#msgs ﹕ asks.#einshi#he thinks a random girl texted him by accident#yes to xf gojo sounds like a girl when he texts oof-
hey I showed you my cinnamoroll collection pls respond (Gojo)
wrong number?? maybe?? ╱ @einshi
( sms ) your plush|
( sms ) cute cinnas. a few rare ones too? ( sms ) looks like it at least. impressive. ( sms ) who is this?
❛ what took you so long? this is a total disaster! ❜ <3
‘ don’t know about that. ’ his confidence is contagious, if the way these parasitic curses still crawl up the walls looking for a bigger body to attach themselves to. he doesn’t let them go so far, not out of a sense of responsibility, no: the thing is he’d rather be doing anything else but this. there’s a kamen rider special on TV. the plants he swore to be taking care of could use some watering, for sure. unfinished games waited in his console.
anything else…
small fries, they should learn not to waste space like that. Satoru chooses to humor Megumi, lightness in his step as he waves dismissively at the mess. ‘ you know what they say about art: it’s abstract, relative if you will. maybe I’m trying my hand at new hobbies. ever heard of self-expression? ’
a snap of his fingers and the last stroke on the canvas is done. it is indeed messy, but Megumi doesn’t need to know that. ‘ aaaand we’re done here. shall we go? you can thank your amazing teacher for finishing up the work so quickly. ’
i take it back writing 1983218942893 paragraphs is not enough i gotta add one more and then one more and another and maybe another for good measure and
reviving my kogami muse is the best thing that's happened, didn't think I still had it in me now yall will have to deal with me writing 1818382839616672 paragraphs of kogami character analysis each new reply
be careful who you call friends... or your cousin that looks like he was your twin...
@12reset
a collection of 60+ starters adapted from season 1 of code geass: lelouch of the rebellion / change pronouns as necessary.
❛ crying for them won’t bring the dead back to life. ❜ ❛ i need the determination to succeed. ❜ ❛ if im going to die, i want to do it for the sake of everyone. ❜ ❛ you can’t change the world without getting your hands dirty. ❜ ❛ i cannot afford to let you die. ❜ ❛ the end result is worthless if the means to them are wrong! ❜ ❛ your pride always gets in the way at the most inopportune moments. ❜ ❛ there is no escape from the inevitable. ❜ ❛ i don’t deserve your kind words. ❜ ❛ this is already a checkmate. ❜ ❛ did you think this was all some sort of game? ❜ ❛ i did love you once, you know. ❜ ❛ no matter what, i’ll always be here by your side. ❜ ❛ in the end, you’re just a little boy with a big head and a big mouth. ❜ ❛ will you let me be a little selfish now? ❜ ❛ i heard what you did, you shouldn’t be so reckless. ❜ ❛ those who cannot control their power will be consumed by it. ❜ ❛ since that day, i’ve lived a lie. ❜ ❛ in the end, it’s all just self-satisfaction. ❜ ❛ if it is my destiny — i will walk the path of blood. ❜ ❛ what a foolish choice. ❜ ❛ i never considered us to be friends. ❜ ❛ i’ve dirtied my hands a long time ago. ❜ ❛ nothing stays the same forever. ❜ ❛ all we can do now is trust him. ❜ ❛ i wish the world was a gentler place. ❜ ❛ there are some things that i just can’t forget. ❜ ❛ the only people who should kill are those prepared to die themselves. ❜ ❛ everything i once was — i have forgotten it. ❜ ❛ people aren’t just your pawns! ❜ ❛ unrequited love is the mark of a kind person. ❜ ❛ i wish he’d stop showing off this meaningless pride of his. ❜ ❛ a person who knows anger also knows what sadness is like. ❜ ❛ it’s hard to understand such a selfish girl. ❜ ❛ i don’t want anyone to lose any more loved ones. ❜ ❛ all men are not created equal. ❜ ❛ i only realised how important she was to me after i’ve lost her. ❜ ❛ i wonder if the person i used to be was as happy as i am now. ❜ ❛ win or lose, you won’t gain anything unless you give everything for it. ❜ ❛ i’m not nearly as wonderful of a person as you think i am. ❜ ❛ you killed them all for the sake of that madness? ❜ ❛ it’s nothing but an empty dream. ❜ ❛ how could i lose so easily? ❜ ❛ people don’t care about reason, but they can’t resist a good miracle. ❜ ❛ you’ll have to do it in my place. ❜ ❛ i’ll stay with you until the end. ❜ ❛ i’ve already made a contract with the devil. ❜ ❛ hatred has taken control of me now. ❜ ❛ i have no intention of turning back. ❜ ❛ do you think ideals alone can change the world? ❜ ❛ destruction is necessary before creation. ❜ ❛ the only path that’s left for me is forward. ❜ ❛ i have no time to argue who’s the bigger hypocrite here. ❜ ❛ should you really be so laid-back about all this? ❜ ❛ there must be a reason he’s acting this way. ❜ ❛ you’re not alone! ❜ ❛ i don’t know if i was ever human to begin with. ❜ ❛ the truth is, i’m a little nervous. ❜ ❛ i cannot let your dreams be realised. ❜ ❛ nothing that happens now is any of your business. ❜
so i got watching a ton of new tv shows lately, and it occurred to me that actually i do love it when characters are unexpectedly saved by someone who just happened to be exactly in the right place at precisely the correct moment, yk? and i failed to think of the right name, so the title of this list is entirely thanks to a very dear friend of mine who informed me! so here's a list, i hope you guys love it, DO NOT ADD TO THIS LIST OR EDIT IT!!! i like to edit them over time as new ideas come to me.
[ ALIBI ]: the sender provides a false alibi to protect the receiver from legal issues.
[ HAND ]: the sender suddenly arrives to grab the receiver's hand before they fall to their death
[ CAR ]: the sender arrives on scene as the impromptu getaway driver for the receiver (who hadn't been expecting it).
[ FATAL ]: the sender unwittingly arrives on scene when the receiver is being attacked, and to protect the receiver, they kill the assailant.
[ DISTRACT ]: the sender provides a diversion so the receiver can escape a dangerous situation.
[ OUT COLD ]: the sender knocks out an assailant before they can seriously wound the receiver.
[ DUNNO ]: the sender lies about the location of the receiver in order to protect them from pursuers.
[ FAKE ]: the sender, in a situation where they're forced to kill the receiver, only pretends to kill the receiver and takes their "dead" body away in the car.
[ SACRIFICE]: the sender sacrifices their life to ensure the receiver's survival.
[ BACK-UP ]: the sender arrives just in time to help the receiver in a fight.
[ EXCUSES ]: the sender provides an excuse for the receiver to stay at an event where they shouldn't be.
[ HIDDEN ]: the sender hides the receiver from pursuers.
[ SHELTER ]: the sender finds the unconscious receiver and brings them to a safe place.
[ HERO ]: the sender tackles the receiver out of the way of an attack.
[ RUN! ]: the sender tackles the attacker so the receiver can make a safe get-away.
[ FIGHT ]: the sender fights off the assailants so the receiver can flee to safety.
[ INTERCEPT ]: the sender unexpectedly emerges and stands between the receiver and a threat.
[ MISDIRECTION ]: the sender points a group of pursuers in the opposite direction to buy the receiver some time to hide.
[ SANCTUARY ]: the sender opens the door when the receiver knocks in search of help, and brings them into their home.
[ REPUTATION ]: the sender, being somewhat infamous in the area, arrives when the receiver is being hassled, causing the assailants to flee rather than risk the consequences of crossing them.
[ RECOGNIZE ]: the sender pretends to know the receiver in order to help them avoid unwanted attention.
[ AFAR ]: the sender incapacitates, distracts or kills an assailant from a distance to protect the receiver.
[ FRIENDS ]: the sender, unable to attend directly, sends friends over to protect the receiver when they encounter a threat.
[ NEGOTIATE ]: the sender intervenes in a tense situation and manages to smoothly persuade a potential threat to leave the receiver alone.
[ BRIBE ]: the sender gives a threat a significant amount of money to leave the receiver alone.
[ ANNOUNCE ]: the sender issues a declaration that the receiver is under their protection, assuring all potential attackers that any attempts will result in a brutal retaliation from them.
VERBAL PROMPTS:
" they're with me. "
" i was with them all night. "
" hey! these guys bothering you? "
" i wouldn't do that if i were you. "
" you must've really pissed those guys off, huh? "
" follow my lead... "
" don't worry. you're safe here. i won't let anyone hurt you. "
" you're lucky i found you when i did; those people were right down the street. "
" get in the car! now! "
" i'm gonna buy you as much time as i possibly can. make it count, okay? get out of here. now! "
" you can come out now. they're long gone. "
" nobody's going to hurt you like that again. "
“Anyone whose goal is ‘something higher’ must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
— Milan Kundera, The Unbearable Lightness of Being
‘ good afternoon cheng xiaoshi ’
HELP - ╱ @einshi
" morning ! .... who are you again? "
"let me see your hand" - 6918 🥺
here’s the charm about illusions: you can almost believe them.
it takes practice, a wild current of willpower to deceive oneself better than false replications, and perhaps that’s the trick of it: what is true and what is a lie? who’s to decide what the fabric of reality truly feels like under the touch? it’s a role reserved only for the strongest, that’s what he believes.
mukuro presses their palms flat against each other, sensing - believing that he is - the warmth that passes through leather gloves, pouring like hot liquid until something melts inside his ribcage. it’s all sorts of familiar: he’s felt it when victory is close, when the first breath of wind caught in his lungs after escaping the endless, pearl-white corridors of the facility in which they kept him and the rest. it had rained earlier that day, so the damp feeling stuck for days after that, shriveled skin and muddied feet.
it’s at that moment that he realizes he’s smiling. something mirrored in kyoya’s eyes, something that makes it harder to break away from the curious digits curling around his own. mukuro locks their gazes, narrowing the space in-between, “shyness doesn’t suit you, all things considered. although your fangs have long since been plucked out, i did always enjoy seeing you struggle to protect your dignity.”
hibari kyoya must think himself stronger than they’d last been, ten years ago. the moment mukuro’s words leave his mouth, he’s pulled closer and his collar is clased around a tight fist. it’s a thorny encounter, of sorts, but he welcomes it, for lack of anything better to do. a smirk tugs at mukuro’s lips - this temper… is endearing.
his free hands lifts to tangle a loose strand of ink-black hair.
“see? that’s much better.”
@sukareo