π young short-haired Angeline π
I hope the cut of her dress is okay ; I adore low-cut necklines, all my favourite dresses have one.
I'm pretty happy with the colours on this one, I was worried I would be trash again at Procreate after such a long hiatus but so far, so good ^^"
Spring 1991. Happier times β¨
I wanted to draw something that felt warmer and more wholesome after my previous attempt at a ββbigββ piece. Not very happy with this one, I think I was a bit too ambitious for my skill level lol. I definitely could have worked on it more but I decided to call it quits anyways ^^β Edit to add - one thing I'm very proud about - I drew the piano without any reference picture o/ For no other reason that I couldn't be bothered ahem, and the proportions are a mess compared to Angeline, but still ! *pat-pats on my own back*
Smol Artemis sketches π€
Been experimenting with new brushes, now it looks much closer to my actual trad art style. Thatβs nice π
Little Holly ! π₯
β¦ Yeah. You donβt wanna mess with her.
downsizing seasons from 22 episodes to 13 to 8. describing miniseries as "8 hour movies". loudly declaring that shows with 20+ episodes per season cannot truly be good. complaining that "it couldve been a movie". complaining about filler episodes. complaining about bottle episodes. complaining about episodes that prioritize character over plot. fr i think y'all just dont like television
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Wakaba Higuchi: Nature Boy, Running Up That Hill Β» 2024 Grand Prix de France
Artemis FowlΒ is often praised for its originality, and by that most critics are implying that it is not like a poor derivative of JRR Tolkien: a criticism that can be levelled at a surprisingly large share of the modern fantasy market. But AF actually had a surprising amount of similarities with LOTR, while not in the stylish sense that most properties use, instead in an ideological sense.Β
LOTR is a conservative work, with a very traditional view of manβs relationship to Nature. Despite seeming more progressive in many ways, AF has inherited/shares many of Tolkienβs views on Nature and society.
Nature is distinct, but important to βmanβsβ society
Different races are fundamental different
Some races are βbetterβ than others
Some βracesβ are inherently βbetterβ at living in nature that others
Humans , when left on to their own devices will be corrupted by the world
There are distinct ideas of Good and Bad that provide all of Reality and some things tend towards good and some towards bad
Grief is the sole cause of mental illness and magic is what is necessary to cure it
AF isnβt necessarily intentionally copying LOtR in these respects: EC is after all from a similar background as Tolkien; both are white, well-off, well-educated men.Β Many of these views are and were completely pervasive in the cultures that these two authors grew up and wrote in. That said, the strong focus on environmentalism, or pastoralism, that is evident in both texts is something that is distinctly more pronounced from the general cultural attitudes of their respective times.
One notable element of the Conservatism of Colferβs work (NB: only the OG AF series is being discussed in this post, not the spinoff series), is Colferβs uncritical upholding of oppressive systems of power. Fairy societyβs sexism is lightly analysed and criticized in the first book of the series, but many aspects of itβs cultural norms-- most notably itβs racism, that is the belief that each fantasy race will inherently behave differently and have some races will be βworseβ than others-- are reproduced unthinkingly in fairy society, which implicitly legitimizes there validity in the real world. Holly clearly believes in elf supremacy, and believes that the over-incarceration and stigmatization of the goblins are the natural result of the goblins inherent character, rather than the result of the regressive police attitude. Holly, while being stigmatized for being a woman, still experiences privileges as an elf, and it is notable that the three female officers we see throughout the series-- Holly, Lilly and Vinyaya-- are all elves and Lilly is notably from an influential and wealthy family.
:(((
So apparently there is going to be a musical theatre adaptation of Artemis Fowl. I love musical theatre, but honestly I just cannot see this going well.....
π¦ Half-goblin Holly backstory headcanons π¦ (including some more general goblins headcanons because actual canon is *not it*) (very long post ahead, but I felt it was due time to expand the lore of my beloved half-goblin Holly) - Her dad's name is Lezzare. Holly was very close to him as a youngling ; he used to affectionately call her "B'wa-biba" (darling sparkle) - He made all her childhood clothes himself, as per the goblin tradition of mending : goblins love to patchwork their clothes with visible stitches, and fabrics passed down in the family from generation to generation - to allude to how their skin shed naturally and symbolise the love and protection of the family allowing them to grow. This tradition is mostly seen as an excuse for poor craftsfaeship compared to the more sophisticated, gold-thread embedded clothing of the elves and centaurs, but many goblins are actually very skilled at sewing. - He and Coral met at the university, at a marine biology class - Coral attended as a student and Lezzare as an auditor (goblins basically aren't allowed to pursue higher education in Haven because they are deemed too stupid) - Lezzare was an activist fighting for goblins' rights, and advocating for a demilitarised Haven (arguing that the People should only defend themselves against mud people as a united front, and not further the divides between the fairy families according to the "nobler" elven values and morals). - Even though he was a pacifist, he was sent to Howler's Peak after a mass arrestation following a deadly terrorist attack, when Holly was still quite young. Coral joined LEPMarine and moved to Atlantis with baby Holly so they could go visit Lezzare more easily. - Holly still loved her dad, but the stigma of being a goblin hybrid and her dad being in prison slowly started to take a toll on her ; especially since Coral was gone working most of the time, and Holly spent a lot of days with various LEP officers both being very dismissive of her and her father, and encouraging her to join the LEP like her mom. - When Coral died, Lezzare was allowed to attend the funeral, which absolutely didn't sit well with Coral's family who hated him and disapproved heavily of their daughter's relationship with a goblin. At the funeral, Lezzare started performing a goblin fire grieving ritual which was interpreted as an aggression attempt, causing an absolute riot between him and Coral's family and LEP coworkers, with Holly torn in the middle. - Holly was extremely mad for a very long time at her father for ruining her mother's funeral. Lezzare was also really upset that she chose to join the LEPrecon after everything they did to their kind. - I believe they were strictly no contact since, and for at least the first three books. But after meeting Artemis, and the B'wa Kell rebellion, Holly starts to see things a bit more differently, and a bit less black and white. Julius' death, then the events of The Opal Deception leaving her out of the LEP and more isolated than ever, as "the goblin LEP experiment that ended up being a murdering failure like every other goblin ever is", really changed her entire perspective. - Now she sees her dad more often ; mending their relationship takes time but they find things to bond over, and it gets better π§‘ ... That's it for now ! Please tell me what you think about all this ! Also, I've started working on a feature film two weeks ago that's why this piece took forever to finish ; even though I'm really done with it, and I think I could have done better with the color palette (too same toney imo), I'm pretty happy with how vibrant it globally turned out. And I'm also quite happy with Lezzare's face π
β π°ππππ Β· ππππ/πππ/πππ Β· πΈ6 Β· πΈπ½π΅πΉ Β· πππ Β· πππ β Β·Β·Β· πππππππππ π πππ π ππππππππππ ππ’ππππππ‘πππππ ππ π°ππππππ π΅ππ π Β·Β·Β·Β·Β·Β· π πππππ π°π΅ ππππππ π πππ πππππππππ πππ ππππππππ ππππ πππππππ πππ πππ πππππππππππ’ π πππππππ ππππππ πππππππ Β·Β·Β·
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