I’ve got some very exciting news to share today.
I AM GOING TO BE RELEASING A BOOK!!
It’s called “Adulthood is a Myth” and features 109 comics, including 30 brand new comics exclusive to the book. It’s now up for preorder here and will be available wherever books are sold on March 8th. You can also get a sneak peek of some of the newer comics by following that link.
Oh, AND, due to some amazing feat of technology, my sweater on the book cover is fuzzy to the touch. So trust me, getting a physical copy is worth it!
How did the movie compare with your expectations?
Traci Kato-Kiriyama: It was stunning visually, but emotionally it didn’t draw me in.
Keiko Agena: It was harder to watch than I thought it was gonna be. To get emotionally invested, you have to really care that she needs to find out who she is. But when she finally meets her mom, my gut felt so weird in that moment.
Kato-Kiriyama: That scene was devastating on all levels. It got me because of the emotion of the mother [veteran Japanese actress Kaori Momoi]. She’s really wonderful. That scene should have been beautiful, but Major had nothing in her eyes. Acting-wise, what a missed moment.
Atsuko Okatsuka: I wasn’t aware they were gonna explain the whitewashing. I thought it was just going to be an action film, no explanation, just go with the fact that it’s a future Japan with this robot cop. And then to be like, “Oh shit, I used to be a Japanese woman!” (Laughter) That was against my expectations.
How did you feel when that twist was revealed?
Agena: That was hard, y’all. Hard and awkward.
Ai Yoshihara: Major’s backstory is white people trying to justify the casting.
Okatsuka: And they f—ed up in the process because now it looks even worse. The text at the beginning of the movie explained that Hanka Robotics is making a being that’s the best of human and the best of robotics. For some reason, the best stuff they make happens to be white. Michael Pitt used to be Hideo.
Agena: That was the other cringe-worthy moment, when they called each other by their Japanese names. We’re looking at these beautiful white bodies saying these Japanese names, and it hurt my heart a little bit.
Kato-Kiriyama: It was supposed to be so touching and intimate, and it felt gross. And kind of laugh-worthy at the same time.
Okatsuka: I would have preferred them just using American names. “You used to be Bob.”
Mercy by Artgerm
Todos somos Ayotzinapa(We all are Ayotzinapa) Huge march of students, teachers and relatives of the 43 students disspeared at Ayotzinapa, Guerrero(Mexico) Marched yesterday night holding candles and torches to "El zocalo". Demanding the return of the 43 students "Se los llevaron vivos y vivos los queremos" (They took them alive and alive we want them). There were marches all over the country in support of the dissapeared students and it was barely mentioned on National news.
Mom, I can’t save during a battle!”
ancient proverb (via ruinedchildhood)
new sunstone is up http://shiniez.deviantart.com/art/well-done-holmes-615347182?ga_submit_new=10%253A1465934565
Older Korrasami. I figure even though they’ve been married for a bit and are middle aged, they still act like dumbass teenagers around each other.
Also 100% stole makani’s design for older Korra