I Have A Hilarious Year Of The Trees Take: Maedhros And Fingon Are Together (romantically) And Celegorm

Oooooo “Jim has Izzy’s glove”, “Jim has Izzy’s cravat”, “Jim has Izzy’s ring”-

At this point they should just take his whole fit.

"dear cousin, let us talk"

the morning after.

yucky close ups:

I think Seward might be a bit distracted

C.S. Lewis: oh and yeah, the stars are actually people who are functionally immortal (unless bitten by a witch who's shapeshifted into a snake) and come down to earth for rest periods wherein they look like normal humans and eat fire-berries until they can go be stars again, but they can be banished too and become magicians—

me: hold on

C.S. Lewis: keep up, there are also sea people (not mermaids) who have entire civilisations underwater, with dark purple hair and ivory skin, and they ride giant seahorses, and are very aggressive—

me: wait a second

C.S. Lewis: aren't you listening, because there is also a world underneath Narnia with many different sections, including one where Father Time sleeps until the end of the world, and a world underneath that called Bism where gems live and can be juiced like fruit—

me: just hang on a minute

C.S. Lewis: so you don't want to hear about how a centaur feeds both stomachs?

Mmmm medication :) I love you medication. Modern medicine makes my life so much better. "Ohh you're so young maybe you'll want to taper off..." no thank you, I will keep taking the pills that resolve my symptoms :) thank you pharmacology I love you

Yes. Have YOU considered that sometimes working on hard things is both necessary and worthwhile?

Reading the Silmarillion, the elves seem so active and full of life.They’re always doing things. When you get to the Lord of the Rings, they just seem so tired. Elrond holds a meeting and then he’s out. Galadriel has some guests stay with her. They’re so done. They just wanna leave.

More things that get left out of Dracula adaptations

Van Helsing pulls 29 year old Dr Seward's ear like he's still a schoolboy

There's a relationship-establishment flashback between Van Helsing and Seward

In it, Van Helsing accidentally gets cut with something unclean. His then-student Seward immediately drops everything to start sucking on the wound raw

At one point, Seward asks to become his "pet student again."

Dracula has a big, permanent scar on his forehead from Jonathan Harker's shovel

Arthur Holmwood saying "Tally ho!"

Transylvanians conclude that the delirious, amnesiac Jonathan Harker is English due to "his violent demeanour."

Despite attempts to keep low profile, Dracula gets into the news twice in two months (in one of them as a missing dog)

Dracula getting misreported as a dog because English people have never seen a wolf

London newspapers treat Lucy's vampire attacks on children as a meme among kids because they don't believe in vampires

Dracula gets sworn at by a British sailor solely because he thinks Dracula is French

Van Helsing is baffled why British sailors keep talking about blood and bloom (it's swearing)

Van Helsing is friends with real life turkologist traveller Arminius Vámbéry, who is his main source on the Dracula family

Van Helsing is friends with Hans Christian Andersen and references The Ugly Duckling

Van Helsing getting one-upped by Mina every single time he says something sexist about her intelligence

Dracula failing to destroy the evidence against him because Mina backs up her files

Mina and Jonathan kissing on the mouth in front of everybody

Quincey Morris spontaneously gifting Mina the Victorian equivalent of a MacBook Air

You know what my actual favourite Andrew Minyard line in the whole series is? It's not his sentimental lines like, "...from now until May you are still Neil Josten...". It's not even the best love confession in all of literature line, "Doesn't mean I wouldn't blow you." It's when he says "I'm not as smart as I thought I was."

That one line tells you so much about Andrew's character. That's the line that spells out for the reader that Andrew is smarter than he chooses to let on. That's the line that shows you just highly Andrew thinks of his own intelligence and how much he's been relying on it to survive and to keep his promises.

Consider that up until that point Andrew has presented himself with nothing less than the domineering kind of toughness you'd expect to see in a prison scene in a movie. He openly talks about breaking Neil, threatens multiple people with knives and makes everyone work around him. His "tough guy around town" persona and his ability to inflict violence is clearly something he prizes. AND YET. The first time he admits to any kind of dissatisfaction with himself, it's about his intelligence.

That is the point where the reader realizes that Andrew, in his own mind, is an intellectual. He doesn't actually pride himself on being the toughest guy in the room. He's aware that he's all of 5-feet-nothing and he knows at any given moment there's likely to be someone bigger and stronger than he is. What he's counting on in any given situation is being the smartest guy in the room. Fix any issues before they worsen, anticipate and eliminate any threats before they surface, think his way out of any problem that comes up. His intelligence is what he relies on to keep his promises.

That's the moment Andrew realizes that he's been letting his feelings get the better of his logic. He clocks Neil as dangerous from day one. But he's been telling himself that he's letting Neil stay for Kevin's sake or at least just until he can definitively prove Neil is dangerous. But the real reason he let Neil stay and get away with all his sketchy behaviour is because he let the fact that he likes Neil as a person, overcome his logic.

It makes you think, OH, THAT'S WHY Andrew was so interested in Neil in the first place. For someone who prides himself on his intelligence and KNOWS that no one else can match his smarts, Neil figuring out his twin switcheroo trick is the same as Neil throwing down the gauntlet and challenging him to a battle of wits. Andrew keeps trying to trip Neil up and Neil keeps batting his attempts aside and Andrew ends up helplessly charmed by Neil. Because Andrew LIKES that Neil is able to outsmart him sometimes, that Neil is his intellectual equal. And somewhere along the way, he's let himself forget that he "knows better" than to get emotionally attached, than to let someone else best him at his best quality- than to act like every other idiot in love that he's ever met.

You then realize that Andrew hasn't once thought of himself as brawny jock. That off-putting delinquent/school-shooter vibe and psycho reputation is a carefully calculated form of self-defense. It's self-defense in the literal sense of scaring off people who might want to fuck with him, but perhaps also in the sense of protecting himself from being seen. It makes sense, right? If people were to actually try to get to know him with an open mind, they'd soon discover that he IS difficult to get along with in ways they thought they could handle, but can't. Better to act the volatile asshole than suffer the disappointment of people changing how they treat him. And in the unlikely case that people find out that he isn't as tough as he presents himself, they might pity him. And that would be even worse. Much better to be as un-fuck-with-able as possible.

First time reading the book, I was taken in by Andrew's jock-ish façade. But the moment he admitted maybe he ought to be disappointed in himself for not being as smart as he thought he was, I had to set the book down and rethink every assumption I had made about Andrew as a character. The timing of that revelation is so perfect, because it happens just before the Thanksgiving mess. And so as the reader, you're suddenly coming to terms with the fact that Andrew is so much more vulnerable than he's ever portrayed himself to be at the same time that Andrew is being hit with probably one of the worst moments in his life. Like, that absolutely TOOK ME OUT. Which is why, that's one of the best lines in the whole series to me.

CATE BLANCHETT as Lady Galadriel in The Hobbit: An Unexpected Journey (2012) | dir. Peter Jackson