Came back to tumblr just to find out inception big bang sign up deadline was yesterday... ts is so ass...
NOTE: This is not the giant Arthur meta I’ve been talking about. That’s still in the works. But an anon requested that I discuss the caregiver aspect of Arthur’s characterisation a little more (for greater context, see this gif set), so I shall.
(Also cross-posted to LJ for the peeps who can’t stand reading long posts on tumblr)
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Inception is an interesting fandom to be in. At its heart, it’s a fandom of possibility. The PASIV creates endless opportunities for AUs. With the exception of Cobb, no character has an explicitly outlined origin story, so fans get to run amok with head canons (and even Cobb doesn’t have that much back story). And the broad characterisations, with their heavy reliance on archetypes, give us a myriad of character interpretations.
But when it comes to Arthur (Arthur, Arthur, Arthur, my love), these interpretations tend to… uh… cluster. ‘Cold’, ‘impassive’, ‘severe’ and ‘condescending’ are descriptors that come to mind. And, to be fair, Arthur certainly exhibits some of these traits – severity, in particular. But it could be argued – and I have argued – that these aren’t his prevailing traits. However, this meta is not about that. This bit of meta is all about Arthur in the context of Jung’s Caregiver archetype.
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(links are carefully selected example images from golden kamuy)
incredibly skilled with the human form; even difficult poses are rendered perfectly. (does he make everyone naked just to show off?)
babies are Not cute. they're ugly with puffy eyes and always look sleepy and disgusted.
clearly hates drawing teeth and the inside of mouths. notably just leaves the inside of mouths white most of the time. sometimes draws rough teeth, sometimes draws detailed teeth, sometimes implies teeth with shading, sometimes fills it in grey— it's not consistent at all. i think i've deduced that what he hates the most is calculating the position of teeth in the mouth.
despite the above point, he seems to always draw sofia's teeth because her tooth gap is an important part of her character design
sometimes zooms in and draws details (especially on hands) then zooms out and you can tell because now the line weight is a little different
3/4 view from behind (1/4 view?) of people's faces where you just see the funny bumps of their lips. and it always works
big round sweat drips that often have Texture and Shading.
incredibly skilled at drawing animals, even notoriously difficult ones like horses. though most of the animals die. especially horses.
amount of sparkle in the eyes is meaningful. more sparkle indicates the lightness of their spirit, and no sparkle indicates coldness or jadedness. best/worst example is reinvigorated tsukishima. asirpa is of course also a critical example. and i think ogata's eyes never have any sparkle his whole life.
he can draw wrinkles in the places where they would normally go on someone's face, and he can do it well. or he can decide to draw Other lines on someone's face, in any spot, and if someone questions it, the answer is that they're just like that, and you have to accept it. i really like this "they're just like that" approach to character design, and there are many examples in golden kamuy (e.g. ariko's square irises and pupils, ushiyama's forehead plate, tsukishima's nose)
really good at drawing the way strands of hair wrap over the top of someone's head. (look at tsurumi, ogata, hijikata)
he'll draw chapped lips that'll make your own lips feel real dry.
mouths are often shaped like that... but it works
eyes are usually black, but sometimes a character's pupils will get really small during moments of high tension and you can see their iris and it's light
this is just a hunch but i think he prefers drawing men over women
judicious use of lines going up from the corners of the mouth
he's not a coward: if a character's chest is exposed and the angle is right, he will draw that character's nipples, and that is right and just. he will apply the same principle to draw a character's butthole, which i don't have such a strong opinion about.
there are lots of men with very close-cut hair (bc it's the military) and that's not distinctive, so he gets creative with the hairlines. i think this is an underrated aspect of character design.
careful use of line weight on the corners of closed mouths has a powerful effect (of cuteness?) (look out for this next time you read the manga. it's everywhere and it's the best.)
consistently skillful use of ink splatter effects for blood; similar splattery effects used for snow
eyebrows and other facial hair are usually drawn as multiple long, thin lines together, and for an eyebrow with emotion, you put a couple of perpendicular lines at one end or both
strands of blood or hair extend and curl around in unrealistic ways for dramatic effect. this effect is omnipresent.
occasional really, really choice faces that were obviously drawn either from photo reference or while looking in a mirror
character design by actually giving everyone different facial features, as opposed to character design by assigning different hair and accessories to uniformly pretty people. the latter is much easier, but he chose the thorny path of his own will! thank you for setting a strong example, noda-sensei!
Don't be shy rec some fury road video essay 👀
fury road documentary
cinemawins on fury road → part one / part two / part three
what writers should learn from fury road
max vs. furiosa fight analysis
fury road bts: the cars
fury road bts: tools of the wasteland
"highway to home" analysis
fury road film analysis
mad max timeline → part one / part two
At the end of Disco Elysium if you try to recruit Kim to come work with you at the 41st he initially misunderstands the question and blows you off. Did you know that if you back down at that point Jean will cut in and explain your intent for you?
However much Harry has changed since destroying his memory Jean still understands him. And however angry Jean is with him he still immediately steps in to make sure Harry isn't misunderstood.
“One of the most interesting things about Elizabeth Turner was her Kiss of Death. Throughout the trilogy, all of the men she locked lips with has died - including Sao Feng in At World’s End, and (if you want to be petty about it) her father, Weatherby Swann. Usually they would die moments after kissing her for the first time. This excludes Will Turner who has kissed her several times before and beat the odds every time. However, even he succumbed to her kiss and died as well minutes after the two were hastily married by Barbossa. This is most likely a just coincidence and not something that was intentional, but years later it’s still fun to point out to friends and watch a dawn of realization hit their face when they realize that Pirate Queen Elizabeth may have also been the Grim Reaper.”
Y’all just setting Tony up to get his ass beat (x)
Hello. This is Mahmoud Khalaf. Unfortunately my main account was deleted and I created a new one to boost my campaign (the same one). Could you please follow my main account, reblog my post "Dear, Free World: Apathy No More" and my future blogs? @mahmoudkhalafff
This is a vetted campaign, you guys know the drill
Erik, a man who lives in a creaky container in the middle of nowhere said to Charles, a billionaire who lives in a castle: I can give you a home
love them so much
Kristussy got me acting unwise