make sense of in this story.

Waddah culluh

Some friends and I are starting a writing blog!

Café poem

Nate

six moths since the succession final btw, six months since i’m the eldest boy, six months since i love you but i cannot fucking stomach you, six months since the walmart colorblock boys t-shirt, six months since meal fit for a king, since months since kisses boys on molly, six months since the stitch rip. six months since real television.

- All of us, you know, we have affinities for people. We like certain people. You like certain people, right? - Sometimes.

CAROL (2015) dir. Todd Haynes